Alto

Alto Saxophones For Sale including Selmer Mark VI

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  • GS NEW YORK Alto

    * GS NEW YORK Alto Mouthpiece Meyer Bros NY Replica

    $ 199

    Introducing the GS NEW YORK alto mouthpiece! This is an extremely precise copy of my favorite Meyer Bros New York alto piece from my collection of New York Meyer mouthpieces.

    A great New York Meyer just sparkles. The response is clean, warm, and effortlessly free blowing, but centered and with an elusive extra magic to it – even compared to any other version of Meyer.

    What you get: The Best Meyer Ever

    If you’re not a vintage mouthpiece geek, you probably didn’t know that there are three different mouthpieces that are stamped Meyer Bros New York (not incuding the Tru-Flex or the NYUSA). The first is a rather stubby, fat bodied one. Then this one that the GS NEW YORK copies, with NEW YORK on the same side as MeYeR and ‘medium chamber’ in small font on the table side. The last version has a fatter body again, and has MEDIUM on the same side as MeYeR and NEW YORK on the table side. The following photo makes this clear.

    Some folks prefer the third version. I prefer the second, though we may offer the third version as a GS mouthpiece someday as well. The one we copied has just the right balance of warmth and projection to stand out as the one, holy grail, best-ever (in my opinion anyway) do-it-all alto mouthpiece that you need. There are lots of other great alto mouthpieces on the market, but to my knowledge nobody has actually successfully produced an exact copy of a Meyer Bros NY like this before, until now.

    These also all get hand faced by me. That’s the main slow step in getting them to you, but I’m facing them as fast as I can while keeping the facing work perfect. The hand facing is a step that you can’t skip. If you try to make a replica mouthpiece and you don’t replicate a really excellent facing, you might as well not bother. So you get my favorite 4, 5, 6, 7, or 8 facing that I’ve played so far, on whichever tip mouthpiece you request. Tips are as follows: 4= .069″   5= .072″   6= .076″   7= .080″ 8= .085″.

    The baffle on each tip opening is placed just where Meyer would place it relative to the tip rail and chamber, so each one is a really good copy of the appropriate tip of Meyer Bros. One big advantage we have is that we make these entirely in house, so we can keep improving them until they are perfect. By using biocompatible dental resin and 3D printing for the complex, organic chamber and baffle shapes, we can keep improving and iterating the model until each one is perfect. We spend a LOT of time and effort on that, and I hope that it shows in the quality of mouthpiece and the playing experience that you get.

  • Alto Meyer Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Meyer Hard Rubber Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Buescher Aristocrat / Bundy Alto Saxophone 527378 Needs Overhaul

    $ 450
  • Buescher Aristocrat 140 Alto Original Lacquer Very Good Condition

    $ 950

    Great deal on a clean, original lacquer, original pads Buescher 140 alto saxophone. This horn has its original snaps and spuds intact, and is a repad shy of being a VERY good player. Minimal wear, minimal past repairs, neck in good shape. This is a clean one that will be an easy repad job for someone. These are among the most undervalued vintage horns right now!

  • Buescher Aristocrat Series 1 Alto Original Silver 280237 01 Neck Old Pads

    $ 1,400
  • Buescher True Tone Alto Silver 257528 Good Condition

    $ 900
  • Buescher-Made (Selmer) Bundy Alto 408990 Good Student Alto Older Pads

    $ 350
  • Buffet S1 Alto Saxophone Amazing Condition Great Player

    $ 2,450
  • Buffet S1 Super Dynaction SDA Transitional Alto S1 Keywork 22035 Original, Recent Overhaul

    $ 1,950

    So this is basically a Buffet S1 Alto based on the keywork, but it still has Super Dynaction engraved on the side. That’s why it is listed as transitional between the two models. You could also just think of it as an early Buffet S1. It has a fresh overhaul done before it came into the shop, using white kangaroo leather pads and brown plastic resonators. The pads are sealing just fine, and the horn feels good to play. As you can probably see, this horn had a crease removed from the bell flare. The work was done ok, but the flare still looks weird if you stare directly at it. I don’t see any other signs of past dent work or other problems. It’s priced quite attractively I think. The S1 is one of those desirable horns that have a vintage tone with nearly modern keywork. The S1 keywork is quite comfortable once you get used to it, and the way the pinky keys on both hands are designed is very smart. It’s quite fast and easy to get around on. I like the double hinged low Bb that makes it easy to rock from B or C# to low Bb. And the low C/Eb mechanism is brilliant. Someone should bring that back on a horn today.

