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Showing 201–300 of 338 results

  • Sold Out

    Otto Link Tone Master 7* (Erik Greiffenhagen) Tenor Saxophone Mouthpiece MPC600

    $ 850

    This is a beautiful Coltrane-era metal ToneMaster (not Super Tone Master). I got it refaced to a playable tip, as the original 3 facing just wasn’t going to work for anyone. The ToneMaster has curved sidewalls, large chamber, and a moderate rollover baffle. The tip was opened to 0.105″ by Eric Greiffenhagen. The refacing transforms this into a modern jazz mouthpiece, but with a bit of darkness and subtone lushness remaining from the large chamber and original character of the mouthpiece. Low resistance and good projection like a good modern mouthpiece of this tip opening. Coltrane played a larger tip ToneMaster like this on some of his most influential recordings. It has that combination of fat tone and projection that a lot of people are chasing. Highly recommended.

  • P Mauriat Low Bb Baritone Near Mint Perfect Condition 0651421

    $ 5,950

  • Penzel Mueller Artist Model Vintage Baritone Saxophone Mouthpiece MPC1031

    $ 250
  • Sold Out

    Ponzol M1 Hard Rubber Custom USA Tenor Saxophone Mouthpiece F50

    $ 225

    This is a hard rubber version of the Ponzol M1 tenor saxophone mouthpiece. It has high baffle, metal mouthpiece proportions. If you like the streamlined proportions of metal and easy on the teeth compliance of hard rubber, this this may be your piece. It has straight sidewalls, small chamber, and a high stepped baffle. Tip opening measures 0.115″. The high baffle does not disappoint with projection and brightness, but it is also surprisingly easy to lay back and get a slightly darker tone. It would be a nice all around mouthpiece in the right setting, like a combo with electric guitar for example, where you want a cool tone with the option to cut through when needed. If you’ve been playing a Berg and want something slightly brighter, this would do the trick. 

  • Sold Out

    Rafael Navarro Maestra Custom 5 Alto Mint MPC1072

    $ 400

  • Reloplex by Rico Hollywood d9 Alto Saxophone Mouthpiece (8 Tip) MPC580

    $ 150

    Straight sidewalls, tall-narrow chamber (like a Brilhart), rollover baffle. Moderate resistance and good projection, medium tone. Tip opening of 0.085″, and plays like a Meyer 7 or 8. This is a plastic mouthpiece closely related to MC Gregory. Interesting mouthpiece. It’s like a dry martini but buzzier since the tip is open and you’ll use a softer reed than Desmond etc.

  • Sold Out

    RPC Red Label Vintage Baritone Saxophone Mouthpiece .135″ 9* Blasts! MPC923

    $ 750
  • Sold Out

    Selmer Balanced Action Alto 1936 Relacquer Great Deal! 21677

    $ 3,200

  • Selmer Balanced Action Alto 1945 Original Silver Fresh Overhaul 31923

    $ 6,500
  • Sold Out

    Selmer Balanced Action Alto Original Lacquer Recent Overhaul Amazing Condition! 24352

    $ 8,500

    This Selmer Balanced Action alto is about as nice an example as I have seen. It has a recent complete overhaul and plays great! The tone is the reason to buy a BA. I play one myself. They’re really hard to beat for the warm, lyrical, sweet, medium spread tone. It’s not extremely dark – kind of medium between bright and dark on the spectrum, but just warm, spread, and pleasant to listen to. The sound sample below gives you the flavor on a GS New York alto piece, which is a copy of my favorite vintage Meyer Bros NY alto mouthpiece. You could sound cooler and more mellow and Desmond-like on an MC Gregory or Brilhart. I’d love to do another sound sample on that to show the difference if time allows. You won’t find a nicer BA alto for sale as far as I can tell. If you’re a BA junkie, I actually have 5-6 of them right now, everywhere from 21k serial up to 31k serial, and most of them are overhauled! It’s a great time to come play some BA’s.

