2000+

Showing all 23 results

  • GS Mark II Tenor Saxophone Mouthpiece

    GS Mark II Tenor Saxophone Mouthpiece Freddie Gregory Super Deluxe Mark II Copy

    $ 199

    *Demo videos below with the GS Mark II on a Selmer Mark VI, Conn 30M, and King Super 20. 

    The GS Mark II tenor saxophone mouthpiece is an extremely precise copy of my favorite Freddie Gregory Super Deluxe Mark II tenor mouthpiece.

    What is this?

    Many players may not know much about Freddie Gregory’s Super Deluxe mouthpieces. That’s not a big surprise, as Freddie did not make that many of them, and the ones he did make are mostly still in the hands of their original owners. The few that have come up for sale over the last 5 years that I’ve seen have been priced way out of the reach of most players– typically $2400-$4000– for a mouthpiece! Which is nuts, but those who know these mouthpieces REALLY seem to be willing to pay to get one. And sadly, since Freddie died nine years ago, no more of these are available.

    Freddie is known both for refacing and for making his own mouthpieces. The original Super Deluxe Mark II is not a refaced mouthpiece made by someone else, the way my favorite Reso Chamber tenor mouthpiece (faced by Freddie) is. The Super Deluxe model was entirely designed and made by Freddie.

    It was sold in four variations on the same design: Mark I, Mark II, Mark III, and Mark IV. They all have a good amount of projection, but the Mark I is darkest and the Mark IV is brightest. We may copy my favorite Mark IV someday as well, but I wanted to start with the Mark II because it’s bright and projecting but not too bright, and it seems to be one of the most popular ones of these. Bob Mintzer played one of these for a long time, and may still from time to time. I know he has a lot of Freddie’s pieces. Jeff Coffin plays an unusual early model by Freddie that isn’t any of the Mark I-IV’s, but which sounds pretty similar to the Mark II that we copied for this project (Jeff was kind enough to make several audio comparison samples of the GS Mark II and his Freddie piece, and they are definitely more similar than different.) Steve Neff has some original Mark II sound clips on his website here.

    OK so that should be fairly clear now: The GS Mark II is an extremely precise copy of my favorite Freddie Gregory Super Deluxe Mark II, which is a different design from anything that Otto Link or Berg Larsen or Dukoff made etc. Along with the Mark IV, it’s his most popular design for sure.

    How does it play?

    Describing the tone is hard, because people probably haven’t played one of these. They’re also not that similar to other common mouthpieces like Meyer, Dukoff, or Berg Larsen. It’s different from any model of Otto Link, and is not a redesigned Link chamber at all. The baffle curves from nearly flat at the tip rail, into the chamber in a smooth curve, and the throat opens out into a medium-large chamber. Chamber volume is similar to a metal Otto Link, so it tunes great on basically any saxophone. The shank is long enough that you can pull out on a Conn 10M or something that wants a large mouthpiece volume, and it works well. The side walls start out nearly straight and are more scooped as it moves into the chamber. The magic in these pieces is in the baffle, and we spent a long time getting that just right.

    Tonally, my best attempt at a verbal description would be to say that this has a more projecting tone than a GS Slant or a vintage Otto Link, but it kind of opens out and gets wider and more robust as you push it. Some mouthpieces get more shrill the more air you put into them. The GS Mark II gets more lush and almost ‘operatic’ as you push it. It’s really fun to play. If you want something different from a Link style tenor mouthpiece, and you want a piece that is brighter but not too bright, and that has plenty of power and projection when pushed without getting thin and shrill, that’s what the GS Mark II really does well.

    Facing Information:

    Freddie’s facing curves are usually about .001″ more open than the equivalent Otto Link, so we are reproducing his curves on the GS Mark II. The original that we copied was a 7 measuring .101″ and I also have a 7* and 8 that we used for the .106″ 7* and the .111″ 8 tip. As an interesting side note, most Freddie 8’s are actually stamped 7**, but I think that’s probably because he had them stamped 7* and then would just add another star for an 8. I’ve seen that enough times now to think it’s definitely intentional. They always seem to measure .111-.112″ for me, and we settled on .111″ as it’s closer to what people are used to in an 8.

