Tenor Saxophones for sale

Showing all 40 results

  • Buescher Top Hat and Cane Tenor Original Silver Plate Super Rare 356387

    $ 6,500

    This…(Doug Demuro voice) is a 1955 Buescher Top Hat and Cane tenor saxophone in original silver plate finish. It’s hard to overemphasize how rare the tenors are in original silver plate. I have seen three original silver Top hat and cane altos, and one replated silver tenor that started as lacquer. But this is the only original silver one I’ve ever seen! There are probably some others out there, but I doubt that there are very many.

    This rare beast also just got a complete overhaul done, and it has all new pads and is totally ready to go for the long-term, right out of the case. You’d be hard pressed to find a nicer example of a Buescher Top Hat and Cane tenor anywhere! I’ve seen a few nice original lacquer examples in recent years, and they sold for basically this price minus the overhaul cost, which means you’re getting the rare silver plate finish for not much extra money compared to a really clean original lacquer one. Tyler did a video on this horn that you should watch with headphones for the best sense of the sound. To me, it plays with a warm, round tone, with lots of power and excellent intonation. These horns are just REALLY FUN to play. That’s the main reason to buy one. It’s great for almost any type of music from classical to rock. The Top Hat tenors work well with even really bright, high baffle tenor pieces, because the big, warm vintage tone can support that bright mouthpiece without getting brittle. The low register is effortless, as is the altissimo. This is a rare opportunity to add this horn to your collection that is both a top player, and very collectible at the same time. It’s one of the most beautiful vintage saxophones as well.

    Only one available!

  • Buescher True Tone Tenor Saxophone Original Silver Old Pads Great Deal! 126098

    $ 650

    Super deal on an old pads Buescher True Tone in original silver plate needing overhaul. This horn is in good structural condition and it also has almost all of its original silver plate intact. If you’re looking for a very affordable vintage professional tenor saxophone to fix up, this is hard to beat!

  • Conn New Wonder II Transitional Tenor 251370 Ugly Needs Restoration Aubra Graves

    $ 1,450
  • Conn Transitional NWII / 10M Tenor 1930 New Keywork 243217 Fresh Overhaul!

    $ 6,500

    Unlacquered 1930 Conn transitional tenor which has had modern keywork painstakingly fit to the old body tube. This is my favorite vintage of Conn for tone. If you’ve ever wanted a Conn tone without sacrificing key feel to play the 30’s keywork, this is one of those rare chances to do it. The horn is also gorgeous. I like that they picked a really clean, beautiful example to use as the shell for the overhaul.

    Keywork was fitted by a shop in Canada, and then the horn was thoroughly setup (basically overhauled ~$1650) and perfected by Aaron Barnard in Iowa. It plays GREAT!

    Only one available!

  • GS Mark II Tenor Saxophone Mouthpiece

    GS Mark II Tenor Saxophone Mouthpiece – Modern, Crisp, Effortless

    $ 199

    GS Mark II Tenor Saxophone Mouthpiece Freddie Gregory Super Deluxe Mark II Copy

    This piece is clean, balanced, effortless to play, including low register and altissimo, with a medium chamber and a moderate baffle that gives it moderate brightness without getting brittle or nasal. It’s a great all-purpose tenor mouthpiece with a modern sound.

    *Demo videos and detailed info below with the GS Mark II on a Selmer Mark VI, Conn 30M, and King Super 20. 

    The GS Mark II tenor saxophone mouthpiece is an extremely precise copy of my favorite Freddie Gregory Super Deluxe Mark II tenor mouthpiece.

    What is this?

    Many players may not know much about Freddie Gregory’s Super Deluxe mouthpieces. That’s not a big surprise, as Freddie did not make that many of them, and the ones he did make are mostly still in the hands of their original owners. The few that have come up for sale over the last 5 years that I’ve seen have been priced way out of the reach of most players– typically $2400-$4000– for a mouthpiece! Which is nuts, but those who know these mouthpieces REALLY seem to be willing to pay to get one. And sadly, since Freddie died ten years ago, no more of these are available.

    The Super Deluxe model was entirely designed and made by Freddie. It was sold in four variations on the same design: Mark I, Mark II, Mark III, and Mark IV. They all have a good amount of projection, but the Mark I is darkest and the Mark IV is brightest.

    The Mark II is bright and projecting but not too bright, and it seems to be one of the most popular ones of these. The chamber is medium rather than large, which adds to the projection. The shank is long, so you can pull out on vintage horns. The Mark II sounds great on Selmers and on modern tenors like Yamaha and P Mauriat. It gives them a lot of extra character and complexity.

