Alto

Alto Saxophones For Sale including Selmer Mark VI

Showing all 64 results

  • Adolphe Sax Alto Saxophone from 1861 Rare ‘Large Bell’ Plays

    $ 4,500

    Adolphe Sax (Father) Alto saxophone, first generation (large bell).

    Here are the details:
    {23307} [ 1861 ] Alto saxophone in E♭.
    Adolphe Sax, Paris
    Inscribed with monogram trademark “AS PARIS” and “Saxophone alto en mi♭ breveté / Adolphe Sax à Paris / Fteur de la Mson Milre de l’Empereur”.

    This alto got restored in Germany, but is still not in top playing condition. It plays, but it would play better with more work. The restoration included new suitable pads, leveling/silver-soldering of toneholes, rebuilding a tonehole, brass repairs and adjusting the mechanics to good playability.

    It is a very lovely instrument and exceptionally rare. A similar one can be found at the MET MUSEUM, see online, If you’re not aware, the Met has one of the most extensive rare musical instrument collections in the world.

    It also comes with a nice mouthpiece that tunes well with the sax. And it includes the ligature (that came with the sax) with the instrument. I have tested many and this one provided for me very good response and stable intonation at A=440. It is a large chamber design similar to the ADOLPHE SAX mouthpieces, but it carries no inscription and has been opened up to a modern .080 tip.

  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Buescher Aristocrat / Bundy Alto Saxophone 527378 Needs Overhaul

    $ 450
  • Buescher Aristocrat 140 Alto 339984 Just Tuned Up

    $ 1,250
  • Buescher Aristocrat Series 1 Alto 285455 Old Pads

    $ 850
  • Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,650

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone.  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Buffet Super Dynaction Alto Saxophone Original Lacquer 17435

    $ 2,350
  • Sold Out

    Conn 6M Alto Original Silver Plate 250314 Recent Repad Big Sound

    $ 3,250

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul, some resoldered posts etc. Email for a full description!

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,650

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,350
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Sold Out

    Conn Early 6M Alto Saxophone 250425 My Favorite Vintage of Conn!

    $ 1,750

    This is about the 150th Conn 6M made. (The first is #250243, and they made other voices in between that one and 250425.) If you know this site, you’ll know that I especially like these early 6Ms. They play wider and wilder than the also-great-later 6M’s, but they still have the super slick keywork that makes 6M’s great. So it’s kind of a sweet spot if you want great keywork and a big sound. This one needs an overhaul, and it has a few dings, but it’s going to be a superb alto with a little care put into it. Or talk to me about getting it including a fresh overhaul, which I can have done to my picky standards in a couple of weeks’ time.

  • Conn New Wonder II Transitional Alto Saxophone Original Silver 237954

    $ 1,150
  • Couf Superba 1 Alto Saxophone Recent High End Overhaul! 81471

    $ 2,850
  • Sold Out

    Grafton Alto 10478 Unique and Collectible Unrestored Great Deal

    $ 1,650
  • Sold Out

    Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,500

    Only one available!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!

    This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Only one available!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Keilwerth Straight Alto Saxophone Original Black Nickel Plate Super Rare

    $ 4,950
  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King Super 20 Alto 1948 Original Lacquer Full Pearls Needs Neck 283216

    $ 2,450
  • King Super 20 Alto Saxophone Original Lacquer Fresh Overhaul 362420

    $ 4,950
  • Sold Out

    Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Sold Out

    Martin Handcraft Searchlight Comm 1 Alto Older Pads Great Deal!

    $ 595
  • Noblet Alto Good Original Condition Great Deal 8662 Original

    $ 599
  • Sold Out

    Selmer Balanced Action Saxophone Fresh Overhaul Original Silver Plate Great Tone

    $ 6,500

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.

    Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Sold Out

    Selmer Bundy Buescher Aristocrat Nice Student/Intermediate Alto

    $ 400
  • Selmer Mark VI Alto 1966 Original Lacquer Beautiful Condition 137647

    $ 7,000
  • Sold Out

    Selmer Mark VI Alto 1968 160943 Original Lacquer Excellent Condition!

    $ 6,350

    Great deal on a beautiful, original lacquer Selmer Mark VI alto with a recent repad. You don’t need to overhaul this one! It plays well right out of the case. There are minimal past repairs, and this is a very desirable serial number as well. To me, the 160k’s are just about the best value in a Mark VI alto. They are cheaper than the 5 digit serial VI’s by a lot. But they also tune better than most 5 digit altos! They play with the warm, projecting, rich tone of a 140-149k VI, but again, without the premium price. You’re getting all the best VI features, and original lacquer, for the price of a new Reference 54. Which is great because the VI will continue to increase in value while you own and enjoy it. Plus you don’t need to sink an overhaul into this one on top of the purchase price. A good overhaul can be quite expensive. This alto plays with a medium bright, warm, moderately focused tone. It does everything well, which is, of course, why the Mark VI became so popular in the first place. It’s often imitated, but the quality, tone and satisfaction of playing the original hasn’t been matched.