    A word on price: People are *constantly* telling me that I should raise the prices of the GS Mouthpieces. However, they are intended to be a service to the saxophone community, so that as many players as possible can get a great mouthpiece that is entirely faced by hand and that plays as well as a much more expensive original. The GS Mark II tenor mouthpiece would probably sell almost as well at double the price, but we will be keeping the price $199 as long as possible, because that’s the whole point of the project.

  • GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece

    $ 199

    **Update: Due to strong demand, I’m about a week behind on hand facing these mouthpieces for sale. However, regardless of which shipping option you pick, I’ll upgrade you to express 2 day shipping – or FedEx International Priority shipping if you’re overseas. So even though it’ll take me a week to make your mouthpiece, you’ll still receive it surprisingly quickly, especially internationally.

    GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.

    This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for only 15% the cost of an original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.

    Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. We’ll post hi-fi sound samples of the GS SLANT on a variety of brands of saxophone very soon! See below for the GS SLANT vs Vintage Slant A/B video.

    If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.

    To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.

     

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW

    $ 4,300

    One avalable now and it has had the GetASax new horn checkup after shipping here from Ishimori, and is ready to ship right out!!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Tenor Saxophone WST-AF with F# Antique Finish NEW

    $ 4,700

    Back-ordered. Order now to reserve yours.

    One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Ishimori Wood Stone New Vintage Tenor Saxophone WST-VL with F# Dark Lacquer NEW

    $ 4,700

    One available now! 

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short).

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Sold Out

    Jody Jazz HR* 6M Alto Saxophone Mouthpiece MPC418 Nice Piece!

    $ 130

    Jody Jazz Hard Rubber alto saxophone mouthpiece in an original 6M facing measuring .081″. This is a nice, balanced alto piece that is good quality for the money. Not stuffy like some of these that I have played. Feels and responds a lot like a Meyer.

  • Selmer Reference 36 Tenor Near Mint Amazing Plus Fresh Overhaul! 689809

    $ 7,250

    If you’ve never played a properly overhauled Selmer Reference 36, then you really have probably never played one. They are fantastic instruments, once all the factory pad work is removed and replaced with a good high-end overhaul. We used Pisoni Italian leather pads and reusable slightly domed brass resonators, which is the best combination I know for these. Now this horn is just amazing and effortless to play. If you want a Selmer with some body, instant response, super easy low register, and modern keywork, this is it! Based on the Supreme altos I’ve gotten in, Selmer has done nothing to improve its factory setup, so the new Selmers still need a lot of work when you get them new. This is a chance to get a near mint example of a Ref 36 that has already had everything fixed permanently and that just plays how it should.

  • Special Order a BAM Case! Lots of options available.

    $ 555

    Let’s find you the perfect case for you! Prices and availability vary.

  • Theo Wanne MOKSHA Alto Rare and Super Deluxe Mantra – Fully Engraved 20003

    $ 3,500

    Theo Wanne Moksha alto made mostly of titanium! This was an exciting new model that Theo Wanne wanted to make, but it was too expensive to make. The matching alto and tenor final prototypes were sold by Theo, and they’re on consignment here for the original owner. These have brass keys, titanium bell and body tube, and lots of engraving. They also have ‘tone bridges’ that you can install or leave off as you like, that give an extra connection between neck and body tube, tube and bow etc.

  • Yamaha YAS-26 Alto Near Mint Condition Great! U72312

    $ 1,450

    This is a fantastic condition Yamaha YAS-26 alto saxophone, that is the top recommendation of most band directors for a first alto saxophone. At $2166, the new price can be a stretch for many band parents. This one saves you $700+ off the price, and the horn looks basically new and plays better than new, because my repairman just went completely over the horn made sure that it’s playing its absolute best. (It got way more attention than a typical YAS-26 you’d buy at Music and Arts or whatever.) Looks new as well, and I can also jump start your saxophone career with some free accessories, and advise you on a good mouthpiece and reed setup to get you going (this can help a LOT).

