Tenor

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  • ***Selmer Super Sax SSS Tenor Saxophone 17xxx Original Lac Overhauled Modern Keywork! ‘Cigar Cutter’

    $ 7,500

    See the full description below for more info. Here’s a 1933 Selmer Super Sax tenor with a recent overhaul, original finish, and several modifications/modernizations: a larger right hand thumbrest, a later-style geared octave mechanism with Mark VI style righward-tilting thumb key, and Balanced Action style left hand pinky table.  These modifications significantly modernize the feel of this horn, and ergonomically it feels about a generation younger than it actually is.

    The modifications themselves were done quite competently, and fit and blend in well with the horn, not being noticeable upon casual inspection unless you know where to look.  The saxophone itself is in good physical condition, with moderate lacquer wear and no major past damage that I can see.

    These types of modifications are not easy to do, are quite expensive, and are not often done, so it could be a good long while before you see another Super Sax with a modernized left hand pinky table.  If you’ve been interested by the big Selmer tone of the Super Sax models but are used to modern ergonomics, this could be the horn for you.

  • Sold Out

    Buescher Aristocrat Tenor Saxophone 156 Relacquered Good Shape 351021

  • Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!

    $ 3,500

    This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.

    This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)

    Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.

    Only one available.

  • Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849

    $ 3,600

    This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.

    This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!

    The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.

    This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.

    Only one available!

  • Buescher True Tone Series IV Tenor Saxophone Original Gold Plate Good Pads 212844

    $ 2,150
  • Sold Out

    Conn 10M Tenor Saxophone 306843 Original Lacquer Pre-War

    Nice original lacquer freshly-overhauled pre-WWII Conn 10M Tenor Saxophone. These are the best of the vintage Conn tenors! The price includes the full, high-end OVERHAUL, which was just completed. An overhaul (people always ask) means that everything that can be changed gets done, and done correctly: all new pads, corks, and felts, professional setup, key fit checked and improved, neck fit checked and improved, full disassembly, cleaning, all new oil, lots of play testing. This horn turned out exceptionally well, and plays really easily and beautifully throughout the range. The tone is medium dark, wide, but with more focus than earlier Conns, and a bigger, wider sonic pallette than any modern saxophone. The palm keys stay full and consistent with the rest of the horn. The low register whispers out at a saturated pianissimo whether subtoning or not. Intonation is excellent, keywork is comfortable. If you’re coming from a modern horn, there’s a couple of weeks’ adjustment period, but then you are back up to full speed playing wise, in most people’s experience. A nice, orignial, overhauled 10M is pretty hard to find, and this one is one of the really good ones. It has only minor past repairs, like a resoldered octave key. Great condition, and plays like a new horn.

  • Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer Good Pads 322571

    $ 3,450
  • Sold Out

    Conn 10M Tenor Saxophone Pre-War Original Lacquer Very Good Condition 301278

    $ 3,850
  • Conn 10M Tenor Saxophone Pre-War Transitional Recent Overhaul Great Deal 260324

    $ 1,950
  • Conn Early 10M Tenor Fresh Overhaul Original Lacquer 269461 BIG Player

    $ 4,250

    This is this kind of Conn 10M tenor saxophone that makes people ditch their Selmers and Yamahas. Keywork is comfortable, intonation is excellent, and the tone is to die for. Wide, dark, but still punchy and with a good amount of focus. Palm key tone is gorgeous and full, not a bit thin. Priced to sell quickly. Only one available.

  • Sold OutConn gold plate portrait chu berry tenor

    Conn Gold Portrait New Wonder II Tenor Saxophone 229961

    So if you know about vintage Conns, most of them are altos. Of the tenors, most of those are unlacquered, lacquered, or silver plate. Only a few are gold plate. Of the gold plated ones, most are satin gold with normal engraving, and only a few have the thick burnished gold plate finish. And those special horns took way more time to manufacture, as the gold has to be hand-burnished onto the horn. They also got deluxe hand engraving with special portraits done by Conn’s best engravers.