    The Mark II is nothing like an Otto Link, so if you’re wanting a Link-on-steriods or whatever, checkout the upcoming GS SUPERSONIC, which does just that sort of thing. The Mark II is a different beast, all its own thing.

    And for only $199 including hand facing, I hope that lots of players can enjoy this amazing and rare mouthpiece! It’s hard to beat.

  • GS RESO Tenor Saxophone Mouthpiece – Dark, Spread, Lush

    $ 199


    Otto Link Reso Chamber Tenor Mouthpiece

    Thanks a lot for all the kind words in the reviews about the GS RESO! They’re now being played by pros all over the world. The FG SPECIAL 7* is a copy of my favorite personal vintage tenor mouthpiece and is a really good choice for an all-purpose vintage mouthpiece that just works for all kinds of playing. The variable tip RESO (every other facing incl regular 7*) is slightly darker and has a lush, warm, gorgeous tone

    See long description below for all the details and check the GetASax Youtube Channel for lots of videos, including our new RESO vs SLANT comparison video.

    • All GS Mouthpieces are completely hand faced (table also flattened) and the facing checked at 10 points plus the tip. I only sell ones that have a correct facing, so there are no ‘bad ones,’ once you find the right tip opening for you.
    • The GS RESO FG Special 7* facing is an extremely precise copy of my favorite vintage Otto Link Reso Chamber tenor mouthpiece, which was also refaced by Freddie Gregory.
    • We also scanned, modeled, and copied a second fabulous Otto Link Reso Chamber from my collection – a an original 5 tip J.A. facing mouthpiece that had not been refaced.
    • If you buy the FG Special 7*, you get a copy of my refaced Reso Chamber, which plays dark and fat and really does the old school tenor sound well.
    • If you buy any other variation including regular 7* (not FG), you are getting the model copying the original facing Reso Chamber, which has been digitally ‘opened up’ (wider tip opening, baffle moved and slightly modified) to each authentic Otto Link tip opening. They get slightly brighter at larger tips, just like a Link, and the mouthpiece gets shorter a little (also just like a Link being faced on a machine at the factory). We can do this without creating a massive artificial baffle (you mouthpiece geeks know what I mean.)
    • The facings are either Link facings I copied from favorite mouthpieces in my collection, or facings I think are better than whatever my favorite Link facing is. You won’t pick a bad facing. The JA 5 is very free blowing and takes air surprisingly well. It would be hard to beat if you want a top quality small tip tenor piece.

    2 years in, I can say that people have been REALLY happy with their GS RESO mouthpieces. It’s a fantastic mouthpiece at any price, and under $200 hand faced, it’s pretty hard to beat.

  • GS SLANT Tenor Saxophone Mouthpiece – Classic, Balanced, Beautiful

    $ 199

    GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece

    If you’re wanting a classic, all-purpose tenor mouthpiece for jazz, it’s hard to beat the GS SLANT. If you’re a new jazz player coming from a Yamaha 4C or S80 C*, and you don’t want to completely change your embouchure, consider the SLANT in a 5* or 6 tip. It’s a great way to get into jazz tenor tone without feeling out of control. If you’re used to a larger tip, and you’re not sure what to get, it’s hard to go wrong with the SLANT 7*. We have lots of SLANT videos with HiFi audio on the GetASax Youtube channel.

    GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.

    This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for about 1/10th the cost of a comparable original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.

    Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not too bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. See below for the GS SLANT vs Vintage Slant A/B video.

    If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.

    To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.

  • Haynes Commercial Flute Overhauled Beautiful! 26663

    $ 2,650

    With C foot and offset G, this solid silver, golden age Haynes Commercial flute has just received a full overhaul, and plays its best! This is a professional handmade flute, with closed holes, which makes sax players happy, and still sounds amazing. According to a friend of mine, all the normal “trouble” notes come out easily on this one. Only one available!

  • Ishimori Wood Stone New Vintage Tenor Saxophone WST-VL with F# Dark Lacquer NEW

    $ 4,700

    Available now! These are hard to keep in stock, but I’m going to try my best to order them in advance to keep one around. 

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short).

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • King SilverSonic Tenor Cleveland ‘Series III’ Double Socket Neck Good Pads Plays Great! 376648

    $ 5,450

    This amazingly clean Series III King SilverSonic tenor is a great deal! It is priced a little low because someone lightly polished the silver on the bell to keep it shiny, but did not touch the gold inside the bell, nor any other part of the instrument. So it’s entirely original lacquer on neck, body tube, keys, bow, and inside the bell, but the silver on the bell has been lightly polished and lacquered. The engraved B and Bb key cups, for example, are definitely original, as is the body tube. The neck has a tiny amount of original lacquer intact near the octave pip. So it’s original except for the outside of the bell lacquer.

