Original Lacquer

Showing all 15 results

  • Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,650

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone.  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Conn 10M Transitional Tenor Saxophone 1933 Fresh Overhaul Excellent Player

    $ 3,950

    This is a hard to find example of a very late ‘transitional’ Conn New Wonder II / 10M tenor saxophone. It has features of each model – mostly 10M keywork at this point, except for the bell keys still being split between left and right. Original lacquer!

    Just back from a near-overhaul extremely comprehensive setup. It had new pads when I got it in, but a bad overhaul, so we re-overhauled it but reused the pads, which were fine.  We disassembled, cleaned throughout, oiled, took out all the pads, and reseated them with extra adhesive, and replaced many of the tiny adjustment screws that Conns come with. This tenor also got the neck ‘fit’ to the tenon, which makes a big difference, and it got new rollers too, to match the originals. Now, it plays effortlessly, and feels and looks great. The pads are all sealing super well and should be setup for the long haul – unlikely to need more than minor adjustments for a long time! That’s great, because most people have never, I think, actually experienced a vintage saxophone like this when it was totally ‘right’. When it is, you see why these horns have such lasting value and popularity. They’re really just about the best sounding tenors ever. And it’s LOUD too, but without breaking up. The loudest Selmer is only about half as loud as a good Conn like this. And the body tube vibrates in your hands when you push it. It’s just the best.

    You get it for less than these often go for, simply because it has been played a lot and has some keyguard resolders and general lacquer wear. It’s all fixed up though, and should play great for a long time with just minor regular maintenance.

    Those Connoisseurs and Conngnoscenti (sorry, couldn’t resist) out there who know how great the late transitional tenors are can advise you on this one. It has the wideness and ‘wildness’ of a New Wonder II, but a little more focus, a little more slotted intonation, and the faster keywork of a 10M. If you want more focus, and even more slotted in intonation, then get a later 10M. If you want something a bit darker, and more spread, get an earlier NWII. If you want a little of both, get this! These tenors are only going up in value, so it’s also a solid buy as an instrument that will hold its value well when you go to sell it later.

    Only one available!

  • Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great

    The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)

    This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.

    I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.

    Only one available!

    We pay the best prices for great saxophones.

     

  • Couf Superba 1 Soprano Saxophone 91912 Excellent Overhauled! Grover Washington

    $ 3,450

    Photos are before overhaul. This rare later Couf Superba 1 soprano with Front F key (only the later ones have that) is the same version Grover Washington Jr. played on most of his most famous recordings. Then he switched to an early SX-90 which I also have at the moment!

    These Couf Superba 1 soprano saxophones were made for Herb Couf by Keilwerth, and they are fully professional instruments of very high quality. This one is in great shape, with just some minor lacquer wear from use. It is currently getting a full overhaul. You can almost never buy a properly overhauled Couf/Keilwerth soprano, because people don’t want to sink the money into a top shelf overhaul. Well, in this case, you do! It’s the best of the best in terms of modern soprano saxophones with a warm, full tone.

    Only Keilwerth maintained the big sound of vintage Conn / King / Buescher sopranos. And Keilwerth improved the intonation and added modern, comfortable keywork and ergonomics to the offering. If you want to have a fat soprano sound with modern keywork and great build quality, then this and the SX-90 are basically your only options.

    Get this one and enjoy the soprano as it can be at its best! The overhaul is absolutely great, with all the little details that take a horn from good to great attended to. It will be ready soon, so go ahead and buy it and reserve it for yourself!

    Only one available!

  • King Super 20 Tenor Saxophone Full Pearls Original Lacquer Overhauled 298321

    $ 7,500

    This is an absolutely BEAUTIFUL example of a King Super 20 Tenor saxophone from 1948. It has all the features that you look for in the best Kings: solid silver, double socket neck; engraving all over; and ‘full’ pearls, meaning pearl key touches on the side keys, G# and the palm keys. I don’t think a better saxophone all-around has ever been produced. That’s why I play Kings myself. Plus this one has a recent top shelf overhaul done in California that feels just great. You want a King to be setup and overhauled by someone who knows Kings, for a player who plays Kings. And that’s what you’re getting here! I actually sold this exact horn a few years ago to a long time customer who is a great tenor player, It was entirely original factory pads when I got it. Untouched and near mint. It is now even better – still amazing cosmetically, but playing its best as well!

