1960s

Showing all 6 results

  • Otto Link Tone Edge Florida Straight Sig 8* Alto Saxophone Mouthpiece MPC428

    $ 325

    This is a great Otto Link Florida Tone Edge alto saxophone mouthpiece. This is the same as the USA Slant Signature Florida Otto Link, but with the signature changed to straight across. This was made in FL before the Early Babbitt pieces and has a little more warmth to the sound than the true EB pieces do. It was refaced at some point from an original 5* to an 8* tip, or 0.091″. The tip and rails are in excellent condition. From the markings on the rails and very thin tip rail, it appears most of the work was done near the tip, making for a great projection and a little more edge than stock Link. This works great for lead alto or for cutting through a band, but retains much more warmth than you would get with most other larger tip, projecting alto mouthpieces.

  • Selmer Mark VI Alto 1966 Original Lacquer Beautiful Condition 137647

    $ 7,000
  • Sold Out

    Selmer Mark VI Alto 1968 160943 Original Lacquer Excellent Condition!

    $ 6,350

    Great deal on a beautiful, original lacquer Selmer Mark VI alto with a recent repad. You don’t need to overhaul this one! It plays well right out of the case. There are minimal past repairs, and this is a very desirable serial number as well. To me, the 160k’s are just about the best value in a Mark VI alto. They are cheaper than the 5 digit serial VI’s by a lot. But they also tune better than most 5 digit altos! They play with the warm, projecting, rich tone of a 140-149k VI, but again, without the premium price. You’re getting all the best VI features, and original lacquer, for the price of a new Reference 54. Which is great because the VI will continue to increase in value while you own and enjoy it. Plus you don’t need to sink an overhaul into this one on top of the purchase price. A good overhaul can be quite expensive. This alto plays with a medium bright, warm, moderately focused tone. It does everything well, which is, of course, why the Mark VI became so popular in the first place. It’s often imitated, but the quality, tone and satisfaction of playing the original hasn’t been matched.

    This is a really nice one, and someone should grab it immediately!

  • Selmer Mark VI Alto Saxophone 1960 88979 Original Lacquer

    $ 8,750

    Here’s a beautiful original lacquer Selmer Mark VI Alto saxophone from 1960, with 5-digit serial 88979. This Mark VI is from one of the most desirable serial ranges of all for a Selmer. The original lacquer is mostly present, and is a dark nitrocellulose, which you mainly see on the 5 digit serial VI’s. It has some wear from use, as you’d expect on a VI that plays great and that got played a moderate amount. The neck has the matching serial number to the body and is in great shape. There are no resolders at all. This horn was well cared for! The bell flare, bell, bow, and neck show no signs of dent work or past repairs. The body tube had at least one very minor dent removed where one of the post feet of the octave key was slightly pushed in. It’s fixed beautifully leaving very little trace. The pads on this alto are old, obviously. Many are probably the original factory pads. So plan on an overhaul soon, if you want to get the full experience. It ‘makes saxophone noises’ now, and it’s clear enough that this has the dark, focused, powerful, tenor-like voice of a typical late 85k-95k serial VI alto. These are great players and deserve to be well cared for!

    If you’re looking for a stand out VI alto to get overhauled and then play like crazy, then you might want to grab this one while you can. Nice 5-digits are getting hard to find, and this one is definitely going to be a superb player when it’s repadded.

    Only one available!

  • Selmer Mark VI Tenor 1964 Original Lacquer 118907 Frank Zappa Band

    $ 12,000

    This is a sax with two descriptions! The first is the personal history of the horn, as written by its owner, Robert Martin. Robert is a great guy whose illustrious career as a sax player and multi-instrumentalist is also described a bit.

    Robert’s description of the horn can be found here. 

    The second description is mine as a saxophone dealer who pays attention to the details of condition, and compares saxophones to each other. From that perspective, what we have here is a very nice, one-owner example of a Selmer Mark VI tenor from 1964 with original lacquer, that has been played a lot and well cared-for over the years. It was assembled and engraved in the USA, so it sports what Selmer people call “American engraving”, and it has the dark honey colored nitrocellulose lacquer that is typical of this vintage of Mark VI. The tone is really beautiful on this tenor. I love the early 60’s VI’s, and this is one of the best ones I’ve played. It’s medium dark, medium focused, with lots of power. It’s a lot like a late 5 digit in that way, but has a little bit brighter tone. It’s nothing like a 140k or later VI, where they get quite bright and lose the darker, more focused core of a horn like this. It’s a superb player.

    Cosmetically, it’s obviously been played a fair amount, so it has some honest wear to the lacquer throughout. The neck has seen some minor flexing over the years, but only about a 1-2 on a scale of 1-10 of severity. It is still the correct angle also. The neck has the matching serial number to the body.

    A dent was removed from the upper body tube near high F, and the top post there also got pushed back into alignment. The back of the bow and bottom bow have seen dents removed, and the bottom bow guard is still a little flat. The low Eb, C and chromatic F# keyguards have been resoldered, though done quite well with little evidence left of the repairs. The bell flare also had a minor crease removed at some point. All in all, these are the typical sorts of repairs that you see on a good horn that has been played a lot. Everything is nice and tidy and fixed up now, so I wouldn’t be particularly concerned about the repairs.

    The overhaul on this horn feels great. It was done extremely well somewhere on the west coast, with medium firm leather pads sealed with red paint. Those sorts of pads last forever and keep their feel. I’ve played 25+ year old overhauls on similar pads that are still going strong. Resonators are slightly domed and correct for the vintage of horn. The pad work feels great – dry, snappy, and correctly balanced. You won’t be disappointed!

    If you’re looking for an original lacquer VI tenor with a beautiful tone, a great overhaul, and an interesting history, this would be the one to get.

    Only one available!

  • Selmer Soloist Style C* Alto Saxophone Mouthpiece MPC485

    $ 125

    Selmer Soloist Long shank C* alto saxophone mouthpiece from the later 60’s or 70’s. Tip opening measures a correct 0.065″. This is a nice, balanced all-purpose alto mouthpiece. Maybe you’re buying it for saxophone lessons. Maybe for school concert band. Maybe because you just want a reliable step up alto piece for much less than the retail new price. Not really the best for jazz, but it works well for lots of concert settings. Or completes your set with a Selmer Mark VI from roughly 1965 or later.