    Only one available!

  • Buffet Super Dynaction Alto 16883 Original Lacquer Good Condition Old Pads

    $ 1,300
  • Conn 26M VIII Connqueror Alto Original Lacquer Excellent! 292445

    $ 3,550

    This is a beautiful example of a rare Conn Connqueror 26M Alto saxophone with original lacquer and VIII stamp. The Connqueror is the most mechanically sophisticated saxophone that Conn ever made. It is a pre-war 6M body tube and neck, with all new keywork design, extra engraving, and solid silver on all the key touches that are not pearl. The ‘permadjust’ system is the big development on the Connqueror altos. You can read about that on Matt Stohrer’s website, or watch his repairman’s overview of the 26M on Youtube. This one has its bits and bobs intact, and is in very good condition. It just got overhauled before I bought it, so the pads are all new!  Cosmetically, this horn is just great, with only some minor lacquer wear. It has to be one of the nicest 26M Connqueror altos out there. Definitely the nicest one for sale currently, and priced very reasonably. I really like this one.

    Only one available!

  • Conn 6M Alto Original Silver Plate 250314 Big Sound

    $ 2,850

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul done by another dealer, who shall remain nameless, but needs a thorough re-setup. The overzealous repairman decided to ‘refresh’ the solder on many of the posts. So there are many posts resoldered. It looks fine, since the horn is silver anyway. Doesn’t seem to be due to damage, just probably one post popped off during the overhaul from the solder being old, and the repairman decided to resolder lots of them as a preventative. I’m reducing the price by $800 to give you room to spend as much as you want on a setup, or even to get it overhauled again.

  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750

    This Conn 6M Alto is in excellent original condition with original lacquer and original pads. It is almost as clean as it could possibly be. It will need a repad as soon as you get it, because it only makes saxophone noises now, but has pads from 1947 or so, which are ready to be replaced. No wear anywhere. No real damage, and no problems that I can see. If you want a great looking, super clean Conn 6M, that’s what this is. Original case also in good condition.

    Only one available!

  • Conn 6M VIII Alto Saxophone PreWar 300088 Original Lacquer Excellent Condition

    $ 2,850

    BEAUTIFUL example of an original lacquer ‘Pre-war’ Conn 6M VIII Alto saxophone in extremely fine original condition with old pads. This horn had one dent removed from the body tube (nearly invisible now), and other than that, it’s about as clean an example as you are ever likely to find. These altos remain an absolute bargain. They’re among the best playing alto saxophones ever made, with a bigger, wider, more powerful tone than almost anything out there. And yet the keywork is very fast and comfortable, and the intonation is excellent. It’s the perfect lead alto horn. It’s also made in USA at the height of US manufacturing, and has a build quality that has hardly been matched since. This is the desirable version with the VIII stamped neck, which tends to sell for more than the later versions without the stamp. They’re all great, so if you’re on a budget, check out the beautiful 320k post war example that is also for sale.

    Only one available!

  • Sold Out

    Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,050

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn New Wonder 1 Alto Burnished Gold Stunning Portrait Engraved Old Pads 139214

    $ 1,650
  • Sold Out

    Conn New Wonder II Alto Saxophone Silver Plate 227313

    $ 950
  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 950

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Conn NWII / 6M Transitional Alto Burnished Gold Art Deco Outstanding 243577

    $ 4,350
  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-AF with High F# Antique Finish NEW

    $ 4,300

    Two available now! (Finally)

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!

    This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW

    $ 4,300

    Two available now! (Finally)

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Keilwerth Tone King Straight Alto Beautiful Condition! 85729

    $ 4,450

    Full overhaul in progress! Included in the price. This is a great deal!

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King SilverSonic Alto Original Lacquer Mint Freshly Overhauled 448357

    $ 6,500
  • Sold Out

    King SilverSonic Super 20 Alto Saxophone Original Lacquer Excellent Condition 411063

    $ 5,750

    This beautiful, original lacquer King Cleveland SilverSonic alto is getting an overhaul starting end of March 2022, and that is INCLUDED in the price.

  • King Super 20 Alto 415046 Original Lacquer Very Good Condition

    $ 3,650

    Nice clean King Super 20 Alto Saxophone ‘Series IV’ from 1965,  meaning it’s a late Cleveland one with the more modern keywork style. That’s good if you want a King Super 20 tone with minimal keywork compromises. This has the solid silver single socket neck. This sax has its original pads, which are 57 years old, so plan on an overhaul. Enough of my customers want a less expensive Super 20 that I’m leaving this one original pads for the moment. Almost every other King on the site is overhauled, so check those out if you want one that is a turnkey purchase.