    So this is one of those. It has all the boxes checked. Original burnished gold, portrait engraved, very good condition. On top of that, it has a recent, high-quality overhaul done with resotech flat metal resonators. The tone is big, wide, powerful, medium dark. The horn vibrates under your fingers when you play. There’s not much to speak of by way of past repairs. The neck octave key has been resoldered, as have a few key cage legs. A few small dings were removed from the bell and back of the bow. These are all minor things and all corrected. This horn is really nice. Even slightly nicer in person than in the photos.

    Only one available!

  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 124447

    $ 450
  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 70276

    $ 350
  • Conn New Wonder 1 C Melody Saxophone Original Silver Plate Good Condition 106298

    $ 400
  • Conn New Wonder 1 Tenor Exceptionally Fine Player Tunes Great Fresh Overhaul BAM Case 67890

    $ 3,200

    Do you want the biggest, darkest, most spread and room-filling vintage Conn tone possible? Do you want a gorgeous vintage Conn with original silver plate that looks almost new? Do you want it with a freshly-done high end ($1k+) overhaul, with high-end metal resonators? Do you want a premium $350 BAM tenor case included that fits the horn beautifully and will keep it in top adjustment?

    Well, look no further. That’s what this is. Any you should buy it. Right now. You won’t be sorry. I didn’t call it an exceptionally fine player for nothing.

  • Conn NWII Chu Berry Tenor Saxophone Original Silver Excellent Condition Fresh Overhaul 171943

    $ 3,750
  • Conn NWII Chu Berry Tenor Saxophone Relacquer Plays on Old Pads Great Deal 207107

    $ 1,450
  • Couf Superba 1 Tenor Very Good Condition Original Lacquer 83040

    $ 2,850

    This is a very nice condition Couf (made by Keilwerth for Herb Couf) Superba I tenor, which is a great modern ergonomics horn with a lot of the big, fat tone of an old Conn.  Some people also compare them tonally to a good Selmer SBA, and they do indeed share the big sound you can get on a great Selmer.

    This particular sax sports a high F# key and plays decently on a mix of older pads and some original pads (!) which is a testament to the relatively cosseted life it has led thus far.  The only evidence of any repairs or damage past or present is a resolder on the low Eb keyguard foot, which is fairly common on these, and has no impact on playability. The original gold colored lacquer (which has a particularly beautiful lustre to it that can often be mistaken for gold plate) is in very good shape.  

    The Couf Superba I sports rolled toneholes and a really cool modern engraving pattern and was built in West Germany by Keilwerth to be imported by Herb Couf, a distinguished professional saxophonist who later was a Vice President of the W. T. Armstrong company.  As told to me by those who knew him and also as evidenced by playing the saxophone he chose to put his name on, the man had good taste in saxophones. If you have been looking for an extremely well built modern ergonomics horn with a bigger sound than you find on most modern instruments, look no further- Couf has you covered.  

  • Sold Out

    Ishimori Woodstone NEW with Dark Lacquer Tenor Saxophone

  • King C Melody Saxophone Original Silver Plate Good Condition needs Overhaul 63607

    $ 300
  • King SilverSonic Tenor Saxophone Exceptionally Fine Player Overhauled 402584

    $ 6,000

    Here is a freshly overhauled King Super 20 SilverSonic (solid sterling neck and bell with gold inlay engraving) in excellent shape with a *monstrous* sound.  The overhaul is extremely clean and well done, and sports high-end reusable Tenor Madness resonators. The action is quick and light and smooth and feels absolutely fantastic under the fingers.  Even the left hand pinky table, which can be challenging for some repairers to get right, is light and snappy as it was designed to be. Seriously, hand this horn to the guy next to you on the bandstand just to let him feel it for a sec if you want to ruin his day.  

    Physically, this sax is in great condition as well.   The lacquer is original and has signs of honest wear, but there are no signs of any major or even minor damage or resolders, past or present.  The body is straight and the keys are all tight with no lost motion. Owner’s name lightly engraved on bottom of bell. Could be removed if you wanted to, but it is not noticeable. SilverSonics like this with the gold in the engraving on the silver bell are few and far between, and this one is bona fide Great. 

    It is hard to find a Super 20 SilverSonic tenor in good physical shape, and even harder to get one overhauled this well.  Buy this horn and you’ve got it all right out of the box- no worries, no mystery, no gremlins awaiting you down the line. Just a great American-made sax that is ready to make bandmates jealous, project all the way to the back of the room, and look great doing it.  

