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Brilhart Streamline 5 Alto Saxophone Mouthpiece MPC400$ 375
Beautiful almost new example of a rare Streamline Brilhart Ebolin alto mouthpiece. Stamped 3*, it measures like a Meyer 5 tip at .074″ on the original facing. This is often the case with Brilharts, where you only know the tip by measuring.
This mouthpiece plays great with a beautiful warmth and fullness that also does not lack projection. Brilharts like this are among my favorite vintage alto mouthpieces (along with Meyer and MC Gregory).
If you happen to want the rare and collectible original Brilhart BB screws streamline alto ligature and cap, I have one in my collection that fits this mouthpiece that I would be open to selling.
Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407$ 1,650
This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell. This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere. There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!
These horns are undervalued in my opinion. I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone. Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.
Conn 10M Tenor Saxophone 1940 Pre War Excellent Condition Orig Overhauled!$ 4,650
Fresh overhaul just finished late October! New photos coming soon. This is one sweet original 10M from the best vintage. Arguably the best sounding tenors ever. The overhaul came out wonderfully, and this thing feels like a new horn under the fingers.
Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads$ 2,350This Conn 10M tenor saxophone from 1948 comes to you in very good original condition. There are no resolders. The bell flare is undamaged. Neck is not pulled down. Body tube looks clean as well. There were some small dents removed from the back of the bow, but that was done well, so that it is hard to tell at all. Everything is in good shape and keys move freely. Rolled tone holes are also undamaged and in great shape. You can almost play the horn on the existing reso-pads but it would be 10x better with an overhaul.Great, clean, original lacquer Conn 10M that will be a super player. Priced to sell!
King Super 20 Alto 1948 Original Lacquer Full Pearls Needs Neck 283216$ 2,450
King Super 20 Tenor Saxophone Full Pearls Original Lacquer Overhauled 298321$ 7,500
This is an absolutely BEAUTIFUL example of a King Super 20 Tenor saxophone from 1948. It has all the features that you look for in the best Kings: solid silver, double socket neck; engraving all over; and ‘full’ pearls, meaning pearl key touches on the side keys, G# and the palm keys. I don’t think a better saxophone all-around has ever been produced. That’s why I play Kings myself. Plus this one has a recent top shelf overhaul done in California that feels just great. You want a King to be setup and overhauled by someone who knows Kings, for a player who plays Kings. And that’s what you’re getting here! I actually sold this exact horn a few years ago to a long time customer who is a great tenor player, It was entirely original factory pads when I got it. Untouched and near mint. It is now even better – still amazing cosmetically, but playing its best as well!
There are no resolders or past repairs on this Super 20, and it has beautiful original lacquer. Tonally, the 1948 Super 20 is a medium bright, powerful, projecting saxophone. It’s relatively darker than the later Super 20’s. They get very bright in the late 50’s and early 60’s. But this one is still quite powerful and focused, while sounding a bit darker and fatter than the later ones. The palm key and altissimo tone stays fat and full on a Super 20, which is one of the best things about it. Selmer tend to thin out in the upper register, but Kings stay quite strong. The low register just pops right out no problem. You can play a saturated ppp low Bb without any trouble.
You would be hard pressed to find a better example of a King Super 20 for sale anywhere right now! I have a few other serial numbers and versions coming up for sale, but none as nice as this. Whoever grabs it will have a really first rate tenor!