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GS RESO C Melody Saxophone Mouthpiece – Best Ever!$ 199
I’m very excited to present GetASax.com’s very own mouthpiece project: GS Mouthpieces (main page)
The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.
This listing is for the C Melody saxophone version, which is based on the original tenor sax version here. C Melody saxophone is the red headed stepchild of the saxophone family. But no longer! Turns out, it just needed the right mouthpiece. If you think you know C Melody, using a stock Conn or Buescher mouthpiece, you are in for a big surprise. It plays a LOT like a good tenor sax. After all, it’s only one note above tenor. This mouthpiece might make you fall in love with your C melody for the first time, or renew your love if you are one of the few, proud C melody fanatics out there.
This mouthpiece is a very precise copy of my personal Reso Chamber tenor mouthpiece modified for C Melody saxophones! It’s so good that it literally puts the C melody saxophone back into play as a usable modern instrument. That’s no overstatement. Here’s a video of this mouthpiece in action.
A note on the different tip opening options: The FG Special facing gives you a tenor facing copied from my tenor piece, refaced by Freddie Gregory to a perfect 7*.This works well if you’re coming to C melody from tenor. But for many players, I would recommend getting the 6 tip for C melody. The 6 tip feels for C melody sax about how a 7 tip feels on tenor sax. It’s very comfortable. This mouthpiece takes tenor reeds, and I find that I like the 6 tip for the C melody piece using the same reed that I use on tenor. (Rigotti 2.5 strong). If you are a newer player, or coming from alto, you might want the 5 tip which measures around .080 and is quite easy to play. If you want a little mellower tone, or if you are most comfortable on a harder reed (like a Rigotti 3.5 or so) then the 5 facing will be perfect for you. It’s an Otto Link facing curve and is really responsive and takes air nicely.
Tone wise, this mouthpiece is medium dark, but not too dark, with moderate focus, and gets punchy without thinning out when pushed. Balanced and responsive, it’s one of the best all-around tenor mouthpieces I’ve played, and it works just as well on C Melody! It’s ideal for jazz, beautiful on ballads, and can handle burning bebop lines like a champ. The facing is just right. Subtone is effortless, response is quick. Altissimo pops right out. It’s very free blowing and takes air extremely comfortably. The 7* .105″ tip opening is very comfortable. Newer players can easily manage it with a 2.5 tenor sax reed. And for pros, it slots right in with a Rigotti 3 light to 3.5 medium. (I like the Rigotti 3 light personally.)
See below for more details.
Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish$ 4,500
Only one available!
This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!
This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:
Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone$ 4,700
See below for some sound samples and an unboxing video.
Only one available of these highly-desirable Ishimori Wood Stone New Vintage tenor saxophones. This one is in beautiful Dark Lacquer. You can find the unlacquered ‘Antique Finish’ version here. They are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.
These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!
See below for some sound samples on a range of mouthpieces, and an unboxing video.
NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal
Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.
If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!
Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.
You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.
Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.
It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site.
These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.