    Only one available!

  • Sold Out

    King Super 20 Alto Full Pearls Series II Original Lacquer Very Good Condition 318035

    $ 6,000
  • King Super 20 Alto Series II Full Pearls Original Lacquer Old Pads 318290

    $ 5,500
  • Sold Out

    King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 4,950

    On hold Oct 2022. Great King Super 20 alto that is also on the affordable side for one of the best vintages. This is 376523, double socket, solid silver neck, engraved bell keys, underslung octave key, but the more modern style pinky keys and a tone that is more like the ‘full pearls’ Super 20’s. This horn just got a full, top shelf overhaul with Pisoni italian leather pads and nice reusable slightly domed, metal resonators. It feels brand new under the fingers, and it is still in excellent original cosmetic condition. Only one available! $4950 incl the overhaul, which is about what you’d pay for a Yamaha, and this is much better and holds its value better too.

  • Martin Centennial Alto Saxophone Committee II and III Transitional Model Rare! 142319

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Centennial Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The lacquer has aged to a dark honey color and looks great. Having no other Centennial altos around to compare to, I’m not willing to commit to this being original lacquer, but it might be. I don’t see signs of buffing, and if it were a Comm II, then it would look correct to be original. So maybe it is? The Centennial celebrates 100 years since the invention of the saxophone. It appears briefly between the Committee II and the Committee III (The Martin Alto) models, and it has features of both models. You can easily spot some guards and key shapes that remind you of the Comm II, while the main design chiefly anticipates the Commitee III in design and tone. If you want a The Martin Alto, but you want one that is cooler, super-early, darker than average, and rarer and more collectible, this is it!

    The tone is warm, powerful, round, and full. The ‘carrying power’ (as Martin calls it in old ads) is a main plus of this model. It sings out with absolutely no resistance to blasting over a section or a band. You can do the west coast dry jazz tone like Art Pepper, or you can blast like the SNL sax players if you want to. The intonation is remarkably good. The ergonomics are also surprisingly good.  It’s hard to beat this horn for the money. It even plays well on the existing mix of pads, and doesn’t need an overhaul right out of the case like most of these.

    Only one available!

  • Martin Magna Alto Original Lacquer Excellent Condition 206422

    $ 2,650

    Beautiful original lacquer Martin Magna Committee III Alto Saxophone. It has no dents or dings and is in absolutely gorgeous condition. The Magna is the most desirable Martin saxophone, because of the rarity and some cosmetic and mechanical features that set it above the rest. These include the fancy engraving, and nickel keys and cross accents on neck and bell, and keyguards. This Martin Magna Alto has original pads, so it hasn’t been messed with, just lightly played. It’s ready for new pads and its next 60 years of playing. Maybe you can be a part of that! These altos have such a beautiful tone (think Art Pepper), which is warm, dry, full, and powerful. Medium between bright and dark, with plenty of what Martin called ‘carrying power’ and we call ‘projection’ to spare, no matter how much you want to push it. These sound better with really bright mouthpieces than almost any other saxophone, if that’s your thing. But they sound great with something like an MC Gregory Model A like Pepper used. This is as nice an example of a Magna as you are likely to find! I’m getting the thumb hook screw sorted out by the way. Only one available!

  • Martin Music Man Alto Original Lacquer Gorgeous! 208891

    $ 2,150

    Gorgeous original lacquer Martin Music Man alto saxophone. This is one of my favorite The Martin Alto Committee III’s ever, and is being sold from my personal collection. It was in another collection for many decades before I got it, and it has been cared for very well over the years. The pads aren’t bad, but it’s not freshly overhauled either. It plays well on them. I’d play it for a while and save up for an overhaul before too long, if you want to unlock the full potential.

    The Official Music Man model was made to commemorate the runaway hit musical ‘The Music Man’ about a traveling band instrument salesman. (I’m sure you know it.) These are a lot like a regular Comm III, “The Martin Alto” but have some extra engraving and the adjustable neck octave key stoppers like a Magna. They will always be more desirable and collectible than a regular The Martin Alto, but they have the same power, projection, and dark, complex tone. These horns are built to last, and came with 50 year warranties when new. Some of them are just leaving their warranty coverage now, which is hilarious. Only one available!

