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Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!$ 3,500
This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.
This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)
Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.
Only one available.
Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849$ 3,300
This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.
This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!
The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.
This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.
Only one available!
Conn 10M Tenor Factory Relacquer Gorgeous Shape Great Deal Orig Pads 334663$ 1,400
This is a chance to get a great deal on a Conn 10M tenor. Why is it so cheap?
- I try to have some great deals on the site for people to stumble upon who need a top quality tenor like this but who are on a budget.
- It needs an overhaul. It has Conn factory pads – probably from the early 50’s
- It’s refinished – definitely a factory job, as it looks like original lacquer. The owner was meticulous. I think he just had it refinished after it got a little bit of lacquer wear, so it would look perfect again. There is NO sign of any damage or past repair.
So there you have it. With an overhaul, this is going to be 100% as good a player as any original lacquer late 40’s Conn 10M. Which means it’s going to be an awesome player. This is 1949, so the year after rolled tone holes went away. It’s the same horn as a ’48 rolled tone holes 10M, but with straight tone holes instead. If you’re not up on the whole thing – the rolled tone holes Conns are more valuable, but they can also be a bit trickier to keep adjusted, if your repair shop isn’t used to working with the rolled ‘lip’ on the tone hole. But all shops know how to work on straight tone holes, so it can be an advantage that way.
The sound of this horn is already surprisingly big, even on 70 year old pads. The tone is big, dark, full, and projecting. Keywork is fast and comfortable; intonation is very good. The Conn 10M is one of the best sounding tenors ever made. There’s a reason so many players are going back to them.
And to get such a beautiful, clean, one owner example that just needs pads for this price is an amazing opportunity.
Only one available!
Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads$ 2,650This Conn 10M tenor saxophone from 1948 comes to you in very good original condition. There are no resolders. The bell flare is undamaged. Neck is not pulled down. Body tube looks clean as well. There were some small dents removed from the back of the bow, but that was done well, so that it is hard to tell at all. Everything is in good shape and keys move freely. Rolled tone holes are also undamaged and in great shape. You can almost play the horn on the existing reso-pads but it would be 10x better with an overhaul.Great, clean, original lacquer Conn 10M that will be a super player. Priced to sell!
Conn 10M Tenor Saxophone Late Example Great Deal! Needs Repad$ 950
Conn 10M Tenor saxophone for under $1k! The Conn 10M is one of the best vintage tenors ever. This one is from 1967. It’s original lacquer and original pads, and it is just a repad short of being a solid player. The 10M keywork is nice and comfortable, and if you want a cheaper tenor that plays LOUDLY and has a big, dark core tone this is hard to beat. It should be an easy repad, as the horn is in very good condition.
Only one available!
Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer 322571$ 2,450
Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. I am planning to get this overhauled soon if it doesn’t sell at the lower price with current pads. It was overhauled before I got it, but I don’t like the way the pads feel, and it would be better to just redo it for long term enjoyment. It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.
The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.
Only one available! Get it now.
Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on a Conn 10M tenor.
Conn 10M Tenor Saxophone Pre-War 1935 Relacquered Fresh Overhaul Plays Easily$ 2,850
This is a fully restored Conn Pre-war 10M Tenor saxophone that looks like a new horn. If aesthetics are important to you, and you also want a saxophone that is already restored, this would be a great purchase! And you save money since it has a new coat of lacquer, compared to if the original lacquer were still there. This beautiful 10M is from the second year that the 10M was made, and it is in very good condition. It was refinished and completely overhauled by Wichita Band, who sold it only a few months ago on eBay for $3850. I’m pricing it lower, because I think $3850 is a bit high for it. So you can get a great deal, on a horn that has an expensive restoration already completed. The pads are reso-pads like Conns originally came with, so it has a vintage soft feel under the fingers. The horn plays really easily, with a big, warm tone like you would expect with a 10M.
Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on a Conn 30M tenor.
Conn Burnished Gold Portrait New Wonder II Tenor Original Condition Old Pads 151681$ 4,000
Conn Chu Berry New Wonder 1 Tenor Saxophone Burnished Gold Plate Portrait 1924$ 3,950
Conns from the 1920’s like this have an enthusiastic following these days. I’m told that it’s now more common to see a tenor player in NYC playing a Conn than a Selmer, which is hard to believe if true. I have definitely noticed a large and growing amount of interest and enthusiasm for Conns like this over the last 5 years at least.