     

     

  • Selmer Balanced Action Alto Original Lacquer Recent Overhaul Beautiful 24710

    $ 6,000

  • Selmer Balanced Action Alto Worn Relacquer Getting Overhauled! 27138

    $ 4,000

    If you want a Selmer Balanced Action (and you should, because it is the best sounding Selmer alto ever made), and you don’t want to pay a lot, but you also want it to be in top playing condition with a fresh full overhaul, then I don’t think you will be able to do better than this Balanced Action. I like the 27k BA’s a lot, as they have great intonation, comfortable keywork, and a sweet, warm, gorgeous Selmer tone. You can sound like Jimmy Dorsey on one, or like Paul Desmond, or any number of other players, with a lot of practice and a cooperative mouthpiece. The tone is so pleasant that you will find yourself getting compliments from ‘regular people’ who may hear you playing and just want to come over and let you know how nice it is to hear you. I’m not kidding! Try this with our upcoming MC Gregory Model A copy GS mouthpiece or with our GS Brilhart Tonalin copy, and you’ll get a cool, West Coast type of sound on this BA without having to work hard for it.

    Only one available!

  • Sold Out

    Selmer Balanced Action Tenor 1940 Silver Replate Extra Engraving Amazing Player 29738

    $ 7,850

    This is an awesome player for a very reasonable price for a prime serial range Selmer Balanced Action Tenor saxophone from 1939. My favorite vintage Selmers overall are the BA tenors, and my personal BA is a 29k serial just like this. This one is replated, and it has lots of extra engraving added to the bell showing the most famous building in Madrid. The tone is the main reason to buy this sax. Checkout the sound sample of Tyler playing it with a GS Slant 7*. That’s THE SOUND. It has great pads from a recent overhaul and plays effortlessly. If you want a ridiculously good vintage Selmer for a very reasonable price, this is the one to get.

  • Sold Out

    Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Sold Out

    Selmer C* S80 Alto Saxophone Mouthpiece MPC488 Good Player

    $ 125
  • Sold Out

    Selmer C** Alto Saxophone Mouthpiece Vintage Scroll Metal Silver MPC956

    $ 300

    This is a vintage Selmer scroll shank silver plated alto mouthpiece in quite good condition. The chamber is medium and round, to tune well on Selmer saxophones, and the mouthpiece sounds something like the Larry Teal hard rubber Selmer scroll shank, but with a little extra focus and projection from being a metal mouthpiece. It’s not super bright, but more warm, round, focused, and a little louder than its hard rubber counterpart. Tip is a C**, so fairly closed – about .070

  • Selmer Case Only Mark VI Baritone Mint Unbelievable

    $ 650

  • Selmer Centered-Tone Rosewood Bb Clarinet (Needs Thorough Restoration) P5382

    $ 450
  • Sold Out

    Selmer Long Shank Soloist C* Alto Saxophone Mouthpiece 1960’s Near Mint MPC1038

    $ 350

  • Selmer Mark VI Alto 1956 (worn) Original Lacquer Good Condition Euro 64353

    $ 6,500

  • Selmer Mark VI Alto 1959 Good Pads Relacquer Great Player! 78750

    $ 6,750

  • Selmer Mark VI Alto 1960 Original Lacquer Older Pads Good Condition 87926

    $ 7,500

  • Selmer Mark VI Alto 1962 Original Satin Silver Gorgeous Freshly Overhauled! 106288

    $ 7,500

  • Selmer Mark VI Alto 1964 Original Lacquer Exceptional Player 113249

    $ 8,500

    Selmer Mark VI Alto from 1964 with a top shelf overhaul done through GetASax. This alto is an exceptionally fine player. It is just effortless to play with a dark, powerful, tenor-like tone and feel. The early 100k range are my overall favorite Mark VI’s for tone, and this is one of the best of those that I have played. Check out Tyler playing it below (with his GS New York 7 tip alto piece, Echomaster ligature, and Rigotti 3 medium reed). This includes the overhaul the horn, and the nearly new condition BAM Cabine alto case in black. Only one available!

  • Selmer Mark VI Alto 1965 Original Lacquer Very Good Condition 129247

    $ 7,750

    Beautiful condition 1965 Selmer Mark VI Alto saxophone with original lacquer and American engraving. The neck has the matching serial number to the body. It has some stand scratches on the bell, and some miscellaneous wear from use, but it is as nice as can be. The pads are in gret condition! This was a one owner horn that was well cared for its entire life. Now it’s ready for a new owner to take care of it for its next 60 years.

    The tone is dark, powerful, and focused with lots of projection. I like the mid 60’s VI altos the best for tone out of all of the VI altos.