    There are no resolders or past repairs on this Super 20, and it has beautiful original lacquer. Tonally, the 1948 Super 20 is a medium bright, powerful, projecting saxophone. It’s relatively darker than the later Super 20’s. They get very bright in the late 50’s and early 60’s. But this one is still quite powerful and focused, while sounding a bit darker and fatter than the later ones. The palm key and altissimo tone stays fat and full on a Super 20, which is one of the best things about it. Selmer tend to thin out in the upper register, but Kings stay quite strong. The low register just pops right out no problem. You can play a saturated ppp low Bb without any trouble.

    You would be hard pressed to find a better example of a King Super 20 for sale anywhere right now! I have a few other serial numbers and versions coming up for sale, but none as nice as this. Whoever grabs it will have a really first rate tenor!

  • Martin Handcraft Searchlight Comm 1 Alto Older Pads Great Deal!

    $ 595
  • NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    $ 2,400

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Sold Out

    Selmer Mark VI Alto 1968 160943 Original Lacquer Excellent Condition!

    $ 6,350

    Great deal on a beautiful, original lacquer Selmer Mark VI alto with a recent repad. You don’t need to overhaul this one! It plays well right out of the case. There are minimal past repairs, and this is a very desirable serial number as well. To me, the 160k’s are just about the best value in a Mark VI alto. They are cheaper than the 5 digit serial VI’s by a lot. But they also tune better than most 5 digit altos! They play with the warm, projecting, rich tone of a 140-149k VI, but again, without the premium price. You’re getting all the best VI features, and original lacquer, for the price of a new Reference 54. Which is great because the VI will continue to increase in value while you own and enjoy it. Plus you don’t need to sink an overhaul into this one on top of the purchase price. A good overhaul can be quite expensive. This alto plays with a medium bright, warm, moderately focused tone. It does everything well, which is, of course, why the Mark VI became so popular in the first place. It’s often imitated, but the quality, tone and satisfaction of playing the original hasn’t been matched.

    This is a really nice one, and someone should grab it immediately!

  • Selmer Mark VI Alto Saxophone 1960 88979 Original Lacquer

    $ 8,750

    Here’s a beautiful original lacquer Selmer Mark VI Alto saxophone from 1960, with 5-digit serial 88979. This Mark VI is from one of the most desirable serial ranges of all for a Selmer. The original lacquer is mostly present, and is a dark nitrocellulose, which you mainly see on the 5 digit serial VI’s. It has some wear from use, as you’d expect on a VI that plays great and that got played a moderate amount. The neck has the matching serial number to the body and is in great shape. There are no resolders at all. This horn was well cared for! The bell flare, bell, bow, and neck show no signs of dent work or past repairs. The body tube had at least one very minor dent removed where one of the post feet of the octave key was slightly pushed in. It’s fixed beautifully leaving very little trace. The pads on this alto are old, obviously. Many are probably the original factory pads. So plan on an overhaul soon, if you want to get the full experience. It ‘makes saxophone noises’ now, and it’s clear enough that this has the dark, focused, powerful, tenor-like voice of a typical late 85k-95k serial VI alto. These are great players and deserve to be well cared for!

    If you’re looking for a stand out VI alto to get overhauled and then play like crazy, then you might want to grab this one while you can. Nice 5-digits are getting hard to find, and this one is definitely going to be a superb player when it’s repadded.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Balanced Action Tenor Saxophone 55024 Original Lacquer Fresh Overhaul

    $ 15,950

    This is a beautiful, original lacquer Selmer Super Balanced Action tenor saxophone in excellent condition. Selmer SBA tenors have gotten really hard to find in the last year or two, and this is among the nicest I have seen in that time. It is priced very reasonably for what you get, based on all the other ones I have seen for sale recently. This is a late SBA with the more comfortable thumb hook that is a transitional feature shared by the early Mark VI tenor that came out around the same time that this horn was made. (Selmers often show a little overlap between models, and frequently have transitional features shared by overlapping models.)