The way I think about vintage Conn tenors is this. They are all built quite well, and they are all good players once you get them all fixed up and overhauled. So if you have the choice, and budget allows, you might as well buy the nicest one you can to fix up. This is for a couple of reasons. First, resale value will always be better the more beautiful the horn is, and the rarer the finish. Second, you get to experience the satisfaction, even joy, of owning such a beautiful piece of craftsmanship from the world’s greatest musical instrument factory of the 20’s and 30’s, which is undoubtedly Conn. Conn set the standard for musical instrument manufacturing during that time. Its designs were copied by all the other makers, from France to Germany, Italy, and even eventually Japan. They are still being copied today in fact!
If your goal is to get the best, most beautiful, rarest Conn that you can, it would be hard to do better than this beautiful burnished gold Conn New Wonder 1 ‘Chu Berry’ tenor saxophone from 1924. The finish is a bit tarnished at present, because I haven’t had time to get it disassembled, cleaned, and polished yet, but there’s a lot of original gold plate there, and not a whole lot of finish wear. The burnished (bright) gold Conns like this are incredibly rare. Much rarer than the satin gold examples, which are themselves very rare. The engraving is striking. Each burnished gold Conn had the option for a custom portrait. I wonder whose sweetheart this is! Some stylish flapper 20’s lady in any case. This would almost definitely have been pro-owned by the tenor player from a big band. I got the horn from Ohio, if there’s anyone who can connect the dots at all. I have never seen any other Conn tenor with engraving like this, so it has some historical value as well, to me at least.
This tenor comes in pretty good playing condition. It was tuned up before I got it, and I’ll probably spend some more money on pad work before I sell it. It also includes a nice Hiscox case with my favorite, the red interior, which is no longer offered. Much better than the blue for a gold saxophone.
Just for fun, here’s Lester Young on his New Wonder 1 tenor just like this one, also gold plated. The wide, lush, spread, medium dark tone is just gorgeous.
Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 124447$ 450
Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 70276$ 300
This is a nice, clean original nickel plated Conn New Wonder 1 C melody saxophone. It has OLD pads and needs a full repad. I am pricing it so low that you can get it nicely overhauled by your local woodwind shop and still be into it for not too much money. The nickel plate is extremely durable and will shine up to a beautiful finish, and it will also last nearly forever. It doesn’t tarnish like silver, so it will stay bright even if you play it a lot or leave it out or don’t wipe it off very often.
If you want a budget C melody made by Conn that sounds big and warm and plays nicely, this will be that horn, after you get it overhauled. Only one available.
Conn New Wonder 1 Tenor Chu Berry Exceptionally Fine Player Fresh Overhaul BAM Case$ 3,150
Do you want the biggest, darkest, most spread and room-filling vintage Conn tone possible? Do you want a gorgeous vintage Conn with original silver plate that looks almost new? Do you want it with a freshly-done high end ($1k+) overhaul, with high-end metal resonators? Do you want a premium $350 BAM tenor case included that fits the horn beautifully and will keep it in top adjustment?
Well, look no further. That’s what this is. Any you should buy it. Right now. You won’t be sorry. I didn’t call it an exceptionally fine player for nothing.
Conn New Wonder II C Melody Rare Late Serial Plays Great! 220664$ 1,450
Conn NWII Transitional Tenor 238k 1930 with MODERN keywork by Palo Tung UNIQUE!
Price just lowered!
This is a really unique and cool vintage Conn tenor with modern keywork! Palo Tung of Just Saxes spent a ton of time on this Conn conversion.