  • Noblet Alto Good Original Condition Great Deal 8662 Original

    $ 599
  • Selmer Mark VI Alto 1957 Original Lacquer Recent Overhaul Great! 70876

    $ 7,850
  • Selmer Mark VI Alto 1962 Near Mint Original Lacquer Original Pads 98721

    $ 9,500

    This is an absolutely premium Selmer Mark VI alto saxophone with nearly all of its original lacquer intact. It even has original pads from the factory from 1962. You’d be hard-pressed to find a cleaner, more beautiful Mark VI. This has a 5-digit serial, and it is in the serial range that is my favorite for tone. These late 5-digit altos have a dark, powerful, tenor-like tone that is bigger and more complex than a typical VI. They’re among the best altos you’ll find! The ‘long bow’ tuning on this one is totally fine, with no problem on low B etc. using a Meyer.

  • Selmer Mark VI Alto 1962 Original Silver Great Pads High F# Clean! 102960

    $ 7,950

    This is a gorgeous example of a 1962 Selmer Mark VI Alto saxophone in original silver plate finish with high F#. It is sold in excellent playing condition with good pads and a ‘low miles’ overhaul. It includes the pictured BAM case as well, to keep it safe in shipping, as well as the original case with red crushed velvet interior. It’s hard to beat the early 60’s Mark VI altos for tone.

  • Selmer Mark VI Alto 1964 Beautiful Original Lacquer 116596

    $ 7,850

    One of the nicest all original VI altos you will see. This has all original pads still intact, and almost all its original lacquer. The 1964 Selmer Mark VI Altos have a big, dark, projecting, complex tenor-like tone that is my favorite tone out of all the Mark VI altos. This one had a dent removed from the back of the body tube which is now gone and didn’t leave much of a mark. Also one foot of the low C keyguard was slightly dented when I got it and I had that removed. Aside from those two small, well-done repairs, it’s in nearly new mechanical condition. Definitely a solid purchase for someone who wants a beautiful, original VI alto in superb condition with original factory setup, and for a reasonable price. Same price as a new Selmer Supreme, but this is a Mark VI!

  • Selmer Mark VI Alto 1964 Near Mint Original Lacquer Original Pads 116897

    $ 7,950

    This is a REALLY clean original lacquer, original pads Selmer Mark VI alto from 1964. Matt Stohrer uses this horn on is Stohrer Music channel to go over what an original Selmer Mark VI factory pad job and setup looks like. It’s that clean. It had one ding removed from the back of the bow, and there are no dents or dings now, and no past repairs. The neck has matching serial number and is also in excellent condition. This horn sat in the case for almost its entire life so far, as it was owned by a clarinet player who only used it occasionally. It still plays pretty well on the original pads. It has a dark, focused, powerful, tenor-like tone that only the ’63-’64 altos have, and that many Selmer aficionados have also noted about these horns. It has some interesting coloration in the lacquer just from sitting against the case and the lacquer aging differently depending upon which parts made contact with the case and which did not. If you want a time capsule Selmer Mark VI alto from one of my favorite years, that’s what this is. Only one available!

  • Selmer Mark VI Alto 1965 Near Mint Original Pads 127335

    $ 8,950

    Super nice Mark VI alto original lacquer. One owner, original pads from 1965. What a gorgeous example! One only sees a VI alto this nice a couple times a year, even at GetASax!

  • Selmer Mark VI Alto 1965 Original Lacquer Very Good Condition 129247

    $ 7,750

    Beautiful condition Selmer Mark VI Alto saxophone with original lacquer and American engraving. The neck has the matching serial number. This was a one owner horn that was well cared for its entire life. Now it’s ready for a new owner to take care of it for its next 60 years.

  • Selmer Mark VI Alto 1967 Original Silver High F# Fresh Overhaul – Exceptional! 151239

    $ 7,500

    This silver 1967 Selmer Mark VI Alto is one of the better VI altos I’ve played. It’s probably the most in tune one I’ve ever played. Kind of amazing. It’s free blowing, not very resistant at all. Low notes just pop out effortlessly. High F# and altissimo are easy and in tune. The tone is powerful, medium between bright and dark, with a fat core to it and a lot of punch when pushed. It kind of vibrates under the fingers at FF like it really likes to project. I would play this as my main alto, even though I’m used to playing Kings on alto instead. This Selmer Mark VI creates the sound so easily that you can get more volume with the same amount of air, and it has a kind of projection that you rarely see in these. But there’s a fat, focused core to the tone that I really like. I’m using a GS New York, which is a fairly projecting mouthpiece, and it just sounds great.