  • Selmer Mark VI Alto 1971 Original Lacquer Recent Overhaul Excellent Player! 190655

    $ 7,000

  • Selmer Mark VI Alto 1972 Original Lacquer American Engraved 194784

    $ 6,750

    This beautiful original lacquer Selmer Mark VI alto is just got a complete overhaul, which means it has all new pads, corks, felts, complete cleaning, new oil, thorough setup and everything feeling like a new horn under the fingers. An overhaul means it’s almost like buying a new saxophone, in terms of upkeep, playability, feel, reliability etc. The Mark VI is one of the best built saxophones ever, and it is also one of the easiest to repair, so if you’re comparing this to a new Selmer or a Yamaha or Keilwerth or whatever, this horn actually wins in the reliability and build quality departments. And the tone is also much nicer! The later serial VI’s are just about the best of the Mark VI altos. You get a warm, gorgeous, medium focused, medium bright, flexible tone. Great intonation (better than the early VI’s), excellent ergonomics, easy altissimo, saturated effortless low register, and the delight of playing what is basically THE professional saxophone. From classical to jazz to commercial music, the VI has a versatility that lets you do it all on one horn better than anything else ever made (including to this day). And the later VI altos are less expensive than the earlier ones too. This one costs less than a new Selmer and gives you better everything, even including the cost of the complete overhaul. Plus it goes up in value while you play and enjoy it. It is really hard to beat all those considerations taken together when you’re thinking about what professional alto saxophone to buy.

    Only one available!

  • Selmer Mark VI Alto 1973 Original Lacquer Very Good Condition 208643

    $ 5,000

  • Selmer Mark VI Alto 1974 Original Lacquer American Engraved Plays Great! 211023

    $ 5,500

  • Selmer Mark VI Alto 1975 Worn Original Lacquer Great Deal! 237791

    $ 3,950

  • Selmer Mark VI Alto Original Lacquer Excellent 229239

    $ 6,000

  • Selmer Mark VI Alto Original Lacquer Good Condition Old Pads Relacquered Neck 197380

    $ 4,350

    Good deal on this original lacquer Selmer Mark VI alto. It looks to me like the neck was relacquered at some point, which was done well. As a result, you can save some money on this alto, despite the fact that the neck’s getting a new coat of paint shouldn’t affect anything about the saxophone’s playability. (Relacquering tends to affect things like the key fit of the body of the sax, or sometimes the tone holes, but these are not issues on a neck.)

    This sax is on consignment, and I haven’t been able to overhaul it myself, but for this price, you can have your favorite repair shop overhaul it and still come out thousands below the price of a new Selmer, for something that sounds better!

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1973 Near Mint Original Lacquer Original Pads 216700

  • Selmer Mark VI Baritone Low A 1962 Original Lacquer Plays Great! 99457

    $ 14,500

  • Selmer Mark VI Baritone Low A Near Mint Fresh Overhaul Incredible! 262323

    $ 13,500

    This is a nearly pristine original lacquer Selmer Mark VI baritone with low A. It has literally everything you could want in a baritone: almost all the original lacquer is intact. It’s American engraved and gorgeous. The intonation is great. The pad feel under the fingers is like a brand new saxophone, as it has a fresh overhaul with very little play time on it. The pads are Italian leather Pisoni, and everything about it is deluxe. The case is a nice, new protective MTS with wheels and soft foam interior that makes this safe in shipping and easy to get around with. This is one of the most perfect Selmer Mark VI baritones I have seen, and it is really not even priced much differently than a new Yanagisawa BWO20 or something. And this Mark VI has to be the better player with a complex, colorful Selmer tone, and it should also hold its value or go up in value nicely over time while you play it and enjoy it.

    Only one available!

  • Selmer Mark VI Low Bb Baritone Extra Engraving Beautiful! 254784

    $ 6,000

  • Selmer Mark VI Sopranino 5-digit RARE Original Lacquer Excellent! 98569

    $ 7,500

    This is an incredibly rare 5-digit Selmer Mark VI Sopranino saxophone. Serial 98569, close to Coltrane’s famous VI soprano. Original lacquer at about 98% intact; extremely clean condition with no damage and no past repairs. Original case is great as well. I may have this significantly underpriced. It’s the ultimate collectible sopranino saxophone. This is the only 5-digit sopranino I’ve had in the history of GetASax, so there is most certainly only one available!

