Original Finish

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  • Buescher New Aristocrat Alto Rascher Serial Original Silver Plate Old Pads 265024

    $ 1,400
  • Buescher True Tone C Soprano Rare Original Gold Plate! Old Pads 86473

    $ 2,150
  • Buescher True Tone Series IV Tenor Saxophone Original Silver Plate 237689

    $ 1,200
  • Buffet Super Dynaction Alto Saxophone Original Lacquer 17435

    $ 2,350

    Buffet Super Dynaction Alto saxophone in original ‘sparkle’ lacquer. This horn is in on consignment, and has good pads, and plays well, with a big, operatic sort of voice. It’s centered like a Selmer from the 50’s, and medium dark, but wider and very open throated. Intonation is good. Keywork is Selmer-like and comfortable. Sometimes these get called a ‘poor man’s Mark VI’ but I’d prefer to think of them as a high-quality, professional mid-century French saxophone in their own right. But I guess, when you figure a new student Yamaha is over $2k, then this becomes a pretty good deal with good pads at this price for a pro vintage alto that is comparable to a Selmer. It has had some small dents removed in the bell area and back of the bow, but that’s just par for the course with a vintage sax, and the work was done well. It’s otherwise in quite good shape. It comes in the the delightful original Lifton case with blue interior. Someone should make a case like this again.

    Only one available!

  • Sold Out

    Conn 10M Tenor Pre-War 300326 1941 Original Lacquer Matt Stohrer Overhauled!

    $ 6,500

    This beautiful Conn 10M tenor is one of the nicer original lacquer pre-war examples that you will see! And it just got Matt Stohrer’s excellent overhual done on it. Add that to the fact that Conns like this are among the best playing tenors ever made, and you’ve got a horn that really checks all the boxes. Beautiful condition, original lacquer, best vintage, best overhaul, best model and brand of horn. These Conns are just so fun to play. The tone is so hard to beat (Go listen to Dexter in his Conn period and see what I mean.) The keywork is also quite comfortable (though not modern). Once you get used to it, you can play as fast on a Conn as on anything. The intonation is frankly great! Better than a lot of modern horns.

    But the tone is the reason to play a Conn like this. This one is just effortless to play. It has a beautifully saturated low Bb even at ppp volume. It just whispers and fills the room at the same time! And if you push it, it really goes noticeably louder than other tenors without backing down. The overhaul is part of the cost of this horn. For what you get, it’s a great deal. Matt is about two years backed up with pros wanting their horns overhauled, so his overhauls can be hard to come by, and his work is worth paying for I think! You also get the BAM Softpack which fits this horn well. The newer Softpacks don’t fit a 10M as well, but this one does.

    Only one available!

  • Conn 10M Tenor Pre-War Original Lacquer 304k Incl Matt Stohrer Overhaul

    $ 5,750

    This is a beautiful condition pre-war Conn 10M tenor saxophone that is currently getting overhauled. It’s original lacquer, and there’s only some minor play wear here and there, and a bit of oxidation in the bell engraving. The horn is really nice and clean, with no dents or dings, no resolders, no serious current or past damage evident. The original neck is in excellent condition as well. If you read around GetASax, you will know that I really like Matt Stohrer’s saxophone overhauls, and if anything, I like them particularly much on Conns. I think they turn out to play better than almost any other Conns I have played, time and time again. Conns from the mid 20’s on up to WWII (and beyond) are remarkably well built and are consistently great players once you get them properly overhauled. That last bit is important. Many years into GetASax, I am only more convinced than I ever have been that you just have to get a good overhaul on your saxophone (vintage or modern) in order to experience it at full potential. Many folks have never played a saxophone that was all the way right, so they don’t know what they’re missing until they play one that finally is.

    The nice thing about a Conn when setup well is that it comes to feel remarkably modern under the fingers. There’s a couple of weeks’ adjustment period where your muscle memory has to learn some new tricks. After that, this keywork layout is just as fast as a Selmer style one – really! If you don’t believe me, check out Sal Nistico on his 10M, or go watch some Dexter Gordon videos.