    I should mention – it has a factory narrow sliver of metal going across the neck octave pip that completely erases the hissing high A and makes it play with the same even timbre as G and B, and without going sharp as well. It looks like it’s all one piece and silver plated like the pip, with no sign of work. Horn was all original pads when I got it, and barely played. It’s kind of amazing. I was having to unlearn my normal lipping down of high A2 that I have to do on VI altos most of the time

    Only one available!

  • Selmer Mark VI Alto 1969 Original Lacquer Excellent Condition 171207

    $ 7,000

    This is a near time capsule Selmer Mark VI alto with beautiful honey gold lacquer. It’s all original including original pads still sealing surprisingly well. You’d be hard pressed to find a cleaner Selmer Mark VI Alto saxophone than this. It comes in a very sturdy original case as well. Only one available!

  • Selmer Mark VI Alto 1971 Original Lacquer American Engraved Fresh Overhaul Exceptional! 190365

    $ 6,350

    This beautiful original lacquer Selmer Mark VI Alto from 1971 just came back from a complete overhaul, and it is an exceptionally fine player. It’s just effortless and beautiful. You really won’t want to put it down. It feels like a brand new saxophone under the fingers, despite being 52 years old. It’s in very good condition, and everything now is totally fresh and clean and perfect. You couldn’t do better on a Mark VI alto for the price. Photos are BEFORE overhaul. I’m updating them now.

  • Selmer Mark VI Alto 1973 Original Lacquer Plays Well 220833

    $ 4,950
  • Selmer Mark VI Alto 1974 Original Lacquer American Engraved Very Good Condition 234127

    $ 4,950

    Beautiful original lacquer Selmer Mark VI Alto in very good condition. This alto also still plays quite well on its mostly original factory pad setup. It has a resoldered keyguard foot on low C on one side, and that’s the only repair. The neck is in great shape, and I don’t see any damage anywhere. Plan on a repad soon, but you’re looking at a beautiful original VI alto for Yamaha type of money. That’s a great deal!

  • Selmer Mark VI Alto 1974 Original Lacquer Good Pads 227643

    $ 4,950

    Original lacquer Selmer Mark VI Alto Saxophone with original lacquer, American engraving and good pads for only $4950. The later serial Mark VI altos like this have excellent intonation, excellent balanced medium-bright tone, and are extremely well built. This alto has nothing wrong with it, plays great, and will go up in value while you own it, but it’s about the same price as a Yamaha or something. That’s nuts! You should definitely buy it if you can swing the price. There’s nothing like a Mark VI – it has the best combination of keywork, ergonomics, build quality, and tone of any saxophone, which is why it still sets the standard for professional saxophones 50 years after Selmer stopped making them! This one also has a roomy case with plenty of storage.

  • Selmer Mark VI Alto 1974 Original Lacquer Original Pads Very Good Condition 221505

    $ 5,350

    On consignment, this is a beautiful Selmer Mark VI alto saxophone with original lacquer and American engraving. For a fraction of the price of a new Selmer, you can get a Mark VI in great shape. This alto has original pads, so plan on a repad soon, but it won’t be a difficult job. Mark VI’s are easy to work on, and this one is in great mechanical condition and should be a straightforward job. Later serial VI altos are beloved for their excellent intonation and superior low register response. I like the tone on them as well. They’re probably the best value overall in a Selmer saxophone, because they have improvements over the earlier VI altos, yet they are priced much lower. Only one available!

  • Selmer New LargeBore Alto Original Lacquer Recent Overhaul 11770

    $ 2,350
  • Selmer Prelude Student Alto Very Good Condition

    $ 600
  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 4,950

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

     

  • Selmer Radio Improved Alto Relacquer Great Deal 18901

    $ 2,350
  • Selmer Reference 54 Alto Kookaburra Exc Cond Fresh Full Overhaul!

    $ 5,950

    This Selmer Reference 54 alto is completely overhauled, which sets it far apart from other used modern Selmers that you will find on the market. This is also the Kookaburra edition. I understand they made 340 of these for the US market. They do seem to sell a little higher than the average Reference 54. I love how these horns play once they get a good overhaul. The odd thing is, they can be in nearly new condition, as this one is, and yet still need an overhaul to play well. As you probably know, unless you’re just getting into nice saxophones, an overhaul is a big job, and means that everything is rebuilt and replaced that is disposable on the saxophone. It takes a few days worth of skilled labor and a few hundred dollars worth of materials, so it’s not cheap. The result is a saxophone that plays and feels better than new, as this one does. It’s a deal at this price. The Reference 54 is my favorite modern Selmer.

