Alto

Alto Saxophones For Sale including Selmer Mark VI

Showing all 68 results

  • Adolphe Sax Alto Saxophone from 1861 Rare ‘Large Bell’ Plays

    $ 5,000
  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Buescher Aristocrat 140 Alto 339984 Just Tuned Up

    $ 1,250
  • Buescher Aristocrat Series 1 Alto 270215 Factory Relacquer Old Pads Great Shape!

    $ 875
  • Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,650

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone.  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Sold Out

    Buescher Big B Model 140 Alto Saxophone 321761 Original Lacquer Very Good Condition

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which isn’t surprising since this alto was treasured in an extensive collection for the past forty years or so. There are no resolders or past dentwork to speak of, and it plays quite well on an overhaul that the above-mentioned collector had done at some point before putting it away. This is an excellent value! It has the Norton springs, but not the snaps, which actually makes it easier to maintain, since the pad work is the same as any other saxophone now.

    These horns are undervalued in my opinion. They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone. Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Buescher Top Hat and Cane 400 Alto B7 Near Mint

    $ 2,950
  • Buffet Super Dynaction Alto Saxophone Original Lacquer 17435

    $ 2,350
  • Conn 6M Alto Original Silver Plate 250314 Recent Repad Big Sound

    $ 3,250

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul, some resoldered posts etc. Email for a full description!

  • Conn 6M VIII Alto Original Silver Plate 309574 Great Condition!

    $ 2,950
  • Conn 6M VIII Alto Saxophone Pre-war 1940 Original Lacquer Near Mint Condition

    $ 3,250

    Super Super SUPER Clean original lacquer Conn 6M VIII alto from 1940. This is just about the most perfect pre-war Conn 6M that I have seen. It is completely original with original pads intact as well. If you want the best, then look no further. These altos are SO great with a good overhaul. I just got the 285k 6M VIII overhauled, and it is a fresh reminder just how great Conn saxophones of this period are. Put it next to anything, and it’s not even a fair fight. Even my beloved Super 20’s can’t match the raw power, and the vibration of a Conn. It projects while staying warm and dark, yet still cuts through like an ideal lead alto. Works with lots of mouthpieces, including Meyers, Otto Links, and even Selmer style pieces. If you want the best condition 6M possible, this is the one! It will probably be years before I see its equal!

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,650

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,350
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn New Wonder II ‘Chu Berry’ Alto Burnished Gold Portrait

    $ 2,450
  • Conn New Wonder II ‘Chu Berry’ Alto Saxophone 184438 Original Silver Plate Needs Overhaul

    $ 450
  • Conn New Wonder II Transitional Alto Saxophone Original Silver 237954

    $ 1,150
  • Couf Superba 1 Alto Saxophone Recent High End Overhaul! 81471

    $ 2,850
  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,500
  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Last one!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Keilwerth Straight Alto Saxophone Original Black Nickel Plate Super Rare

    $ 4,950
  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King Super 20 Alto 501874 Brass bell Great Deal! Original Lacquer and Pads

    $ 1,850
  • Leblanc System Rationell Alto 571 (one step below the crazy one) Mint Condition

    $ 1,650

    No other saxophone plays like a LeBlanc System alto, and this is the nicest example I have seen. It is in basically factory fresh condition with almost all its original lacquer intact. The factory pads are still present and have not been used much. You might be able to get away with just sealing these pads and playing on them for a while before getting them changed.

    The essence of the LeBlanc system is the keywork. This alto has a completely different keywork design from Selmer or Yamaha etc, though it also feels like you are playing ole of those— the fingerings are the same. BUT- what’s going on under the hood is very different and very cool. Every note is vented on a System sax. There are no stuffy notes. The scale is incredibly even as a result. Secondly, the “stack” keys are designed so that when you play any note, pressing any lower key at all on the stacks will lower that note a half step. Play a middle B for example: adding G, F#, E or D to that B will give you a Bb. Isn’t that cool? Same thing for A or G or whatever. There are lots of other innovations in the keywork, but this is not the place to go through them all. Check out some articles.
    From a player’s standpoint, this horn is exceptionally in tune and exceptionally loud. Something about the design gives you tons of power and projection. Lots of focus, but the tone isn’t bright. It’s medium and pretty warm and round. I love these horns. If you have a full System, let me know. I’ll buy it.

  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Martin The Martin Alto Original Lacquer Very Good Condition 181668

    $ 1,500

    Beautiful The Martin Alto Saxophone Committee III in original lacquer. This alto has its original factory pads still, so it will need a loving restoration to be back in top playing condition. However, it’s clean, original and nice and straight. Ready for pads and someone to get it singing again. Martins like this are probably the most underrated saxophones on the market right now. They are warm, focused, powerful, and nicely modern feeling under the fingers (comparatively). The design is unified and tight on these horns. Style wise, this is like if a 50’s Chevy were made into a saxophone.

