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Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407$ 1,650
This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell. This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere. There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!
These horns are undervalued in my opinion. I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone. Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.
Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads$ 2,350This Conn 10M tenor saxophone from 1948 comes to you in very good original condition. There are no resolders. The bell flare is undamaged. Neck is not pulled down. Body tube looks clean as well. There were some small dents removed from the back of the bow, but that was done well, so that it is hard to tell at all. Everything is in good shape and keys move freely. Rolled tone holes are also undamaged and in great shape. You can almost play the horn on the existing reso-pads but it would be 10x better with an overhaul.Great, clean, original lacquer Conn 10M that will be a super player. Priced to sell!
Conn 10M Transitional Tenor Saxophone 1933 Original Lacquer Huge Tone$ 3,950
New photos coming soon. This is a hard to find example of a very late ‘transitional’ Conn New Wonder II / 10M tenor saxophone. It has features of each model – mostly 10M keywork at this point, except for the bell keys still being split between left and right. Original lacquer. It just got a very thorough setup, nearly an overhaul, though the pads were in excellent condition to begin with. We disassembled, cleaned throughout, oiled, took out all the pads, and reseated them with extra adhesive, and replaced many of the tiny adjustment screws that Conns come with. This tenor also got the neck ‘fit’ to the tenon, which makes a big difference, and it got new rollers too, to match the originals. Now, it plays effortlessly, and feels and looks great. The pads are all sealing super well and should be setup for the long haul – unlikely to need more than minor adjustments for a long time! That’s great, because most people have never, I think, actually experienced a vintage saxophone like this when it was totally ‘right’. When it is, you see why these horns have such lasting value and popularity. They’re really just about the best sounding tenors ever. And it’s LOUD too, but without breaking up. The loudest Selmer is only about half as loud as a good Conn like this. And the body tube vibrates in your hands when you push it. It’s just the best.
Those Connoisseurs and Conngnoscenti (sorry, couldn’t resist) out there who know how great the late transitional tenors are can advise you on this one. It has the wideness and ‘wildness’ of a New Wonder II, but a little more focus, a little more slotted intonation, and the faster keywork of a 10M. If you want more focus, and even more slotted in intonation, then get a later 10M. If you want something a bit darker, and more spread, get an earlier NWII. If you want a little of both, get this! These tenors are only going up in value, so it’s also a solid buy as an instrument that will hold its value well when you go to sell it later.
Only one available!
Conn 6M VIII Alto Saxophone Pre-war 1940 Original Lacquer Near Mint Condition$ 3,250
Super Super SUPER Clean original lacquer Conn 6M VIII alto from 1940. This is just about the most perfect pre-war Conn 6M that I have seen. It is completely original with original pads intact as well. If you want the best, then look no further. These altos are SO great with a good overhaul. I just got the 285k 6M VIII overhauled, and it is a fresh reminder just how great Conn saxophones of this period are. Put it next to anything, and it’s not even a fair fight. Even my beloved Super 20’s can’t match the raw power, and the vibration of a Conn. It projects while staying warm and dark, yet still cuts through like an ideal lead alto. Works with lots of mouthpieces, including Meyers, Otto Links, and even Selmer style pieces. If you want the best condition 6M possible, this is the one! It will probably be years before I see its equal!
Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great
The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)
This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.
I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.
Only one available!Sell us a saxophone like this! Read the details here, or email us directly at [email protected]We pay the best prices for great saxophones.This saxophone is sold! But click HERE to see our current selection of alto saxophones.
King Super 20 Series II Tenor Saxophone Good Pads Black Roo Full Pearls 339845$ 6,750
Martin The Martin Alto Original Lacquer Very Good Condition 181668$ 1,500
Beautiful The Martin Alto Saxophone Committee III in original lacquer. This alto has its original factory pads still, so it will need a loving restoration to be back in top playing condition. However, it’s clean, original and nice and straight. Ready for pads and someone to get it singing again. Martins like this are probably the most underrated saxophones on the market right now. They are warm, focused, powerful, and nicely modern feeling under the fingers (comparatively). The design is unified and tight on these horns. Style wise, this is like if a 50’s Chevy were made into a saxophone.
If you want to hear the tone of one of these, one of my favorite go-to albums is Art Pepper meets the Rhythm Section. Art’s getting his classic, dry, west coast sound on an MC Gregory mouthpiece, which I also recommend on these horns, though Meyers also sound great.
Grab this horn and get playing before they get any more popular than they already are. Only one available!
Martin The Martin Tenor Committee III Original Lacquer Old Pads 167261$ 1,750
Great deal on an original lacquer The Martin Tenor Committee III. This horn has older pads, and actually does play on them, but plan on getting it overhauled.Previous repairs – the thumb hook is a replacement. The original thumb hook often gets lost on these, because it had an odd design where it only attached by a small post with a leveraged arm coming out that let you torque it easily.Besides that, you can see some lines on the back of the bow area where it looks like some small dents were probably removed at some point. Same thing on the bow guard. The two resolders you can probably easily see as they are clearly photographed – lower post of the C/Eb key and the key guard foot right beside that on one side of low Eb. The neck tenon is also resoldered. You have to take it off to do a ’neck fit’ because of the way the neck tightens, so I’m thinking that’s what was done there. The pads are old, but it actually plays on them, so you can easily tell that it is a very strong player. These horns are built like tanks, so this one is in plenty good condition to play its best for many more years to come if you get the pads replaced. Or you could play it for a while on the old pads before doing that.
NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal$ 2,400
Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.
If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!
Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.
You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.
Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.
It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site.
These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.
Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau$ 12,000
For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.
There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.
Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.
Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!$ 6,000
This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.
If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.
This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.
It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.
Only one available!
Selmer Mark VI Alto Saxophone 1973 Original Lacquer Near Mint Fresh Overhaul! 208796$ 6,350
Price now includes a fresh full overhaul! Great deal on a big sounding late VI alto that came with original pads and is now completely overhauled and in really clean shape. The late VI’s like this are among the best of the VI altos, because they tune great, they have an even scale, and they have lots of projection. If you want a VI that projects, has body to the sound, is mid-priced, and has a high end overhaul, this is it! It will be cheap and easy to maintain, because everything is dialed in perfectly and everything that can be fixed or replaced has been, so it’s totally fresh, clean, and feels like it’s new from the factory. This alto is in simply beautiful condition with no dents, no dings, and no past repairs at all.
Only one available!
Selmer Mark VI Tenor Saxophone 1964 Original Lacquer Plays Great 119141$ 6,500
Nice original lacquer Selmer Mark VI from a great vintage! This horn has an older overhaul and still plays on it, though the pads aren’t new. It’s on consignment, so it’s sold as is. The horn fell over at some point a long time ago, and has some dent work on the back of the body where it was repaired. The neck receiver also is resoldered. If you want a great deal on a player’s VI that is original lacquer, this would be a good one to consider. The tone is medium dark with quite a bit of power, and is actually kind of spread like a BA/SBA. The original neck has the matching serial, as you can see.
Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!$ 3,150
Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.
Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.