    In any case, that’s what you’re getting here – and what you’re paying for. A hand selected, beautiful example of one of the best 10M’s ever (= one of the best tenor saxophones ever) and also overhauled by one of the best repairmen around, so that it plays its best, and will do so for the long haul.

    For the moment, I’m posting some photos of the horn in progress. It’ll get done pretty soon, but go ahead and grab it to reserve it for you. It will be ready within a month of purchase, and maybe much sooner. it’s Christmas/New Years, so I can’t promise you get it right away, but you will get it!

    Only one available!

  • Conn 30M Connqueror Tenor Saxophone Original Lacquer Orig Pads 1 owner!

    $ 6,950
  • Sale!

    Conn 6M Alto Original Silver Plate 250314 Recent Repad Big Sound

    $ 2,450

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul done by another dealer, but needs a thorough re-setup. The overzealous repairman decided to ‘refresh’ the solder on many of the posts. So there are many posts resoldered. It looks fine, since the horn is silver anyway. Doesn’t seem to be due to damage, just probably one post popped off during the overhaul from the solder being old, and the repairman decided to resolder lots of them as a preventative. I’m reducing the price by $800 to give you room to spend as much as you want on a setup, or even to get it overhauled again.

  • Conn 6M VIII Alto Original Lacquer Overhauled Beautiful! 304531

    $ 3,450
  • Conn 8M C Melody Unbelievable Condition Fresh Overhaul Original Silver Naked Lady 274636

    $ 6,000

    This is a wonderful and extremely rare example of a very late serial Conn 8M C Melody saxophone with the ‘Artist’ / ‘Naked Lady’ engraving pattern on the bell. It’s gorgeous original silver plate finish with gold wash in the bell. It just got a full top-shelf overhaul with Italian leather Pisoni pads and nice sent of screw in reusable flat metal (brass) resonators. If you want a really good C melody for less money, look for a late New Wonder II Conn – around 200k serial if you can find one. This particular late serial version is ultra-rare — I’ve only seen 7 of them ever. This is the latest one I’ve ever sold. The cool thing about the later Conn C melody saxophones is that the tone opens up and gets really big and projecting like a tenor. If you use a GS RESO C Melody mouthpiece on this horn, you can get a tone that you just can’t get on any other type of saxophone. It’s in C but it’s fat and full and open like a tenor, but it concert pitch. Nothing else sounds like this. I had Tyler do a demo with one of my Conn C melodys and the GS RESO, so that you can get a basic idea of what it can sound like. Tyler had never played a C melody before, so I think he did pretty well for his first time!

  • Conn Art Deco Transitional NWII / 10M Tenor Original Silver Plate Recent Overhaul 244566

    $ 4,500

    This is a players Conn tenor – recently overhauled really well, and pads are still fresh. Original satin silver plate with gold wash in the bell. It’s been played a lot, because it plays well!  The fresh overhaul feels great under the fingers. This is a horn that needs nothing and plays its best right out of the case. It has flat metal reso-techs and Pisoni leather pads, strap hook moved for balance, and the desirable art deco engraving.

    The 238-247k serial range is among the most prized among tenor players who love Conns. These tenors have a huge sound like the New Wonder II, but some key work and tuning improvements looking toward the 10M. This is a really fine playing example that should make anyone happy who wants a huge Conn tone on a horn that they don’t have to overhaul or plan on spending any money on anytime in the near future. Only one available!

  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Gold Art Deco Transitional NWII Tenor Rare and Fantastic! 243453

    $ 8,950
  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 950

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Conn NWII Alto Original Silver Plate 201785 Great Shape Old Pads

    $ 750
  • Conn NWII Alto Original Silver Plate 228049 Great Shape Old Pads

    $ 850
  • Conn Transitional Alto Silver Art Deco Excellent Condition Orig Pads 247007

    $ 1,950
  • Conn Transitional Art Deco Tenor Original Silver Plate Overhauled 243357