    The pads are in good shape, and the horn roars on them! They are regular leather, with medium sized flat metal resonators, which is a great, authentic setup for a King. The tone is FAT, and sort of Dark-Bright, which sounds like an oxymoron but isn’t. The tone is big and fat and thick, but has tons of projection and edge, so it sounds dark and bright depending on how you think of it. That could be the definition of the “King thing” (those who play them, know).

    Past repairs: the double socket has been resoldered on the neck, probably so the neck could be “fit” (made air tight) in the last overhaul. It’s nice and round in the inner socket, as it should be. There’s minimal evidence of any other repairs. No other resolders; no signs of other damage. It’s a remarkably clean example of a SilverSonic tenor, which is the horn everybody wants, whether they know it or not.

    The Series III in the title refers to how this horn has the updated keywork. If you like modern ergonomics, then the Series III is the King for you. Warm and fat like the Series II, but easier to get around in and cheaper (and findable) in solid silver neck and bell like this one.
    only one available!

  • King SilverSonic Tenor Cleveland 433140 Very Good Condition

    $ 5,350

  • King Super 20 Tenor 1974 Eastlake Old Pads Great Deal! 510174

    $ 1,950
  • King Super 20 Tenor Full Pearls Very Good Condition Good Pads 308996

    $ 6,500

    This is the Super 20 that most people want. This is the version with the more modern LH pinky (spatula) keys, but that still has ‘full pearls’ on all the key touches, double socket, solid-silver neck, and engraved bell keys. It has had a recent repad, and I just got it freshly checked out and setup, so it’s playing quite well. There aren’t many original lacquer Super 20’s from this most desirable serial range in the world. Far fewer than people realize! There are about 10x as many 5-digit Mark VI’s as there are full pearls Super 20’s.

  • King Zephyr Special Tenor Original Lacquer Very Good Condition Recent Overhaul 209710

    $ 6,350

  • Martin Home Model Unbelievable Condition! C Melody Simplified Collectible!

    $ 1,000
  • Martin The Martin Tenor Committee III Original Lacquer Recent Overhaul Beautiful! 184873

    $ 3,450
  • Selmer Balanced Action Tenor 1939 Silver Replate Extra Engraving Amazing Player 29738

    $ 7,850
  • Selmer Mark VI Tenor 1957 Original Lacquer Recent Overhaul Great Player 70812

    $ 17,000
  • Selmer Mark VI Tenor 1961 American Engraved Original Lacquer Excellent Condition 95721

    $ 17,500

    If you’ve been looking for a 1961 Selmer Mark VI Tenor in excellent condition for a while, and have been waiting to buy a really special one, then your wait may be over! I haven’t had one this clean and beautiful in a few years, and I don’t know when I’ll get another! The 5-digit serial Selmer Mark VI tenors have gotten pretty hard to find in clean original condition like this, and prices have been going up. This one is priced on the low side of what I’m seeing people asking at other dealers and on eBay. I was very pleasantly surprised with the condition when it arrived from the original owner. The original lacquer is almost all present, and there is no damage at all – no dents or dings, no resolders, and the original neck with matching serial number is in excellent condition with no pull down or past damage. The American engraving looks great, and the lacquer color is a gorgeous deep honey gold. The pads are original, and the horn comes in the beautiful original Chesterfield case. I love how the edge binding on this case is one continuous piece in a sort of figure 8 pattern. The 90k VI tenors have a punchy, dark, focused, powerful tone that is pretty much the tenor sound that most pro players seem to be looking for today. With a brighter mouthpiece, these things project like crazy. With an overhaul, this will be the sort of horn that you just don’t want to put down.

