Alto

Alto Saxophones For Sale including Selmer Mark VI

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  • GS NEW YORK Alto

    * GS NEW YORK Alto Mouthpiece Meyer Bros NY Replica

    $ 199

    Introducing the GS NEW YORK alto mouthpiece! This is an extremely precise copy of my favorite Meyer Bros New York alto piece from my collection of New York Meyer mouthpieces.

    A great New York Meyer just sparkles. The response is clean, warm, and effortlessly free blowing, but centered and with an elusive extra magic to it – even compared to any other version of Meyer.

    What you get: The Best Meyer Ever

    If you’re not a vintage mouthpiece geek, you probably didn’t know that there are three different mouthpieces that are stamped Meyer Bros New York (not incuding the Tru-Flex or the NYUSA). The first is a rather stubby, fat bodied one. Then this one that the GS NEW YORK copies, with NEW YORK on the same side as MeYeR and ‘medium chamber’ in small font on the table side. The last version has a fatter body again, and has MEDIUM on the same side as MeYeR and NEW YORK on the table side. The following photo makes this clear.

    Some folks prefer the third version. I prefer the second, though we may offer the third version as a GS mouthpiece someday as well. The one we copied has just the right balance of warmth and projection to stand out as the one, holy grail, best-ever (in my opinion anyway) do-it-all alto mouthpiece that you need. There are lots of other great alto mouthpieces on the market, but to my knowledge nobody has actually successfully produced an exact copy of a Meyer Bros NY like this before, until now.

    These also all get hand faced by me. That’s the main slow step in getting them to you, but I’m facing them as fast as I can while keeping the facing work perfect. The hand facing is a step that you can’t skip. If you try to make a replica mouthpiece and you don’t replicate a really excellent facing, you might as well not bother. So you get my favorite 4, 5, 6, 7, or 8 facing that I’ve played so far, on whichever tip mouthpiece you request. Tips are as follows: 4= .069″   5= .072″   6= .076″   7= .080″ 8= .085″.

    The baffle on each tip opening is placed just where Meyer would place it relative to the tip rail and chamber, so each one is a really good copy of the appropriate tip of Meyer Bros. One big advantage we have is that we make these entirely in house, so we can keep improving them until they are perfect. By using biocompatible dental resin and 3D printing for the complex, organic chamber and baffle shapes, we can keep improving and iterating the model until each one is perfect. We spend a LOT of time and effort on that, and I hope that it shows in the quality of mouthpiece and the playing experience that you get.

  • Alto Meyer Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Meyer Hard Rubber Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Buescher Aristocrat / Bundy Alto Saxophone 527378 Needs Overhaul

    $ 450
  • Buescher Aristocrat 140 Alto Original Lacquer Very Good Condition

    $ 1,250
  • Buescher Aristocrat Series 1 Alto 285455 Old Pads

    $ 850
  • Buescher New Aristocrat Alto Rascher Serial Original Silver Plate Old Pads 265024

    $ 1,400
  • Buescher-Made (Selmer) Bundy Alto 408990 Good Student Alto Older Pads

    $ 350
  • Buffet S1 Alto Saxophone Amazing Condition Great Player

    $ 2,450
  • Buffet S1 Super Dynaction SDA Transitional Alto S1 Keywork 22035 Original, Recent Overhaul

    $ 1,950
  • Sold Out

    Buffet Super Dynaction Alto Saxophone Original Lacquer 17435

    $ 1,900

    On Hold.

    Buffet Super Dynaction Alto saxophone in original ‘sparkle’ lacquer. This horn is in on consignment, and has good pads, and plays well, with a big, operatic sort of voice. It’s centered like a Selmer from the 50’s, and medium dark, but wider and very open throated. Intonation is good. Keywork is Selmer-like and comfortable. Sometimes these get called a ‘poor man’s Mark VI’ but I’d prefer to think of them as a high-quality, professional mid-century French saxophone in their own right. But I guess, when you figure a new student Yamaha is over $2k, then this becomes a pretty good deal with good pads at this price for a pro vintage alto that is comparable to a Selmer. It has had some small dents removed in the bell area and back of the bow, but that’s just par for the course with a vintage sax, and the work was done well. It’s otherwise in quite good shape. It comes in the the delightful original Lifton case with blue interior. Someone should make a case like this again.