  • Couf Superba 1 Tenor Original Lacquer Good Pads 68945

    $ 2,750
  • Couf Superba 1 Tenor Rare Original Silver Plate Early Serial Big Player! 65988

    $ 3,250

    This is one of the first Couf Superba 1 tenors made, and it was picked out by a guy who worked with Herb Couf to make the Superba 1 a reality. It was used on a Philip Glass recording along the way, and then played a bunch of jazz. It has original lacquer over the original silver plate (very rare finish for a Keilwerth), and where the lacquer is flaking off, the silver is tarnishing. This thing is a big player and is sealing well on a set of mostly older pads. You’d be hard pressed to find a bigger sounding tenor for the money. The tone of the Superba 1 is dark like an SBA, but wider like a Conn, and it stays fat in the palm keys unlike a Selmer. Plus it has modern keywork. This tenor is on consignment, and I would buy it myself and keep it if I didn’t recently pay a lot more for an equally rare gold Superba 1 that I’m committed to keeping. These horns are so good that Tyler, who does the GetASax YouTube channel, picked his Superba 1 out of all the horns that came through the shop over a period of years, as being the best one. Branford Marsalis played Tyler’s Superba 1 and was really impressed as well. You can hear Tyler’s one on the GetASax YouTube channel in several of the videos. The Superba 1 is one of those sleeper tenors that you don’t hear as much about for how good it is. Definitely recommended!

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,350

    One of these is coming in in the next few days (around new years 2022!). If you want it, be sure to grab it, as these sometimes don’t hang around for long, and then there’s a wait again.

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,500

    Inventory Update: I have ONE Vintage Lacquer (dark lacquer like the photos) Ishimori New Vintage tenor in stock right now, with high F#. Whoever gets it, gets it!!

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short). You can find the unlacquered ‘Antique Finish’ version here.  Ishimori New Vintage Tenors are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Keilwerth SX-90R Tenor Original Lacquer Great Deal

    $ 3,250
  • King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,250

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • King Super 20 Alto Full Pearls Original Lacquer 303405

    $ 5,750
  • King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 3,950
  • King Super 20 SilverSonic Tenor 675165 Near Mint Original Lacquer

    $ 3,650

    Can you find a more perfect late SilverSonic Tenor? No you cannot. This is SUPER clean – almost new old stock condition. Original pads have hardly been used, and it still plays surprisingly well on them, despite their being over 50 years old. The solid silver bell is gorgeous with its glowing gold wash inside. Nothing looks quite as good as these King bells. Silver neck is also perfect. What a time capsule. This was saved in a small collection by a pro tenor player. He double bagged the cases and just put the horns in the closet and left them for like 50 years! The matching alto sold already. This tenor is a superb deal. It plays medium bright, and has lots of projection. Feels great under the fingers. Super loud and punchy when pushed. You can cut through a band. This would be a great performing instrument if you need to play over a section or project over some guitars and drums. Looks amazing on stage as well. Priced super reasonably, and the price is firm.

    Only one available!

  • King Super 20 Tenor Original Lacquer 349080 Very Good Condition

    $ 4,650
  • King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul Fantastic! 299686

    $ 6,750
  • King Super 20 Tenor Saxophone Full Pearls Original Lacquer Old Pads Great Horn 319719

    $ 6,500
  • King Zephyr Special Alto Worn Original Gold Plate Rare! 216706

    $ 3,950
  • Martin Committee II Alto Saxophone Original Lacquer Plays Well Great Deal! 131k

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Committee II Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The original lacquer has aged to a dark molassas color and just looks so great. You get the deco vertical MARTIN logo and the lion and crown engraving, and the gorgeous nickel keywork and two tone guards on the bell keys. These horns are SUPER under-rated, and have great upside appreciation potential as more people around the world discover what fine saxophones Martin made in its heyday. The Committee II was only made for a few years before some patent disputes forced Martin to switch to a different design, but the few thousand of these that were made are a real sweet spot for vintage saxophone tone. Note: the neck is from a few months later than the body 133k versus 131k, but it’s the correct neck etc. You see that sometimes on these, and I’m not sure why! Maybe just people swapping necks around.