  • Selmer Mark VI Tenor 1955 Silver Plated Replate Very Good Condition Plays Great 57291

    $ 8,250

  • Sold Out

    Selmer Mark VI Tenor 1959 Original Lacquer Euro Engraved Excellent! 77960

    $ 15,500

    Here’s a gorgeous, prime serial, 1959 vintage Selmer Mark VI Tenor in absolutely excellent condition. It has original lacquer, original pads, original neck in excellent condition, not damaged or pulled down. This is a Euro-assembled Mark VI, so it has the lighter color French lacquer that you typically see on Euro Mark VI’s, and it has the Euro engraving pattern as well. The top coat of original lacquer over the engraving is a little thicker on Euro VI’s, which makes them have a different look from American-engraved VI’s of the same vintage. It’s the same exact saxophone underneath. Only the lacquer color and engraving pattern is different, since all of these Selmer Mark VI’s were manufactured at the same factory in France, and only finished in different places.

    The only past repairs I see on this horn are a ding removed above the octave key, and a small ding removed from the back of the body tube, that is pretty much invisible now. There’s a little light lacquer wear on the back of the body tube, and besides that, you have about 98% of the original lacquer intact and no past repairs or resolders at all. Neck looks great, bell, bow, and body tube are all great. I put this in a BAM Cabine tenor case for photos, since that will keep it safe in shipping, but if you want to discuss getting a vintage Euro Selmer Mark VI tenor case, I might have one I could pair with the horn to complete the set. You won’t find a nicer 1959 Selmer Mark VI tenor for sale anywhere, as this is already in the top 1% of Mark VI’s condition wise. The pads are original, so it’s time for a repad if you want it to play its best, but it’s on consignment, and ‘it’s only original once’ so I’m leaving it original for now. It will be a very easy repad job, as this horn is super clean and nice, and Mark VI’s are easy to work on.

    Only one available!

  • Selmer Mark VI Tenor 1961 American Engraved Original Lacquer Excellent Condition 95721

    $ 16,950

    If you’ve been looking for a 1961 Selmer Mark VI Tenor in excellent condition for a while, and have been waiting to buy a really special one, then your wait may be over! I haven’t had one this clean and beautiful in a few years, and I don’t know when I’ll get another! The 5-digit serial Selmer Mark VI tenors have gotten pretty hard to find in clean original condition like this, and prices have been going up. This one is priced on the low side of what I’m seeing people asking at other dealers and on eBay. I was very pleasantly surprised with the condition when it arrived from the original owner. The original lacquer is almost all present, and there is no damage at all – no dents or dings, no resolders, and the original neck with matching serial number is in excellent condition with no pull down or past damage. The American engraving looks great, and the lacquer color is a gorgeous deep honey gold.

    The pads are original, and the horn still plays remarkably well on them, with a huge, powerful tone. It takes air really well and has a big sounding altissimo. It also comes in the beautiful original Chesterfield case. I love how the edge binding on this case is one continuous piece in a sort of figure 8 pattern. The 90k VI tenors have a punchy, dark, focused, powerful tone that is pretty much the tenor sound that most pro players seem to be looking for today. With a brighter mouthpiece, these things project like crazy. With an overhaul, this will be the sort of horn that you just don’t want to put down.

    Only one available

  • Selmer Mark VI Tenor 1961 Relacquer Good Pads Great Deal! 95096

    $ 7,000

    This is a nice example of a Selmer Mark VI Tenor saxophone from 1961 with good pads that plays well and is priced extremely well. It’s wild that you can get a 5-digit Mark VI for not that much more than a pro Yamaha just by getting a Selmer that has a new coat of lacquer. This horn has no dents or dings, and the neck has the matching serial number. The American engraving isn’t as sharp as some relacquers, so the bell has been buffed a fair amount, but the horn feels good under the fingers and plays great with a dark, powerful, projecting tone. If you’ve been looking for a solid, great sounding vintage Selmer that is priced on the low side relatively speaking, this is a great option that you can just buy and play, and you don’t need to get overhauled. I put it in a BAM Softpack tenor case which is molded on the shape of a Mark VI, and which is great for gigging, and very safe for shipping. Only one available!

  • Selmer Mark VI Tenor 1962 Relacquer Great Vintage 104515

    $ 5,950

    This is a great deal on a nice condition relacquered Selmer Mark VI Tenor from 1962. It’s American-engraved with original neck with matching serial number. There are no dents or dings. It had some small dents removed from the back of the body and looks great now. The pads are older, so it’s time for either a thorough playing condition job or just a fresh overhaul. It’s on consignment, so I haven’t spent any money on it, but the price is low for what you get. Usually, you’d pay around $1500 more than this for a ’62 VI which is basically a 5-digit in design, if it had a recent overhaul. This horn is a strong player even on leaky older pads, and will definitely be really great overhauled. It comes in a nice original case as well.

