Original Lacquer

Showing all 49 results

  • Buescher Aristocrat 140 Alto Original Lacquer Very Good Condition

    $ 950

    Great deal on a clean, original lacquer, original pads Buescher 140 alto saxophone. This horn has its original snaps and spuds intact, and is a repad shy of being a VERY good player. Minimal wear, minimal past repairs, neck in good shape. This is a clean one that will be an easy repad job for someone. These are among the most undervalued vintage horns right now!

  • Buescher Big B Tenor Small Bell Original Lacquer Near Mint Ridiculously Rare 297453

    $ 3,850
  • Conn 10M Tenor Pre-War Original Lacquer Matt Stohrer Overhaul 269167

    $ 5,600
  • Conn 26M VIII Connqueror Alto Original Lacquer Excellent! 292445

    $ 3,550

    This is a beautiful example of a rare Conn Connqueror 26M Alto saxophone with original lacquer and VIII stamp. The Connqueror is the most mechanically sophisticated saxophone that Conn ever made. It is a pre-war 6M body tube and neck, with all new keywork design, extra engraving, and solid silver on all the key touches that are not pearl. The ‘permadjust’ system is the big development on the Connqueror altos. You can read about that on Matt Stohrer’s website, or watch his repairman’s overview of the 26M on Youtube. This one has its bits and bobs intact, and is in very good condition. It just got overhauled before I bought it, so the pads are all new!  Cosmetically, this horn is just great, with only some minor lacquer wear. It has to be one of the nicest 26M Connqueror altos out there. Definitely the nicest one for sale currently, and priced very reasonably. I really like this one.

    Only one available!

  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750

    This Conn 6M Alto is in excellent original condition with original lacquer and original pads. It is almost as clean as it could possibly be. It will need a repad as soon as you get it, because it only makes saxophone noises now, but has pads from 1947 or so, which are ready to be replaced. No wear anywhere. No real damage, and no problems that I can see. If you want a great looking, super clean Conn 6M, that’s what this is. Original case also in good condition.

    Only one available!

  • Conn 6M VIII Alto Saxophone Pre-war 300088 Original Lacquer Excellent Condition

    $ 2,550

    BEAUTIFUL example of an original lacquer ‘Pre-war’ Conn 6M VIII Alto saxophone in extremely fine original condition with old pads. It’s about as clean an example as you are ever likely to find. It had one dent removed from the body tube (nearly invisible now), and that’s it for past repairs or damage over its entire first 80 years of existence.

    These altos remain an absolute bargain. They’re among the best playing alto saxophones ever made, with a bigger, wider, more powerful tone than almost anything out there. And yet the keywork is very fast and comfortable, and the intonation is excellent. It’s the perfect lead alto horn. It’s also made in USA at the height of US manufacturing, and has a build quality that has hardly been matched since. This is the desirable version with the VIII stamped neck, which tends to sell for more than the later versions without the stamp. They’re all great, so if you’re on a budget, check out the beautiful 320k post war example that is also for sale. This is original pads, so plan to get it repadded.

    Only one available!

  • Keilwerth SX-90 Black Nickel Tenor Near Mint Early Version Good Pads 103682

    $ 4,850

    This is the nicest early Keilwerth tenor I’ve seen, and it also has pads that are almost new, and has no damage or past repairs at all. This is the desirable early version that is what Grover Washington Jr. also played. These tenors are GREAT for smooth jazz, because they have a big, fat upper register that sounds really good with a bright mouthpiece. The whole horn seems like it’s asking to be a solo instrument or cut through a band.

    Pair it with something projecting like a Guardala, Berg, Dukoff, or any of the modern pieces that are made for projection, and you’ll have an instant pro sound. Or play a vintage jazz piece on it and it sounds almost like a Conn but with comfortable, modern ergnomics. The black nickel ones are by far the most popular, and always go fast.

    This one is pretty much unbeatable.

    Only one available!

