Alto

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  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Buescher Aristocrat 140 Alto 339934 Great Deal Original Lacquer Plays on Older Pads

    $ 850
  • Buescher Big B Alto Original Lacquer Excellent Condition!

    $ 1,750
  • Buescher Big B Alto Saxophone 298875 Relacquer Low Price

    $ 700
  • Buescher Big B Model 140 Alto Saxophone 321761 Original Lacquer Very Good Condition

    $ 1,600
  • Buescher True Tone Alto Saxophone 1 Neck 196723 Silver Plate Fair Condition

    $ 375

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is in fair condition. It has the desirable #1 neck. It’s a great serial range for the True Tone. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    $ 500

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

  • Buescher True Tone Alto Saxophone 202609 Original Gold Plate Very Good Condition

    $ 950

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    Only one available!

  • Buescher True Tone Alto Saxophone 204539 Original Gold Plate Good Condition

    $ 800

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    The price is absurdly low, but that’s one of the great things about the saxophone market right now!

    Only one available!

  • Buescher True Tone Alto Saxophone 83005 Original Silver Plate

    $ 275

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is also in reasonably good condition. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buffet Senzo Alto Excellent Condition Solid Copper Fantastic!

    $ 3,750
  • Bundy II Alto Saxophone Good Student Saxophone Low Price

    $ 550

    Solid student alto with a mix of pads in good playing condition. About the cheapest that you can get a decent alto. This will require checkups every 6 months or so, as it is not completely repadded, so plan on getting a few pads replaced each semester to keep this in good playing shape.

  • Conn 6M Naked Lady Alto Saxophone Original Lacquer 1953 356523

    $ 1,100

    1953 Conn 6M alto original lacquer with old pads. The later 6M’s like this are an excellent value, because they are still well made, but the price is almost laughably low for what you get. I always recommend the 1948-55 or so Conns to people who want a great tone but  who are on a tighter budget. The tone is fantastic – big, wide, with plenty of projection. Intonation is very good, and the keywork is comfortable. There is not a lot to tell condition wise. This horn is in great shape. Original lacquer, neck is in great shape. It looks like there was a small dent removed from the back of the bow, and maybe from behind the lower thumb hook. I hope that I’m in as good shape at 65 years old!

  • Sold Out

    Conn 6M Transitional Alto Saxophone Good Overhaul Candidate Old Pads 257175

  • Conn 6M Transitional Art Deco Alto Saxophone 247105 Great Shape 1931

    $ 1,600

    I love Conn altos in the 230-260k range, and especially the ones near 250k serial. This 247k is a transitional Conn between the New Wonder II (‘Chu Berry’) and the 6M (‘Artist’) models. It is a true transitional in every sense, and is almost half NWII and half 6M. These special alto saxophones have a tone and set of features found nowhere else, and that makes them especially great in several ways. The bore still feels more like a NWII to play, so the tone is wider and wilder than the later 6M’s (which are also great, but are more focused and a bit less wild). The neck is like a 6M, so you get the improved intonation that ‘slots in’ better – NWII’s have good intonation as well, but it is more flexible than the 6M versions. The bell keys have moved around to the left, but the left hand spatula keys retain their NWII shape, but with improved mechanics. No saxophone has an easier or more direct feel on the low B and Bb that this version of Conn. It’s nice and light and fast, though you don’t have anything like modern ergonomics on those keys, of course. The regular main stack keywork is already mostly updated to the fast and comfortable 6M design. That is very good keywork, and is hardly improved upon in modern horns, so this is a very comfortable horn to play.

    It came with special ‘art deco’ engraving on the bell that you only see for a short time around 245-249k serial with Conn altos. This example is original or ‘first’ lacquer, and has not been refinished. It has original pads and even comes with the original warranty and care booklet in the original case.

    Tonally, these late transitional 6M’s are an ideal choice for big band or jazz band lead alto. They have almost unlimited projection or ‘carrying power’ as the old advertizements put it. And the tone stays strong and cohesive no matter how much you push it. It’s just a joy to hear one of these in full song. Marhsall Royale and the Basie band all played Conns like this, as did Charlie Parker for a while (among many other horns). You see them commonly in clubs in NYC and all over Europe these days. Nothing sounds like a Conn. This one is priced low for what it is. Superb original condition. Add a good overhaul, and you will have one of the best built alto saxophones ever, that will be dependable and fantastic to own and play for many many years to come. If you like this version in silver, I also have a silver 249k that I just got completely overhauled that is also for sale.

    Only one available!

     

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Overhauled!

    $ 3,250

    Just completely overhauled! Price includes the full restoration. Take how it looks in the photos, and make everything perfect and shiny with all new everything and that’s what you’d be getting.

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Sold OutConn 6M New Wonder II Transitional Alto Saxophone

    Conn 6M Transitional Art Deco Burnished Gold Plate Alto Saxophone The Best!

    Price just lowered!!

    This is one of those super-rare Conn alto saxophones from when Conn was at the height of it’s manufacturing expertise. Conn had the most advanced saxophone manufacturing facility in the world, and it set the standard for quality for all other manufacturers. This alto would have been a special, top-of-the-line model. It has the most elaborate thick burnished finish that is also by far the most time consuming to apply. (Ever burnished anything by hand?) This is original (real, actual) gold plate. (People often think this can’t be real gold, but hey, welcome to the 1930’s where both gold and labor were cheap, and American craftspeople were the best in the world! And there’s the most desirable engraving pattern here also, or at least one of them. For just about a year and a half, Conn did this deluxe ‘art-deco’ geometrical engraving style on its nicer instruments. There’s a lot to see here – it’s a masterpiece of hand engraving that is no longer done at this level by any manufacturer today.

    Conns from the early 1930’s are my absolute favorite There was a short burst of gold plate examples mixed in with other horns between 238k-252k, and they are the best of the best in my book.