It is essentially three saxophones put together into one. The Conn transitional tenor is the horn, which is just about my favorite vintage of all time for Conn tone, with a bigger, wider tone than the 10M, but with more focus and somewhat easier tuning than the NWII. Take that horn, and then add the main stack keywork from a Keilwerth, and the palm and pinky keys from a Just Saxes ‘Crescent’ modern tenor, and put all that together into one horn and that is what you have here. The keywork feels pretty good under the fingers – not super slick, but it falls easily under the fingers and the palm and pinky keys are particularly comfortable. The key is functionality. If you have always wanted to play a Conn, but you just can’t deal with the NWII style keywork, then this is one of the few options that you have. I’m told Palo has only made two or three of these ever, and the amount of work involved is, of course, enormous. The price on this horn is far lower than you would normally pay, and it should sell quickly. I have seen other Conn conversions selling $11-14k, but this one is being sold second hand, so you can save a ton on the labor compared to paying to have it done yourself. If you want to pair this with a new BAM case, I can find one that fits it well, and give you a good deal. That would be a good idea for shipping and for gigging.
There is most certainly only one available!!
Couf Superba 1 Tenor Original Gold Plate Saxophone 68059 Matt Stohrer Overhaul One of the best ever!$ 8,000
Ishimori Woodstone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone$ 4,750
Only one available of these highly-desirable New Vintage tenor saxophones from Ishimori, Japan’s premiere saxophone repair shop. These tenors stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some later Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving both are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!
King Silversonic Tenor Excellent Condition Original Lacquer Silver Neck + Bell + Treypack 448262$ 5,650
King Super 20 Tenor 298061 Series 1a Full Pearls Original Lacquer (mostly gone) Recent Overhaul$ 5,350
This is a 1948 King Super 20 tenor saxophone with ‘full pearls’ on the side keys, G#, octave key, and palm keys, as well as on the rest of the key touches. The pearls, solid silver neck, double socket neck tenon, and fancier engraving mark this out as being the deluxe version of the Super 20 that sells for more and that is highly coveted by players for its beauty and unbeatable tone. This tenor is original lacquer, meaning that it hasn’t been refinished, but the original lacquer was chemically removed from the body tube, and still remains on the keys giving the horn a cool two tone look. It came to me from a pro player on consignment, and it plays well, like you might expect for a horn that had been recently restored. It was overhauled by Ivan Lukyanets in Encino, CA, who has a great reputation among pro players in the LA area. It feels nice and snappy under the fingers, and the black kangaroo skin pads are sealing well. They have flat, medium sized metal resonators that work well on a King and are similar to factory spec for this era.
This tenor is very clean condition mechanically. I don’t see any past dent work or any resolders or other past repairs at all. The original solid sterling silver neck is also in excellent condition, and has not been damaged or pulled down. It has the matching serial number, as you can see.
The main reason to get a King Super 20 tenor saxophone is the tone. These late 40’s Super 20 tenors are big and bold and projecting while still being medium dark and very saturated and punchy. If you put on a brighter mouthpiece, like the classic Berg Larsen / King Super 20 pairing, then you get a killing sort of dark/fat/bright/projecting sound that you can’t get on any other saxophone. It’s the reason why there is such a thriving community of King Super 20 players even 70 years after horns like this one were manufactured. It’s my favorite tenor as well, out of everything that I have played.
If you’re looking for a very good professional tenor to play and enjoy that won’t back down no matter what you throw at it, that will cut through a band with ease, even without amplification, and that has the beauty of the pearls, engraving, and silver neck, then by all means, get this one. I try to keep a good selection of King Super 20 tenors around, so check them out, and email me with any questions. If you want to pair it with a new case, I can get you a great deal on a BAM that will fit it well. Just for fun, here’s a clip of Charlie Ventura playing his ’48 King Super 20 tenor. And I suspect, but cannot prove, that Sonny Rollins played Saxophone Colossus on a Super 20 much like this!
Only one available!
King Super 20 Tenor Saxophone 1957 Near Mint Original Lacquer$ 4,850
Holy cow! This is the nicest example of a ’57 King Super 20 that I have had the pleasure of selling. It’s original pads now, which is super cool. Nobody has messed with it at all. Of course, it will need an overhaul (pads are 63 years old) to play its best. The tone of these horns is just to die for. Powerful, resonant, very loud when pushed (it goes to 11). The solid silver double socket neck gives you extra focus, and a dark core with lots of overtones. The horn overall is bright and projecting, but in a way that stays fat, like only American saxophones can. Ideal for either cutting through a band, or playing the most gorgeous ballads, this is one of my favorite saxophonse of all time.