    Original case is included, also in excellent condition.

    Only one available!

  • Selmer Reference 54 Alto Saxophone Flamingo Dark Lacquer Plays Great! 708286

    $ 5,400
  • Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone that fills a room with ease. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. It’s one of the most beautiful ones around.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Super Action 80 Series 1 Alto 343195 Very Good Condition Great Tone!

    $ 3,450

    As you may know if you hang around this site, I like Selmer Super Action 80 series 1 altos a lot. They are better built and have a more interesting tone than Series IIs, and they also tune well with a Meyer style mouthpiece, unlike a typical Series II. This Series 1 is in very good condition with only some minor signs of use, and a mix of pads that are still sealing pretty well. It doesn’t have a complete overhaul, so plan on swapping out some pads little by little as you go. That let’s me price it lower so that you can get a Selmer Paris alto that is as good as one that costs 2-3x as much, and save the difference. We did a quick sound sample of this horn below, though you can sound a hundred different ways on it depending on your style, reed, and mouthpiece choice. It’s a great all-around alto because it just gets the job done. I love the focused, lyrical, medium-dark tone. It’s got some complexity to it, and lends itself both to a dark classical tone or to a bright mouthpiece pairing to get projection while staying fat sounding. Only one available!

  • Sold Out

    Selmer Super Action 80 Series II Alto Very Good Condition Plays Great! 497811

    $ 3,650
  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,950
  • Selmer Super Sax Cigar Cutter Alto Original Gold Plate 15579

    $ 6,000
  • Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757

    $ 4,950

    Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!

  • Selmer Super Sax Cigar Cutter Alto Saxophone Original Gold Plate Fresh Overhaul! 17618

    $ 7,500

    Is this the best playing alto on the website right now? It might be!

    Original gold plated vintage Selmers are hard to find. Gold plated Super Sax Selmers are even harder! If you want a Selmer that has some of the the wideness and darker tone of a Conn, this is the horn for you! This beautiful example still has the ‘cigar cutting’ octave mechanism that goes away shortly after this serial number. The original gold is in great shape, with some wear from use. This horn just got a top quality overhaul done by J&H Winds in Cedar Falls, Iowa. Jimmy Jensen and Simon Harding’s shop there is doing a fantastic job on vintage saxophone restorations, and gets my full endorsement! This thing feels better than new under the fingers. It has Italian Pisoni pads that were specially ordered thicknesses to fit the deeper pad cups. And the resonators are Aaron Barnard’s reusable slightly domed brass ones that are my favorite on lots of types of vintage saxophone. This sax got the full treatment, and now it is SO fun to play. It is super alive – vibrates like crazy under the fingers. The intonation is quite good with my GS New York alto mouthpiece, so you are fine with either a large or a medium chamber on this alto. The tone is so velvety and rich – dark, smooth, complex, and WIDE. If you want to fill a room, this is the horn for you. The gold is also gorgeous. The only drawback is the ergonomics. It’s not modern. I actually like the direct action that closes the left hand bell keys– it’s nice and snappy and easy. The downside is just if you need to get around a lot of low notes really quickly, and you don’t have good pinky finger dexterity. To me the tone makes it totally worth it. And how many blazing passages in the extreme low register do you realistically play? Probably not that many. So this is the total package of rarity, beauty, top shelf overhaul, and tone.

    Only one available!

     

  • Selmer Supreme Alto Dark Lacquer New Plus New Horn Checkup 839717

    $ 7,500
  • Selmer Supreme Alto Open Box Near Mint – Dark Lacquer + New Horn Checkup

    $ 7,750

    On hold till Nov 16. One more of these is available now by request though. One month old Selmer Supreme alto in dark lacquer finish. This got a GetASax new horn checkup and is playing REALLY well. I have to say, I’m pleasantly surprised with the tone quality and intonation of the Supreme. It’s better than a Series II in both categories. The engraving looks great too. I was prepared not to like it, and it won me over. This one has been demoed out of the case a few times, and has maybe 4 hours play time on it since new, total. These are back ordered over a year in most places, and the dark lacquer version is the most back-ordered of all, as it’s the best looking one. It comes with the Selmer mouthpiece and the new Supreme case made by BAM France that is also pretty slick.