  • Conn 6M VIII Alto Saxophone 1937 Pre-War Original Lacquer Excellent Condition 282496

    $ 3,250

    This is a beautiful Conn 6M VIII alto with great original lacquer. It comes with a full high end overhaul. If you are relatively new to vintage saxophones, almost all saxophones older than 1990 or so that have been played with any frequency are in need of a labor-intensive process of restoration called an ‘overhaul.’ This does not touch the finish, but it completely replaces everything that needs to be replaced to put the saxophone back to factory fresh mechanical and playing condition. If you do it right, (which is a big if) then the horn can even be better than new mechanically and playing wise. That’s what this horn is getting right now. It costs about $1000+ to have done right, because it involves at least 25-30 hours of skilled labor.

    This Conn 6M VII is really the one you want. It is in excellent condition, original lacquer, no resolders, no serious past repairs at all (a few small dings removed). As soon as it comes back from overhaul in a week or two, it is going to be AMAZING! Conns are very consistent from horn to horn once you fix everything mechanically. This one will be no exception. Even on original pads when I got it from a collector, it played really big. It is medium-focused, and very free blowing. Intonation is excellent. Keywork is fast. It comes with a BAM Classic alto case or similar, (we can discuss) to keep it safe when you are not playing it (which won’t be that much of the time, based on how these play!)

    Only one available!

  • Conn 6M VIII Alto Saxophone Original Silver Plate Rolled Tone Holes 312091

    $ 2,500

    Super clean original silver plate Conn 6M VIII alto! It would be hard to find a nicer example of a rare silver plate 6M VIII. The VIII stamped Conns are the most desirable, and this one is in collectible condition. With a good overhaul and hand polish, it will look like a brand new saxophone, right off the shelf.

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Great Player! 295729

    $ 2,450
  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Very Good Condition Plays Well 294775

    $ 1,950

    This pre-war (from the American perspective, meaning prior to the government order than restricted the manufacture of musical instruments along with anything else made out of brass) Conn 6M was built in 1941, and is the desirable “VIII” version, with the VIII stamp on both the body and neck.  

    It is in very good physical condition with original lacquer, no dents, and no major or minor past repairs or resolders, with the exception of a repaired dent on the bowguard, which is visible in the photos.  It has what appears to be a recent repad, or perhaps an old repad that wasn’t played much after it was done, and Conn Res-o-pads were used. It plays well with a big voice, and although to my professionally-obligated-to-be-picky tastes it is not quite as astoundingly slick under the fingers at these feel when they have been overhauled as the best repairers can do, it is definitely playable as-is and will beat the pants off of most any challenger, especially modern imports that cost a lot more and give you a lot less than this fine example of vintage American saxophone craftsmanship.  

    Oddly, the lacquer on the neck is more worn than the rest of the horn- although physically the neck is in immaculate condition with no dents or past pulldowns.  In the past when I have seen this the culprit is usually a homemade neck bag that was lacquer-unfriendly, or perhaps the owner had a habit during rests to hold the horn with the neck in his hand.  Given the lack of wear elsewhere on the horn, I’d guess a neck bag was the culprit here, although I can’t be certain. But again, though the lacquer itself is mostly gone from the neck (and the neck alone), the neck tube is flawless and there are no signs of past repairs of any kind.  

    The microtuner is free and functional, and all of the original rollers and present and moving freely.  The engraving is crisp and clear with no lacquer loss, and the pearls seems largely unworn. The keywork is tight and the body is straight.  This is a very clean example of the most desirable vintage of the most desirable variant of the Conn 6M, and it can be yours for less than a new Yamaha YAS-26.  

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,750

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,450
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,350

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn New Wonder 1 Alto Saxophone Silver with Gold Keys

    $ 1,100

    Bargain price for one of the most beautiful vintage Conn New Wonder 1 ‘Chu Berry’ alto saxophones around. This is satin silver body tube with real gold plate on the keys and in the engraving and other details. These horns look AMAZING when polished up and overhauled, and this one is sure to be no exception to that.

    I have it priced very low, so that you can buy it, get it nicely overhauled, and still get a great horn for the money. This should be an easy, uncomplicated overhaul, as Conns are well made and this one is in nice shape. I do also take returns money back with 5 day trial period, so buy with confidence, take to your repair shop, and then make a decision! Marshall Royale and the whole Basie band played these and got that beautiful, wide, warm tone.

    Only one available!

  • Conn New Wonder II Chu Berry Alto Saxophone Relacquer 1930 Good Pads Great Deal 236664

    $ 800

    This is a Conn New Wonder II Transitional alto saxophone from 1930. It is probably the best playing alto per dollar spent on the site, because it has good pads but has been refinished. The new coat of paint it got made the price go down, but didn’t hurt the playability. This horn came to me playing well on its current pads. It hasn’t been freshly overhauled, but it does play on the current setup. That makes it a great deal, because you get the beautiful big, warm Conn tone for under $1k, which is crazy. This horn is pre-war, if you’re looking for that, and it has rolled tone holes. By ‘transitional’ in the title, I mean that it was made very late in the New Wonder II (or ‘Chu Berry’) run, and it has some features that anticipate the 6M or ‘artist’ or ‘naked lady’ or ‘lady face’ (I could go on. Conn nomenclature is kind of convoluted.) It’s basically a New Wonder II, but it has the raised high E side key and a few other small changes like palm key shapes and possibly a different neck though I’m not sure about that.

    It includes the case in the photos as well.

    Only one available.

  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Ishimori Wood Stone Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Arriving early October 2019! There are two dark lacquer and one antique finish (unlacquered) that will be available.

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,750
  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • Sold Out

    King Super 20 Alto Saxophone 1950 Full Pearls 308k Original Lacquer Fresh Matt Stohrer Overhaul!