This tenor has no damage, no dents or dings, and almost all its original lacquer. The solid silver neck even looks odd to King fanatics like me because it still has its original gold lacquer over the silver, which you hardly ever see. There’s some scratching on the back of the body tube from normal use, and a couple of tiny, nearly invisible dings I got removed from the bow, but you’d never notice anyway. It’s as nice as you will ever find. And priced to sell!
The best demo of a “Series III” Super 20 that I know of can be found here. It’s one of the only cases that I have found where I heard a demo and what I consider the essence of the tone of the horn itself is front and center on display (as opposed to the mouthpiece, the player, or a bunch of other distracting noise. Listen and enjoy! This is the same horn as in the demo, just made a year or two later. https://www.youtube.com/watch?v=cBoeWeRyy-o
King Super 20 Tenor Saxophone 1968 Original Lacquer 439538$ 2,650
King Zephyr Tenor Saxophone Original Silver Plate Excellent Condition 202108$ 1,950
Selmer Cigar Cutter Super Sax Tenor Saxophone 17xxx Original Overhauled Modern Keywork!$ 7,500
See the full description below for more info. Here’s a 1933 Selmer Super Sax tenor with a recent overhaul, original finish, and several modifications/modernizations: a larger right hand thumbrest, a later-style geared octave mechanism with Mark VI style righward-tilting thumb key, and Balanced Action style left hand pinky table. These modifications significantly modernize the feel of this horn, and ergonomically it feels about a generation younger than it actually is.
The modifications themselves were done quite competently, and fit and blend in well with the horn, not being noticeable upon casual inspection unless you know where to look. The saxophone itself is in good physical condition, with moderate lacquer wear and no major past damage that I can see.
These types of modifications are not easy to do, are quite expensive, and are not often done, so it could be a good long while before you see another Super Sax with a modernized left hand pinky table. If you’ve been interested by the big Selmer tone of the Super Sax models but are used to modern ergonomics, this could be the horn for you.
Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition$ 7,350
Freshly overhauled with domed nylon resonators (much like what would have been originally installed on this instrument at the factory) this Mark VI tenor is in good condition and plays very well, with a full voice and very even up and down the scale. The spring tension are currently set moderately heavy, and although this instrument is over 50 years old the overhaul combined with the spring tensions make it feel and look almost like a new instrument. The spring tensions can be adjusted before shipping if you have a different preference, but the lacquer is still going to look nearly new!
The original lacquer is in exceptionally good condition, and this horn might be what others would describe as “mint condition” due to the lacquer, but there are a few past repairs to mention that bring it out of that rarified atmosphere and bring the price down without affecting the tone. These repairs were very well done, and each has been addressed with care and competence: a resoldered low Bb key guard foot, a few repaired dents on the body, and a past neck pulldown that has been repaired (and the neck refit). All in all, a nice Mark VI that has a very tidy overhaul on it, ready to play and needs nothing.
Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well$ 5,950
Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!$ 6,350
Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.
This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition. (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.
The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!
Selmer Mark VI Tenor Saxophone 1964 Original Lacquer Plays Great 119141$ 7,500
Selmer Mark VI Tenor Saxophone 1968 Original Lacquer Very Good Condition 151919$ 7,950
Selmer Mark VI Tenor Saxophone from 1970 American Engraved$ 6,450
This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.
To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.
All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.
Only one available.
Selmer Mark VI Tenor Saxophone Original Lacquer American Engraved Just Overhauled Plays Effortlessly 195xxx$ 6,350
Full description coming soon! This is an effortless player! A nice, clean original lacquer American-engraved Selmer Mark VI tenor saxophone that also just got a complete overhaul. If you’re looking for a nice tenor to play and keep and just enjoy, this would be hard to beat!
Selmer Mark VI Tenor Saxophone Original Lacquer Very Good Condition 164xxx Fresh Overhaul!$ 6,750
Selmer Mark VII Tenor Original Lacquer Good Condition Great Deal 272768$ 2,950
Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico$ 12,750
This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition. Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished. Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there. The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.
This horn has recently been given a thorough check-up and plays well. I am a big fan of these Super saxes, and this instrument is a good example of why. It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness. But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.
The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments! So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk.
The last 7 photos are of some of the tenor greats playing similar horns to this.