    This is a really nice one, and someone should grab it immediately!

  • Selmer Mark VI Alto Original Lacquer 90199

    $ 7,500
  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 just got a complete overhaul! It’s an excellent player, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1960 88979 Original Lacquer

    $ 8,750

    Here’s a beautiful original lacquer Selmer Mark VI Alto saxophone from 1960, with 5-digit serial 88979. This Mark VI is from one of the most desirable serial ranges of all for a Selmer. The original lacquer is mostly present, and is a dark nitrocellulose, which you mainly see on the 5 digit serial VI’s. It has some wear from use, as you’d expect on a VI that plays great and that got played a moderate amount. The neck has the matching serial number to the body and is in great shape. There are no resolders at all. This horn was well cared for! The bell flare, bell, bow, and neck show no signs of dent work or past repairs. The body tube had at least one very minor dent removed where one of the post feet of the octave key was slightly pushed in. It’s fixed beautifully leaving very little trace. The pads on this alto are old, obviously. Many are probably the original factory pads. So plan on an overhaul soon, if you want to get the full experience. It ‘makes saxophone noises’ now, and it’s clear enough that this has the dark, focused, powerful, tenor-like voice of a typical late 85k-95k serial VI alto. These are great players and deserve to be well cared for!

    If you’re looking for a stand out VI alto to get overhauled and then play like crazy, then you might want to grab this one while you can. Nice 5-digits are getting hard to find, and this one is definitely going to be a superb player when it’s repadded.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1971 Original Lacquer and Pads Excellent! 192152

  • Selmer New Large Bore Alto Saxophone 1930 11816 Old Pads Good Condition

    $ 1,700
  • Selmer Radio Improved Alto 19276 Recent Overhaul Very Good Condition

    $ 4,950
  • Selmer Reference 54 Alto Saxophone Ken Beason Full Overhaul 564266

    $ 5,150

    This is a great playing Selmer Reference 54 Alto overhauled not too long ago by Ken Beason. If you’ve read around on this site much, you’ll know that I think almost any modern Selmer needs a full repad, at the least, if it’s going to play up to its potential. This one got a complete overhaul of everything, which is the best case scenario. You can buy a new Ref 54 for way more money, and it won’t play this well either right out of the case, or especially a few months later after the factory pad job starts to fall apart on you in a hundred little ways. Harsh, I know, but that’s why used modern Selmers tend to sell so much lower than new ones. However, once you fix everything on one of these, they are EXCELLENT instruments. They’re built to play GREAT, but just need to be setup to play their best after the fact.

    So that’s what you’re getting. Ken Beason is an experienced saxophone repairman and designer, with a great reputation. He makes his own large slightly domed resonators, which is what you get on this instrument. They’re a lot like vintage Selmer resonators, but they give you a bit more punch and volume out of the horn.

    The Reference 54 is my favorite modern Selmer without any question. It’s the only alto Selmer currently makes that tunes easily with a Meyer or other typical jazz mouthpiece. The Series II’s and III’s can be quite frustrating in the mouthpiece department. The Ref 54 is billed as inspired by the Mark VI. It plays beautifully, with a lyrical French core like a good Mark VI, but with a tone that is its own thing. Warm, rich, and full. Tuning is excellent. Ergonomics are hard to beat on any saxophone. It’s well worth the money at this price. This example has some lacquer wear on the neck from use. If that bothers you, you can swap out the neck for a few hundred dollars, and it will look new again, and then sell the old neck for not much less! But it plays great with this neck and this setup, so I’m not messing with success.

    Only one available!

  • Sold Out

    Selmer SA-80 Series II Alto Excellent Condition Top Playing Condition 662689

    $ 3,600
  • Selmer SBA Super Balanced Action Alto 41532 Relacquered Plays Great

    $ 4,950
  • Selmer Series II Alto 403860 Great Playing Condition Low Price

    $ 2,950
  • Selmer Series II Alto Super Action 80 Excellent Condition 570324

    $ 3,450
  • Selmer Series III Alto Great Playing Condition Great Deal

    $ 3,000
  • Selmer Super / Adolphe Sax Alto Saxophone 769 Getting Overhauled!

    $ 3,750

    Are you the ultimate saxophone hipster. (jk) The sort of snob who likes to have a saxophone nobody else can imitate? Here’s an alto you might want in that case. Or if you just love vintage Selmers and want one that both plays extremely well and has some history. This plays wider and wilder than a modern Selmer or than a VI. It is sort of half Conn in how it feels to play these early Selmers before they changed the bore.