    $ 6,000

    King altos are the best altos ever. This one has beautiful original lacquer and looks great, with the only past repair being a resoldered key guard foot. It just got a full, fresh, high-end overhaul, done by Matt Stohrer. This means it got about 30 hours of highly-skilled labor done to make the mechanism all factory fresh, and to replace everything that can be replaced so that it is back to new playing condition and pad wise. Matt is something of an authority on vintage King repair You can watch his repairman’s overview of King Super 20 saxophones here. I’m tempted to wax eloquent about what a proper overhaul includes, but think of it like rebuilding an engine or replacing a transmission, and you’ll have the right idea. It now performs great and will be ready to go for many many years to come with only regular maintenance needed.

    This King Super 20 alto is from just about the most desirable year, 1950, which is the same version of Super 20 that Cannonball Adderley played on Kind of Blue and Somethin’ Else. It is in great shape, with no serious past repairs at all.  This is the ‘Series II’ which has the best combination of beauty, features, and key work of all of the Super 20 altos. You really can get the Cannonball Adderley vibe going on one of these (with lots of practice) better than almost anything else. Cannonball played almost exactly this serial alto on Kind of Blue. This plus a Meyer 5 or Ted Klum NY Model plus a soft reed and lots of guts is what you need for what I consider to be the benchmark for good alto sound.

    Why do I say that Super 20’s like this are the best altos ever? The overall combination of tone, beauty, and ergonomics. For me, great tone that you get from these full pearls Super 20’s is pretty hard to beat. It’s warm, full, rich, and projecting, but without any hint of shrillness or thinness. Cannonball’s tone, I always think of as a tenor saxophone reincarnated in the body of an alto, and that’s pretty much what a Super 20 alto like this is. It feels like the tone is coming from a bigger, deeper instrument, but in the alto register, which is really remarkable.

    Just for fun, here’s Cannonball on his Series II Super 20 playing one of his classic ballads, Dancin’ in the Dark.

  • Martin Comm II Alto Saxophone 142391

    $ 900

    Martin Committee II Alto Saxophone in good condition with original lacquer. These horns play really beautifully, with a rich, warm, centered tone. Most people have never had the pleasure of playing them, as they were only made for a couple of years in the 40’s before Martin was forced to redesign because of patent disputes on the tone holes, I am told. Anyhow, this is a great price for an original lacquer Committee II. The pads are old, so plan on a repad, or at least on replacing several. I could discuss options for having that done pre-sale if you like, but since this is on consignment, I can’t overhaul it in advance.

  • Martin Committee II Alto Saxophone Original Lacquer Lion and Crown 136238

    $ 900
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 75488

    $ 500
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Martin Handcraft Typewriter Alto Saxophone Original Silver Excellent Condition 98334

    $ 900

    Beautiful original silver Martin Typewriter alto saxophone. Every single key is a has a round pearl button – it’s a wonderful instrument to see! I love how unified it is from a design perspective. The palm keys and pinky table are my favorite. A necessity for any serious saxophone collection. This is also a beautiful player when overhauled, and has a wide, warm, sweet tone that is hard to beat for a 20’s sound. This Typewriter alto is all original – nearly all the original silver plate is present, as is the gold wash. The neck is also in very good condition. If you wanted to overhaul this, it would be bright, gleaming satin silver and look nearly new. Or just keep it and treasure it, or leave it on display as a showpiece. The typewriter was a beneficiary of the 20’s Saxophone Craze – there was such a strong market for saxophones that all kinds of interesting designs blossomed onto the scene. These are rare and hard to find, and this is a great price for one!

    Only one available!

  • Martin The Martin Alto 155469 Unbelievably Beautiful Dark Original Lacquer

    $ 2,350

    This is just about the most beautiful Martin Committee III that I have seen. It is incredibly rare to find the dark early original lacquer examples in anything like this kind of condition. If you have always wanted one of these Committee III saxophones, you can’t beat this one. And the price is still a bargain compared to anything of nearly this kind of quality. Original pads, original case, the works. This is the real deal. Only one available. I might keep it for my little collection. It’s even nicer in person.

  • Martin The Martin Alto Original Saxophone 179447

    $ 1,750

    Priced to sell!

    Freshly overhauled The Martin Alto which plays GREAT. Feels effortlessly big and loud and powerful, with a medium dark tone that brightens up nicely with a higher baffle mouthpiece. You can do anything on these altos. This was original lacquer which is mostly worn off and it still looks great. This horn was played a fair amount before being overhauled, so it has had some small dents removed. The thumb hook has been replaced also. (Original thumb hooks frequently fall off of Martins, for whatever reason.) If you’ve been looking for a super-fun alto that looks cool and sounds different from anything else out there today, this would be a great choice. With the fresh, complete overhaul, it won’t need any significant repair work for a long long time.

  • Martin The Martin Alto Saxophone Committee III 160564 Relacquered Fresh Overhaul!

    $ 1,100

    Recent complete overhaul done on this The Martin Alto. The lacquer is obviously mottled and not so pretty, but nothing sounds as good for the money as the Committee III. These horns were built to last, and came with 50 year warranty when new!!!

     

  • Martin The Martin Alto Saxophone Excellent Condition! Great Deal

    $ 999

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • Selmer Balanced Action Alto 1945 Fresh Overhauled Original Silver Plate Excellent Condition

    $ 5,650

    Get your Paul Desmond tone going with this beautiful, freshly-overhauled, original silver plate Selmer Balanced Action alto saxophone from 1945. This is the sort of alto Desmond played on Take Five, among many other recordings, and it is the sweetest sounding Selmer alto ever made in my opinion. The ‘Balanced Action’ in the name refers to Selmers revolutionary new keywork design that came on this instrument. It probably doesn’t seem revolutionary to you, since every saxophone made today is made in imitation of Selmer’s ‘balanced action’ design!