  • King Super 20 Tenor Saxophone Full Pearls

    King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul!

    $ 6,450

    Do you love beauty? Do you love playing the saxophone? Wish that the two things went together more often? Well, you’ve come to the right place:-)

    This, my friend, is one of the most beautiful saxophones ever produced – the King Super 20 with pearl side keys and palm keys, bell and bow key cups engraved, solid silver neck, three ring strap hook – just about as de-luxe as it gets.

    But wait, there’s more! For a price lower than a new Keilwerth Shadow, or a new Selmer Reference etc, you get not only one of the best-built, most beautiful, best-sounding tenors ever made. You also get it with a fresh overhaul done by one of the most meticulous saxophone repairmen in the business – Carlo Cennamo of cennamowoodwinds.com . I have been hearing good things about Carlo’s work for a few years, but I finally got to see it earlier this year, and it is just top quality. Full mechanical rebuild including all key fitting to precise better-than-new tolerances; excellent pad work that feels dry and snappy under the fingers and makes the horn resonate its notes on its own as you close the pads; adjustment materials that make sense throughout; a carefully done neck fit for a good seal; nice, even spring tensions. This is a $1500++ overhaul and takes Carlo almost an entire work week to complete. So that’s a big deal.

    The only past repair I see on this horn is a resoldered brace on the bell side that popped off on its own when the horn was disassembled. It was popped right back on and is in good shape now. This horn has obviously been babied since it was new. It has almost all of its original lacquer intact. For you King geeks out there, this is King’s ‘light’ colored lacquer advertised in its sales brochures. The dark lacquer ranges from caramel to chocolate colored and looks completely different. By the way, it now has the correct neck screw and Eb key guard screws. I need to update the photos.

    This horn just sings, with a medium dark core tone that gets brighter and punchier as you push it. The solid silver neck gives you more upper partials and a bit more of a ringing focus to the sound. The whole horn comes alive as you play, and the response is particularly satisfying. If you have never played a saxophone that is actually right, then I hope that you will soon get to experience it. Low Bb is just another easy note to play, and you can play the entire low register easily at any volume, including pianissimo without losing ‘saturation’ in the sound. Basically, the horn just gets out of the way and lets you play what you want. It’s a beautiful thing.

    This comes with a new BAM Classic tenor case, and you can swap that out for a different case if you want to discuss options. There’s only one available of this beautiful Super 20. Get it now!

  • King Super 20 Tenor Saxophone Full Pearls Original Lacquer Near Mint / Exc Cond! 328628

    $ 7,500
  • King Zephyr Tenor Saxophone Original Silver Plate Excellent Condition 202108

    $ 1,950
  • Martin Committee II Tenor Saxophone Very Good Condition Original Lacquer Orig Pads 139670

    $ 1,800

    One of the best condition Committee II Tenors I have seen. These are very rare, and they play beautifully. Very hard to find like this with ORIGINAL lacquer! It has old pads. Add an overhaul, and it will be fantastic. (Talk to me if you want advice on that.)

    The tuning, ergonomics, and build quality on these is really excellent. Tone is warm, powerful, classy, and medium dark. One of the best horns you can get per dollar spent.

  • Martin Handcraft Standard Tenor Saxophone 136740

    $ 899

    Very good condition refinished Martin Handcraft tenor with a recent overhaul. This is on consignment and priced to sell. Beautiful tenor with a big, warm voice. I don’t see any signs of past damage or repairs. The overhaul was done OK. It’s not a top-shelf job but it gets the job done. Includes the original case. This horn is one-owner and was well cared-for. Pair it with a Brilhart Tonalin tenor piece for a beautiful Tex Benake sort of sound.

    From “The Martin Story” website, which is the best source on Martin model specifics, we find this nugget of information, which seems right to me also.

    These horns seem to be a combination of a Handcraft Imperial body (note the Eb vent key, below the low D key) and Handcraft Committee keywork.
    The fact that these horns where produced at the same time as the Handcraft Committee and Committee 2 combined with some cheaper details (fixed right thumbrest, no heartshaped left thumbrest) makes me think these are somewhat watered-down versions of the Imperial.

