Showing all 20 results
Conn 10M Tenor Saxophone 306843 Original Lacquer Pre-War
Nice original lacquer freshly-overhauled pre-WWII Conn 10M Tenor Saxophone. These are the best of the vintage Conn tenors! The price includes the full, high-end OVERHAUL, which was just completed. An overhaul (people always ask) means that everything that can be changed gets done, and done correctly: all new pads, corks, and felts, professional setup, key fit checked and improved, neck fit checked and improved, full disassembly, cleaning, all new oil, lots of play testing. This horn turned out exceptionally well, and plays really easily and beautifully throughout the range. The tone is medium dark, wide, but with more focus than earlier Conns, and a bigger, wider sonic pallette than any modern saxophone. The palm keys stay full and consistent with the rest of the horn. The low register whispers out at a saturated pianissimo whether subtoning or not. Intonation is excellent, keywork is comfortable. If you’re coming from a modern horn, there’s a couple of weeks’ adjustment period, but then you are back up to full speed playing wise, in most people’s experience. A nice, orignial, overhauled 10M is pretty hard to find, and this one is one of the really good ones. It has only minor past repairs, like a resoldered octave key. Great condition, and plays like a new horn.
Conn Early 10M Tenor Fresh Overhaul Original Lacquer 269461 BIG Player$ 4,250
This is this kind of Conn 10M tenor saxophone that makes people ditch their Selmers and Yamahas. Keywork is comfortable, intonation is excellent, and the tone is to die for. Wide, dark, but still punchy and with a good amount of focus. Palm key tone is gorgeous and full, not a bit thin. Priced to sell quickly. Only one available.
Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738$ 2,950
There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.
So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.
This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.
Only one available!
King Original Gold Plate Soprano Saxophone Beautiful Engraving 56362$ 1,500
Incredible engraving on this original GOLD plated King Soprano saxophone! These horns have a beautiful, warm, spread tone. The intonation is flexible. You can bend notes like crazy, so you have to have a good ear, but it plays just fine in tune if you play it in tune. This is from a collection and has old pads. But just the gold plate is worth the entire price of the horn. It’s a super deal. You could easily find this priced double somewhere else.
King Saxello Soprano Tipped Bell Bent Neck Near Pristine Silver Plate$ 2,850
King SilverSonic Super 20 Alto Saxophone Original with Gold Leaf 346933$ 6,500
Superb example of a King SilverSonic alto with solid silver bell and neck, and gold plate in the engraving, with original gold lacquer over that! Cannonball Adderley tone all the way.
King SilverSonic Tenor Saxophone 402584$ 6,000
Here is a freshly overhauled King Super 20 SilverSonic (solid sterling neck and bell with gold inlay engraving) in excellent shape with a *monstrous* sound. The overhaul is extremely clean and well done, and sports high-end reusable Tenor Madness resonators. The action is quick and light and smooth and feels absolutely fantastic under the fingers. Even the left hand pinky table, which can be challenging for some repairers to get right, is light and snappy as it was designed to be. Seriously, hand this horn to the guy next to you on the bandstand just to let him feel it for a sec if you want to ruin his day.
Physically, this sax is in great condition as well. The lacquer is original and has signs of honest wear, but there are no signs of any major or even minor damage or resolders, past or present. The body is straight and the keys are all tight with no lost motion. Owner’s name lightly engraved on bottom of bell. Could be removed if you wanted to, but it is not noticeable. SilverSonics like this with the gold in the engraving on the silver bell are few and far between, and this one is bona fide Great.
It is hard to find a Super 20 SilverSonic tenor in good physical shape, and even harder to get one overhauled this well. Buy this horn and you’ve got it all right out of the box- no worries, no mystery, no gremlins awaiting you down the line. Just a great American-made sax that is ready to make bandmates jealous, project all the way to the back of the room, and look great doing it.
King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul!$ 6,450
Do you love beauty? Do you love playing the saxophone? Wish that the two things went together more often? Well, you’ve come to the right place:-)
This, my friend, is one of the most beautiful saxophones ever produced – the King Super 20 with pearl side keys and palm keys, bell and bow key cups engraved, solid silver neck, three ring strap hook – just about as de-luxe as it gets.
But wait, there’s more! For a price lower than a new Keilwerth Shadow, or a new Selmer Reference etc, you get not only one of the best-built, most beautiful, best-sounding tenors ever made. You also get it with a fresh overhaul done by one of the most meticulous saxophone repairmen in the business – Carlo Cennamo of cennamowoodwinds.com . I have been hearing good things about Carlo’s work for a few years, but I finally got to see it earlier this year, and it is just top quality. Full mechanical rebuild including all key fitting to precise better-than-new tolerances; excellent pad work that feels dry and snappy under the fingers and makes the horn resonate its notes on its own as you close the pads; adjustment materials that make sense throughout; a carefully done neck fit for a good seal; nice, even spring tensions. This is a $1500++ overhaul and takes Carlo almost an entire work week to complete. So that’s a big deal.
The only past repair I see on this horn is a resoldered brace on the bell side that popped off on its own when the horn was disassembled. It was popped right back on and is in good shape now. This horn has obviously been babied since it was new. It has almost all of its original lacquer intact. For you King geeks out there, this is King’s ‘light’ colored lacquer advertised in its sales brochures. The dark lacquer ranges from caramel to chocolate colored and looks completely different. By the way, it now has the correct neck screw and Eb key guard screws. I need to update the photos.