    Only one available!

  • Sold Out

    Selmer Mark VI Tenor 1966 Relacquer Great Deal 136290

    $ 6,500

    This Selmer Mark VI tenor from 1966 is refinished, and it just got a full overhaul and plays its best. It’s such an effortless player with saturated subtone low register, easy altissimo, the works. Fantastic! It has a gorgeous medium dark tone. The intonation is great, and the feel under the fingers is great. If you’ve been looking for a great sounding Selmer Mark VI that is priced very reasonably, and that has a complete overhaul with all new everything, that’s this. It should be nice and easy to own, since all is fixed up and mechanically tight and snappy.

  • Selmer Mark VI Tenor 1968 Original Lacquer American Engraved 153220

    $ 7,450

  • Selmer Mark VI Tenor 1973 Relacquered Great Deal 210448

    $ 4,250

  • Selmer Mark VI Tenor 1974 Original Lacquer Very Good Condition Getting a Full Overhaul Now! 234158

    $ 7,650

    The Selmer Mark VI sets the standard for pro tenor saxophones. No other tenor sax has been used on as many landmark recordings, or by as many top artists. The basic reason is because it has the best all around combination of features: excellent ergonomics, excellent build quality, excellent design and dependability, but most of all, a rich, complex tone that is just very pleasant to listen to. This particular tenor is original lacquer and came in with its original pads still intact! I love buying pristine examples, because they can be easily overhauled and put into factory fresh playing condition again when the overhaul is done right (which it is). This one has its full overhaul in progress, which is a big job on a saxophone but is well worthwhile, and basically resets the sax back to nearly new playing condition, and makes it dependable and easy to own for another decade or two depending on how much you play it.

    This one checks all the boxes: affordable price, original lacquer in great shape, American engraving, no significant past repairs and no current repair issues, original neck is in great conditions — even the original case looks good! The VI holds its value better than any other saxophone too, so the cost of ownership is quite low— it will often even go up in value over time if you keep it for a while.

    Only one available!

  • Sold Out

    Selmer Mark VI Tenor 85566 Factory Relacquer Old Pads

  • Selmer Mark VII Alto Original Lacquer American Engraved 256747

    $ 3,450

  • Selmer Mark VII Alto Original Lacquer Very Good Condition 244921

    $ 3,150
  • Sold Out

    Selmer New Large Bore Tenor Original Plays Well! 13182

    $ 4,350

  • Selmer New Largebore Tenor Original Silver Very Good Condition 8576

    $ 4,200

  • Sold Out

    Selmer NOS Scroll Shank Metal C* Soprano Saxophone Mouthpiece MPC621

    $ 500

    Rare new old stock example of a Selmer Scroll Shank metal soprano saxophone mouthpiece like John Coltrane played on his Mark VI soprano. If you have a Selmer soprano, these Selmer pieces really improve the intonation, as they have a small chamber that is precisely designed to tune with the bore of a Mark VI. And as we all know, intonation is one of the main obstacles to good soprano playing. Plus the tone is nice and focused and reedy, a la Coltrane. Hard to beat if that’s the sound you want.

  • Sold Out

    Selmer NOS Scroll Shank Metal C** Soprano Saxophone Mouthpiece MPC623

    $ 500

    Rare new old stock example of a Selmer Scroll Shank metal soprano saxophone mouthpiece like John Coltrane played on his Mark VI soprano. If you have a Selmer soprano, these Selmer pieces really improve the intonation, as they have a small chamber that is precisely designed to tune with the bore of a Mark VI. And as we all know, intonation is one of the main obstacles to good soprano playing. Plus the tone is nice and focused and reedy, a la Coltrane. Hard to beat if that’s the sound you want.

