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Original Finish

Showing all 24 results

  • Buescher Aristocrat 140 Alto Original Lacquer Very Good Condition

    $ 950

    Great deal on a clean, original lacquer, original pads Buescher 140 alto saxophone. This horn has its original snaps and spuds intact, and is a repad shy of being a VERY good player. Minimal wear, minimal past repairs, neck in good shape. This is a clean one that will be an easy repad job for someone. These are among the most undervalued vintage horns right now!

  • Buffet Super Dynaction Alto 16883 Original Lacquer Good Condition Old Pads

    $ 1,250

    Buffet Super Dynaction alto saxophone with original lacquer. This alto came from a collector who favored Buffet saxophones, and it is priced to sell, in good condition. It has had some dings removed, and the pads are old, but you’ll get an excellent pro alto for a bargain price if you get this and get it overhauled. It has the ‘sparkle’ lacquer that the earlier serial Buffet Super Dynaction saxophones have. The earlier ones like this also play darker, and look great too. The original case comes with it. They’re one of the few saxophones along with the Mark VI and the Couf Superba 1 that have a complex, interesting, vintage tone, but keywork that feels more or less modern under the fingers. Intonation is also typically quite good, as you might expect from Buffet Crampon Paris.

  • Buffet Super Dynaction Alto Original ‘Sparkle’ Lacquer Overhauled 13945

    $ 2,950

    Completely overhauled original ‘sparkle’ lacquer Buffet Super Dynaction alto that also comes in a desirable vintage case that is among the nicest vintage cases ever. The overhaul on this horn is quite nice, and it feels great under the fingers. The original lacquer is nearly all intact. The tone is big, wide, medium between bright and dark and ‘operatic’ with a ton of power. The intonation is excellent as well. If you want to get a Buffet Super Dynaction that is as nice as they come, this is the one to get. They are still priced amazingly affordably. Try buying one this nice and getting it overhauled well for less money, and it will be very hard to do.

     

     

  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 800

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Conn Transitional Art Deco Tenor Original Silver Plate Overhauled 243357

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW

    $ 4,300

    I’ll have another one in pretty soon, so you can buy it on backorder now to reserve it. All new Ishimori saxophones get the GetASax new horn checkup after shipping here from Ishimori, so they are definitely in top condition when you get them.

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Sold Out

    Ishimori Wood Stone New Vintage Tenor Saxophone WST-VL with F# Dark Lacquer NEW

    $ 4,700

    Available now! These are hard to keep in stock, but I’m going to try my best to order them in advance to keep one around. 

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short).

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • King New Voll True Baritone Original Silver Plate Near Mint Insane

    $ 2,250

    Original pads on this amazingly well-preserved original silver plate King baritone saxophone. It has to have an overhaul if you want to play it. But then you will have the nicest King baritone saxophone of this model in the world in all likelihood.

    Only one available!

  • Sold Out

    NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Sold Out

    Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Selmer Mark VI Alto 1965 Original Lacquer Very Good Condition 129247

    $ 7,750

    Beautiful condition 1965 Selmer Mark VI Alto saxophone with original lacquer and American engraving. The neck has the matching serial number to the body. It has some stand scratches on the bell, and some miscellaneous wear from use, but it is as nice as can be. The pads are in gret condition! This was a one owner horn that was well cared for its entire life. Now it’s ready for a new owner to take care of it for its next 60 years.

    The tone is dark, powerful, and focused with lots of projection. I like the mid 60’s VI altos the best for tone out of all of the VI altos.

  • Sold Out

    Selmer Mark VI Alto 1974 Original Lacquer Fresh Overhaul 220833

    $ 3,200

    This is a GREAT playing Mark VI alto that really does everything well. It just got a fresh top shelf overhaul, and it is now playing like a brand new saxophone. The pads are Italian leather Pisoni, and the resonators are nice Selmer style slightly domed reusable brass. It feels dry and snappy under the fingers and the low register up to altissimo is effortless! The later serial VI altos are probably the best deal on a Selmer, because they sell for lower prices than the early VI altos, but they have better intonation and easier low register than any other VI altos. They also have a beautiful tone that is medium between bright and dark, works with almost any mouthpiece, and can play anything from classical to rock. This one is original lacquer, with American engraving. The original lacquer is almost all intact, with just some normal wear from use. It’s a one owner horn before I got it and overhauled it for you!