    Only one available!

  • Conn 20M Student Alto Great First Saxophone! Plays well

    $ 400

    Great deal on a student alto that plays well and is well made! This is hard to beat for the money.

  • Conn 26M VIII Connqueror Alto Original Lacquer Excellent! 292445

    $ 3,750

    This is a beautiful example of a rare Conn Connqueror 26M Alto saxophone with original lacquer and VIII stamp. The Connqueror is the most mechanically sophisticated saxophone that Conn ever made. It is a pre-war 6M body tube and neck, with all new keywork design, extra engraving, and solid silver on all the key touches that are not pearl. The ‘permadjust’ system is the big development on the Connqueror altos. You can read about that on Matt Stohrer’s website, or watch his repairman’s overview of the 26M on Youtube. This one has its bits and bobs intact, and is in very good condition. It has been repadded and plays, but I’m really picky about these and think this one could probably benefit from being overhauled again. It feels pretty good under the fingers, and it plays fine, but really, you want to get the permadjust stuff setup absolutely perfectly and then it just stays in perfect adjustment after that, basically forever, assuming you swap out pads with pads of the same thickness when you eventually do swap pads. Cosmetically, this horn is just great, with only some minor lacquer wear. It has to be one of the nicest 26M Connqueror altos out there. Definitely the nicest one for sale currently, and priced very reasonably. I really like this one.

  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750
  • Sold Out

    Conn 6M Transitional Alto 247007 Amazing!

    $ 3,650
  • Sold Out

    Conn 6M VIII Alto Saxophone Silver Freshly Overhauled! 312086

    $ 3,950

    Pending 3/31/22Yes, that’s the original silver plating on this amazingly well-preserved Conn 6M VIII alto from 1945. It’s just been totally overhauled and can blow the walls down. Tunes great too. No past repairs or issues at all. This is like a freshly restored barn find Ford Mustang convertible.

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,350
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn New Wonder 1 Alto Burnished Gold Stunning Portrait Engraved Old Pads 139214

    $ 1,650
  • Conn New Wonder II Alto Burnished Gold with Portrait! Old Pads 203916

    $ 1,650
  • Conn New Wonder II Alto Saxophone Silver Plate 227313

    $ 950
  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 950

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Sold Out

    Conn NWII Alto Original Silver Plate 201785 Great Shape Old Pads

    $ 750
  • Sold Out

    Conn NWII Alto Original Silver Plate 207753 Great Shape Old Pads

    $ 750
  • Conn NWII Alto Original Silver Plate 228049 Great Shape Old Pads

    $ 850
  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-AF with High F# Antique Finish NEW

    $ 4,350

    Only one available Feb 25, 2022! Whoever gets it is one lucky person! It ships immediately and is setup and ready to go.

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!

    This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW

    $ 4,350

    One of these is coming in in the next few days (around new years 2022!). If you want it, be sure to grab it, as these sometimes don’t hang around for long, and then there’s a wait again.

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Sold Out

    Keilwerth Shadow Alto Solid Nickel Silver Deluxe! Near Mint 129980

    $ 4,750
  • Sold Out

    Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Keilwerth Tone King Straight Alto Beautiful Condition! 85729

    $ 3,950
  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King SilverSonic Alto Original Lacquer Mint Freshly Overhauled 448357

    $ 6,500
  • King SilverSonic Super 20 Alto Saxophone Original Lacquer Excellent Condition 411063

    $ 5,750

    This beautiful, original lacquer King Cleveland SilverSonic alto is getting an overhaul starting end of March 2022, and that is INCLUDED in the price.

  • King Super 20 Alto 415046 Original Lacquer Very Good Condition

    $ 3,650
  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Original Lacquer Exceptional! 298279

    $ 5,750

    On Hold for three weeks till April 21.