  • Martin Music Man The Martin Tenor Relacquered Good Condition 212791

    $ 1,500
  • Sold Out

    Martin The Martin Tenor Saxophone Original Lacquer Excellent Overhaul Candidate 163812

    Here’s a nice, clean, early “The Martin” tenor in original lacquer without any major past repairs, one standard overhaul away from being a blow-the-doors-down dark & woody-sounding vintage tenor, built about as good as anybody ever made a sax, with a unique tone and styling.  It does not currently play and is missing some pads, but the pads that are in there are all original. It looks like it has never been taken apart since the day it was built, and it cries out to play again. All it needs is an owner and a conscientious repairer and it will faithfully serve for years to come.  

    These are not often found in such clean shape, and this one is described accurately and priced to sell with no surprises or unhappy discoveries upon receipt, and the equivalent horn you’d see for sale on that nefarious online auction site is likely to be a can o’ worms, a hornet’s nest, and a sack of marmots all at once.  Or shortcut all that mess, buy this one, and get started on making it your own.

  • Selmer Mark VI Tenor 143865 Original Lacquer Very Good Condition

    $ 7,350

    Freshly overhauled with domed nylon resonators (much like what would have been originally installed on this instrument at the factory) this Mark VI tenor is in good condition and plays very well, with a full voice and very even up and down the scale.  The spring tension are currently set moderately heavy, and although this instrument is over 50 years old the overhaul combined with the spring tensions make it feel and look almost like a new instrument. The spring tensions can be adjusted before shipping if you have a different preference, but the lacquer is still going to look nearly new!

    The original lacquer is in exceptionally good condition, and this horn might be what others would describe as “mint condition” due to the lacquer, but there are a few past repairs to mention that bring it out of that rarified atmosphere and bring the price down without affecting the tone.  These repairs were very well done, and each has been addressed with care and competence: a resoldered low Bb key guard foot, a few repaired dents on the body, and a past neck pulldown that has been repaired (and the neck refit). All in all, a nice Mark VI that has a very tidy overhaul on it, ready to play and needs nothing.  

  • Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well

    $ 5,950
  • Selmer Mark VI Tenor 205xxx from 1972 Original

    $ 5,750
  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Selmer Mark VI Tenor Saxophone from 1957 Relacquer Needs Overhaul Great Potential

    $ 6,950

    If you want a 1950’s Mark VI tenor tone that is dark, focused, and fat-sounding, this would be an excellent serial number range for that. This horn is on consignment, and it needs an overhaul. Basically, you’re getting it for half price of what nice original lacquer VI tenors of this vintage sell for. With a good overhaul, it should play nearly the same, based on past experience getting similar ones overhauled. The neck is in excellent condition, and there is no significant past damage. Just the ubiquitous resoldered low Eb key guard, and a few small dents removed from the back of the bow that are nearly invisible now. Very good player’s VI tenor. Just buy and get it restored, and you will never need to buy another tenor. Neck has the matching serial number. We can swap out the old case for a discounted BAM Classic or something, if you want a more usable modern case for it. If you want to make an offer, feel free. I can pass it along to the consignor. He wants to get this sold.

    Only one available!

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico

    $ 14,999

    This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition.  Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished.  Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there.  The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.

    This horn has recently been given a thorough check-up and plays well.  I am a big fan of these Super saxes, and this instrument is a good example of why.  It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness.  But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.  

    The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments!  So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk. 

    The last 7 photos are of some of the tenor greats playing similar horns to this.

  • Selmer Reference 36 Tenor Saxophone Mint + Overhauled! BAM / Selmer Case Great Deal 635957

    $ 6,750

    **Getting a top quality full overhaul right now!

    I think that the Reference 36 is the best sounding tenor saxophone that Selmer currently makes. The problem is, hardly anyone gets to experience this, because they come with a poor factory setup. To put it bluntly, new $9000+ Reference 36 tenors tend to need an overhaul even when they are brand new from the factory. They come with several factory setup problems that can only be really solved if you completely redo the overhaul. (They lack real, careful factory pad work, and the thin pads cannot be easily adjusted after the fact either.)