    Only one available! But if you aren’t the lucky family that gets this one, check the altos category for more YAS-23’s and YAS-26’s. I buy them and fix them up as a service to young saxophonists. I make virtually no money doing it, but every good saxophonist I know started on one of these. They really do put you on the right track as a young player. They’re also excellent altos for pros who double on alto or who want a dependable backup alto.

  • Sold Out

    Yamaha YAS-62III Alto Saxophone Brand New with Warranty!

    The YAS-62III Alto saxophone from Yamaha is the go-to, top recommended first professional alto saxophone from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3000. What should we get?” The most common answer is basically always a Yamaha YAS-62III alto. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YAS-62III alto saxophone is meant to get the job done without over-determining the tone.  It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Works for classical or jazz.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have one available late September, 2022. These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Yamaha YDS-150 Digital Saxophone

    Yamaha YDS-150 Digital Saxophone – In stock now!

    $ 799

    November 2022 Inventory Update: Two in stock!

    The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.

    This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly on one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels more like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.

    In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:

    1. The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
    2. The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. The reed doesn’t vibrate though! You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
    3. The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels a bit more like a saxophone to play.
    4. The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. It’s a pretty good idea, thought it still sounds like a midi sax to me. The bari sax model is actually pretty good though.
    5. There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. The app is actually quite good! And you can also input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
    6. Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!

    Shortcomings of the YDS-150 are as follows:

    1. It’s a bit awkward changing notes with the digital switches on the keys versus the analog feel of a real sax.
    2. Similarly, starting and stopping notes with breath is different from how you articulate them on a real sax. So playing four quarter notes staccato requires you to learn habits that don’t transfer to sax.
    3. Reed doesn’t vibrate, so it doesn’t really feel like a saxophone to play.
    4. Saxophone sound samples don’t sound all that much like a saxophone. See our A/B comparison video for comparison of a Yamaha custom alto vs the YDS-150 alto sound model.
    5. No vibrato or control of tone with embouchure – breath only.

    I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.

  • YSS82ZRSSopranoStockPhotos-3

    Yamaha YSS-82ZRS Soprano Saxophone One Piece Bent Neck Silver Plate! BRAND NEW

    $ 4,950

    Available new by special order anytime. Email me at [email protected] to order. The Yamaha YSS-62R and 62RS are the most desirable vintage sopranos pretty much. Yamaha made an upgraded reissue of this soprano, with improved keywork but the same bore. It’s simply the best.

  • Sold Out

    Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup

    $ 3,798

    The YTS-62III Tenor saxophone from Yamaha is the go-to, top recommended first professional tenor from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3750. What should we get?” The most common answer is basically always a Yamaha 62 tenor. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YTS-62III tenor saxophone is meant to get the job done without over-determining the tone. It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Not very smoky or complex. But you can add most of that back in with a well-chosen mouthpiece.

    It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have some more coming in pretty soon (Maybe June 2022) These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.

  • Sold Out

    Yamaha YTS-875B Black Lacquered Custom Tenor Saxophone Very Good Condition

    $ 3,750

    **This is a fantastic tenor! It is one of the most fun horns to play that is on the site right now, regardless of price. And it has THE most beautiful low register of any tenor on the stie.

    This is the original YTS-875 Tenor before the EX, and it’s the darkest, fattest sounding Yamaha tenor ever. These are great. My first pro tenor was one of these as well, and I only sold it to raise the cash to start GetASax! This one was one-owner, pro-owned and very well cared for. It has good pads and plays effortlessly. These work great for any style of music, and also pair with brighter mouthpieces better than other Yamahas. You can also get a beautiful classical tone on one! So it’s kind of a do-it-all instrument. The only past repair I see is a small dent removed from the bell flare, that isn’t very noticeable. I love the way the black lacquer ones look, with the engraving cut through the finish to show the brass underneath. They’re also rare, hold their value well, and look great on stage.

    Only one available!

  • Sold Out

    Yanagisawa AWO-37 Alto New! Elite Professional Solid Silver with Deluxe Engraving

    $ 8,750

    The best of the best from Yanagisawa, the AWO37 in solid silver with full engraving can’t be beat. These are rare, collectible, and usually you have to wait while your special order is filled slowly. I ordered this one 6 months ago and it’s finally here. It also got a thorough new horn checkup when it came it, to make sure that it plays as perfectly as possible! Price is great.