  • King SilverSonic Alto Original Lacquer Mint Freshly Overhauled 448357

    $ 6,500
  • King Super 20 Alto 415046 Original Lacquer Very Good Condition

    $ 3,650

    Nice clean King Super 20 Alto Saxophone ‘Series IV’ from 1965,  meaning it’s a late Cleveland one with the more modern keywork style. That’s good if you want a King Super 20 tone with minimal keywork compromises. This has the solid silver single socket neck. This sax has its original pads, which are 57 years old, so plan on an overhaul. Enough of my customers want a less expensive Super 20 that I’m leaving this one original pads for the moment. Almost every other King on the site is overhauled, so check those out if you want one that is a turnkey purchase.

    Only one available!

  • Sold Out

    King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 4,950

    On hold Oct 2022. Great King Super 20 alto that is also on the affordable side for one of the best vintages. This is 376523, double socket, solid silver neck, engraved bell keys, underslung octave key, but the more modern style pinky keys and a tone that is more like the ‘full pearls’ Super 20’s. This horn just got a full, top shelf overhaul with Pisoni italian leather pads and nice reusable slightly domed, metal resonators. It feels brand new under the fingers, and it is still in excellent original cosmetic condition. Only one available! $4950 incl the overhaul, which is about what you’d pay for a Yamaha, and this is much better and holds its value better too.

  • King Super 20 Tenor 1947 Full Pearls Original Lacquer Good Pads 290165

    $ 5,850

    This is a beautiful original lacquer King Super 20 tenor saxophone from 1947. It has the light ‘coca-cola’ lacquer that these almost always have in the 290k range. The pads are in excellent condition and almost new. These late 40’s Kings are wonderful players. Big, dark, spread, powerful tone with lots of projection. The neck has the matching serial to the body. It’s kind of amazing to me that you can still buy an original King Super 20 tenor with a good overhaul and full pearls, solid silver neck, and full pearls on all the side and palm keys for this kind of a price. Heavily marketed Taiwanese horns are priced in the same range.

  • Martin Magna Alto Original Lacquer Excellent Condition 206422

    $ 2,650

    Beautiful original lacquer Martin Magna Committee III Alto Saxophone. It has no dents or dings and is in absolutely gorgeous condition. The Magna is the most desirable Martin saxophone, because of the rarity and some cosmetic and mechanical features that set it above the rest. These include the fancy engraving, and nickel keys and cross accents on neck and bell, and keyguards. This Martin Magna Alto has original pads, so it hasn’t been messed with, just lightly played. It’s ready for new pads and its next 60 years of playing. Maybe you can be a part of that! These altos have such a beautiful tone (think Art Pepper), which is warm, dry, full, and powerful. Medium between bright and dark, with plenty of what Martin called ‘carrying power’ and we call ‘projection’ to spare, no matter how much you want to push it. These sound better with really bright mouthpieces than almost any other saxophone, if that’s your thing. But they sound great with something like an MC Gregory Model A like Pepper used. This is as nice an example of a Magna as you are likely to find! I’m getting the thumb hook screw sorted out by the way. Only one available!

  • Martin Music Man Alto Original Lacquer Gorgeous! 208891

    $ 2,150

    Gorgeous original lacquer Martin Music Man alto saxophone. This is one of my favorite The Martin Alto Committee III’s ever, and is being sold from my personal collection. It was in another collection for many decades before I got it, and it has been cared for very well over the years. The pads aren’t bad, but it’s not freshly overhauled either. It plays well on them. I’d play it for a while and save up for an overhaul before too long, if you want to unlock the full potential.

    The Official Music Man model was made to commemorate the runaway hit musical ‘The Music Man’ about a traveling band instrument salesman. (I’m sure you know it.) These are a lot like a regular Comm III, “The Martin Alto” but have some extra engraving and the adjustable neck octave key stoppers like a Magna. They will always be more desirable and collectible than a regular The Martin Alto, but they have the same power, projection, and dark, complex tone. These horns are built to last, and came with 50 year warranties when new. Some of them are just leaving their warranty coverage now, which is hilarious. Only one available!