    Get this alto! If you’ve been looking for a fantastic King Super 20, this is it! Don’t wait. You could mess around and buy several that wouldn’t play as well, and waste a lot of time and money. This is close to Charlie Parker’s alto’s serial number and is the same version of Super 20 he played. It has solid silver double socket neck, ‘full’ pearls on the G#, side keys, palm keys, and octave key; bell key engraving, and all the other bells and whistles that you want. It’s kind of shocking with how much Selmers and new saxophones like Yamaha and Yanagisawa have gone up in price, that you can still buy one of the BEST altos ever made, by King that is like 10x rarer than a 5 digit Mark VI, for such a relatively low price. I play kings like this myself, so I’m biased for sure, but they really do have the best alto tone that ever existed. Pair with the new GS New York for a classic Cannonball Adderley Kind of Blue / Somethin’ Else era setup, and then practice, and you’ll get pretty close!

    Only one available. Price is not flexible. This is worth every penny.

    Ah, in my enthusiasm, I almost forgot to list past repairs – this alto has been played professionally by a superb local alto player, who is only selling it because he has to for financial reasons. It had some key guard feet slightly pushed in and some dings on the back of the bow when I got it, and those are now gone, leaving little trace. No major repairs, and no current repair issues. The pads are medium through their usable life, and I wouldn’t overhaul this anytime soon. It currently absolutely roasts on the current setup.

  • King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 4,950

    Great King Super 20 alto that is also on the affordable side for one of the best vintages. This is 376523, double socket, solid silver neck, engraved bell keys, underslung octave key, but the more modern style pinky keys and a tone that is more like the ‘full pearls’ Super 20’s. This horn just got a full, top shelf overhaul with Pisoni italian leather pads and nice reusable slightly domed, metal resonators. It feels brand new under the fingers, and it is still in excellent original cosmetic condition. Only one available! $4950 incl the overhaul, which is about what you’d pay for a Yamaha, and this is much better and holds its value better too.

  • Martin Centennial Alto Saxophone Committee II and III Transitional Model Rare! 142319

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Centennial Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The lacquer has aged to a dark honey color and looks great. Having no other Centennial altos around to compare to, I’m not willing to commit to this being original lacquer, but it might be. I don’t see signs of buffing, and if it were a Comm II, then it would look correct to be original. So maybe it is? The Centennial celebrates 100 years since the invention of the saxophone. It appears briefly between the Committee II and the Committee III (The Martin Alto) models, and it has features of both models. You can easily spot some guards and key shapes that remind you of the Comm II, while the main design chiefly anticipates the Commitee III in design and tone. If you want a The Martin Alto, but you want one that is cooler, super-early, darker than average, and rarer and more collectible, this is it!

    The tone is warm, powerful, round, and full. The ‘carrying power’ (as Martin calls it in old ads) is a main plus of this model. It sings out with absolutely no resistance to blasting over a section or a band. You can do the west coast dry jazz tone like Art Pepper, or you can blast like the SNL sax players if you want to. The intonation is remarkably good. The ergonomics are also surprisingly good.  It’s hard to beat this horn for the money. It even plays well on the existing mix of pads, and doesn’t need an overhaul right out of the case like most of these.

    Only one available!

  • Noblet Alto Good Original Condition Great Deal 8662 Original

    $ 599
  • Selmer Mark VI Alto 1955 Original Lacquer Recent Overhaul Excellent! 57457

    $ 8,750
  • Selmer Mark VI Alto 1960 94108 Original Lacquer Great Deal!

    $ 6,950

    This is an original lacquer Selmer Mark VI Alto from 1960 that was one owner for almost its entire life until now. It was played by a pro in FL. He had a pickup installed in the neck, which I got removed and replaced with a ‘flush plug’ meaning the brass is smooth and matching inside and out. This sax is in great shape and is ready for its next owner to play it and love it for the next 60 years!