    This is basically a Selmer Super Sax from the 1930’s, but with a bell and a few other parts made by the Adolphe Sax company. Selmer used these parts on a small batch of excellent saxophones in the 30’s after it bought the Adolphe Sax company and all its inventory. These special saxophones play like a Selmer Super Sax or Radio Improved, but the bell says Adolphe Sax on it. The body tubes have the normal Selmer ‘body numbers’ for a Super sax, and the keywork is Super as well. This alto is getting a complete high end restoration now, and it will look gorgeous all polished up and repadded very soon.

    I’m really excited about it. The Selmer Adolphe baritone I had was extremely good, and went to a collector who absolutely loves how it plays. This alto will be even better I suspect. The Super Sax ‘cigar cutter’ altos are among my favorite of all vintage altos, and this is basically one of those in terms of tone and design.

    Only one available!!

  • Selmer Super Action 80 Series II Alto Excellent Condition

    $ 3,650
  • Selmer Super Action 80 Series II Alto Fresh Overhaul! 402197

    $ 3,650
  • Selmer Super Action 80 Series II Alto Full High End Overhaul!! Excellent

    $ 3,950
  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450
  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • SML Gold Medal II Alto Saxophone Excellent Condition Old Pads 23350

    $ 1,675
  • Yamaha YAS-23 Alto Saxophone Best Student Sax 265493A

    $ 800
  • Yamaha YAS-23 Alto Saxophone Best Student Sax 265727A

    $ 800
  • Yamaha YAS-23 Alto Saxophone VG Condition Great Student Option 230407A

    $ 1,250

    Getting overhauled now! The Yamaha 23 Alto is the best first alto you can get. Many of the best players started on one of these. The made in Japan ones like this are the ones to have. And this one is getting a fresh overhaul right now! That’s all new everything. The nickel will shine up and look new as well.

  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Yamaha YAS-480 Intermediate Alto Saxophone Brand NEW with Warranty

    $ 2,640
  • Sold Out

    Yamaha YAS-82Z Custom Alto Excellent Condition Great Player!

  • Yamaha YAS-82ZII Custom Z Alto Brand NEW with Warranty and Pro Setup

    $ 4,205
  • Yamaha YAS-82ZULPW Rare Unlacquered “Hand Selected by Phil Woods” with Signed Paperwork

    $ 5,900
  • Sold Out

    Yamaha YAS-875 Custom Alto Professional – Fresh Overhaul!

    $ 3,150
  • Sold Out

    Yamaha YAS-875EXB Alto Saxophone Black Lacquer Plays Great! C86433

    $ 3,350

    This beautiful Yamaha Custom EX alto just got a thorough tune up including disassembly, cleaning, oil, and a bunch of new pads, and now it’s looking and playing its best! You seldom see Yamaha 875EX altos in special ordered black lacquer, but you should. It’s one of Yamaha’s most beautiful finishes. The ‘honest’ two tone look from the engraving cuts through the black lacquer is striking and gorgeous.

    The main reason to buy a YAS-875EX is, of course, the tone and ease of playing that it offers. No other modern alto tunes as precisely or is so effortless to play in ensemble work. It’s almost like autopilot for sax. If you’ve been struggling to hold pitch on a cheap beginner or intermediate horn for years, you may be startled to find that your habits of correcting pitch are now entirely unnecessary. It just plays in tune. I’m dwelling on that, I know, but both on the alto and soprano EX models, that’s the most striking thing. The tone itself is medium between bright and dark. Brighter than the original Custom 875 model, which I also have available at the moment. The EX darkens down with a classical mouthpiece, or brightens up with a higher baffle, smaller chamber mouthpiece. The tone is not very complex, but is round and clear and projects easily. If you want to play concert, classical, or projecting commercial music, the crisp, clear tone is ideal for working with. If you’re playing smoky jazz ballads, you’ll need an interesting sounding mouthpiece to warm up the sound a bit, or just get a Conn 🙂

    Only one available! This is a great deal on an effortless and beautiful Yamaha Custom alto!

  • Yamaha YAS-875EXII Custom EX-II Alto Brand NEW with Warranty and Pro Setup Exceptional!

    $ 4,205

    Best way to buy a new Yamaha if you are serious about having it in top playing condition. Give me two weeks to get the pro setup completed.

  • Yamaha YDS-150 Digital Saxophone

    Yamaha YDS-150 Digital Saxophone

    $ 799

    The Yamaha YDS-150 Digital Saxophone is coming back in stock very soon! Buy your Yamaha YDS-150 Digital Saxophone now to reserve it for when the shipment comes in, and support a small saxophone shop at the same time!

    The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.

    This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly one one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.

    In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:

    1. The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
    2. The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
    3. The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels more like a saxophone to play.
    4. The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. Just like with a Line 6 Variax guitar, you’re getting ‘real’ acoustic instrument tone that is controlled digitally. It’s a pretty good idea, thought it still sounds a bit midi to me.
    5. There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. It remains to be seen how useful this is, but even if it’s junk, you can still input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
    6. Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!

    I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.