  • Sold Out

    NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Selmer Balanced Action Alto Saxophone Excellent Condition Original Overhauled 24352

    $ 7,500

    This is a SUPER nice example of one of my favorite saxophones – the Selmer Balanced Action! This has to be one of the nicest Balanced Action altos around at the moment, as there are not many 80 year old saxophones that have original finish and still look remotely this good. If you’ve been looking for a gorgeous vintage Selmer that has a warm tone, you would be hard pressed to do better than this! The Selmer Balanced Action is the saxophone whose keywork became the basis for all modern saxophones. So if you want something that has the most warm and spread tone, but that has modern keywork, then the Balanced Action is probably your best overall option. They are sweet, lyrical players, but with the recognizable Selmer ‘French’ core tone that people look for in a Selmer as well. This is the kind of horn that makes it easy to elicit compliments from listeners on what a pleasant tone you have on sax. It’s not really a screamer or paint peeler. More of a beautiful tone than an earth shattering one. That said, you can play loudly on it as well. This Balanced Action had a recent overhaul done in California, and it feels good under the fingers on nearly new pads that are sealing well and just checked up to make sure they’re perfect. You don’t need to budget for an overhaul or any kind of restoration. Just buy it and play it. Easy! And there’s no other saxophone with more beautiful lacquer and engraving. As I write this, I can feel the urge to just keep it! But I do have to buy AND sell saxophones in order to stay in business. If your business is something else, then you should just buy this one and keep it. It will certainly continue to hold its value and go up in value over time. There are very few nicer examples of this superlative model of vintage Selmer.

    Only one available!

  • Selmer Mark VI Alto 1957 Original Lacquer Recent Overhaul Great! 70876

    $ 7,850
  • Selmer Mark VI Alto 1962 Original Lacquer Low A Fresh Overhaul! 106690

    $ 8,000
  • Selmer Mark VI Alto 1964 Near Mint Original Lacquer Original Pads 116897

    $ 7,950

    This is a REALLY clean original lacquer, original pads Selmer Mark VI alto from 1964. Matt Stohrer uses this horn on is Stohrer Music channel to go over what an original Selmer Mark VI factory pad job and setup looks like. It’s that clean. It had one ding removed from the back of the bow, and there are no dents or dings now, and no past repairs. The neck has matching serial number and is also in excellent condition. This horn sat in the case for almost its entire life so far, as it was owned by a clarinet player who only used it occasionally. It still plays pretty well on the original pads. It has a dark, focused, powerful, tenor-like tone that only the ’63-’64 altos have, and that many Selmer aficionados have also noted about these horns. It has some interesting coloration in the lacquer just from sitting against the case and the lacquer aging differently depending upon which parts made contact with the case and which did not. If you want a time capsule Selmer Mark VI alto from one of my favorite years, that’s what this is. Only one available!

  • Selmer Mark VI Alto 1967 Vertical Stamp Original Lacquer Powerful! 142275

    $ 8,950
  • Selmer Mark VI Alto 1968 Original Lacquer No Past Damage Bill Singer Overhaul Excellent! 158302

    $ 8,950
  • Selmer Mark VI Alto 1969 Original Lacquer Excellent Condition 171207

    $ 7,000

    This is a near time capsule Selmer Mark VI alto with beautiful honey gold lacquer. It’s all original including original pads still sealing surprisingly well. You’d be hard pressed to find a cleaner Selmer Mark VI Alto saxophone than this. It comes in a very sturdy original case as well. Only one available!

  • Selmer Mark VI Alto 1973 Original Lacquer Plays Well 220833

    $ 4,950
  • Selmer Mark VI Alto 1974 Original Lacquer American Engraved Very Good Condition 234127

    $ 4,950

    Beautiful original lacquer Selmer Mark VI Alto in very good condition. This alto also still plays quite well on its mostly original factory pad setup. It has a resoldered keyguard foot on low C on one side, and that’s the only repair. The neck is in great shape, and I don’t see any damage anywhere. Plan on a repad soon, but you’re looking at a beautiful original VI alto for Yamaha type of money. That’s a great deal!

  • Selmer Mark VI Alto 1974 Original Lacquer Good Pads 227643

    $ 4,950

    Original lacquer Selmer Mark VI Alto Saxophone with original lacquer, American engraving and good pads for only $4950. The later serial Mark VI altos like this have excellent intonation, excellent balanced medium-bright tone, and are extremely well built. This alto has nothing wrong with it, plays great, and will go up in value while you own it, but it’s about the same price as a Yamaha or something. That’s nuts! You should definitely buy it if you can swing the price. There’s nothing like a Mark VI – it has the best combination of keywork, ergonomics, build quality, and tone of any saxophone, which is why it still sets the standard for professional saxophones 50 years after Selmer stopped making them! This one also has a roomy case with plenty of storage.

