Good Condition

Showing all 6 results

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  Selmer Mark VI Alto 1956 (worn) Original Lacquer Good Condition Euro 64353

  $ 6,500
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  Selmer Mark VI Alto 1960 Original Lacquer Older Pads Good Condition 87926

  $ 7,500
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  Selmer Mark VI Alto Original Lacquer Good Condition Old Pads Relacquered Neck 197380

  $ 4,350

  Good deal on this original lacquer Selmer Mark VI alto. It looks to me like the neck was relacquered at some point, which was done well. As a result, you can save some money on this alto, despite the fact that the neck’s getting a new coat of paint shouldn’t affect anything about the saxophone’s playability. (Relacquering tends to affect things like the key fit of the body of the sax, or sometimes the tone holes, but these are not issues on a neck.)

  This sax is on consignment, and I haven’t been able to overhaul it myself, but for this price, you can have your favorite repair shop overhaul it and still come out thousands below the price of a new Selmer, for something that sounds better!

  Only one available!
• 

  Selmer Mark VII Alto Original Lacquer Very Good Condition 244921

  $ 3,150
• 

  Selmer Paris Bb Clarinet K8641 Good Condition

  $ 700
• Sold Out

  SML Super 46 Tenor Rare! Original Silver Plate Overhauled Good Condition 5117

  $ 4,500

  The SML Super 46 sounds like what would happen if Selmer and Conn saxophones could be hybridized, so you got some French lyrical core and focus with some Conn full-throated power and dark, room-filling tone. That’s not surprising, since SML was started by Selmer craftsmen who wanted to make a more Conn-like saxophone in France. They did! This one I just had to get completely overhauled, so that it could sing again to its full potential. I don’t see many Super 46’s come up for sale, and this one is much nicer than most. With a fresh overhaul, it’s a lot of saxophone for the money, and plus, if you play this out, you won’t sound like everyone else. It has some saxophone hipster appeal in that way. We actually made a video showing how the Super 46 sounds compared to a more common (and later) SML Gold Medal tenor. To me, the Super 46 is wider and wilder sounding than the Gold Medal, and has a little more Conn in it, where the Gold Medal has a little more Selmer. Either one is a fantastic choice, but this Super 46 is probably my favorite.

  Only one available!