    The ‘late’ Selmer SBA tenors like this have gotten particularly hard to find, because they combine the warmer, more delicate SBA tone with the best bell key tuning. This one tunes great, and is quite free blowing, warm, and moderately focused, with a lyrical core tone. Tone is tricky to describe, and obviously the horn sounds completely different depending upon which mouthpiece you use etc. But it plays just how I would hope a great Super Balanced Action tenor would play. You may notice, this has the ‘euro’ engraving style done on Selmer Super Balanced Action tenors that were lacquered and engraved in France.

    The overhaul is recently done in California by Manny Gavrilov at the Horn Connection. Manny’s work feels quite good, with a dry, snappy pad feel. Spring tension is just right. The horn resonates beautifully, and the pads are sealed (hence the red color) to protect against moisture and to make the overhaul last forever. I’ve played horns with red sealed pads that had 25 year old overhauls that were still going strong. It really does a good job of sealing the horn up like a drum, and it just feels like normal medium firm leather pads. The resonators are domed metal and are correct style for a late SBA like this. They look like Selmer Tone-x resonators, and are probably the original resos reused on the new pads. This horn has been played and loved, so it’s not mint condition, obviously. But the wear is ‘honest’ wear from use, not from a bunch of past repairs. I see nothing resoldered at all, and maybe some minor bow dents were removed a long time ago, leaving only very slight evidence of anything having been done. You’ve got a custom octave key thumb rest cover installed, but it’s easily removable, and the original octave thumb rest is under there and looks fine.

    This comes with its beautiful original tan leather Chesterfield case from Selmer with the latch style opening, which is more durable than the zippered Chesterfield. I like the way the leather binding forms one continuous circuit around the case exterior. Just the case is worth some $$! If you have any questions, feel free to ask. I’m happy to help. If you’ve been looking for a great vintage Selmer with some warmth, power and projection, that is in top playing condition, original lacquer and priced reasonably for an original SBA, then here you go. This one is hard to beat.

    Pair with our new GS SLANT tenor mouthpiece for a classic mainstream jazz tone.

    Only one available!

  • SML Gold Medal 1 Tenor 18835 Plays Great!

    $ 3,350

    This SML Gold Medal 1 tenor is in on consignment! It has a big, powerful, dark tone!

    If you’ve played an SML before, this is a classic example – sort of like a Selmer and Conn hybrid. Focused, lyrical core like a Selmer, but big, wide, fat sound like a Conn. Neck angle higher than average for tenor. Plays easy altissimo.
    In terms of condition – the lacquer obviously has quite a bit of wear from use. The neck is in nice shape with no past damage evident. Rolled tone holes look great. There are no dents or dings, but there has been dent work in the bow area, back of the bow, and bow guard. Crease removed from bell flare approx 3 o’clock to 6 o’clock if you’re looking with the horn upright.  Looks like the low C and Eb keyguards have one foot resoldered each. Maybe a little dent work in the upper body tube, like around the D palm key foot and maybe near the neck receiver, but if so, it was done really well. I’m just going from the way the lacquer looks there. The tube is nice and smooth. There are no dents or dings at all! SML’s are really hard to beat in the quality per dollar department. And they are only getting more popular as people find out about their unique tone and combination of premium features.
    Only one available!
  • Yamaha YSS-62 Soprano Very Good Condition Getting Overhaul Now

    $ 3,500

    The most iconic and desirable modern soprano model, plus a fresh top shelf overhaul to make it play its best. All of these 62 purple logo Yamaha sopranos are around 35-40 years old at this point, which means it’s time they had new pads and a good overhaul. That’s what this one is getting right now!

    If you want a soprano saxophone that plays effortlessly with a warm, medium bright tone with some complexity to it, that’s what the Yamaha 62 does so well. Plus it tunes easily, and it sounds great with a wide range of mouthpieces. You can waste a lot of time and money trying to find a cheap soprano that is playable. I have dealt with many people who have tried. The Yamaha 475 is the best of the bunch in the cheap-but-good soprano category. But, rather unsurprisingly, it is actually built with the 62 soprano tooling, meaning it’s basically a modern remake of the 62 without a few more expensive options. And the Yamaha 82 soprano line is ALSO a remake of the 62, with slightly modified keywork (tilting low Bb). So you see how influential the original design has been. It’s hard to beat.

    Only one available!