    So I’m dropping a full overhaul into this mint, nearly new condition tenor so that it will be head and shoulders better than any brand new Reference 36 tenor out there. The pads will be infintely better setup, will hold up way better over time, the neck fit is better, the feel is better, the tone is incredibly better. It makes the horn how it should have been in the first place, which is a truly superb tenor. Not exaggerating here. 

    The description: Here is a mint condition Selmer Reference 36 tenor saxophone with its original BAM case.  This horn is cosmetically looks just about perfect. Here is a great chance to own a nearly-new Selmer tenor at upwards of $3000 off the new price that is better than new in every way.

    Once overhauled, these horns have a warm, rich tone reminiscent of the Balanced Action, but they have a lot of their own thing too. Intonation is great, and that ‘lyrical’ focused Selmer core is there. Ergonomics are super great, as you might expect from a new Selmer. If you’ve been looking for a modern Selmer tenor, you would be hard pressed to find a better deal than this one.

    Only one available!

  • Selmer SBA Tenor Saxophone Silver Plated 47611-3

    Selmer SBA Tenor Saxophone 47xxx Original Silver Great Player Super Balanced Action

    $ 12,000

    Here is a gorgeous Selmer Super Balanced Action tenor, built in 1952.  It has its original silver plated finish, and it is in very good condition.  The Selmer Super Balanced Action tenor is among the most desirable tenor saxophones ever. And for good reason. It’s the horn Coltrane famously played for many years (up until around 1965), and the horn Branford Marsalis and many others play today. It has the classic Selmer tone that, whether you know it or not, is already in your ears from all those classic Blue Note era recordings. Hank Mobley on Soul Station is one for me among many others.  Point being, if you’ve heard a saxophone on a famous recording, you’ve likely heard one of these. And that is no accident- these saxophones are sublime.

    This saxophone has been overhauled at some point in the past few years and was recently given a tuneup, and it plays very well, with the broad and rich Selmer tone that these are so known for. The only damage is a scratch inside the bell flare, probably from a clip on microphone. The bell flare is just a little uneven in that spot when you look at the light reflecting on it. Super minor, but I’d rather you are pleasantly surprised by the horn’s beauty than disappointed at a flaw you didn’t notice.

    The keywork is comfortable and intuitive, owing to the underlying design started with the Balanced Action and honed with the Super Balanced Action that was so inspired it remains the basic template for all saxophones made to this day.  The intonation is excellent (this is one of the later long bell tenors- the early short bell tenors are known for needing a bit of extra attention to low note intonation) and the response is quick and lively, and as the best Selmers do it lends itself easily to any style of music- which is one of the things that sets Selmers apart from the rest.  It is an ability that is in my experience rare among saxophones, and nobody does it better than Selmer.

  • Guardala Handmade Ligature

    Tenor Guardala + Thin Body Brilhart Reproduction Ligature for Tenor Saxophone Mouthpieces

    $ 165

    Best ligature around for a Guardala (style) metal tenor mouthpiece! This gives you nice, balanced hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made.

    If you want the best ligature for a Guardala Handmade Michael Brecker 1 or 2, or a Guardala Handmade Studio, or any other metal Guardala handmade or laser cut metal tenor mouthpiece, this is it. This also fits a wide range of other slim body metal tenor mouthpieces like the Ishimori Anemos, Yanagisawa metal tenor mouthpieces and many others. For the larger body metal mouthpieces like Otto Link, get the Otto Link metal Brilhart reproduction ligature instead.

  • Tenor Hard Rubber Brilhart 3-Band Reproduction Ligature Echo Brass

    $ 165

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature.

  • Tenor Madness Custom 500SL Tenor Saxophone – New Lacquered

    $ 4,295
  • Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110

    $ 4,340
  • echobrass echomaster tenor metal mouthpiece ligature

    Tenor Metal Otto Link Brilhart Reproduction 3 Band Ligature Berg Larsen Dukoff!

    $ 165

    Best ligature around for a metal Otto Link (and similar) tenor mouthpiece! Way better than the stock Otto Link metal top screw ligature, this gives you a much firmer hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made. This also fits larger body Berg Larsen and vintage Hollywood Dukoff tenor mouthpieces, and all Otto Link Metal-sized tenor mouthpieces, like Ted Klum Focustone Tonamax, Theo Wanne larger body metal, and many others. See the photos. For thin body metal mouthpieces, get the Guardala sized tenor ligature instead.