    The upshot is that you get an alto with a beautiful, warm, lyrical vintage tone, but with keywork that feels quite modern under the fingers. That’s what makes the Balanced Action model such a sweet spot for vintage Selmers. The earlier Selmers are great, but the keywork feels more antequated to many alto players, who, as a general rule, seem less interested in vintage tone unless the keywork also feels more familiar. Tenor players are in general more dedicated to tone, and will work with vintage keywork if it gets them the sound the want.

    Anyway, it would be hard to find a nicer example of a Selmer Balanced action alto saxophone than this one. It has nearly all of its original silver plate intact, and it has no dents or dings, and no resolders. The bell flare, bow, neck, and body tube are clean and undamaged. The neck is particularly nice. This sax also comes with a recent overhaul done by Jack Finucane, and it feels good under the fingers, with everything nice and snappy and sealing well. You won’t have to put money into this one to get it playing well, and it won’t need more than regular maintenance to play well for a nice long time.

    It even includes the BAM case in the photos, so this is really a great deal at this price. Whoever gets this horn is going to be pretty lucky I think. It’s warm and lyrical, medium spread, but with a nice, solid core tone. You can take the sound in lots of directions, from classical (Selmer’s main design idea at the time) to jazz, smooth jazz, west coast, rock, or really whatever. It’s flexible enough to work with a variety of mouthpieces and still tune well. This is a great alternative to buying some boring new horn for several reasons: better overhaul, better tone, much better resale value, better build quality, more beautiful. But mostly for the tone.

    Only one available.

  • Selmer Balanced Action Alto Saxophone Fresh Overhaul! Original Silver Plate Great Tone

    $ 5,150

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.

    Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Selmer Mark VI Alto 1958 Conservatory Model Original Silver Plate 77632

    $ 7,950

    This is an amazingly awesome vintage Selmer Mark VI alto saxophone from 1958 that features all of the possible extra keywork offered by Selmer at the time. This is called a ‘conservatory model’ historically, and has the high F#, G# trill key, forked Eb, and high E trill key all included on the same instrument! This beautiful 5-digit Selmer Mark VI is very rare and super collectible.

    The finish is, of course, original silver plate. The pads are sealing well as I got it, and it plays great with a medium-dark tone that is rich and almost tenor-like in the amount of power you can get. This is the ‘early medium bow’ version of the Mark VI, which means the bell keys play the best in tune of any of the 5-digit serial Selmer altos. I play a similar Mark VI to this myself. The price includes the vintage Selmer case with crushed velvet interior as well as a BAM Softpack contoured alto case for safer shipping and easier gigging. You get both!

    Only one available!

  • Selmer Mark VI Alto 1962 Original Lacquer American Engraved Original Pads 102605

    $ 7,950

    This is a beautiful, original lacquer, American engraved Selmer Mark VI alto saxophone from 1962. It has the matching serial number on the neck, and it has no dents or dings. There are no resolders or other past repairs, save a couple of small dings removed from the back of the bow and a tiny one from the neck. The whole horn is in excellent condition, and it even still plays surprisingly well on the original factory pad job from Elkhart. They really did it right back in the day at the Selmer assembly shop. It feels just perfect under the fingers, and it would be a good feel to copy if you get this overhauled to play seriously.

    Just for fun, here’s Phil Woods putting a similar VI through its paces!

    The early 100k serial VI altos are my favorite Mark VI altos for tone. This is the exact same horn as a 95k serial alto, so it is the same as a 5-digit, but for a lower price. The tone is medium-dark, powerful, and punchy when pushed, with a good amount of focus. These are the most tenor-like of the Mark VI altos, with a depth and body to the sound that reminds me of a larger saxophone bursting out of an alto voice. This has the long bow, which means nothing really if you’re playing jazz, but if you’re buying this for classical sax, then with a small tip opening mouthpiece and hard reed you will find low B to be a little flat on your tuner. With a jazz setup, I don’t even notice it, and the tone that you get is just fantastic.

    If you’re in the market for a great Selmer alto, this makes a much smarter purchase than a new Referene 54 at $6700, because the Reference will be worth 70% of that at best, as soon as you buy it, and less as time goes on, where a beautiful vintage Mark VI will still be worth what you paid for it or more when you go to sell it, if you ever need to. You’re tying up the money in a horn, but it’s money you can get back out, meaning you can own the horn nearly for free, or for the cost of upkeep, which is not the case buying most other sorts of big ticket items. Certainly not vehicles! Plus it’s satisfying to own and play, is built extremely well, and sounds better than a new one. Just for fun, here’s Phil Woods putting a similar VI through its paces (using a Meyer Bros NY alto piece).

    Only one available!

  • Selmer Mark VI Alto 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI Alto Near Mint Original Lacquer Original Pads 216700

    $ 5,500
  • Selmer Mark VI Alto Original Lacquer American Engraved Great Deal 214844

    $ 4,750

    Extremely good price for an original lacquer Selmer Mark VI alto. This horn has older pads, so plan on getting it overhauled. But it won’t be a complex overhaul – just the regular, and Selmer Mark VI’s are easy and fun to restore at your local saxophone expert’s place. The later VI altos have a beautiful, balanced tone. Selmer finally got the alto really nicely in tune by the end. It plays with an even scale and feels great with a lyrical French Selmer core and plenty of warmth and complexity to the tone. It’s medium between bright and dark, possibly medium bright when pushed, but it will really do most anything you want it to, depending on your choice of mouthpiece. So for the price of a new Yamaha, you can get the storied Mark VI and own and enjoy it while it goes up in value. What’s not to like about that?

    Only one available!

  • Selmer Mark VI Alto Saxophone 160941 Beautiful Original Lacquer Matt Stohrer Overhaul!

    $ 7,650

    Just overhauled by Matt Stohrer, this is one exceptionally fine Selmer Mark VI alto. It feels better than new, and it plays so effortlessly, with a warm, complex, medium bright tone that is rich and singing. If you’ve been looking for one alto that does everything well, this is it. It gets my highly-coveted ‘exceptionally fine player’ designation. That means is the best of its kind that you can get in a saxophone in my opinion.