    Only one available!!

  • Selmer USA Alto Silver Cheap 20898

    $ 200
  • Theo Wanne MOKSHA Alto Rare and Super Deluxe Mantra – Fully Engraved 20003

    $ 3,500

    Theo Wanne Moksha alto made mostly of titanium! This was an exciting new model that Theo Wanne wanted to make, but it was too expensive to make. The matching alto and tenor final prototypes were sold by Theo, and they’re on consignment here for the original owner. These have brass keys, titanium bell and body tube, and lots of engraving. They also have ‘tone bridges’ that you can install or leave off as you like, that give an extra connection between neck and body tube, tube and bow etc.

  • Yamaha YAS-23 Alto Good Condition Best Student Alto Beautiful Shape 302437

    $ 1,000
  • Yamaha YAS-23 Alto Saxophone Best Student Sax 265727A

    $ 800
  • Sold Out

    Yamaha YAS-23 Alto Very Good Condition FULL OVERHAUL 302437

    $ 1,350

    This is a fantastic condition Yamaha YAS-23 alto saxophone, that is the top recommendation of most band directors for a first alto saxophone. At $2166 for a YAS26 (modern model number),  the new price can be a stretch for many band parents. This one saves you $900+ off the price, and the horn looks great and plays better than new, because my repairman just did a full overhaul, and went completely over the horn made sure that it’s playing its absolute best. (It got way more attention than a typical YAS-26 you’d buy at Music and Arts or whatever.) Looks beautufl as well, and I can also jump start your saxophone career with some free accessories, and advise you on a good mouthpiece and reed setup to get you going (this can help a LOT).

    Only one available! But if you aren’t the lucky family that gets this one, check the altos category for more YAS-23’s and YAS-26’s. I buy them and fix them up as a service to young saxophonists. I make virtually no money doing it, but every good saxophonist I know started on one of these. They really do put you on the right track as a young player. They’re also excellent altos for pros who double on alto or who want a dependable backup alto.

  • Yamaha YAS-26 Alto Near Mint Condition Great! U72312

    $ 1,450

    This is a fantastic condition Yamaha YAS-26 alto saxophone, that is the top recommendation of most band directors for a first alto saxophone. At $2166, the new price can be a stretch for many band parents. This one saves you $700+ off the price, and the horn looks basically new and plays better than new, because my repairman just went completely over the horn made sure that it’s playing its absolute best. (It got way more attention than a typical YAS-26 you’d buy at Music and Arts or whatever.) Looks new as well, and I can also jump start your saxophone career with some free accessories, and advise you on a good mouthpiece and reed setup to get you going (this can help a LOT).

    Only one available! But if you aren’t the lucky family that gets this one, check the altos category for more YAS-23’s and YAS-26’s. I buy them and fix them up as a service to young saxophonists. I make virtually no money doing it, but every good saxophonist I know started on one of these. They really do put you on the right track as a young player. They’re also excellent altos for pros who double on alto or who want a dependable backup alto.

  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Yamaha YAS-52 Alto Excellent Intermediate Quality Great Pads Clean! 28330A

    $ 1,650

    The Yamaha 52 alto is one of the best deals among modern alto saxophones. It does pretty much everything well, and it plays like a purple logo Yamaha 62 alto, but costs half as much. This one just got a complete setup with lots of new pads, complete disassembly, cleaning, new oil, new adjustment materials – nearly an overhaul. It plays effortlessly and sounds great with a warm, medium tone between bright and dark. For the price of a student alto, you get what is nearly a pro model. Only one available!

  • Sold Out

    Yamaha YAS-62 Purple Logo Alto Near Mint + Fresh Overhaul 32248

  • Yamaha YAS-62III Alto Excellent Condition Plays Great E52527

    $ 2,850
  • Yanagisawa A880B Alto Black Lacquer My Favorite! 118255

    $ 3,250

    As I’ve said many times, the Yanagisawa 880 saxophones are a real sweet spot among modern altos, because they have a warmer, more complex tone than more recent altos, but they have the modern keywork and excellent build quality and intonation of a modern Yanagisawa. For you parents out there, it’s pronounced YAH-nuh-gih-SAH-wah. Yanagisawa is a specialized company that has been making nothing but professional saxophones for at least 75 years now, and really top quality ones for at least the last 40 years. You won’t find a better built alto than this. It holds up well, holds its value well, plays great, and looks great. Plus it’s really not that expensive.