    It makes you want to just keep playing. You won’t want to put it down. Plus it will go up in value while you enjoy it. That’s hard to beat.

    Only one available!

     

  • Selmer Mark VI Sopranino 5-digit RARE Original Lacquer Excellent! 98569

    $ 7,500

    This is an incredibly rare 5-digit Selmer Mark VI Sopranino saxophone. Serial 98569, close to Coltrane’s famous VI soprano. Original lacquer at about 98% intact; extremely clean condition with no damage and no past repairs. Original case is great as well. I may have this significantly underpriced. It’s the ultimate collectible sopranino saxophone. This is the only 5-digit sopranino I’ve had in the history of GetASax, so there is most certainly only one available!

  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 4,250

    This is a fantastic, overhauled, original lacquer Selmer Radio Improved alto in excellent condition! If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane from a few years or so ago before he stopped doing overhauls, and feels nice and snappy under the fingers. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. This has barely been played since the overhaul and is all fresh and nice.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer Reference 54 Alto Saxophone Flamingo Dark Lacquer Plays Great! 708286

    $ 5,450

  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,250

    This is an absolute gem of a vintage Selmer alto. It’s a time capsule with original factory lacquer over the original silver plate and original pads, original case, and all-around a remarkably beautiful American-engraved Super (‘cigar cutter’) alto. These altos play with a sweet, lyrical tone that feels about halfway between what you think of as a Selmer, and how a vintage Conn feels to play. That’s not so surprising, since at the time, Conn was the foremost saxophone maker, and all other brands wanted to get some of the Conn wideness into their tone.

  • Sold Out

    SML Super 46 Tenor Rare! Original Silver Plate Overhauled Good Condition 5117

    $ 4,500

    The SML Super 46 sounds like what would happen if Selmer and Conn saxophones could be hybridized, so you got some French lyrical core and focus with some Conn full-throated power and dark, room-filling tone. That’s not surprising, since SML was started by Selmer craftsmen who wanted to make a more Conn-like saxophone in France. They did! This one I just had to get completely overhauled, so that it could sing again to its full potential. I don’t see many Super 46’s come up for sale, and this one is much nicer than most. With a fresh overhaul, it’s a lot of saxophone for the money, and plus, if you play this out, you won’t sound like everyone else. It has some saxophone hipster appeal in that way. We actually made a video showing how the Super 46 sounds compared to a more common (and later) SML Gold Medal tenor. To me, the Super 46 is wider and wilder sounding than the Gold Medal, and has a little more Conn in it, where the Gold Medal has a little more Selmer. Either one is a fantastic choice, but this Super 46 is probably my favorite.

    Only one available!

     

  • Sold Out

    Yamaha SILVER YSS-82ZRS Soprano Saxophone Mint Condition Setup Excellent

    $ 4,900

    This is a mint condition Yamaha YSS-82ZRS soprano. The Yamaha 82ZRS is basically a reissue of the popular Yamaha 62 soprano. The silver versions were the most desirable of the Yamaha YSS-62R on which the 82ZR is based. So if you have always wanted to get a Yamaha YSS-62RS this is nearly identical, but with some upgraded keywork. The main changes are that the left hand pinky (spatula) keys are now easier to operate and the palm keys are a little more comfortable. Yamaha tells me that the bore and dimensions of the 82ZR are exactly the same as the 62R, and on purpose. It is meant to be a modern reissue of the enormously popular 62R. With the 62R, Yamaha finally broke with the Selmer Mark VI soprano tonal concept and do something warmer, rounder, and more pleasant. It became an instant classic. There’s a big demand for more of these, so Yamaha helpfully rose to the occasion.

    The reason that the 62R/82ZR is so popular is the combination of one piece design – no neck joint to lose air or resonance – and the warm, complex tone that these horns get. And the bent neck, which brings the horn down onto the neck strap for added comfort. Branford Marsalis plays this model, and sounds wonderful on it. I think he helped with the keywork improvements also. In short, it’s probably the best modern soprano available: Lightest, most resonant, very in tune, most comfortable to play, best long term investment. It’s a modern classic.

    If like me, you have always wanted one of these horns in silver, now is your chance. They are hard to find! This one just got its checkup and is ready to go! It is in basically mint condition, but has been played maybe a couple of hours total.

  • Sold Out

    Yamaha YAS-62III Alto Saxophone Brand New with Warranty!

    The YAS-62III Alto saxophone from Yamaha is the go-to, top recommended first professional alto saxophone from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3000. What should we get?” The most common answer is basically always a Yamaha YAS-62III alto. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YAS-62III alto saxophone is meant to get the job done without over-determining the tone.  It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Works for classical or jazz.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have one available late September, 2022. These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Yamaha YDS-150 Digital Saxophone

    Yamaha YDS-150 Digital Saxophone – In stock now!

    $ 799

    November 2022 Inventory Update: Two in stock!

    The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.

    This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly on one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels more like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.

    In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:

    1. The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
    2. The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. The reed doesn’t vibrate though! You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
    3. The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels a bit more like a saxophone to play.
    4. The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. It’s a pretty good idea, thought it still sounds like a midi sax to me. The bari sax model is actually pretty good though.
    5. There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. The app is actually quite good! And you can also input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
    6. Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!

    Shortcomings of the YDS-150 are as follows:

    1. It’s a bit awkward changing notes with the digital switches on the keys versus the analog feel of a real sax.
    2. Similarly, starting and stopping notes with breath is different from how you articulate them on a real sax. So playing four quarter notes staccato requires you to learn habits that don’t transfer to sax.
    3. Reed doesn’t vibrate, so it doesn’t really feel like a saxophone to play.
    4. Saxophone sound samples don’t sound all that much like a saxophone. See our A/B comparison video for comparison of a Yamaha custom alto vs the YDS-150 alto sound model.
    5. No vibrato or control of tone with embouchure – breath only.

    I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.

  • Sold Out

    Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup

    $ 3,798

    The YTS-62III Tenor saxophone from Yamaha is the go-to, top recommended first professional tenor from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3750. What should we get?” The most common answer is basically always a Yamaha 62 tenor. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YTS-62III tenor saxophone is meant to get the job done without over-determining the tone. It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Not very smoky or complex. But you can add most of that back in with a well-chosen mouthpiece.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have some more coming in pretty soon (Maybe June 2022) These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Yanagisawa AWO10 Elite Professional Alto Saxophone Brand New Fantastic Deal! A991

    $ 4,250

    Mint, unplayed, new in the plastic Yanagisawa AWO10 Alto saxophone. It’s also a fantastic deal. The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Yanagisawa AWO2 Solid Bronze Alto Saxophone Brand New + Setup! A902

    $ 4,000

    Available now!

    Brand new, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Yanagisawa TWO2 Tenor Saxophone New in the plastic T902

    Yanagisawa TWO2 Tenor Saxophone brand new (formerly T902) is a professional saxophone for an absolutely bargain price in solid bronze.  It’s also the best built modern saxophone. It just happens to also be affordable. This horn got a new horn checkup after arriving at the GetASax shop. Having a world class repairman take a look at a new saxophone fresh from the factory can often take it from good to great. There are typically 2 or 3 small tweaks that need done, and presto – you get the full experience of what the horn can do. Besides the excellent price, that’s a real selling point, I think. I wish my first new saxophone had been checked out. I suffered with too stiff spring tensions for years in college, without even realizing that I could easily have had that fixed. I know better now!