    The 160k range is excellent for the VI altos specifically, because you get a rich tone and well balanced intonation. If you want one of those life-long, world-class VI altos that also has the world’s best overhaul (that I have seen at least), then get this one. Matt’s work on a VI looks like it came fresh from the factory, and feels like a million bucks. Effortless to play, and dependable to maintain. It has all the little touches that take a horn from good to great.

  • Selmer Mark VI Alto Saxophone 192163

    $ 5,650
  • Sold Out

    Selmer Mark VI Alto Saxophone 1956 66928 Factory Relacquer (looks original) Very Good Condition

    $ 5,000
  • Selmer Mark VI Alto Saxophone 1967 145964 Original lacquer Very Good Condition

    $ 9,000
  • Selmer Mark VI Alto Saxophone 1967 146243 Original Lacquer Excellent Condition!

    $ 10,500
  • Selmer Mark VI Alto Saxophone 1969 176329 Original Lacquer Original Pads Excellent Condition

    $ 5,750

    Beautiful example of an original lacquer Selmer Mark VI Alto saxophone. This instrument had only one owner, who took great care of it. It still has almost all of its original pads, and it has never been repaired. There are no dents, no dings, and no resolders. The neck is in excellent condition and has not been pulled down. A few small dings were removed when I got it – one on the bell, and a couple on the back of the bow area. They are quite hard to see now.

    The Mark VI altos made in the late 60’s are probably the best overall buy among pro altos today for people who want the Selmer style keywork. It wasn’t till the mid 60’s that Selmer finally figured everything out on its Mark VI alto. The early VI’s are good too and have a darker, more compact tone, but by the mid 60’s you get a real sweet spot of one alto with the following features: excellent intonation, including low register and including with a classical or concert setup; even scale; a warm, medium bright tone that is neither brash, nor shrill, nor stuffy; great response and projection. Take all that, and add the basic Mark VI ‘French’ lyrical core tone, and the comfortable Selmer keywork, and unbeatable build quality, and you have a really superb alto saxophone.

    It’s a good buy for all of the above reasons, and because it will definitely continue to go up in value over time. Higher-end Taiwanese horns are now selling for $4500+ new, when you can get a beautiful, original lacquer Selmer Mark VI for not much more. It’s kind of wild. And it’s a good time to buy a vintage Selmer for that reason, among many others. Nothing is more all-around satisfying to play and own, and nothing has stood the test of time better than the Mark VI.

    Only one available!

  • Selmer Mark VI Alto Saxophone Original Lacquer Near Mint Original Pads 208796

    $ 5,750
  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,950

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Sold Out

    Selmer Mark VII Alto Excellent Condition Original Lacquer Original Pads 281771

    $ 2,650

    The Selmer Mark VII alto is a lot like a late Mark VI, but with different keywork that is designed for slightly larger hands, and with a little bit more powerful and brassy tone. These are very good altos, and they are extremely well-built – better built than new Selmers are today by all accounts. This Selmer Mark VII alto is original lacquer, and it is on consignment from the original owner, who bought it new in Paris in the 1970’s. It still has its original pads intact, and we are leaving it that way for consignment, so that the new owner can buy the horn for a really good price, and get the pads replaced at that point. It will need a full repad, but that’s why the price is so unbelievably low for an original lacquer Selmer Paris alto like this.

    It is in excellent condition, with just some speckling in the lacquer in places, and minimal wear from use. No dents or resolders at all. The original neck is in great shape as well.

    Only one available.

     

  • Selmer Mark VII Alto Saxophone 244831 Excellent Original Lacquer American Engraving Near Perfect

    $ 3,650

    The Selmer Mark VII, the last remaining relative bargain Selmer-wise, is a very well-built vintage Selmer with a slightly odd left hand pinky table, but it more than makes up for it with quality, value, and tone.  Speaking of tone, the VII alto features the same big, powerful, and deep tone of a late VI alto, and I find them to be very similar (and I really like late VI altos, especially the American-assembled ones).

    This particular instrument has recently been serviced, and plays very well on a mix of older (some original) and newer pads.  It has not seen much use in its life based on how little wear it has, and the lacquer is original and in extremely good condition.  There is no evidence of past repairs, dentwork, or resoldering, and the original case is still in very good condition as well. The ergonomics, although slightly different from a VI (and the following model, the Super Action 80)  in the left hand pinky table and Eb/C spatulas, are easy to get used to, and some players with large hands even find it preferable over a VI. I possess hands of merely average size, but I don’t find it to be different enough that I really notice it at all in playing.  

    All in all, this is an excellent condition alto that plays very well and represents an uncommonly good value for a Selmer.  

  • Selmer New Largebore Alto Saxophone Silver 13405

    $ 1,350

    Here’s a beautiful silver plated Selmer New Largebore alto saxophone. This alto needs a repad, and the silver has been replated. It’s nearly 100% present now. This will be an excellent alto if you want to adopt it and overhaul it. These New Largebore altos play like a half Selmer half Conn, with a wider, darker tone than other Selmers, but still definitely a Selmer, with a delicate, lyrical ‘French’ core to the sound. If you’ve been looking for a deal on a vintage Selmer, this one will be hard to beat for what you get!

  • Selmer Omega 162 Alto Saxophone Plays Well Great Deal! 829421

    $ 1,025

    Selmer Model 162, usually called Selmer Omega Alto Saxophone. This is one of those sleeper horns that plays well but costs very little. It was designed and built by Selmer USA to look and feel a lot like a Mark VI under the fingers. This one was just cleaned and tuned up by a local shop, and is sold in good playing condition. It’s a very respectable alto saxophone for the price! Better than anything you can buy new in this price range.