    Only one available

  • Sold Out

    Selmer Mark VI Tenor 1962 Nice Relacquer Fresh Overhaul 102146

    $ 7,850

    This 1962 Selmer Mark VI Tenor saxophone is relacquered, but it’s in otherwise excellent physical/mechanical and cosmetic condition. It came in with old pads, but it still had a big, dark, focused, powerful tone like you think of with the 90-100k Mark VI’s. The early 100k serial ones are identical to a late 90k, but they sell for a lower price than the ‘5-digit’ serial VI’s, so that makes this an excellent value in a VI. If you want a similar horn for less money, but with older pads, there’s currently a 104k for sale here that isn’t overhauled. This one is for the person who wants the picky, GetASax overhaul on the horn, so that it just plays great right out of the case and is ready to go for the foreseeable future, with only periodic checkups needed on the pads. The main things to think about on a relacquer are two: First of all, check for past damage. I don’t see anything significant on this one as far as past repairs. It just got a new coat of lacquer at some point. And second, to overhaul it so that any key wear from use or buffing is removed, and the keywork goes back to being all tight and snappy. That’s what’s happening with the overhaul. So it’s a good buy for someone who wants the tone of the late 5-digit tenors, but double discounted because of the early 6 digit serial and the new coat of lacquer. This is getting overhauled with nice Pisoni Italian leather pads and premium reusable slightly domed brass resonators. In my opinion, there’s no better way to do it!

    Only one available!

  • Selmer Mark VI Tenor 1963 Relacquer Great Vintage 104515

    $ 6,250
  • Selmer Mark VI Tenor 1974 Original Lacquer Very Good Condition Original Pads 234158

    $ 6,750
  • Selmer Mark VI Tenor 1974 Original Lacquer Very Good Condition Recent Overhaul 220324

    $ 7,000

    This is a beautiful original lacquer Selmer Mark VI Tenor saxophone that also has a fresh Ken Beason overhaul with large metal resonators (‘Beasonators’) and leather pads. The action is nice and snappy under the fingers, and the horn feels as nice to play as a brand new saxophone. It has beautiful lacquer and American engraving, and there are no dents or dings. As far as past repairs, it looks like the neck was flexed enough over the years to lose a little lacquer on the sides, but it’s not pulled down, and it looks like it was a very minor thing – like what happens when you move your mouthpiece while on the neck. The neck receiver has some lacquer loss around that area, and the back of the body tube has some lacquer loss in one spot. I think the neck receiver was resoldered when Ken overhauled the horn, by the look of it. This needs to be done on a horn when the solder has a leak or if the socket is loose for any reason. The tone on this one is big, powerful and projecting. Late VI tenors like this are beasts, and the resonators also help it to put out a ton of sound. Intonation is easy; low register comes out effortlessly, and altissimo is also easy!

    Only one available!

  • Sold Out

    Selmer Mark VI Tenor Old Varitone Fully Engraved + AfterMarket Silver Plate Job Big Player 141570

    $ 5,500

    This is a really powerful Mark VI tenor that was one-owner, and well played and loved its entire life so far. The original owner had the varitone pickup system removed from the bell, and he then had the horn fully engraved, neck to bell flare by Sherry Huntley, and then silver plated. It has the Selmer factory pickup port still present in the neck, which you could use for recording or to run through effects pedals if you want to, and it would work great. Or just ignore it and it plays like a regular Mark VI. The current pads are medium way through their usable life. This horn was frequently maintained by a local shop here, including just a few weeks ago, and they are still sealing well. If you want a powerful, medium bright Mark VI tenor that also turns heads with its silver plate finish and full engraving, and you want that all for a low price, since the silver is aftermarket, that’s what you’re getting. It’s a great value in a Mark VI, because this horn has always been well cared-for, and it had a ton of money put into it in the engraving (+$750 or more) plus the plating (+$2k at least).

    Only one available!

  • Selmer Mark VI Tenor Original Excellent condition Fresh Overhaul 227376

    $ 7,500
  • Selmer New Large Bore Tenor Original Plays Well! 13182

    $ 4,350

  • Selmer New Largebore Tenor Original Silver Very Good Condition 8576

    $ 4,200

  • Selmer Super Balanced Action Tenor 1954 Near Mint Original Lacquer Original Pads Amazing 53933

    $ 24,500
  • Selmer Super Balanced Action Tenor 1954 Worn Original Lacquer Recent Overhaul Excellent 54611

    $ 12,500

  • SML Super 46 Tenor Rare! Original Silver Plate Overhauled Good Condition 5117

    $ 4,750
  • Tenor Guardala + Thin Body Brilhart Reproduction Ligature for Tenor Saxophone Mouthpieces

    $ 165

    Best ligature around for a Guardala (style) metal tenor mouthpiece! This gives you nice, balanced hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made.

    If you want the best ligature for a Guardala Handmade Michael Brecker 1 or 2, or a Guardala Handmade Studio, or any other metal Guardala handmade or laser cut metal tenor mouthpiece, this is it. This also fits a wide range of other slim body metal tenor mouthpieces like the Ishimori Anemos, Yanagisawa metal tenor mouthpieces and many others. For the larger body metal mouthpieces like Otto Link, get the Otto Link metal Brilhart reproduction ligature instead.

