Ted Klum

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  • New York Model alto Meyer Bros Ted Klum

    ‘Meyer Bros.’ New York Model Alto Mouthpiece by Ted Klum – the Best!

    $ 499

    This is an exceptional alto saxophone mouthpiece. It does literally anything you want it to, from lead alto, to ballads, to section work, to pit and concert band. It is what I play, and I can’t recommend it highly enough. Every single person who has bought one has emailed back or called me with rave reviews. I don’t normally make these kinds of pronouncements about mouthpieces, but until you play one of Ted Klum’s facings, it is possible that you don’t yet know how easy it should be to play saxophone. The response is instant; subtone is effortless; altissimo is right there and easy. The tone is just gorgeous – it’s based on the type of Meyer Bros that Cannonball Adderley played, and it really does lean in that full-throated, warm, lyrical direction that you think of with Cannonball. Phil Woods’ tone is another reference point for alto players, and he also played a NY Meyer like this is based on. The big reasons to buy this instead of hunting for a NY Meyer are price and consistency. Meyer Bros NY alto mouthpieces now sell 2-5x the price of this piece. And out of 5 original facing Meyer Bros pieces, you might get 2-3 good ones. Every single one of Ted’s New York Models is consistently great.

    You can get this version with the silver shank band included, or you can get it without the silver band. The band is an aesthetic nod to Cannonball Adderley, whose Meyer Bros had a similar one, and it is also protects the shank from cracking over the years or from a too-large neck cork. It is dry-fit with a ring sizing machine, so you can take it off or put it on without any adhesive. If you have any questions about these mouthpieces, feel free to contact me.

  • ‘Meyer Bros.’ New York Model Alto Mouthpiece by Ted Klum – the Best! (No Shank Band)

    $ 399

    This is an exceptional alto saxophone mouthpiece. It does literally anything you want it to, from lead alto, to ballads, to section work, to pit and concert band. It is what I play, and I can’t recommend it highly enough. Every single person who has bought one has emailed back or called me with rave reviews. I don’t normally make these kinds of pronouncements about mouthpieces, but until you play one of Ted Klum’s facings, it is possible that you don’t yet know how easy it should be to play saxophone. Ted Klum is one of the most highly-skilled and artistic mouthpiece makers in the world, and his work is just about the best that there ever has been. It would be wise to get one of Ted’s mouthpieces before he retires and they suddenly jump up in value.

    How does it play? The response is instant; subtone is effortless; altissimo is right there and easy. The tone is just gorgeous – it’s based on the type of Meyer Bros that Cannonball Adderley played, and it really does lean in that full-throated, warm, lyrical direction that you think of with Cannonball. Phil Woods’ tone is another reference point for alto players, and he also played a NY Meyer like this is based on. The big reasons to buy this instead of hunting for a NY Meyer are price and consistency. Meyer Bros NY alto mouthpieces now sell 2-5x the price of this piece. And out of 5 original facing Meyer Bros pieces, you might get 2-3 good ones. Every single one of Ted’s New York Models is consistently great.

  • Ted Klum Acoustimax Alto Mouthpiece – (much) Better than a Meyer

    $ 265

    This is a mouthpiece that for the price is very hard to beat. It plays like a vintage Meyer Bros with a lot of punch, and is great for jazz, lead alto, or other sorts of playing where you want a warm, full tone that has a reasonable amount of projection. The quality control on these is very good – worlds better than your modern Meyer made by Babbitt. You can just buy one of these and it will play great, as opposed to buying ten modern Meyers and maybe finding one good one.

  • Ted Klum Tonamax Tenor Mouthpiece Like Florida Otto Link Tone Edge Slant

    $ 600

    Ted Klum’s Tonamax is as close as you can get to a vintage Florida Otto Link “Slant” Tone Edge. It plays big, full, medium-dark with a punchy edge, just like a good Link slant. I think it’s a bit more like the earlier ‘No USA’ slant than like the later brighter USA version. Ted’s new ‘Florida Model’ is more like the later Florida Tone Edge or ‘Early Babbitt’ tenor pieces. This Tonamax is like the earlier Slant. I can get you one in any tip opening, in black ebonite, or sometimes in beautiful marbled ebonite.