  • Selmer Radio Improved Alto Original Lacquer Excellent Condition Getting Overhauled Now

    $ 4,250

    Original lacquer Selmer Radio Improved alto saxophone! This is a rare beauty among vintage Selmers, with a sweetness and beauty all its own. The keywork is comfortable as well, which is why Jimmy Dorsey wanted to keep this style of keywork even after Selmer changed to the ‘Balanced Action’ design shortly after. These are just beautiful players – warm, spread, lyrical, and sweet – most of what you want in a top quality vintage alto. Plus this one is in beautiful original lacquer with minimal past repairs and comes with a fresh, full overhaul! Radio Improved Selmers are very popular these days, and getting more popular all the time, as alto players catch on to the unique tone that you can get on one. This is a great purchase that you will enjoy playing for many years with minimal upkeep, and that will go up in value while you own it. There are not many nicer Radio Improved alto saxophones out there!

    Only one available!

  • Selmer Reference 54 Alto Saxophone Excellent Condition Great Deal! 759265

    $ 4,500
  • Selmer Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,450

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Series III Alto Near Mint Condition Matte Lacquer Gorgeous!

    $ 3,950
  • Selmer Series III Alto Saxophone SOLID Sterling SILVER Near Mint w/ Full Overhaul

    $ 10,000

    Just freshly overhauled!! This alto has the distinction of being the best playing classical alto saxophone that I have played. Ever.

    If you are not used to used saxophones, that means someone with a bunch of years of training in the craft of saxophone repair is going to be spending somewhere around 25-30 hours of skilled labor on this saxophone to make it totally fresh and new (better than new). It costs somewhere around $1000-1500 to have done. It will play so much better than any other Series III you might find for sale that you will be surprised that they are even the same model of saxophone. Not kidding.

    If you play classical alto and you want to play the best, and set yourself apart tonally from the crowd, this is your dream alto. There really is nothing like it. I try to avoid overusing superlatives in saxophone descriptions, but this horn deserves them. The tone is dark and centered, and it has a haunting quality that is extra special among saxophones. This is the alto for a serious alto player who wants something that is built for saxophone study and performance. These are especially nice for classical playing. Doug O’Connor’s tone on one of these has left a lasting impression on me. Just gorgeous. I recently got to hear Doug play the Bach Chaconne on this alto, among other pieces, and I have to say, it was a high point for me in experiencing transcendent music on the saxophone.

    There’s no damage, no wear, no past repairs. This horn has not been played much since new, and it’s in near mint condition. The neck is great. The whole horn tunes well with a classical setup. You can buy one of these new for $18329 online, or you can get this one OVERHAULED!  for right around half price here. It’s a great investment if you are wanting the best.

    Original case, fresh overhaul, and the original S80 mouthpiece is included also.

  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450
  • Sold Out

    Selmer Super Balanced Action Alto Saxophone 41881 Euro Very Clean Condition Chesterfield Case

    This is a very clean relacquered Selmer Super (Balanced) Action SBA Alto saxophone from 1950 in extremely good physical condition.  The original owner’s family says it has never been refinished, and my repairman says it still has many of its original pads, though I think it must be a factory relacquer to look this good. (Pads could be factory from the refinish). I could be wrong, which would make this an extremely good price. I just watched one of these sell on shopgoodwill.com for $6501 with terrible photos and an error-filled description, so go figure.  With this particular version of Euro-engraved and lacquered Selmer, it can be hard to tell, because they were originally engraved first, then lightly buffed and lacquered, which is what a relacquer looks like at other vintages. Nevertheless, I’m selling it as a relacquer, due to the red rouge (buffing compound) in the little nooks and crannies of the horn, that I do not think is likely to be original. OK enough about lacquer. It’s just a coat of paint after all. The horn is what matters, and this one is super nice and very clean mechanically and cosmetically.

    No past repairs, no resolders, no damage to the neck, body tube, or bell flare. Pads are old, so plan on an overhaul, and it will be a wonderful player with a rich, medium dark tone with a moderately focused, lyrical core.  It comes in its original Chesterfield case with both zippers still smooth and fully functional (what a treat!), and it sports the Euro-style engraving, having been assembled in Paris and imported to Canada where it was originally sold.

    This saxophone, though due for an overhaul, is in uncommonly clean physical condition.  There are no dents or repaired dents, no evidence of any resolders, the pearls are largely unworn, and the neck has no evidence of past repairs or pulldowns.  There are some scratches in the lacquer from the neck strap, and some wear from where it sat against the case, but the lacquer remains at 95% plus. There is some playing wear on the touchpieces for the palm keys and the octave key and thumbrest, but combined with the overall excellence of the physical condition I believe the owner of this saxophone was careful and meticulous, and loved this horn very much.  If you’ve been thinking of springing for the lush, full tone of a Selmer SBA, don’t want to be afraid to play it, would like to get it overhauled to your specs, and would like to get a specimen that should hold its value over time, it would be hard to go wrong with this one. It’s a superb deal as well, on a sax that will play and sound warmer, and more beautiful than any modern pro saxophone, and that will also be more satisfying to own and will hold its value better. Only one available!

     

  • SML Rev D Alto Saxophone Silver 11584-3

    SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584

    $ 1,750

    SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones.  They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.  

    The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks.  In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.

    This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is.  The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing.  However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.

    These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship.  Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.  

  • Yamaha YAS-200AD Good Student Alto Just Serviced

    $ 750

    Are you shopping for a saxophone for a student for school band? This is the one you should get. it’s that simple. Just get it. Done. Look no further.

    The Yamaha YAS-200AD (and its sibling the YAS-23) are the best student alto saxophones ever made. A Yamaha like this is what almost everybody my age started out on, if they stuck with saxophone. It almost makes me think that some of the folks who started on junky horns probably gave up music because their horns were so disappointing to play. So if you want yourself or your child to stick with saxophone, it’s worth buying one that will actually play well and hold up well over time.