  • Tenor Hard Rubber Brilhart 3-Band Reproduction Ligature Echo Brass

    $ 165

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature.

  • echobrass echomaster tenor metal mouthpiece ligature

    Tenor Metal Otto Link Brilhart Reproduction 3 Band Ligature Berg Larsen Dukoff!

    $ 165

    Best ligature around for a metal Otto Link (and similar) tenor mouthpiece! Way better than the stock Otto Link metal top screw ligature, this gives you a much firmer hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made. This also fits larger body Berg Larsen and vintage Hollywood Dukoff tenor mouthpieces, and all Otto Link Metal-sized tenor mouthpieces, like Ted Klum Focustone Tonamax, Theo Wanne larger body metal, and many others. See the photos. For thin body metal mouthpieces, get the Guardala sized tenor ligature instead.

    If you want the best ligature for a Berg Larsen metal tenor mouthpiece, this is it. If you want the best ligature for a Dukoff Hollywood or Dukoff Stubby tenor piece, again, this is it.

    This ligature fits all metal Otto Link tenor mouthpieces also – past and present. It fits Masterlink, 4****, ToneMaster, Super ToneMaster NY, FL, Early Babbitt, and regular Babbitt-made pieces. The modern variants like the ‘New Vintage’ NY, Millennium edition etc also all fit.

    Buy with confidence. I take returns, and I stand behind this product. It’s the real deal.

  • Tenor Metal Otto Link Mouthpieces – OT-BB size all metal with BB Screws EchoMaster Ligature

    $ 165
    Introducing a new EchoMaster ligature. This is the OT-BB size that fits metal Otto Link mouthpieces and is all-metal with BB screws. This is one versatile and beautifully built ligature.
    It’s one ligature for almost all metal tenor mouthpieces. It also fits all Dukoff metal and Berg Larsen metal mouthpieces among many others. I took photos of almost every version of Link as well as Dukoffs and a Berg if you want to scroll through. It also fits metal Yanagisawa on the slim side, and even metal 10MFan and MacSax on the fat side. Quite useful, as you get a tight reed seal, where most Link ligatures are impossible to tighten. This one is easy.
  • Theo Wanne MOKSHA Tenor Rare and Super Deluxe Mantra – Fully Engraved 20002

    $ 3,850

    Theo Wanne Moksha tenor made mostly of titanium! This was an exciting new model that Theo Wanne designed and was having manufactured, but it was too expensive to be marketable. The matching alto and tenor final prototypes were sold by Theo as one offs, and they’re on consignment here for the original owner. These have brass keys, titanium bell and body tube, and lots of engraving. They also have ‘tone bridges’ that you can install or leave off as you like, that give an extra connection between neck and body tube, tube and bow etc.

  • Yamaha Atelier Dark Lacquer YTS-82ZASP Tenor Excellent Condition E87848

    $ 5,500
  • Yamaha YTS-82ZII Tenor Mint D79560

    $ 4,450

  • Yanagisawa T992PG Pink Gold Plated Tenor Near Mint Exceptional Player 310007

    $ 7,250
  • Yanagisawa TWO-37 (!!) Solid Silver Tenor Saxophone New + Setup

    $ 13,750

    Do you want the Lexus of modern tenor saxophones, and you want it fully loaded with all the options? Then the Yanagisawa TWO-37 may be the horn for you. No modern horn is better built or easier to play than the Yanagisawa Elite series, and no other modern horn has this level of finish with solid silver neck, body tube, bow, and bell, as well as extensive engraving throughout. This horn is brand new, and it also comes with an optional full new horn setup done by Matt Stohrer, which is not really necessary, but hey, it’s a special horn, and Matt does the best new horn setup I know of, so if you want the best, you might as well get the best setup too if you want it. I’ll get that done when the horn sells, assuming the buyer wants it done.

    It’s pretty hard to beat this horn for beauty, rarity, quality, and playability.  (It takes a year waiting on a special order in order to get one!) These will be instant collectibles, and should hold its value better than about any other modern tenor I can think of. I have this one priced below retail, and it also includes the $400 setup if you want it, also for no extra charge for you. There’s only one available. Like I said, I had to wait a year for this one!

    Here’s a little video Tyler did on this horn. We had trouble doing a video of it that didn’t look like a mirror just showing the camera, so we did a black room video with moving spotlights. It looks black in the video for that reason, but it’s this exact horn getting played and filmed.

  • Yanagisawa TWO1S Tenor Silver Plate Excellent Condition Great Deal! 392271

    $ 4,350