    If you want the best ligature for a Berg Larsen metal tenor mouthpiece, this is it. If you want the best ligature for a Dukoff Hollywood or Dukoff Stubby tenor piece, again, this is it.

    This ligature fits all metal Otto Link tenor mouthpieces also – past and present. It fits Masterlink, 4****, ToneMaster, Super ToneMaster NY, FL, Early Babbitt, and regular Babbitt-made pieces. The modern variants like the ‘New Vintage’ NY, Millennium edition etc also all fit.

    Buy with confidence. I take returns, and I stand behind this product. It’s the real deal.

  • Yamaha YTS-475 Intermediate Tenor Saxophone Good Playing Condition Great Value! 298213

    $ 1,600

    Great deal on one of the best intermediate tenor saxophones on the market. The Yamaha 475 is made in Japan and plays a lot like a YTS-62, but costs less. This tenor has been played a fair amount. The pads are sealing pretty well right now, but it is a mix of older and newer pads. The neck had a dent removed, and it was done well, so it looks good now. If you want a very well-built tenor, that feels good, tunes well, and is easy on the budget, this is it. Don’t waste your money on a new no-name sax. Those will be worth peanuts as soon as they are used. Yamaha horns are quality and hold their value really well. You can basically play it and enjoy it and sell it later for right around what you paid. Hard to beat.

  • Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup

    $ 3,444
  • Yamaha YTS-82ZII Tenor Saxophone Fresh Full Overhaul V1 Neck Effortless Player Excellent Condition 83913

    $ 3,750

    This is an excellent physical condition Yamaha Custom 82ZII tenor with a fresh overhaul.  The overhaul is very clean and well done, and the pads have domed metal resonators that impart a bit more zing to the tone than the plastic resonators that Yamaha’s typically come with from the factory.  So it’s all here: Yamaha quality, intonation, and craftsmanship plus a bit more than usual in the tone department with completely fresh pads, all for $1000 less than a new Yamaha tenor. Hard to go wrong with this horn.

  • Yanagisawa T900u Tenor Saxophone Very Good Condition Fresh Setup 210353

    $ 2,450

    I’m a big fan of the Yanagisawa 800 and 900 series horns, and this is a very good example of why.  This is a very clean, extremely well built (Yanagisawa has arguably the best craftsmanship among modern horns) truly professional quality tenor in good playing condition for barely more than a new Yamaha student model.  The intonation is excellent, the tone is pleasant and full, and the horn itself is built to last. This particular instrument is in very good physical shape, with a few scratches and repaired dings on the bow, but no major (or even medium) physical damage past or present.  You can expect this to be a reliable instrument for however long you own it, and it represents an extremely good value that is hard to beat. If you are looking for a full-on professional quality tenor for less than $2500 that is ready to play, you likely know how hard that can be to actually find- but here it is.  

  • Yanagisawa TWO-010 Tenor Saxophone Near Mint 348515-1

    Yanagisawa TWO-010 Tenor Saxophone Near Mint Condition Great Deal!

    $ 3,950

    This is a nearly-new Yanagisawa WO-10, which is Yanagisawa’s current model that replaces the 991 series, taking the same “elite professional” spot in their lineup (the “basic professional” spot being held by the 901 previously and the W0-1 currently) and other than being priced like a used horn, it is basically new.  It appears to have been played very little and comes with its original case showing it was bought as Kessler Music, where they sell new for $4900.

    This one appears to be nearly flawless, with just a couple of light scuff marks here and there if I look closely, and it is missing its original mouthpiece that would have come with it.  It plays very well, feeling to have a slightly bigger tone than the 991, and definitely feels lighter and a little more svelte under the fingers than the 991, although it still seems plenty robust.  I’ve seen a few of these since the WO series came out, and besides the confusing branding of of mixing Os and 0s, I really like these horns. Since they are still fairly new, chances to grab one used are few and far between, so I’d be surprised if this one stuck around for too long.  Grab it while you can and enjoy Yanagisawa’s newest professional tenor saxophone at a discount.

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