    The other consideration in buying a student sax is resale value. Among student saxophones, it’s common to hear of folks paying $1200-1600 for a beginner sax that is then practically worthless when they go to re-sell it. I get offered these sorts of horns to buy almost every day, and I have to be the one to break the difficult news that the sax they rented for three years for $48 a month from the local music store is basically a worthless on the used market. The used Yamaha is among a very few student horns that has good resale value. If the pads are good, you can easily resell it and get back 80% of your purchase price, which is so much better than 10% or whatever on new other brand student horns as not to be even comparable.

    This alto just got a bunch of new pads and is now playing quite well, with an easy low register, and a nicely in tune scale. It includes all the stuff in the photos, and I can throw in a Yamaha 4C or help you pick a good beginner mouthpiece to go with it. (Mouthpiece is important.)

    Only one available!

  • Sold Out

    Yamaha YAS-23 Vito Alto Beautiful Plays Great! (What the pros started on.)

    Are you shopping for a saxophone for a student for school band? This is the one you should get. it’s that simple. Just get it. Done. Look no further.

    The Yamaha YAS-23 is the best student alto saxophone ever made ever. It is what almost everybody my age started out on, if they stuck with saxophone. It almost makes me think that some of the folks who started on junky horns probably gave up music because their horns were so disappointing to play. So if you want yourself or your child to stick with saxophone, it’s worth buying one that will actually play well and hold up well over time.

    The other consideration in buying a student sax is resale value. Among student saxophones, it’s common to hear of folks paying $1200-1600 for a beginner sax that is then practically worthless when they go to re-sell it. I get offered these sorts of horns to buy almost every day, and I have to be the one to break the difficult news that the sax they rented for three years for $48 a month from the local music store is basically a worthless on the used market. The used Yamaha is among a very few student horns that has good resale value. If the pads are good, you can easily resell it and get back 80% of your purchase price, which is so much better than 10% or whatever on new other brand student horns as not to be even comparable.

    This alto just got a bunch of new pads and is now playing quite well, with an easy low register, and a nicely in tune scale. It includes all the stuff in the photos, and I can throw in a Yamaha 4C or help you pick a good beginner mouthpiece to go with it. (Mouthpiece is important.)

    Only one available!

  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Yamaha YAS-480 Intermediate Alto Saxophone Brand NEW with Warranty

    $ 2,489
  • Sold Out

    Yamaha YAS-62 Alto Saxophone Good Condition Great Deal!

    $ 1,550

    The Yamaha 62 is one of the best modern altos made. It’s probably the #1 choice for a pro alto for most people buying a first good saxophone over the past 20 years or so, because it gets you pro quality for a price that is lower than anything else on the market that is similarly good (with the exception of the Yanagisawa A901, which is also fantastic and in this price range, but less widely known.)

    This particular example has been played quite a bit. It shows cosmetic wear from regular use, and the pads are also old. I will eventually get the pads replaced, but in the meantime, it is listed for a super price, and you can simply buy it, take it in, and get the pads replaced yourself and save some money. This is the 62-1, and is probably from around the early 1990’s. Just give it a repad, and you will have yourself an excellent alto that does everything well. These have great tone; great intonation; easy, ergonomic keywork; and they are very reliable to own and play.

    Only one available!

  • Yamaha YAS-62 II Alto Saxophone Excellent Condition Professional Great Deal!

    $ 2,450

    If you want a Yamaha 62 that has all new pads and feels like a million bucks, this is it. It really plays great, with super-flat, snappy pad seats. This horn got a full repad, which means all new pads, but it didn’t need a mechanical overhaul (keywork didn’t need restored), and it didn’t need all new corks and felts, though it has many new corks and felts. That’s simply to keep the cost down and get you a horn that is totally ready to go and will not need significant work for many years, besides just occasional check ups. The Yamaha YAS-62 is a great value, because it’s a professional alto, but sells for less money, and is easily good enough to last you all the way through college or for as long as you want to play it. You never need to upgrade. And you save a lot of money versus buying new, and the saxophone also retains all or most of its resale value. Especially with the kind of pad work this one has. Just play it, and it sells itself.

    Only one available!

  • Yamaha YAS-82z Alto Very Good Condition Plays Great Just Serviced

    $ 3,150

    If you want a modern alto that is tried and true and that will do it all, the Yamaha 82z is the horn for you. This one is nice and clean, original lacquer of course, and it has been very well cared-for since new. It just got all new sprung-open pads, so most of the pads are new, and all of the rest of them are in great shape, so this horn is ready to go for a long time with only minor regular maintenance to keep it playing its best (much like a new Yamaha). If you want a brand new 82Z, I can also sell you one of those that also has the GetASax new horn setup already done on it!

    As for this one, it’s a smart purchase. When you buy a used modern horn, as I have often said, you are buying not just the cosmetic condition, but also the pad condition. This one is playing great, all nicely setup, and ready to go for a long time. You won’t need to drop $500 on getting the pads replaced like you would on many other used Yamaha YAS-82Z altos out there. It’s a turn key purchase, and you get a horn that is reliable, dependable, and that sounds and responds extremely well.

    For comfort of keywork, easy intonation, tone, playability, versatility, and build quality, it is really hard to beat the Yamaha custom saxophones. This should be a great pro alto for someone, or a great step up alto that you never need to upgrade for a serious student. There’s really no reason to ever buy a student alto if you can afford a used pro alto like this. The pro horn is easier to play and holds its value extremely well over time. Buy it now and get playing!

    Only one available!