Selmer Super Action 80 Series 1 Tenor Saxophone Very Good Condition 368664$ 2,850
SML Rev D (=Gold Medal 1) Tenor Saxophone Permagold Overhauled$ 3,750
Tenor Guardala + Thin Body Brilhart Reproduction Ligature for Tenor Saxophone Mouthpieces$ 165
Best ligature around for a Guardala (style) metal tenor mouthpiece! This gives you nice, balanced hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made.
If you want the best ligature for a Guardala Handmade Michael Brecker 1 or 2, or a Guardala Handmade Studio, or any other metal Guardala handmade or laser cut metal tenor mouthpiece, this is it. This also fits a wide range of other slim body metal tenor mouthpieces like the Ishimori Anemos, Yanagisawa metal tenor mouthpieces and many others. For the larger body metal mouthpieces like Otto Link, get the Otto Link metal Brilhart reproduction ligature instead.
Tenor Hard Rubber Brilhart 3-Band Reproduction Ligature Echo Brass$ 165
There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature.
Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110$ 4,500
This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.
The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.
If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.
Only one available!
Yamaha YTS-23 Tenor Vito Very Good Condition Older Pads$ 750
Yamaha YTS-475 Intermediate Tenor Saxophone Good Playing Condition Great Value! 298213$ 1,850
Just tuned up completely, and playing its best!
Great deal on one of the best intermediate tenor saxophones on the market. The Yamaha 475 is made in Japan and plays a lot like a YTS-62, but costs less. If you want a very well-built tenor, that feels good, tunes well, and is easy on the budget, this is it. Don’t waste your money on a new no-name sax. Those will be worth peanuts as soon as they are used. Yamaha horns are quality and hold their value really well. You can basically play it and enjoy it and sell it later for right around what you paid. Hard to beat.
Yamaha YTS-52 32 Tenor Saxophone Near Mint Overhauled! Excellent Value
Hard to beat a vintage 80’s ‘purple logo’ Yamaha tenor for combination of beautiful tone and excellent build quality. You could spend a LOT more and not get a better tenor saxophone.
This horn just got a full, top-quality overhaul, which means all new everything – disassembly, full cleaning inside and out, all new pads, corks, felt, and a thorough pro setup. That’s about $1k worth of stuff, and it means the horn is like new mechanically and won’t need expensive maintenance for a long time.
This is the YTS-32/52 model, which is a half step below the YTS-62 purple logo that is one of my favorite modern tenors out of everything. The 52 is the same as the 62 in neck, bore, and keywork design. It sounds just the same. Only difference is the 62 has more engraving and has some reinforcing ribs under some of the key posts. Not a big difference.
So if you want a really great tenor for a low price, that is well made, sounds great, has easy intonation and ergonomics, and that will hold up well over time, then look no further. This one checks all the boxes.
Only one available!
Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup$ 3,444
Yamaha YTS-82Z Tenor Fully Engraved Amazing! Full Repad by Matt Stohrer$ 5,950
WOW! This is one special Yamaha tenor. As soon as I saw it for sale, I had to have it. I have been a fan of Jaice Dumars’ engraving work for years, but I have never been able to cajole him into engraving anything for me (he has another full-time job). When I saw this rare chance to buy a horn he had worked on, it was a no-brainer. Dumars’ engraving combines what he has learned from vintage King, Conn and other engraving, and combines that with his own style and creative flair. The way that the rather uninspiring Yamaha ‘fat starfish’ (sorry, now you can’t un-see that) engraving is incorporated into a coherent larger work is particularly impressive. Also note on the neck, how it’s the unengraved space that makes the pattern!
OK so take a great horn – the 82z Custom by Yamaha, and add to that Dumars engraving, but then add to that a full repad by Matt Stohrer, and that’s what you’re getting here. If you don’t know Matt Stohrer, he does some of the best pad work anywhere, in my opinion. He is always booked up for repairs, sometimes for as much as a couple of years’ time. His pad work is super clean, thorough, and precise. The horn feels great under the fingers and responds right away with a warm, free blowing tone. The intonation is of course great (this is a Yamaha, after all.). It’s the kind of tenor that you just don’t want to put down. And all for less than the price of one of the custom atelier Yamahas new, which is kind of nuts.
Only one available!