    This particular one has two special things going on, that, to me, make it worth a little more than an average one. I have a couple of less expensive Yanagisawa altos at any given time (as of Dec 2022, a nice used A901 and A902 are both cheaper than this), but the 880 is the top level of their altos (compare to A991 or AWO10), and this one has the rare black lacquer finish with engraving cut through to the brass, and it also has the cool brass emblem patch on the bell, which I often covet in my own Yanagisawa saxophones. The tone is warm, pleasant, fairly complex, and lyrical, and this horn also has no signficant damage, and the current pads are sealing well. It plays great, and should make anybody happy who wants a beautiful modern alto that has a little something extra about it.

    Only one available! (I also have some special Yanagisawa necks available by request, if you want to complete the package with a gold plated or solid silver, fully engraved Yanagisawa neck that really turns some heads, though it plays extremely well on the original neck. That would just be an indulgence, but one that I would probably spring for myself if I kept this to play as my main alto.)

     

  • Yanagisawa A901 Professional Alto Very Good Condition Just Setup! 230760

    $ 2,350

    The Yanagisawa A901 is a wonderful professional alto saxophone from Yanagisawa, that basically does everything really well. This one is in excellent condition and the pads are also in great shape. I just got it completely checked out and tuned up, and it is playing its best on pads that will last a long time without needing anything other than occasional checkups like any saxophone. The A901 is the same as the current model AWO1, which is the less expensive pro model. The two lines of Yanagisawa saxophones play basically the same, but the WO1/A901 has the regular neck octave key, single key arms on bell keys, and ‘post construction’ like most saxophones, where the posts that hold the keys are mounted on the body tube, rather than on a stiff metal rib that is then soldered to the body tube. I think this makes the 90x WOx horns play slightly with a little more of that lively feel of vibrating under the fingers, other things being equal. So not a big difference between this and he more expensive WO10.

    Only one available!

  • Yanagisawa A902 Solid Bronze Professional Alto Excellent Condition 313640

    $ 2,650
  • Yanagisawa A991B Alto Black Lacquer Excellent Condition Rare

    $ 3,750

    Beautiful example of an original black-lacquered Yanagisawa ‘Elite’ Professional A991B Alto Saxophone. This premium alto plays great, and is ready to go, with good pads, and no damage or problems. I love how the black lacquer looks with the engraving cut through it into the brass. You might upgrade to a fully engraved, gold plated neck, if you want even more eye-turning bling on this horn. I have one of those available by special request.

  • Sold Out

    Yanagisawa AWO-37 Alto New! Elite Professional Solid Silver with Deluxe Engraving

    $ 8,750

    The best of the best from Yanagisawa, the AWO37 in solid silver with full engraving can’t be beat. These are rare, collectible, and usually you have to wait while your special order is filled slowly. I ordered this one 6 months ago and it’s finally here. It also got a thorough new horn checkup when it came it, to make sure that it plays as perfectly as possible! Price is great.

    Only one available!

  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 3,150

    One available now!

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Yanagisawa AWO10 Alto 397193 Excellent Condition Plays Great!

    $ 3,550

    Excellent to near mint Yanagisawa AWO10 Alto was only played for 4 months before the owner traded it in on a Selmer Mark VI alto. So you can get an ‘elite’ Yanagisawa AWO10 Alto Saxophone for a nice little discount. This horn looks nearly new, but only has a tiny bit of lacquer wear on the thumb rest. It got the GetASax new horn checkup when it sold new in May, and it still plays effortlessly, like new, and possibly a little better since the pads are just slightly broken in.

    Here’s my standard new horn description on the AWO10 as a supplement to the above:

    The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Yanagisawa AWO2 Solid Bronze Alto Saxophone Brand New + Setup! A902

    $ 3,750

    ONE available Nov 2022, and it plays REALLY well.

    Brand new, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO20 Solid Bronze Alto Saxophone Brand New Fantastic Deal! A992

    $ 4,675

    One available now Sept 23, 2022

    Mint, unplayed, new in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa SilverSonic A9933 Alto Saxophone Fresh Setup Excellent Player! 260027

    $ 4,950

    Freshly back from a full setup and cleaning. This is a great playing Yanagisawa alto! You can get the silver neck and bell for around the price of a regular brass one by buying used. The pads are in great shape, the horn is clean. The only blemish I see is a line of lacquer missing inside the bell flare which I only noticed after a careful inspection. I guess the bell flare had a mild crease that was removed, or just some wear from using a neck bag.