  • Sold Out

    Yamaha YAS-82ZB Rare Black Lacquer Excellent Condition

    If you want a modern alto that is tried and true and that will do it all, the Yamaha 82z is the horn for you. This one is nice and clean, original BLACK lacquer of course, and it has been very well cared-for since new. Black lacquer is an expensive, special order item from Yamaha, making it way rarer than the standard lacquered brass finish. I love the look of the engraving cutting through the black lacquer down to the brass. It is probably the most beautiful finish option that Yamaha offers, and it really turns heads. It also makes the horn more valuable, and makes it easier to sell down the road, should you ever want to. With a used pro horn like this, you can always get almost all your purchase price back out when selling, because pro saxophones don’t wear out if maintained, and new ones keep getting more expensive all the time.

    This YAS-82ZB alto sax just got a bunch of new pads, so most of the pads are new, and all of the rest of them are in great shape, so this horn is ready to go for a long time with only minor regular maintenance to keep it playing its best (much like a new Yamaha). If you want a brand new 82Z, I can also sell you one of those that also has the GetASax new horn setup already done on it!

    As for this one, it’s a smart purchase. When you buy a used modern horn, as I have often said, you are buying not just the cosmetic condition, but also the pad condition. This one is playing great, all nicely setup, and ready to go for a long time. You won’t need to drop $500 on getting the pads replaced like you would on many other used Yamaha YAS-82Z altos out there. It’s a turn key purchase, and you get a horn that is reliable, dependable, and that sounds and responds extremely well.

    For comfort of keywork, easy intonation, tone, playability, versatility, and build quality, it is really hard to beat the Yamaha custom saxophones. This should be a great pro alto for someone, or a great step up alto that you never need to upgrade for a serious student. There’s really no reason to ever buy a student alto if you can afford a used pro alto like this. The pro horn is easier to play and holds its value extremely well over time. Buy it now and get playing!

    Only one available!

  • Yamaha YAS-82ZII Custom Z Alto Brand NEW with Warranty and Pro Setup

    $ 4,205
  • Yamaha YAS-82ZUL Alto Saxophone Excellent Condition

    $ 3,150
  • Sold Out

    Yamaha YAS-875EX Alto Near Mint Condition Plays Great V1 Neck

    $ 3,250

    The Yamaha 875EX is a top of the line professional Yamaha Custom alto saxophone that just gets the job done. It is a precision machine with top of the line intonation, response, and keywork. The tone is clear and medium bright and round. You can, of course, play any style on one of these, but they are very popular among classical saxophonists, because the round tone, when darkened up with a darker mouthpeice and reed, sounds very cello like and gorgeous. Plus the intonation makes classical and quartet work almost absurdly easy compared to most other saxophones. Some programs even require this model! This one has the desirable V1 neck, which seems to be Yamaha’s most popular neck version yet.

    This particular example is in beautiful condition with only very minor wear from normal use. This is merely cosmetic, as saxophones do not really wear out if properly maintained. This 875EX comes with a thorough playing condition job included in the price, so that you receive it in excellent playing condition. The pads are in great shape, and the whole instrument is in excellent condition without any damage or problems at all. There are no past repairs or hidden problems either. It’s a nice, turn-key purchase for one of the finest saxophones made today.

    Only one available. If you want a brand new 875EX, I would be happy to get you one, and all new horns purchased through GetASax also include a thorough new horn setup and a full Yamaha warranty.

  • Yamaha YAS-875EXII Custom EX-II Alto Brand NEW with Warranty and Pro Setup Exceptional!

    $ 4,205
  • Yamaha YAS-875S Alto Saxophone Original Silver Plate M1 + G1 Necks Overhauled! Excellent

    $ 3,450

    This beautiful Yamaha Custom alto saxophone just got a complete high-end overhaul. It looks beautiful, and it feels and plays better than new. These 875’s are wonderful players. My first pro tenor was the 875S like this, and I quickly bought the matching alto and played them for years. This one is professionally setup better than you get on a new one, with faster action, and everything mechanically tight and ready to go for the next many years. The silver is nearly 100% present, so it looks close to new. The only past repair is a resoldered octave key touch on the body, where it must have popped off at some point. Interestingly, this alto comes with both the original silver M1 neck, AND a special silver plated G1 neck! You could complete the set and order a new silver V1 neck from me if you want to.

    This is a great modern alto with a dark, complex tone and lots of interest to it. It works great for jazz and commercial music with a high baffle mouthpiece, because the darker tone stays fatter with the bright mouthpiece, and no other Yamaha has a darker more round classical tone than the original YAS-875. The EX is a wonderful saxophone, but it is brighter and clearer than the 875, so many folks who have come through the shop have preferred the fullness of the original Custom 875.

    Only one available!

  • Yanagisawa A880 Alto Saxophone Fresh Overhaul! Great Deal 113836

    $ 2,500

    The Yanagisawa A880 is one of my favorite modern altos. It combines Yanagisawa’s superior build quality, ergonomics and intonation, with a tone that is warmer, more complex and wide than later Yanagisawas. It plays beautifully and feels great, with fully modern keywork. It’s an excellent choice for a top quality modern professional alto in good playing condition that is priced quite reasonably.

    This horn has a fresh full overhaul done very nicely, and it feels like a new saxophone under the fingers. It has all new pads, corks, and felts, and it is mechanically tight and really great overall. That’s about a $1k job to overhaul a modern alto like this and do it right, so that’s a big added value for you. It means the horn will not need any significant work besides occasional checkups for many years! The only real past repair on this is the bow guard that was unsoldered to remove a dent at some point. It was done well, and it looks very good. Neck is in great shape, bell flare and body tube are undamaged. And under the fingers, it feels dry and snappy and fast.

    The 880 is such a great horn. I have one of these myself in my little collection of my favorite altos of all time. The reason it stands out is that it has some of the warmth and complexity of a vintage saxophone, while handling like a Lexus and tuning super easily.

    I’m also including the nice contoured case with this one. It has backpack straps and is nice and light for carrying.

    Only one available!

  • Yanagisawa A991 Alto Near Mint Condition Beautiful

    $ 3,150