  • Selmer Mark VI Alto 1974 Original Lacquer Original Pads Very Good Condition 221505

    $ 5,350

    On consignment, this is a beautiful Selmer Mark VI alto saxophone with original lacquer and American engraving. For a fraction of the price of a new Selmer, you can get a Mark VI in great shape. This alto has original pads, so plan on a repad soon, but it won’t be a difficult job. Mark VI’s are easy to work on, and this one is in great mechanical condition and should be a straightforward job. Later serial VI altos are beloved for their excellent intonation and superior low register response. I like the tone on them as well. They’re probably the best value overall in a Selmer saxophone, because they have improvements over the earlier VI altos, yet they are priced much lower. Only one available!

  • Selmer Mark VI Baritone 166k Original Lacquer Low A Fresh Full Overhaul Great Player

    $ 8,250

    This one-owner Selmer Mark VI baritone saxophone has its original lacquer and goes to low A. It’s American-engraved and assembled (the more desirable version), and the original neck is also in great shape. This Selmer Mark VI baritone was pro-owned, and it played in lots of blues and funk bands all around North Carolina in the 60’s, 70’s and 80’s before being put away for a few decades. I got it from the original owner, and got it completely restored with a full mechanical and cosmetic overhaul. We ultrasonically cleaned it, changed everything that can be changed, and did a full overhaul of everything, so that it feels and plays like a new instrument now. You would be hard-pressed to find a more fun Selmer Mark VI low A bari sax to play. It just responds easily, tunes easily, feels great under the fingers, and has that funky, played in look that looks legit on stage. Whether you want this for an occasional bari option, for recording, for a band, or as your new main horn, you won’t go wrong with this Mark VI bari.

    Only one available!

  • Selmer Mark VI Sopranino 5-digit RARE Original Lacquer Excellent! 98569

    $ 8,250

    This is an incredibly rare 5-digit Selmer Mark VI Sopranino saxophone. Serial 98569, close to Coltrane’s famous VI soprano. Original lacquer at about 98% intact; extremely clean condition with no damage and no past repairs. Original case is great as well. I may have this significantly underpriced. A 5-digit Mark VI soprano of this serial would sell much higher. In any case, it’s the ultimate sopranino saxophone. This is the only 5-digit sopranino I’ve had in the history of GetASax, so there is most certainly only one available!

  • Selmer Mark VI Soprano Near Mint Original Lacquer 222370

    $ 6,000
  • Selmer Mark VI Soprano Original Lacquer Excellent Condition! 210073

    $ 4,750
  • Selmer Mark VI Tenor 1968 Original Lacquer Good Pads Plays Well! 154733

    $ 7,750
  • Selmer Mark VI Tenor 1973 Original Lacquer Fresh Overhaul High F# 218292

    $ 5,750

    This is a beautiful, original lacquer Selmer Mark VI tenor saxophone from 1973. It is euro lacquered and engraved, and it has the optional high F# key. This Mark VI Tenor also got a fresh overhaul shortly before it was consigned with GetASax. The overhaul was done with black kangaroo leather pads and waffle shaped ‘noyek’ or ‘hollywood’ resonators. The overhaul is good, with all pads checked and seated and sealing well. The neck fit is good, and response is easy. The tone is medium bright and fairly complex, with effortless low register and easy altissimo. You won’t need to do anything to this horn when you get it. Just pop on a mouthpiece and play. And if you’re used to having a high F#, this is an easy transition from a modern Yamaha or something, since it also has it. The keywork on a Selmer Mark VI feels modern, and is, of course, the keywork layout that all modern horns are based on. So it’s easy to play, tunes well, responds well, and is original lacquer and freshly overhauled. What’s not to like? The price is also quite attractive, so you can get an original, overhauled Mark VI for around the same price as a (less exciting) new Yamaha 82z, and for way less than a new Selmer Ref 36 or something. Plus, the Mark VI will hold its value well or appreciate while you own it, where a new horn would lose a lot of value as soon as it becomes used.