  • Selmer Mark VI Alto 1974 Original Lacquer Original Pads Very Good Condition

    $ 5,500
  • Sold Out

    Selmer Mark VI Alto 88079 1960 Silver Plate Very Good Condition Great Deal

    $ 5,450

    This is a well cared-for Selmer Mark VI alto saxophone from 1960 that has the high F# key and silver plate. The silver plate finish is aftermarket, done so that this would match the other instruments in a military band. It doesn’t look like it was relacquered or buffed significantly as part of that process. Probably just chemically stripped and then plated. It currently has older pads that are still sealing fairly well. It has the original neck with matching serial number. It’s american-engraved, in case you were wondering. Plan on a repad before too long. You would be hard pressed to find a nicer Mark VI for this price. The 80k serials are just about the most desirable version, and they are often priced much higher. Plus you get the high F #, which is a big bonus for many players today.

    Only one available!

  • Selmer Mark VI Alto Original Lacquer American Engraved Very Good Condition 234127

    $ 4,950
  • Selmer Mark VI Alto Saxophone Near Mint Original Pads 127335

    $ 9,950

    Super nice Mark VI alto original lacquer. One owner, original pads from 1965. What a gorgeous example! One only sees a VI alto this nice a couple times a year, even at GetASax!

  • Sold Out

    Selmer Mark VI Alto Saxophone Original Lacquer Excellent TenorMadness Overhaul 188739

    $ 6,850
  • Sold Out

    Selmer Mark VII Alto Original Lacquer Old Pads Great Deal 270817

    $ 2,350

    This is a great deal on a Selmer Paris Mark VII alto saxophone. It has original lacquer, and no dents or dings or resolders. The neck is in good shape. This alto just needs a good overhaul, and it will play as good as new. The ‘green’ is just tarnished brass, and will go away when it gets cleaned, and the horn will look very nice. If you want a Selmer Paris that is almost a Mark VI, and original lacquer, but for way less money, this is a great route. The VII has a similar tone to a late VI, but a little bigger and a little darker. The main difference is the keywork. Mark VII is most comfortable if you have larger hands, like a mens size large glove or larger. The reach to low C and low Bb are farther than average. They’re fine as long as your hands aren’t on the small side, but it’s worth mentioning. Probably not great for a middle school student etc. For that, any other model of Selmer from the 50’s and later besides the VII will have an easier reach on the pinky keys. The VII is a great value though, as it has Mark VI level build quality, a great tone, and holds its value extremely well.

    Only one available!

  • Selmer New LargeBore Alto Original Lacquer Recent Overhaul 11770

    $ 2,350
  • Selmer Prelude Student Alto Very Good Condition

    $ 600
  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 5,350

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer Radio Improved Alto Relacquer Great Deal 18901

    $ 2,350
  • Selmer Radio Improved Alto Relacquer Great Deal 18901

    $ 2,350
  • Selmer Reference 54 Alto Kookaburra Exc Cond Fresh Full Overhaul!

    $ 5,950
  • Sold Out

    Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. A little lacquer loss from a too-long neck cork that was installed in the past, is about the only cosmetic defect.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Series III Alto Great Playing Condition Great Deal 618021

    $ 3,000
  • Selmer Super Action 80 Series II Alto Black Lacquer Overhauled Better than New 533234

    $ 4,750
  • Selmer Super Action 80 Series II Alto Excellent Condition 446339

    $ 3,650
  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,950
  • Selmer Super Sax Cigar Cutter Alto Original Gold Plate 15579

    $ 6,000
  • Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757

    $ 4,950

    Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!

