1960s

Showing all 6 results

  • Sold Out

    Buffet R13 Golden Age Clarinets Amazing Factory Gold Plated Silver Keys Fresh Repads 1967-68

    $ 5,500

    This is a unique pair of factory gold plated silver keys golden age Buffet R13 clarinets. Bb and A, in original case. Every. Single. Thing. In the case is gold plated – the reed trimmer, the ligatures, the screwdriver. It’s deluxe. Serials are prime 96525 and 89682. Both of these just got repadded with nice cork pads. No repairs, no significant wear. These were babied. Wow do they ever play great. Asking price is cheaper than one boring new R13. Original gold plated keys R13’s from 1966-67 are extremely rare. These are the only two you are likely to see. Includes everything in the photos – the beautiful Lifton-made Buffet double case with zippered cover, two Couf Artist mouthpieces with gold plated ligatures, the works.

  • Otto Link Tone Edge Florida Straight Sig 8* Alto Saxophone Mouthpiece MPC428

    $ 325

    This is a great Otto Link Florida Tone Edge alto saxophone mouthpiece. This is the same as the USA Slant Signature Florida Otto Link, but with the signature changed to straight across. This was made in FL before the Early Babbitt pieces and has a little more warmth to the sound than the true EB pieces do. It was refaced at some point from an original 5* to an 8* tip, or 0.091″. The tip and rails are in excellent condition. From the markings on the rails and very thin tip rail, it appears most of the work was done near the tip, making for a great projection and a little more edge than stock Link. This works great for lead alto or for cutting through a band, but retains much more warmth than you would get with most other larger tip, projecting alto mouthpieces.

  • Selmer Mark VI Alto Saxophone 1967 150568 Original Lacquer Excellent Condition!

    $ 8,500
  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 6,950

    This Mark VI tenor from 1967 is a real screamer! It is moderately focused, medium bright in tone, and LOUD. It has effortless response, and the low register pops out easily. It just got a fresh overhaul done and plays great throughout! The pads feel nice and ‘dry’ and snappy under the fingers, and you can put as much air through the horn as you want without it breaking up, or sounding shrill. It’s a fantastic VI if you want one that has some of the warmth and complexity of the earlier VI’s (not as brash and in your face as the later ones), but has tons of power.

    Cosmetically, this horn is in very good condition with minimal past repairs and no dents or dings. It’s original lacquer and looks beautiful. When you see it, you think – ‘Man, that Mark VI looks almost new!’ Looking closer, there are a few signs that it was played and loved over the years: The Bb keyguard popped off at some point and got resoldered (happens a lot on vintage horns), and the neck shows a little lacquer wear on the side from flexing, but is the correct angle now, and was never pulled down in anything like a bad way. It’s about a 2 on a scale of 1-10 — just enough to make the lacquer fracture and fall off over time. The only other thing to note is some minor dings removed from the back of the body that are gone now. Normal stuff for a vintage horn, and nothing bad; nothing needs repaired etc. And you save around $2k versus the price if this horn had no repairs, which is significant savings! Not to mention it’s already overhauled and done very tidily and well.

    If you want a nice, powerful, beautiful Mark VI tenor for quite a bit less than a new Ref 54 that plays better, is built better, and is an exceptionally good player, that’s what this is.

    Only one available!

     

  • Sold Out

    Selmer Paris Series 9* Bb Clarinet 60’s R13 / Series 10 Equivalent

    $ 850
  • Selmer Soloist Style C* Alto Saxophone Mouthpiece MPC485

    $ 125

    Selmer Soloist Long shank C* alto saxophone mouthpiece from the later 60’s or 70’s. Tip opening measures a correct 0.065″. This is a nice, balanced all-purpose alto mouthpiece. Maybe you’re buying it for saxophone lessons. Maybe for school concert band. Maybe because you just want a reliable step up alto piece for much less than the retail new price. Not really the best for jazz, but it works well for lots of concert settings. Or completes your set with a Selmer Mark VI from roughly 1965 or later.