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GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece$ 199
GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.
This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for only 15% the cost of an original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.
Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. We’ll post hi-fi sound samples of the GS SLANT on a variety of brands of saxophone very soon! See below for the GS SLANT vs Vintage Slant A/B video.
If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.
To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.
Ishimori Wood Stone ‘New Vintage’ Tenor Saxophone Antique Finish Bare Brass Brand New!$ 4,750
One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.
These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!
See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.
Ishimori Wood Stone New Vintage Alto Saxophone Brand New WSA-VL with F# Dark Lacquer$ 4,500
Only one available!
This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:
Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone$ 4,700
See below for some sound samples and an unboxing video.
Only one available of these highly-desirable Ishimori Wood Stone New Vintage tenor saxophones. This one is in beautiful Dark Lacquer. You can find the unlacquered ‘Antique Finish’ version here. They are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.
These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!
See below for some sound samples on a range of mouthpieces, and an unboxing video.
Jody Jazz HR* 6M Alto Saxophone Mouthpiece MPC418 Nice Piece!$ 130
Jody Jazz Hard Rubber alto saxophone mouthpiece in an original 6M facing measuring .081″. This is a nice, balanced alto piece that is good quality for the money. Not stuffy like some of these that I have played. Feels and responds a lot like a Meyer.
LeBayle Ebonite Studio S7 Alto Saxophone Mouthpiece MPC421 Meyer 5 Good player!$ 225
Fred LeBayle is basically out of business these days, after tanking his reputation in a big way. This is a rare chance to get a really good one from when he was doing his best work. Nicely made example of a LeBayle Studio alto mouthpiece in an S7 facing, measuring .075″ which means that it plays more like a Meyer 5 tip. This piece has a high baffle for a crisp, projecting alto sound like you’d want in the studio for commercial music or smooth jazz etc. The larger bullet chamber gives you some warmth and complexity, but it’s mostly crisp bright power that I hear.
Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!$ 3,150
Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.
Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.
Special Order a BAM Case! Lots of options available.$ 555
Let’s find you the perfect case for you! Prices and availability vary.
Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110$ 4,500
This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.
The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.
If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.
Only one available!
Yamaha YDS-150 Digital Saxophone – In Stock NOW!$ 799
The Yamaha YDS-150 Digital Saxophone is currently IN STOCK as of June 25 2021. Buy your Yamaha YDS-150 Digital Saxophone on back order now to be first in line, and support a small saxophone shop at the same time!
The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.
This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly on one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels more like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.
In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:
- The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
- The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. The reed doesn’t vibrate though! You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
- The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels a bit more like a saxophone to play.
- The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. It’s a pretty good idea, thought it still sounds like a midi sax to me. The bari sax model is actually pretty good though.
- There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. The app is actually quite good! And you can also input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
- Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!
Shortcomings of the YDS-150 are as follows:
- It’s a bit awkward changing notes with the digital switches on the keys versus the analog feel of a real sax.
- Similarly, starting and stopping notes with breath is different from how you articulate them on a real sax. So playing four quarter notes staccato requires you to learn habits that don’t transfer to sax.
- Reed doesn’t vibrate, so it doesn’t really feel like a saxophone to play.
- Saxophone sound samples don’t sound all that much like a saxophone. See our A/B comparison video for comparison of a Yamaha custom alto vs the YDS-150 alto sound model.
- No vibrato or control of tone with embouchure – breath only.
I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.
Yamaha YSS-82ZRS Soprano Saxophone One Piece Bent Neck Silver Plate! BRAND NEW$ 4,750
Available new by special order anytime. Email me at [email protected] to order. The Yamaha YSS-62R and 62RS are the most desirable vintage sopranos pretty much. Yamaha made an upgraded reissue of this soprano, with improved keywork but the same bore. It’s simply the best.