    If you want to hear the tone of one of these, one of my favorite go-to albums is Art Pepper meets the Rhythm Section. Art’s getting his classic, dry, west coast sound on an MC Gregory mouthpiece, which I also recommend on these horns, though Meyers also sound great.

    Grab this horn and get playing before they get any more popular than they already are. Only one available!

  • Noblet Alto Good Original Condition Great Deal 8662 Original

    $ 599
  • Rampone and Cazzani R1 Alto Saxophone Gold Plate Mint

    $ 2,950
  • Selmer Balanced Action Alto Saxophone 21532 1935 Beautiful!

    $ 3,650

    Beautiful example of a very early Selmer Balanced Action alto. The engraving is especially nice on this alto, as is the dark lacquer color. This has the rare individual adjuster screws on the lower stack keys, which you only see on the earliest BA’s. The Balanced Action is beloved for its warm, spread tone that has a sweet lyrical core. And for its modern keywork (all modern horns copy the Balanced Action design).

    It does not have any significant past repairs. I really don’t see any. No dents, no dings, no resolders. Neck is in great shape. Bell flare is undamaged. It’s quite nice. The engraving is very sharp and looks great. I don’t know for sure whether the lacquer is original, but with the engraving so sharp and the lacquer nice and dark like this, it probably is. Pricing it on the low side so someone gets a deal!

    This alto has old pads. Get it restored and singing again, and you will have a really satisfying alto to play and to own. There’s no better looking or sounding Selmer in my opinion.

  • Selmer Balanced Action Alto Saxophone 24540 Original Lacquer Good Condition

    $ 4,250

    This Selmer Balanced Action Alto Saxophone has the worn look of an old Venetian palazzo on the grand canal. Beautiful in its wear, it has been played a lot, and is ideally for a player who will play it a lot more. The lacquer (what remains) is original, though some of the engraving is worn from lots of handling on some parts of the bell. I love the look of these authentically played in vintage Selmers. Because of the wear, and some resolders, like on the bell brace and some key guards, I priced it quite a bit lower than a typical Balanced Action alto goes for. It will only keep going up in value.

    I’ve said it a lot of different ways over the years, but the Balanced Action is a sweet spot for vintage Selmers, and for alto saxophones in general. It has the epoch-making keywork updates that shaped all later saxophones, and that feels natural and comfortable under the fingers. It tunes nicely on most mouthpieces (though bell keys can go sharp if you bite down too hard or have a classical setup), and above all, it has a beautiful tone. Warm, rich, medium dark, medium spread and lyrical. Fantastic!

  • Selmer Bundy Buescher Aristocrat Nice Student/Intermediate Alto

    $ 400
  • Selmer Mark VI Alto Saxophone 183200 Relacquer Great Deal!

    $ 3,650
  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 just got a complete overhaul! It’s an excellent player, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1955 Original Lacquer Very Good Condition

  • Selmer Mark VI Alto Saxophone 1967 150568 Original Lacquer Excellent Condition!

    $ 8,500
  • Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1971 192163

    $ 5,650
  • Selmer Mark VI Alto Saxophone 1971 Original Lacquer and Pads Excellent! 192152

    $ 5,500
  • Sold Out

    Selmer Mark VI Alto Saxophone 1973 Original Lacquer Near Mint Fresh Overhaul! 208796

    $ 6,350

    Price now includes a fresh full overhaul! Great deal on a big sounding late VI alto that came with original pads and is now completely overhauled and in really clean shape. The late VI’s like this are among the best of the VI altos, because they tune great, they have an even scale, and they have lots of projection. If you want a VI that projects, has body to the sound, is mid-priced, and has a high end overhaul, this is it! It will be cheap and easy to maintain, because everything is dialed in perfectly and everything that can be fixed or replaced has been, so it’s totally fresh, clean, and feels like it’s new from the factory. This alto is in simply beautiful condition with no dents, no dings, and no past repairs at all.

    Only one available!

  • Sold Out

    Selmer Mark VII Alto Original Lacquer 264918 American Engraved Fresh Overhaul!

  • Selmer New Large Bore Alto Saxophone 1930 11816 Old Pads Good Condition

    $ 1,700
  • Selmer Reference 54 Alto Saxophone Near Mint Condition Full Setup!

    $ 5,450

    Absolutely the best Reference 54 alto on the market right now. This horn is almost mint condition, plus I just dropped the equivalent of an overhaul into it so that you get to play it how it was meant to sound. As you know from reading around on this site, the Reference horns are great, IF you fix all the weird choices that Selmer makes in the factory setup. This horn just had that done, to my picky standards, and now it rocks.