    Only one available!

  • Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901

    $ 3,150

    One available now!

    New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO10 Elite Professional Alto Saxophone Brand New Fantastic Deal! A991

    $ 3,950

    Mint, unplayed, new in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.)  This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO2 Solid Bronze Alto Saxophone Brand New + Setup! A902

    $ 3,750

    ONE available Nov 2022, and it plays REALLY well.

    Brand new, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).

    Any questions, feel free to ask!

  • Sold Out

    Yanagisawa AWO20 Solid Bronze Alto Saxophone Brand New Fantastic Deal! A992

    $ 4,675

    One available now Sept 23, 2022

    Mint, unplayed, new in the plastic Yanagisawa AWO20 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere.  The AWO20 (formerly called A992) is the best horn that Yanagisawa makes in my opinion (I prefer it to the solid silver ones.) This AWO20 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2o, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!

    If you’re wondering, the WO20 is the bronze version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A992 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO2 (A902). The Yanagisawa AWO20 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The solid bronze adds more depth and complexity to the tone compared to brass – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze, and a little less expensive).

    Any questions, feel free to ask!

  • Yanagisawa SWO2 Solid Bronze Professional Soprano Saxophone New! + Setup

    $ 3,950

    One just in!!

    This is a new Yanagisawa SWO2 Soprano saxophone in solid bronze. The one piece solid bronze Yanagisawa SWO-2 soprano is one of my favorite modern soprano saxophones of all. It has a noticeably darker, more complex tone than the SWO1, so to me, it’s worth the extra money to spring for the bronze on soprano. The one piece design means no neck socket to leak, and the horn resonates beautifully under your fingers when you play. It tunes beautifully as well. The keywork feels great under the fingers – dry and snappy. Yanagisawa has the best build quality of any modern saxophone, and it shows. Plus I get all new Yanagisawa saxophones checked out pre-sale by one of my excellent repairmen, so that any tiny improvements that will take it from good to great are done before you get it. This is a surprisingly big deal, and something you want to have done, regardless of where you happen to buy a new saxophone. A couple of tiny, smart fixes often take an already good horn into the exceptional category.

    If you’ve been thinking of getting a soprano, then Yanagisawa is really a great choice. These are precision instruments that are built to last and that sound beautiful. They work with a wide range of mouthpieces (Selmer sopranos are more ‘mouthpiece picky’), which is nice because you can shape the tone with mouthpiece choice a LOT.

    I have an extremely limited availability of these Yanagisawa saxophones, but ONE SWO2 is currently available as of November 2022. Whoever gets it will be one lucky saxophonist!

  • Sold Out

    Yanagisawa TWO1 Professional Tenor Sax New + Setup – Great Price!

    $ 3,650

    Yanagisawa TWO1 Tenor Saxophone brand new (formerly T901) is a professional saxophone for an absolutely bargain price. It’s also the best built modern saxophone. It just happens to also be affordable. This horn got a new horn checkup after arriving at the GetASax shop. Having a world class repairman take a look at a new saxophone fresh from the factory can often take it from good to great. There are typically 2 or 3 small tweaks that need done, and presto – you get the full experience of what the horn can do. Besides the excellent price, that’s a real selling point, I think. I wish my first new saxophone had been checked out. I suffered with too stiff spring tensions for years in college, without even realizing that I could easily have had that fixed. I know better now!

  • Yanagisawa TWO2 Tenor Saxophone New in the plastic T902

    Yanagisawa TWO2 Tenor Saxophone brand new (formerly T902) is a professional saxophone for an absolutely bargain price in solid bronze.  It’s also the best built modern saxophone. It just happens to also be affordable. This horn got a new horn checkup after arriving at the GetASax shop. Having a world class repairman take a look at a new saxophone fresh from the factory can often take it from good to great. There are typically 2 or 3 small tweaks that need done, and presto – you get the full experience of what the horn can do. Besides the excellent price, that’s a real selling point, I think. I wish my first new saxophone had been checked out. I suffered with too stiff spring tensions for years in college, without even realizing that I could easily have had that fixed. I know better now!