    The case with this Selmer is not so great, so we can discuss swapping you into a BAM case of some kind, for better protection in shipping. I’m happy to hook you up with one of your choice at an excellent price, or I can ship this safely with this case using my special double-boxing setup. Either way you’ll be good. We should have a video with hifi sound clip of this tenor within a few days, so check back if you want to see Tyler play it before you pull the trigger.

    Only one available! Audio is best on HD resolution in the video.

  • Selmer Mark VI Tenor Original Lacquer Good Pads High F# Plays Great! 233842

    $ 6,500

    Clean, beautiful, later serial Selmer Mark VI tenor with original lacquer and high F#. This is American-engraved and lacquered, and it was a one owner horn when I got it. The pads are in good shape, and it plays well on them for sure, with a warm, medium-bright, projecting tone that makes me want to play loudly. The sound clip shows the versatility, with a more mellow example of the instant and easy low register response and easy subtone to complete the package. If you want a Selmer Mark VI tenor that you can just buy and play, but that is still quite affordable as professional saxophones go, look no further! This is it.

     

  • Selmer Mark VI Tenor Worn Original Lacquer 1967 140547 Great Deal!

    $ 6,750

    This is a chance to get a worn original VI from 1967 with older pads for a bargain price (for a VI). This vintage of Mark VI tenor tends to have a TON of projection and power. The tone is medium between bright and dark –  not super dark, not super bright and thin. Depending on mouthpiece, you can take it in lots of directions. This was owned by the same guy for the past several decades. He played it a lot because it plays well. It still plays well, and just got tuned up. It’s time for a fresh overhaul on it, in my opinion, so if you like the worn look on a Selmer, and you want it original lacquer, and you want to be able to afford to overhaul it your way, but not be into it for too much money, then that’s what this is.

    Only one available!

  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 4,950

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

     

  • Selmer Reference 36 Tenor Near Mint Amazing Plus Fresh Overhaul! 689809

    $ 7,250

    If you’ve never played a properly overhauled Selmer Reference 36, then you really have probably never played one. They are fantastic instruments, once all the factory pad work is removed and replaced with a good high-end overhaul. We used Pisoni Italian leather pads and reusable slightly domed brass resonators, which is the best combination I know for these. Now this horn is just amazing and effortless to play. If you want a Selmer with some body, instant response, super easy low register, and modern keywork, this is it! Based on the Supreme altos I’ve gotten in, Selmer has done nothing to improve its factory setup, so the new Selmers still need a lot of work when you get them new. This is a chance to get a near mint example of a Ref 36 that has already had everything fixed permanently and that just plays how it should.

  • Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone that fills a room with ease. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. It’s one of the most beautiful ones around.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757

    $ 4,950

    Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!

  • Yamaha YAS-26 Alto Near Mint Condition Great! U72312

    $ 1,450

    This is a fantastic condition Yamaha YAS-26 alto saxophone, that is the top recommendation of most band directors for a first alto saxophone. At $2166, the new price can be a stretch for many band parents. This one saves you $700+ off the price, and the horn looks basically new and plays better than new, because my repairman just went completely over the horn made sure that it’s playing its absolute best. (It got way more attention than a typical YAS-26 you’d buy at Music and Arts or whatever.) Looks new as well, and I can also jump start your saxophone career with some free accessories, and advise you on a good mouthpiece and reed setup to get you going (this can help a LOT).

    Only one available! But if you aren’t the lucky family that gets this one, check the altos category for more YAS-23’s and YAS-26’s. I buy them and fix them up as a service to young saxophonists. I make virtually no money doing it, but every good saxophonist I know started on one of these. They really do put you on the right track as a young player. They’re also excellent altos for pros who double on alto or who want a dependable backup alto.

  • Yamaha YAS-61 Alto Original Lacquer Old Pads 8822

    $ 1,500
  • Sold Out

    Yamaha YAS-62III Alto Saxophone Brand New with Warranty!