  • Selmer Paris ‘Saint Louis’ Professional Bb Clarinet 2004 Limited Edition Super Deluxe! P05449

    $ 6,000

  • Selmer Paris 10G Bb Clarinet Very Good Condition E0864

    $ 1,400

  • Selmer Paris Airflow B Tenor Mouthpiece Scroll Shank Rare MPC1467

    $ 450

  • Selmer Paris Bb Clarinet K8641 Good Condition

    $ 700

  • Selmer Prelude Student Alto Very Good Condition

    $ 600

  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 4,250

    This is a fantastic, overhauled, original lacquer Selmer Radio Improved alto in excellent condition! If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane from a few years or so ago before he stopped doing overhauls, and feels nice and snappy under the fingers. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. This has barely been played since the overhaul and is all fresh and nice.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer Reference 36 Tenor Excellent Condition 604536

    $ 5,750

  • Selmer Reference 54 Alto Kookaburra Exc Cond Fresh Full Overhaul! 700124

    $ 5,750

    This Selmer Reference 54 alto is completely overhauled, which sets it far apart from other used modern Selmers that you will find on the market. This is also the Kookaburra edition. I understand they made 340 of these for the US market. They do seem to sell a little higher than the average Reference 54. I love how these horns play once they get a good overhaul. The odd thing is, they can be in nearly new condition, as this one is, and yet still need an overhaul to play well. As you probably know, unless you’re just getting into nice saxophones, an overhaul is a big job, and means that everything is rebuilt and replaced that is disposable on the saxophone. It takes a few days worth of skilled labor and a few hundred dollars worth of materials, so it’s not cheap. The result is a saxophone that plays and feels better than new, as this one does. It’s a deal at this price. The Reference 54 is my favorite modern Selmer.

    Original case is included, also in excellent condition.

    Only one available!

  • Selmer Reference 54 Alto Saxophone Flamingo Dark Lacquer Plays Great! 708286

    $ 5,450

  • Sold Out

    Selmer S80 C* Alto Mouthpiece MPC353

    $ 95

  • Selmer S80 C* Baritone Saxophone Mouthpiece MPC1442 Nice!

    $ 275

  • Selmer S80 D facing Tenor Saxophone Mouthpiece MPC607

    $ 100

    This piece has a smallish tip opening and a square chamber, giving it a narrow dynamic range and a stuffy, nasal tone. Some band directors require these mouthpieces, as do many saxophone teachers, so I always have tons of them around here. But if I had my way, they would all be incinerated. I mean this specifically about the tenor pieces – the altos and sopranos are nice for beginner players. If you are required to buy this piece by some ill-informed authority figure, then please do the following two things. First, buy a used one, rather than paying the ridiculously high new price that Selmer charges, and second, let me know, and I will help you to find another piece that will actually give your otherwise-nice-sounding tenor the kind of tone that it deserves to have. The only mouthpiece this is better than is the even smaller tip C* S80.

  • Selmer SA80 Series 1 Baritone Clean Original Amazing Shape! 373693

    $ 8,500

    This is a near time capsule Selmer Series 1 Baritone saxophone from 1985 with low A. It has a little lacquer loss on one spot on the bell from the rubber pad of a baritone sax stand, but besides that it’s in excellent condition. No past damage, no dents or dings. Silver plated keys. This bari was purchased in person in France in 1985 and brought back to the USA by the original owner, who sold it to me. I like the Series 1 Selmers better than any of the more recent models, and they are also the best built modern Selmers. If you want a top quality low A baritone that is in excellent condition for an affordable price (for a pro baritone) then that’s what this is! Only one available.

  • Sold Out

    Selmer Scroll Shank D Vintage Metal Soprano Saxophone Mouthpiece Soloist MPC517

    $ 400

    Made famous by John Coltrane, who played this mouthpiece on his classic soprano recordings like In a Sentimental Mood, and Favorite Things, the vintage Selmer Scroll Shank (Soloist) Soprano saxophone mouthpieces remain popular today. This is a beautiful example of a Scroll Shank D with a silver plate and its original facing. It also includes the original ligature and cap. It plays easily and has that reedy, focused, projecting, medium bright tone that you think of with those classic recordings. The chamber is round and not very large, much like the hard rubber version of the Soloist soprano pieces. The metal seems to give you just a bit more brightness. The tip on this one measures a comfortable .051″ making it easy to play with a medium reed strength.

  • Selmer Scroll Shank Soloist Style C* Tenor Saxophone Mouthpiece Near Mint MPC1036

    $ 450

  • Selmer Series 10G Bb Clarinet Fresh Repad! E0864

    $ 1,500
  • Sold Out

    Selmer Short Shank Soloist C** Alto Saxophone Mouthpiece 1950’s Very Good Condition MPC1037

    $ 500

  • Selmer Soloist C Tenor Saxophone Mouthpiece MPC505

    $ 275

    This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.