    The tone is warm, powerful, round, and full. It has more of a delicate lyrical center to it than the more ‘in your face’ Committee III. You could play anything from classical sax through concert band, and all the way into jazz and rock on this, depending on your mouthpiece and your styistic choices. The intonation is remarkably good. The ergonomics are also surprisingly good. I love the octave thumb rest and stack key feel on the Committee II. The left hand pinky keys are vintage style, of course, so you’d have to get used to those. But for the price, and for the tone you get, it’s well worth it!

    Only one available!

  • Martin Committee II Tenor Saxophone Original Lacquer Overhauled Excellent 131105

    $ 2,550
  • Martin The Martin Tenor 163872 Original Lacquer Original Pads Good Shape Needs OH

    $ 1,650
  • Martin The Martin Tenor Saxophone Committee III Original Lacquer Overhauled 195777

    $ 3,250

    The Martin Tenor is loud, punchy, medium dark, and built like a tank. It is a great rock and roll horn, and sounds wicked with a higher baffle mouthpiece. Or play ballads on it with your GS SLANT or GS RESO. This one had a recent high end overhaul, and plays effortlessly. The original lacquer is in beautiful shape as well. This is a rare opportunity to buy a The Martin Tenor that is playing RIGHT, and that has a really nice, snappy, dry pad feel that is how these really should feel to play. Low register is effortless. Altissimo pops without sounding thin. There’s a reason why Martin sold these with a 50 year warranty. They really are built to last. They’re way undervalued for what you get. That won’t last a whole lot longer, in my opinion.

    Only one available!

  • Sold Out

    NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Sold Out

    Selmer Balanced Action Alto Original Silver Plate Good Pads Beautiful 29621

    $ 7,450
  • Sold Out

    Selmer Mark VI Alto 1958 75807 Early Medium Bow Original Lacquer Old Pads

    $ 8,000
  • Selmer Mark VI Alto 1960 94108 Original Lacquer Great Deal!

    $ 6,950

    This is an original lacquer Selmer Mark VI Alto from 1960 that was one owner for almost its entire life until now. It was played by a pro in FL. He had a pickup installed in the neck, which I got removed and replaced with a ‘flush plug’ meaning the brass is smooth and matching inside and out. This sax is in great shape and is ready for its next owner to play it and love it for the next 60 years!

  • Selmer Mark VI Alto 1967 Original Lacquer Vertical Stamp Excellent Condition 143401

    $ 12,500
  • Selmer Mark VI Baritone 154k Original Lacquer Excellent Condition No Neck

    $ 6,750
  • Selmer Mark VI Baritone 166k Original Lacquer Low A Fresh Full Overhaul Exceptionally Fine Player

    $ 8,950
  • Selmer Mark VI Baritone Low A Near Mint 262323 Original Pads

    $ 12,500

    This is about as close to buying a new Selmer Mark VI low A baritone saxophone as you are likely to find. It’s the nicest one I’ve ever seen! All original. No dents or dings or resolders. I had a small dent removed from the back of the neck that is now completely smooth and almost looks perfect again. It’s astounding how amazingly nice this horn is. It’s all original pads, one owner, completely babied its entire life. It tunes well, and it has a beautiful, rich tone. I’m tempted to just keep this and play it! What a saxophone!

  • Selmer Mark VI Baritone Original Lacquer 1962 100463 Recent Overhaul Low Bb Great!

    $ 7,500

    Original lacquer Low Bb Selmer Mark VI baritone saxophone with a fresh overhaul done last year, and lightly played since. This is a desirable serial 100463 dating to 1962, and it’s the exact same horn as a late 5-digit serial Mark VI baritone in every way. The tone is medium dark, and powerful, with a good amount of focus. Response is easy. This horn is free blowing and just easy to play. The low Bb means that it’s lighter and feels almost like a tenor to hold. You can see a bit of dent work done on the back of the bottom bow, and some lacquer loss from removing the bow to do the dent work. Besides that, it’s in quite good shape. The bell flare, body tube, and upper bow are all undamaged! That’s remarkable! The original neck with matching serial is also in excellent, undamaged condition. If you want a beautiful early Selmer Mark VI bari that is in great shape, plays well, and is recently overhauled, you’d have a hard time doing better than this one for the price.

    Only one available!

  • Selmer Mark VI Soprano Near Mint Original Lacquer 187102

    $ 6,000
  • Selmer Mark VI Soprano Original Lacquer Engraved

    $ 4,250
  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 7,850

    This Mark VI tenor from 1967 is a real screamer! It is moderately focused, medium bright in tone, and LOUD. It has effortless response, and the low register pops out easily. It just got a fresh overhaul done and plays great throughout! The pads feel nice and ‘dry’ and snappy under the fingers, and you can put as much air through the horn as you want without it breaking up, or sounding shrill. It’s a fantastic VI if you want one that has some of the warmth and complexity of the earlier VI’s (not as brash and in your face as the later ones), but has tons of power.

    Cosmetically, this horn is in very good condition with minimal past repairs and no dents or dings. It’s original lacquer and looks beautiful. When you see it, you think – ‘Man, that Mark VI looks almost new!’ Looking closer, there are a few signs that it was played and loved over the years: The Bb keyguard popped off at some point and got resoldered (happens a lot on vintage horns), and the neck shows a little lacquer wear on the side from flexing, but is the correct angle now, and was never pulled down in anything like a bad way. It’s about a 2 on a scale of 1-10 — just enough to make the lacquer fracture and fall off over time. The only other thing to note is some minor dings removed from the back of the body that are gone now. Normal stuff for a vintage horn, and nothing bad; nothing needs repaired etc. And you save around $2k versus the price if this horn had no repairs, which is significant savings! Not to mention it’s already overhauled and done very tidily and well.

    If you want a nice, powerful, beautiful Mark VI tenor for quite a bit less than a new Ref 54 that plays better, is built better, and is an exceptionally good player, that’s what this is.

    Only one available!

     

  • Selmer Mark VI Tenor 77158 Original Lacquer Very Good Condition Great Deal! 1958

    $ 11,000

    It would be hard to find a better deal on a Mark VI tenor at the moment. This horn just got tuned up by Aaron Barnard in Cedar Rapids (great repairman), and it plays effortlessly with a big, powerful tone. The tone is medium dark, and focused with lots of power. It brightens up when pushed, but this is the sort of tone that people love in a good 80k Mark VI. It sounds a lot like my 81k. The only reason this isn’t priced about $3k higher is that it had a neck pickup removed, and has had a few minor past repairs. That doesn’t matter when Aaron does the pickup-ectomy, because he puts a ‘flush plug’ in that matches the curve of the brass inside and outside. It’s like the pickup was never there. Besides that, this was a one owner horn, and it was played a lot but well cared for. The only other past repairs I see are a few dings removed from the back of the body tube and bow (bow ones are basically invisible, and the back of the body ones look like a tiny cloudy spot, for example above the serial number). And the bell flare had a crease removed and is in the correct contour now and feels just fine. Neck is in great shape aside from the lacquer loss from when the pickup was installed in the first place. As repairs go, none of these is very serious, and the horn plays just how it should.

    For an original lacquer 1958-59 VI, you’d typically have to pay a lot more than this. I’m pricing this one on the low side for what it is, so that someone can get a relative bargain on it. The market is a bit confusing to folks right now, with people on eBay and some private websites listing horns for 3-5x their actual value. I’m not going to do that. But I’ll tell you this horn would be priced much higher elsewhere, and it is an excellent value if you’re looking for tone, and not cosmetic perfection, but you want a horn in good shape, from a great vintage and serial number, and with original lacquer. That’s what this is. There’s only one available, so get it before it’s gone.

  • Selmer Mark VII Tenor Fresh Overhaul Original Lacquer 244631 Plays Great!

    $ 3,950
  • Selmer Radio Improved Alto 19276 Recent Overhaul Very Good Condition

    $ 5,500

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. A little lacquer loss from a too-long neck cork that was installed in the past, is about the only cosmetic defect.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Series II Tenor Original Lacquer Beautiful Condition 451502

    $ 4,250
  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,950
  • Selmer Super Sax Cigar Cutter Alto Saxophone Original Gold Plate Fresh Overhaul! 17618

    $ 7,500

    Original gold plated vintage Selmers are hard to find. Gold plated Super Sax Selmers are even harder! If you want a Selmer that has some of the the wideness and darker tone of a Conn, this is the horn for you! This beautiful example still has the ‘cigar cutting’ octave mechanism that goes away shortly after this serial number. The original gold is in great shape, with some wear from use. This horn just got a top quality overhaul done by J&H Winds in Cedar Falls, Iowa. Jimmy Jensen and Simon Harding’s shop there is doing a fantastic job on vintage saxophone restorations, and gets my full endorsement! This thing feels better than new under the fingers. It has Italian Pisoni pads that were specially ordered thicknesses to fit the deeper pad cups. And the resonators are Aaron Barnard’s reusable slightly domed brass ones that are my favorite on lots of types of vintage saxophone. This sax got the full treatment, and now it is SO fun to play. It is super alive – vibrates like crazy under the fingers. The intonation is quite good with my GS New York alto mouthpiece, so you are fine with either a large or a medium chamber on this alto. The tone is so velvety and rich – dark, smooth, complex, and WIDE. If you want to fill a room, this is the horn for you. The gold is also gorgeous. The only drawback is the ergonomics. It’s not modern. I actually like the direct action that closes the left hand bell keys– it’s nice and snappy and easy. The downside is just if you need to get around a lot of low notes really quickly, and you don’t have good pinky finger dexterity. To me the tone makes it totally worth it. And how many blazing passages in the extreme low register do you realistically play? Probably not that many. So this is the total package of rarity, beauty, top shelf overhaul, and tone.

    Only one available!

  • SML Gold Medal 1 Tenor Original Lacquer Deluxe Engraving Gorgeous 17481

    $ 5,350

    This is the SML that is the most desirable of all in my book. Only in a narrow serial range right around this, did they have the fancy engraving all over the bell including inside. This is the coveted Gold Medal 1 with all the touted features that set this model apart, and with rolled tone holes and new pads. This sax is original lacquer, excellent condition. It would be quite hard to find a better gold medal tenor.

  • SML Super 46 Tenor Rare! Original Silver Plate Overhauled Good Condition 5117

    $ 4,750
  • Sold Out

    Yamaha SILVER YSS-82ZRS Soprano Saxophone Near Mint Condition Setup Excellent 3195

    $ 4,500

    This is a mint condition Yamaha YSS-82ZRS soprano. The Yamaha 82ZRS is basically a reissue of the popular Yamaha 62 soprano. The silver versions were the most desirable of the Yamaha YSS-62R on which the 82ZR is based. So if you have always wanted to get a Yamaha YSS-62RS this is nearly identical, but with some upgraded keywork. The main changes are that the left hand pinky (spatula) keys are now easier to operate and the palm keys are a little more comfortable. Yamaha tells me that the bore and dimensions of the 82ZR are exactly the same as the 62R, and on purpose. It is meant to be a modern reissue of the enormously popular 62R. With the 62R, Yamaha finally broke with the Selmer Mark VI soprano tonal concept and do something warmer, rounder, and more pleasant. It became an instant classic. There’s a big demand for more of these, so Yamaha helpfully rose to the occasion.

    The reason that the 62R/82ZR is so popular is the combination of one piece design – no neck joint to lose air or resonance – and the warm, complex tone that these horns get. And the bent neck, which brings the horn down onto the neck strap for added comfort. Branford Marsalis plays this model, and sounds wonderful on it. I think he helped with the keywork improvements also. In short, it’s probably the best modern soprano available: Lightest, most resonant, very in tune, most comfortable to play, best long term investment. It’s a modern classic.

    If like me, you have always wanted one of these horns in silver, now is your chance.

    Yamaha YSS-82ZRS one piece, bent neck soprano in mint condition.  This is basically a reissue of the YSS-62RS soprano, and it sounds the same or better (being nearly brand new) once it’s all setup with the right key heights and spring tensions like this one is. This will be collectible someday, as they always have a 6 month wait to buy one on special order and are sold in small numbers.

  • Sold OutYamaha YDS-150 Digital Saxophone

    Yamaha YDS-150 Digital Saxophone – Backordered until Spring

    $ 799

    Yamaha is facing the same microchip shortage as everyone else, and has run out of microchips to make the YDS-150. They estimate that it will be back available sometime in spring, 2022.

    Buy your Yamaha YDS-150 Digital Saxophone before they run out. Yamaha is experiencing production delays and won’t have these available anytime soon after these two are gone.

    The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.

    This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly on one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels more like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.

    In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:

    1. The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
    2. The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. The reed doesn’t vibrate though! You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
    3. The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels a bit more like a saxophone to play.
    4. The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. It’s a pretty good idea, thought it still sounds like a midi sax to me. The bari sax model is actually pretty good though.
    5. There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. The app is actually quite good! And you can also input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
    6. Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!

    Shortcomings of the YDS-150 are as follows:

    1. It’s a bit awkward changing notes with the digital switches on the keys versus the analog feel of a real sax.
    2. Similarly, starting and stopping notes with breath is different from how you articulate them on a real sax. So playing four quarter notes staccato requires you to learn habits that don’t transfer to sax.
    3. Reed doesn’t vibrate, so it doesn’t really feel like a saxophone to play.
    4. Saxophone sound samples don’t sound all that much like a saxophone. See our A/B comparison video for comparison of a Yamaha custom alto vs the YDS-150 alto sound model.
    5. No vibrato or control of tone with embouchure – breath only.

    I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.

  • YSS82ZRSSopranoStockPhotos-3

    Yamaha YSS-82ZRS Soprano Saxophone One Piece Bent Neck Silver Plate! BRAND NEW

    $ 4,750

    Available new by special order anytime. Email me at [email protected] to order. The Yamaha YSS-62R and 62RS are the most desirable vintage sopranos pretty much. Yamaha made an upgraded reissue of this soprano, with improved keywork but the same bore. It’s simply the best.

  • Yamaha YTS-875S Tenor Saxophone Silver Plate Near Mint Condition Fresh Setup

    $ 3,750
  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 2,850

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Yanagisawa AWO10 Elite Professional Alto Saxophone Mint Unplayed Fantastic Deal! A991

    $ 3,950

    Mint, unplayed, in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Yanagisawa AWO2 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A902

    $ 3,650

    Mint, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Yanagisawa AWO20 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A992

    $ 4,575

    Mint, unplayed, in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa S990 Soprano Saxophone High G Very Good Condition 210471

    $ 3,150

    Used Yanagisawa S990 soprano saxophone in very good condition. This one has the high G key! the S990 sounds a bit warmer and more rich than the S991/SWO10, which I like. This particular soprano is in very goood cosmetic and physical condition. It has been played some, and the pads are original, so plan on getting some pads replaced for it to play its very best. In particular, the palm key pads will need replacing, along with some lower stack pads probably cleaned at least. This soprano is on consignment for a good past customer, and I haven’t done any work on it for that reason. However, I did reduce the price so that you can easily get it tuned up when you receive it.

    It plays very well currently, and has a beautiful, rich, bell-like tone that is medium between bright and dark. Intonation is very good. I actually love the included Yanagisawa hard rubber soprano mouthpiece (5 tip). It’s easy to play, responds well, tunes great, and has a rich tone. Great first (or last) soprano mouthpiece if you don’t already have one, and it’s included in the price. This sax has both necks, straight and semicurved. The semicurved neck puts the weight of the horn on the neckstrap instead of on your thumb, which is a big improvement over a fully straight soprano in my opinion. These sopranos are hard to find in good shape, and this one is quite nice.

    Only one available!

  • Yanagisawa Whitehall Soprano S6 Original Lacquer Nice Shape 772637

    $ 1,750