    What was done? Full disassembly, remove every pad, add lots of shellac behind the pads so that they seal well and will seal well for a long time, clean, change the oil, adjust key heights, swap out many of the adjustment materials for better ones/correct ones, and do a full ‘neck fit’ which means laboriously making the neck/body joint seal perfectly all around. Once you fix all that stuff, these are just about the best modern do-it-all altos on the market. Warmer and richer than the Series II and III, and compatible with jazz mouthpieces (Series II and III seem not to like non-Selmer mouthpieces in many cases). Excellent keywork, comfortable ergonomics, fast response, free blowing feel, and great intonation. You could get a slightly cheaper, more worn Ref 54 on eBay or whatever, but then you’d need someone picky to go completely through it to get the full experience, which is expensive, and not even that likely to go right unless your repairman is willing to do all that stuff to a modern horn that already ‘plays ok’ as is. But it’s worth it! Check out the Reference 36 in the tenors section, which has also just been rebuilt, or the Series II alto just below that had a full overhaul and is also glorious.

    Plus this particular horn got a rich, dark lacquer that I have rarely seen on a modern Selmer. I don’t know whether it was a special order or what, but it’s really nice and dark, almost like a 50’s Mark VI.

    Only one available!

  • Sold Out

    Selmer SBA Alto Saxophone Excellent Condition 55xxx Original Lacquer Recent Overhaul

    This is a beautiful original lacquer late serial Selmer SBA Alto saxophone with a recent overhaul. It plays really well, with a sweet, centered, lyrical voice, and lots of power. It’s nice and snappy under the fingers, and responds very well too. Minimal past repairs, and the original lacquer is in excellent condition. If you want something sweeter and warmer than most Mark VI’s but with similar ergonomics and intonation, and with even more beauty, then a late SBA like this is for you! Get it now, and it will go up in value while you own and enjoy it. That’s hard to beat. And that engraving!!

  • Selmer Series II Alto 403860 Great Playing Condition Low Price

    $ 2,950
  • Selmer Series II Alto 655634 Excellent Condition Original Lacquer Fresh Overhaul!

    $ 4,250
  • Selmer Series III Alto Great Playing Condition Great Deal

    $ 3,000
  • Selmer Super / Adolphe Sax Alto Saxophone 769 Ready for Pads

    $ 2,950
  • Selmer Super Action 80 Series II Alto Excellent Condition

    $ 3,650
  • Selmer Super Action 80 Series II Alto Full High End Overhaul!! Excellent

    $ 3,950
  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450
  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Action 80 Series II Alto Saxophone Excellent Condition 622689

    $ 3,350
  • SML Gold Medal II Alto Saxophone Excellent Condition Old Pads 23350

    $ 1,675
  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Yamaha YAS-480 Intermediate Alto Saxophone Brand NEW with Warranty

    $ 2,489
  • Yamaha YAS-62 Alto Good Condition Original Lacquer Great Deal C39253

    $ 1,800
  • Sold Out

    Yamaha YAS-62 Purple Logo Alto 1980’s Warm, Beautiful Tone Incl Full Overhaul

    $ 2,550

    Just completely overhauled to effortless perfection! This 1980’s ‘Purple Logo’ Yamaha 62 alto saxophone is just so nice to play. The Purple Logo 62s are a sweet spot for alto saxophones in general, because they combine the comfort and ease of modern keywork with a more warm, complex tone than you find on other later Yamahas. This vintage of 62 is more like a vintage Selmer, where the later Yamahas went for a clearer, rounder, brighter tone. This is more middle of the road on the bright/dark spectrum, and it’s not as clear, but more warm and has more complexity to the basic tone. It feels more like a vintage horn also – easier to bend notes around, where more recent ones are just slotted in what-you-get-is-what-you-yet tonally and pitch wise. This lets you do more. It’s a Yamaha with the training wheels off.

    The full overhaul spared no detail of restoring this alto to perfect mechanical and playing condition. There’s just a bit of cosmetic wear from use, and that’s really it for the description of the condition. It’s effortless to play. Low register produces a saturated pianissimo without any trouble. Low Bb is just another note. These usually sell about $400-500 higher, but I’m discounting this one for quick sale to be a great deal for some lucky player. If you get this alto, you never need to upgrade. It will be beautifully performing for you for as long as you want to play it, and with the fresh, high-end overhaul, it will stay in great adjustment with only the most minimal of maintenance! It’s an easy, turn-key purchase on a beautifully playing horn.

    Only one available!

  • Yamaha YAS-82ZII Custom Z Alto Brand NEW with Warranty and Pro Setup

    $ 4,205
  • Yamaha YAS-82ZULPW Rare Unlacquered “Hand Selected by Phil Woods” with Signed Paperwork

    $ 5,900
  • Yamaha YAS-875 Custom Alto Professional – Fresh Overhaul!

    $ 3,150
  • Yamaha YAS-875EXB Alto Saxophone Black Lacquer Plays Great! C86433

    $ 3,250
  • Yamaha YAS-875EXII Custom EX-II Alto Brand NEW with Warranty and Pro Setup Exceptional!

    $ 4,205

    Best way to buy a new Yamaha if you are serious about having it in top playing condition. Give me two weeks to get the pro setup completed.

  • Yanagisawa A880 Alto Saxophone Near Mint Condition! 156244

    $ 2,650