  • Sold Out

    Selmer Soloist C* Alto Saxophone Mouthpiece MPC379

    $ 350
  • Sold Out

    Selmer Soloist C* in oval Soprano Saxophone Mouthpiece Original Facing MPC937

    $ 650
  • Sold Out

    Selmer Soloist D Long Shank Tenor Saxophone Mouthpiece MPC513

    $ 275
  • Sold Out

    Selmer Soloist D short scroll shank reface “KAY VII*” Alto Saxophone Mouthpiece F06

    $ 400

  • Selmer Soloist Short Shank Alto C* Original Facing 1950s MPC1432

    $ 450

  • Selmer Soloist Short Shank Alto Refaced to D .076″ Nice! MPC1414

    $ 395
  • Sold Out

    Selmer Soloist Short Shank C** Tenor Saxophone Mouthpiece MPC597

    $ 400

    This is a beautiful example of a 50’s Selmer Soloist ‘short shank’ tenor saxophone mouthpiece. This would have come with a late SBA or 50’s Selmer Mark VI tenor. It was designed as a dark, classical leaning mouthpiece, but sometimes people get these opened to larger tips to do the Joe Henderson sort of thing for jazz. The Soloist has straight sidewalls, a pretty small chamber, and a very slight rollover baffle. Dark mellow tone, high resistance piece, good for section work or maybe classical with a bit of an edge. Tip opening measures 0.075″.

  • Selmer Soloist Short Shank D Alto Original Facing .078″ MPC1415

    $ 850

  • Selmer Soloist Style E Tenor Nice Tip and Rails Easy Player MPC1448

    $ 275
  • Sold Out

    Selmer Super Action 80 Series II Alto Very Good Condition 499176

    $ 3,250

  • Selmer Super Balanced Action Alto Original Lacquer Recent Overhaul Great Deal! 48624

    $ 6,500

  • Selmer Super Balanced Action Tenor 1953 Original American Engraved Great Player! 50116

    $ 14,500

    This is a beautiful original lacquer Selmer Super Balanced Action tenor saxophone with American engraving and original lacquer. It has a recent overhaul done very well in CA with red painted leather pads and slightly domed metal Selmer-style resonators, and it plays GREAT! I don’t think any saxophone has nicer engraving than the SBA tenor. This one is the total package, and it is priced really well too, I think. I’ve seen relacquered SBA’s with old pads going for $12k online recently, and this one is original and has a high-end overhaul and no dents or dings and is priced not much higher. Whoever gets it is going to be really pleased. The tone is warm, rich, and velvety like Hank Mobley (who also played a 50xxx SBA, and who is one of my favorite tenor players to listen to).

    Only one available!

  • Selmer Super Balanced Action Tenor 1954 Near Mint Original Lacquer Original Pads Amazing 53933

    $ 22,500

    Well, I’m asking a lot for this one, but there hasn’t been an original pads, original case, undamaged, American-engraved, original lacquer Selmer SBA tenor on the site in quite some time, and I think it’s rare and great enough to warrant it. The nicest violins, guitars, flutes, bassoons, pianos, cellos – almost any other instrument – are all way more expensive than this, so I think it’s pretty reasonable relatively speaking. The original case is beautiful, original pads and Tone-x resonators are intact. No damage at all. This one is great!

  • Selmer Super Balanced Action Tenor Original Lacquer American Engraved Exceptional 54084

    $ 18,000

    This is an exceptionally fine playing Selmer Super (Balanced) Action Tenor saxophone with gorgeous original lacquer. it had a nice overhaul done about 6 years ago that is still going strong. Pads are great, and it plays beautifully. This is on consignment, and if I could afford to buy it off the consignor to keep myself, I would.

  • Selmer Super Sax Alto Original Gold Plate Cigar Cutter Incredible! 15459

    $ 6,000

  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,250

    This is an absolute gem of a vintage Selmer alto. It’s a time capsule with original factory lacquer over the original silver plate and original pads, original case, and all-around a remarkably beautiful American-engraved Super (‘cigar cutter’) alto. These altos play with a sweet, lyrical tone that feels about halfway between what you think of as a Selmer, and how a vintage Conn feels to play. That’s not so surprising, since at the time, Conn was the foremost saxophone maker, and all other brands wanted to get some of the Conn wideness into their tone.