  • Selmer Super Sax Cigar Cutter Alto Saxophone Original Gold Plate Fresh Overhaul! 17618

    $ 7,500

    Original gold plated vintage Selmers are hard to find. Gold plated Super Sax Selmers are even harder! If you want a Selmer that has some of the the wideness and darker tone of a Conn, this is the horn for you! This beautiful example still has the ‘cigar cutting’ octave mechanism that goes away shortly after this serial number. The original gold is in great shape, with some wear from use. This horn just got a top quality overhaul done by J&H Winds in Cedar Falls, Iowa. Jimmy Jensen and Simon Harding’s shop there is doing a fantastic job on vintage saxophone restorations, and gets my full endorsement! This thing feels better than new under the fingers. It has Italian Pisoni pads that were specially ordered thicknesses to fit the deeper pad cups. And the resonators are Aaron Barnard’s reusable slightly domed brass ones that are my favorite on lots of types of vintage saxophone. This sax got the full treatment, and now it is SO fun to play. It is super alive – vibrates like crazy under the fingers. The intonation is quite good with my GS New York alto mouthpiece, so you are fine with either a large or a medium chamber on this alto. The tone is so velvety and rich – dark, smooth, complex, and WIDE. If you want to fill a room, this is the horn for you. The gold is also gorgeous. The only drawback is the ergonomics. It’s not modern. I actually like the direct action that closes the left hand bell keys– it’s nice and snappy and easy. The downside is just if you need to get around a lot of low notes really quickly, and you don’t have good pinky finger dexterity. To me the tone makes it totally worth it. And how many blazing passages in the extreme low register do you realistically play? Probably not that many. So this is the total package of rarity, beauty, top shelf overhaul, and tone.

    Only one available!

  • Yamaha YAS-23 Alto Saxophone 215535 Full Overhaul

    $ 1,200
  • Sold Out

    Yamaha YAS-23 Alto Saxophone Best Student Sax 265493A

    $ 800
  • Yamaha YAS-23 Alto Saxophone Best Student Sax 265727A

    $ 800
  • Yamaha YAS-23 Student Alto Best First Saxophone

    $ 850

    Yamaha 23 alto just tuned up thoroughly and playing great!

  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Sold Out

    Yamaha YAS-480 Intermediate Alto Saxophone Brand NEW with Warranty

  • Yamaha YAS-52 Alto Saxophone Great Intermediate Quality

    $ 1,500
  • Yamaha YAS-62III Alto Saxophone Mint Condition

    $ 3,000

    The YAS-62III Alto saxophone from Yamaha is the go-to, top recommended first professional alto saxophone from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3000. What should we get?” The most common answer is basically always a Yamaha YAS-62III alto. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YAS-62III alto saxophone is meant to get the job done without over-determining the tone.  It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Works for classical or jazz. Not very smoky or complex. But you can add most of that back in with a well-chosen mouthpiece.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have one available late May 2022. These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Yamaha YAS-82ZII Custom Z Alto Brand NEW with Warranty and Pro Setup

    $ 4,289
  • Yamaha YAS-875 Custom Alto Saxophone Good Pads Plays Great G1 Neck

    $ 2,450
  • Yanagisawa A880 Alto Saxophone My Favorite!

    $ 2,500

    This is a beautiful, time capsule Yanagisawa A880 Alto. It’s just about as close to perfect cosmetically as it could be and still be from the 1980’s. The pads are original, so plan on a repad, or get one done through GetASax as part of a purchase if you like (I don’t make any money on overhauls or pad work, but I’m happy to help you get it done.). It plays on the barely-used original pads, but they’re dried out. The Yanagisawa A880 is my favorite Yanagisawa version, because the tone is warmer and more complex than any other model, and the keywork is modern and comfortable, intonation is great. It’s a 10/10 winner of a saxophone. I love the new Yanagisawas as well, but the 880 will always have a special place in my heart. I have one myself!

  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 3,000

    One of these available, starting in about a week (April 9 or so)

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Yanagisawa AWO10 Elite Professional Alto Saxophone Mint Unplayed Fantastic Deal! A991

    $ 3,950

    Mint, unplayed, in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Yanagisawa AWO2 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A902

    $ 3,750

    Only one available at this price!

    Mint, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Yanagisawa AWO20 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A992

    $ 4,575

    Out of stock for the moment. Back in March, probably.

    Mint, unplayed, in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa SilverSonic A9933 Alto Saxophone Near Mint AWO33 Silver Neck and Bell

    $ 4,950