    The YAS-62III Alto saxophone from Yamaha is the go-to, top recommended first professional alto saxophone from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3000. What should we get?” The most common answer is basically always a Yamaha YAS-62III alto. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YAS-62III alto saxophone is meant to get the job done without over-determining the tone.  It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Works for classical or jazz.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have one available late September, 2022. These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Sold Out

    Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup

    $ 3,798

    The YTS-62III Tenor saxophone from Yamaha is the go-to, top recommended first professional tenor from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3750. What should we get?” The most common answer is basically always a Yamaha 62 tenor. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YTS-62III tenor saxophone is meant to get the job done without over-determining the tone. It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Not very smoky or complex. But you can add most of that back in with a well-chosen mouthpiece.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have some more coming in pretty soon (Maybe June 2022) These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Sold Out

    Yamaha YTS-875B Black Lacquered Custom Tenor Saxophone Very Good Condition

    $ 3,750

    **This is a fantastic tenor! It is one of the most fun horns to play that is on the site right now, regardless of price. And it has THE most beautiful low register of any tenor on the stie.

    This is the original YTS-875 Tenor before the EX, and it’s the darkest, fattest sounding Yamaha tenor ever. These are great. My first pro tenor was one of these as well, and I only sold it to raise the cash to start GetASax! This one was one-owner, pro-owned and very well cared for. It has good pads and plays effortlessly. These work great for any style of music, and also pair with brighter mouthpieces better than other Yamahas. You can also get a beautiful classical tone on one! So it’s kind of a do-it-all instrument. The only past repair I see is a small dent removed from the bell flare, that isn’t very noticeable. I love the way the black lacquer ones look, with the engraving cut through the finish to show the brass underneath. They’re also rare, hold their value well, and look great on stage.

    Only one available!

  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 3,150

    One available now!

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO10 Elite Professional Alto Saxophone Brand New Fantastic Deal! A991

    $ 3,950

    Mint, unplayed, new in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO2 Solid Bronze Alto Saxophone Brand New + Setup! A902

    $ 3,750

    ONE available Nov 2022, and it plays REALLY well.

    Brand new, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO20 Solid Bronze Alto Saxophone Brand New Fantastic Deal! A992

    $ 4,675

    One available now Sept 23, 2022

    Mint, unplayed, new in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa SWO2 Solid Bronze Professional Soprano Saxophone New! + Setup

    $ 3,950

    One just in!!

    This is a new Yanagisawa SWO2 Soprano saxophone in solid bronze. The one piece solid bronze Yanagisawa SWO-2 soprano is one of my favorite modern soprano saxophones of all. It has a noticeably darker, more complex tone than the SWO1, so to me, it’s worth the extra money to spring for the bronze on soprano. The one piece design means no neck socket to leak, and the horn resonates beautifully under your fingers when you play. It tunes beautifully as well. The keywork feels great under the fingers – dry and snappy. Yanagisawa has the best build quality of any modern saxophone, and it shows. Plus I get all new Yanagisawa saxophones checked out pre-sale by one of my excellent repairmen, so that any tiny improvements that will take it from good to great are done before you get it. This is a surprisingly big deal, and something you want to have done, regardless of where you happen to buy a new saxophone. A couple of tiny, smart fixes often take an already good horn into the exceptional category.

    If you’ve been thinking of getting a soprano, then Yanagisawa is really a great choice. These are precision instruments that are built to last and that sound beautiful. They work with a wide range of mouthpieces (Selmer sopranos are more ‘mouthpiece picky’), which is nice because you can shape the tone with mouthpiece choice a LOT.

    I have an extremely limited availability of these Yanagisawa saxophones, but ONE SWO2 is currently available as of November 2022. Whoever gets it will be one lucky saxophonist!

  • Yanagisawa TWO2 Tenor Saxophone New in the plastic T902

    Yanagisawa TWO2 Tenor Saxophone brand new (formerly T902) is a professional saxophone for an absolutely bargain price in solid bronze.  It’s also the best built modern saxophone. It just happens to also be affordable. This horn got a new horn checkup after arriving at the GetASax shop. Having a world class repairman take a look at a new saxophone fresh from the factory can often take it from good to great. There are typically 2 or 3 small tweaks that need done, and presto – you get the full experience of what the horn can do. Besides the excellent price, that’s a real selling point, I think. I wish my first new saxophone had been checked out. I suffered with too stiff spring tensions for years in college, without even realizing that I could easily have had that fixed. I know better now!