  • Sold Out

    Selmer Super Session D Alto Saxophone Mouthpiece MPC602

    $ 200

    Straight sidewalls, large round chamber, rollover baffle. Tip opening measures 0.77″. This is a nice all-around mouthpiece for classical, section blending, or the developing player. It has medium resistance and a medium-dark tone, but allows for some tonal flexibility. As you would expect from the bore shape, it has more in common tonally with a Link Tone Edge or a vintage Selmer Soloist than with an S80 C*, but still more well mannered, with a bit more resistance and less brightness.

  • Sold Out

    SML 4 Tenor Saxophone Mouthpiece Vintage French Complete Your SML Set MPC954

    $ 49

  • SML Coleman Hawkins Special Tenor Super Rare! Recent Overhaul 5349

    $ 6,000
  • Sold Out

    SML Super 46 Tenor Rare! Original Silver Plate Overhauled Good Condition 5117

    $ 4,500

    The SML Super 46 sounds like what would happen if Selmer and Conn saxophones could be hybridized, so you got some French lyrical core and focus with some Conn full-throated power and dark, room-filling tone. That’s not surprising, since SML was started by Selmer craftsmen who wanted to make a more Conn-like saxophone in France. They did! This one I just had to get completely overhauled, so that it could sing again to its full potential. I don’t see many Super 46’s come up for sale, and this one is much nicer than most. With a fresh overhaul, it’s a lot of saxophone for the money, and plus, if you play this out, you won’t sound like everyone else. It has some saxophone hipster appeal in that way. We actually made a video showing how the Super 46 sounds compared to a more common (and later) SML Gold Medal tenor. To me, the Super 46 is wider and wilder sounding than the Gold Medal, and has a little more Conn in it, where the Gold Medal has a little more Selmer. Either one is a fantastic choice, but this Super 46 is probably my favorite.

    Only one available!

     

  • Sold Out

    Steve Broadus New York Perfected Model S3 Tenor Saxophone Mouthpiece MPC599

    $ 150

    Steve Broadus mouthpieces are high quality and under-appreciated today, mainly because they didn’t do enough marketing in the mid-20th-century, and because they mostly made smaller tip openings. This is well made though and has high-quality materials and design. It should probably be refaced unless you like very small tip openings. It has curved sidewalls, large chamber like a Link Reso Chamber, mild rollover baffle. Tip opening measures 0.058″. With a normal reed, this is thin and pinches off due to the very small tip opening, but with a harder reed, it has nice resistance and a lush dark tone, but still not a whole lot of projection. An interesting piece for west coast style combo work or a starting point for a modern reface.

  • Sold Out

    Tan Leather Reunion Blues USA Alto Leather Gig Bag Case

    $ 450
  • Sold Out

    Ted Klum Tonamax HR Alto Saxophone Mouthpiece 5 Marbled Mouthpiece Mint MPC1069

    $ 500
  • Sold Out

    Ted Klum VersiTone Acoustimax 5 Alto Saxophone Mouthpiece Ivory MPC1067

    $ 265

  • Ted Klum Versitone Acoustimax Alto Custom TK 10 Tip! .095″ MPC1436

    $ 240

  • Ted Klum VersiTone Acoustimax Alto Mouthpiece 5 MPC1434

    $ 225

  • Ted Klum VersiTone Acoustimax Alto Mouthpiece 7 MPC1430

    $ 225

  • Tenor Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Otto Link Slant Selmer Soloist

    $ 165

    For hard rubber tenor saxophone mouthpieces like Otto Link Tone Edge, Otto Link Reso Chamber. All Link Slant tenor copies and reproductions, and almost all modern hard rubber tenor mouthpieces will fit great with this ligature. It has long screws to fit a slim hard modern Vandoren or Selmer Soloist, all the way up to large body vintage tenor piece like a Conn Steelay, or the larger NY Meyers, Woodwind Co NY, or Hard Rubber Brilharts. The all-metal design is more labor intensive to build, with a lot of careful silver soldering going into the production. The brass is high quality and supple. The BB screws tighten easily.

    **Out of the box, the ligature is adjusted to fit a larger body mouthpiece like an Otto Link Tone Edge. For a slimmer mouthpiece, simply put the ligature on your mouthpiece, tighten the screws, and then press hard to bend the reed plate a little closer to the table.

    This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Tenor Hard Rubber Brilhart 3-Band Reproduction Ligature Echo Brass

    $ 165

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature.