Original Lacquer

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  • Sold Out

    Conn 10M Tenor Pre-War 300326 1941 Original Lacquer Matt Stohrer Overhauled!

    $ 6,500

    This beautiful Conn 10M tenor is one of the nicer original lacquer pre-war examples that you will see! And it just got Matt Stohrer’s excellent overhual done on it. Add that to the fact that Conns like this are among the best playing tenors ever made, and you’ve got a horn that really checks all the boxes. Beautiful condition, original lacquer, best vintage, best overhaul, best model and brand of horn. These Conns are just so fun to play. The tone is so hard to beat (Go listen to Dexter in his Conn period and see what I mean.) The keywork is also quite comfortable (though not modern). Once you get used to it, you can play as fast on a Conn as on anything. The intonation is frankly great! Better than a lot of modern horns.

    But the tone is the reason to play a Conn like this. This one is just effortless to play. It has a beautifully saturated low Bb even at ppp volume. It just whispers and fills the room at the same time! And if you push it, it really goes noticeably louder than other tenors without backing down. The overhaul is part of the cost of this horn. For what you get, it’s a great deal. Matt is about two years backed up with pros wanting their horns overhauled, so his overhauls can be hard to come by, and his work is worth paying for I think! You also get the BAM Softpack which fits this horn well. The newer Softpacks don’t fit a 10M as well, but this one does.

    Only one available!

  • Conn 10M Tenor Pre-War Original Lacquer 304k Incl Matt Stohrer Overhaul

    $ 5,750

    This is a beautiful condition pre-war Conn 10M tenor saxophone that is currently getting overhauled. It’s original lacquer, and there’s only some minor play wear here and there, and a bit of oxidation in the bell engraving. The horn is really nice and clean, with no dents or dings, no resolders, no serious current or past damage evident. The original neck is in excellent condition as well. If you read around GetASax, you will know that I really like Matt Stohrer’s saxophone overhauls, and if anything, I like them particularly much on Conns. I think they turn out to play better than almost any other Conns I have played, time and time again. Conns from the mid 20’s on up to WWII (and beyond) are remarkably well built and are consistently great players once you get them properly overhauled. That last bit is important. Many years into GetASax, I am only more convinced than I ever have been that you just have to get a good overhaul on your saxophone (vintage or modern) in order to experience it at full potential. Many folks have never played a saxophone that was all the way right, so they don’t know what they’re missing until they play one that finally is.

    The nice thing about a Conn when setup well is that it comes to feel remarkably modern under the fingers. There’s a couple of weeks’ adjustment period where your muscle memory has to learn some new tricks. After that, this keywork layout is just as fast as a Selmer style one – really! If you don’t believe me, check out Sal Nistico on his 10M, or go watch some Dexter Gordon videos.

    In any case, that’s what you’re getting here – and what you’re paying for. A hand selected, beautiful example of one of the best 10M’s ever (= one of the best tenor saxophones ever) and also overhauled by one of the best repairmen around, so that it plays its best, and will do so for the long haul.

    For the moment, I’m posting some photos of the horn in progress. It’ll get done pretty soon, but go ahead and grab it to reserve it for you. It will be ready within a month of purchase, and maybe much sooner. it’s Christmas/New Years, so I can’t promise you get it right away, but you will get it!

    Only one available!

  • Conn 30M Connqueror Tenor Saxophone Original Lacquer Orig Pads 1 owner!

    $ 6,950
  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750
  • Conn 6M VIII Alto Original Lacquer Overhauled Beautiful! 304531

    $ 3,450
  • Couf Superba 1 Tenor Original Lacquer Good Pads 68945

    $ 2,750
  • King Super 20 Alto Full Pearls Original Lacquer 303405

    $ 5,750
  • King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 3,950
  • King Super 20 SilverSonic Tenor 675165 Near Mint Original Lacquer

    $ 3,650

    Can you find a more perfect late SilverSonic Tenor? No you cannot. This is SUPER clean – almost new old stock condition. Original pads have hardly been used, and it still plays surprisingly well on them, despite their being over 50 years old. The solid silver bell is gorgeous with its glowing gold wash inside. Nothing looks quite as good as these King bells. Silver neck is also perfect. What a time capsule. This was saved in a small collection by a pro tenor player. He double bagged the cases and just put the horns in the closet and left them for like 50 years! The matching alto sold already. This tenor is a superb deal. It plays medium bright, and has lots of projection. Feels great under the fingers. Super loud and punchy when pushed. You can cut through a band. This would be a great performing instrument if you need to play over a section or project over some guitars and drums. Looks amazing on stage as well. Priced super reasonably, and the price is firm.

    Only one available!

  • King Super 20 Tenor Original Lacquer 349080 Very Good Condition

    $ 4,650
  • King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul Fantastic! 299686

    $ 6,750
  • King Super 20 Tenor Saxophone Full Pearls Original Lacquer Old Pads Great Horn 319719

    $ 6,500
  • Martin Committee II Alto Saxophone Original Lacquer Plays Well Great Deal! 131k

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Committee II Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The original lacquer has aged to a dark molassas color and just looks so great. You get the deco vertical MARTIN logo and the lion and crown engraving, and the gorgeous nickel keywork and two tone guards on the bell keys. These horns are SUPER under-rated, and have great upside appreciation potential as more people around the world discover what fine saxophones Martin made in its heyday. The Committee II was only made for a few years before some patent disputes forced Martin to switch to a different design, but the few thousand of these that were made are a real sweet spot for vintage saxophone tone. Note: the neck is from a few months later than the body 133k versus 131k, but it’s the correct neck etc. You see that sometimes on these, and I’m not sure why! Maybe just people swapping necks around.

    The tone is warm, powerful, round, and full. It has more of a delicate lyrical center to it than the more ‘in your face’ Committee III. You could play anything from classical sax through concert band, and all the way into jazz and rock on this, depending on your mouthpiece and your styistic choices. The intonation is remarkably good. The ergonomics are also surprisingly good. I love the octave thumb rest and stack key feel on the Committee II. The left hand pinky keys are vintage style, of course, so you’d have to get used to those. But for the price, and for the tone you get, it’s well worth it!

    Only one available!

  • Martin Committee II Tenor Saxophone Original Lacquer Overhauled Excellent 131105

    $ 2,550
  • Martin The Martin Tenor 163872 Original Lacquer Original Pads Good Shape Needs OH

    $ 1,650
  • Martin The Martin Tenor Saxophone Committee III Original Lacquer Overhauled 195777

    $ 3,250

    The Martin Tenor is loud, punchy, medium dark, and built like a tank. It is a great rock and roll horn, and sounds wicked with a higher baffle mouthpiece. Or play ballads on it with your GS SLANT or GS RESO. This one had a recent high end overhaul, and plays effortlessly. The original lacquer is in beautiful shape as well. This is a rare opportunity to buy a The Martin Tenor that is playing RIGHT, and that has a really nice, snappy, dry pad feel that is how these really should feel to play. Low register is effortless. Altissimo pops without sounding thin. There’s a reason why Martin sold these with a 50 year warranty. They really are built to last. They’re way undervalued for what you get. That won’t last a whole lot longer, in my opinion.

    Only one available!

  • Sold Out

    NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Sold Out

    Selmer Mark VI Alto 1958 75807 Early Medium Bow Original Lacquer Old Pads

    $ 8,000
  • Selmer Mark VI Alto 1960 94108 Original Lacquer Great Deal!

    $ 6,950

    This is an original lacquer Selmer Mark VI Alto from 1960 that was one owner for almost its entire life until now. It was played by a pro in FL. He had a pickup installed in the neck, which I got removed and replaced with a ‘flush plug’ meaning the brass is smooth and matching inside and out. This sax is in great shape and is ready for its next owner to play it and love it for the next 60 years!

  • Selmer Mark VI Alto 1967 Original Lacquer Vertical Stamp Excellent Condition 143401

    $ 12,500
  • Selmer Mark VI Baritone 154k Original Lacquer Excellent Condition No Neck

    $ 6,750
  • Selmer Mark VI Baritone 166k Original Lacquer Low A Fresh Full Overhaul Exceptionally Fine Player

    $ 8,950
  • Selmer Mark VI Soprano Near Mint Original Lacquer 187102

    $ 6,000
  • Selmer Mark VI Soprano Original Lacquer Engraved

    $ 4,250
  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 7,850

    This Mark VI tenor from 1967 is a real screamer! It is moderately focused, medium bright in tone, and LOUD. It has effortless response, and the low register pops out easily. It just got a fresh overhaul done and plays great throughout! The pads feel nice and ‘dry’ and snappy under the fingers, and you can put as much air through the horn as you want without it breaking up, or sounding shrill. It’s a fantastic VI if you want one that has some of the warmth and complexity of the earlier VI’s (not as brash and in your face as the later ones), but has tons of power.

    Cosmetically, this horn is in very good condition with minimal past repairs and no dents or dings. It’s original lacquer and looks beautiful. When you see it, you think – ‘Man, that Mark VI looks almost new!’ Looking closer, there are a few signs that it was played and loved over the years: The Bb keyguard popped off at some point and got resoldered (happens a lot on vintage horns), and the neck shows a little lacquer wear on the side from flexing, but is the correct angle now, and was never pulled down in anything like a bad way. It’s about a 2 on a scale of 1-10 — just enough to make the lacquer fracture and fall off over time. The only other thing to note is some minor dings removed from the back of the body that are gone now. Normal stuff for a vintage horn, and nothing bad; nothing needs repaired etc. And you save around $2k versus the price if this horn had no repairs, which is significant savings! Not to mention it’s already overhauled and done very tidily and well.

    If you want a nice, powerful, beautiful Mark VI tenor for quite a bit less than a new Ref 54 that plays better, is built better, and is an exceptionally good player, that’s what this is.

    Only one available!

     

  • Selmer Mark VII Tenor Fresh Overhaul Original Lacquer 244631 Plays Great!

    $ 3,950
  • Selmer Radio Improved Alto 19276 Recent Overhaul Very Good Condition

    $ 5,500

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. A little lacquer loss from a too-long neck cork that was installed in the past, is about the only cosmetic defect.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757

    $ 5,250

    Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!

  • SML Gold Medal 1 Tenor Original Lacquer Deluxe Engraving Gorgeous 17481

    $ 5,350

    This is the SML that is the most desirable of all in my book. Only in a narrow serial range right around this, did they have the fancy engraving all over the bell including inside. This is the coveted Gold Medal 1 with all the touted features that set this model apart, and with rolled tone holes and new pads. This sax is original lacquer, excellent condition. It would be quite hard to find a better gold medal tenor.

  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 2,850

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Yanagisawa AWO10 Elite Professional Alto Saxophone Mint Unplayed Fantastic Deal! A991

    $ 3,950

    Mint, unplayed, in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Yanagisawa AWO2 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A902

    $ 3,650

    Mint, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Yanagisawa AWO20 Solid Bronze Alto Saxophone Mint Unplayed Fantastic Deal! A992

    $ 4,575

    Mint, unplayed, in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa Whitehall Soprano S6 Original Lacquer Nice Shape 772637

    $ 1,750