This horn just sings, with a medium dark core tone that gets brighter and punchier as you push it. The solid silver neck gives you more upper partials and a bit more of a ringing focus to the sound. The whole horn comes alive as you play, and the response is particularly satisfying. If you have never played a saxophone that is actually right, then I hope that you will soon get to experience it. Low Bb is just another easy note to play, and you can play the entire low register easily at any volume, including pianissimo without losing ‘saturation’ in the sound. Basically, the horn just gets out of the way and lets you play what you want. It’s a beautiful thing.
This comes with a new BAM Classic tenor case, and you can swap that out for a different case if you want to discuss options. There’s only one available of this beautiful Super 20. Get it now!
King Super 20 Tenor Saxophone Original Lacquer Original pads Warranty Card Amazing!
Well, golly. Here’s a 1949 King Super 20 tenor in nearly immaculate condition with original pads and original guarantee bond paperwork. Holy cow.
It also has its original white mouthpiece, with original ligature and cap, and comes in its original case with the leather bell strap not only intact but supple and in good working condition. Sheesh.
This horn looks to have been played a bit by its original owner, as evidenced by some light scratching in the lacquer here and there and some light wear on the thumbhook. The solid silver necks on these horns were originally lacquered, but the lacquer typically wears off so quickly and completely most folks are not aware of this fact. The fact that the lacquer on this neck still remains at about 40%, though speckled, shows that the original owner took extremely good care of the instrument and was quite finicky with his handling. Gosh.
This Series I King Super 20 is about as fine as they come, and is collectible as-is or put a high end overhaul on it and let it sing. This horn is ready for its next steward, and at nearly 70 years old still has a couple hundred years of music making left in it, if you care for it as well as its original owner did. Goodness gracious.
Selmer Adolphe Sax Baritone Rare and Unique
The ultimate collectible baritone – this is a hybrid Selmer Adolphe Sax baritone made in the 1930’s by Selmer Paris using some Selmer parts and some parts from the Adolphe Sax company, bought by Selmer.
Selmer Balanced Action Alto Saxophone Fresh Full Overhaul! Silver Plate$ 5,350
This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and by the thumb hook on the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. If you want an alto that people are going to want to listen to, this is the one. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is nice and snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.
There’s only one available!
Selmer Mark VI Alto Saxophone Original Gold Plate (Vanishingly Rare) Japanese Market Near Mint 156928
Possibly the nearest to new condition original gold plate Selmer Mark VI in the world. Email serious inquiries to [email protected] This might be a keeper for me, because it is also in the best serial range for altos to play well. Plus it’s an original Japanese market horn, which is rarely seen. One of a kind.
Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069$ 6,950
This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!
This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).
Comes with the original case, and you can add a great BAM case for a big discount if you contact me.
Selmer Mark VI Soprano from 1971 Excellent Original Lacquer 189112$ 5,250
Selmer Mark VI Soprano Original Lacquer Very Good Condition 197315$ 4,950
Wonderful example of a Selmer Mark VI soprano. This beauty has almost all of its original lacquer still remaining, as well as its original pads. Nobody has messed with this horn. It is still factory clean repair wise, with the nice, snappy factory setup still intact. If you’re going to be playing this seriously, you will want to get the pads replaced soon I would think. They are currently sealing surprisingly well, for it being 50 years old, and you can play it plenty well enough to tell that it has a rich, centered tone, medium between bright and dark, with a good amount of projection. With the right mouthpiece, the Mark VI is the ultimate smooth jazz soprano a la Kenny G. Kenny G gets both love and hate from the saxophone world, but there’s no question people far beyond the saxophone community love his sound, and he plays a Mark VI soprano just like this. There are no dents or dings, and there are no past repairs on this saxophone. It’s an amazing example, and well worth the price. The hard case is in good condition. Not original, and more protective than the original anyhow. You can upgrade to a BAM Signature (best modern soprano case) for not much extra. No mouthpiece comes with it, but we can discuss mouthpiece options if you don’t already have one that you love.
Only one available.
Selmer Mark VI Tenor 205xxx from 1972 Original$ 5,750
Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!$ 6,350
Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.
This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition. (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.
The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!
Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico$ 14,999
This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition. Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished. Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there. The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.
This horn has recently been given a thorough check-up and plays well. I am a big fan of these Super saxes, and this instrument is a good example of why. It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness. But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.
The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments! So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk.
The last 7 photos are of some of the tenor greats playing similar horns to this.
Selmer Padless Tenor Original Lacquer Beautiful #29008
Pending Sale. Here’s a horn that should be part of any serious saxophone collection. It’s a Balanced-Action-Era Selmer Padless tenor saxophone, built in collaboration between Selmer Elkhart and Buescher, in the late 1930’s. This might be the nicest one in the world, with no damage, no past repairs, original lacquer, gorgeous engraving. Priced to sell!
Selmer SBA Alto Saxophone Original Lacquer from 1946 Fresh Overhaul! Super Balanced Action$ 5,650
This is a gorgeous original lacquer Selmer SBA Alto Saxophone American engraved and assembled, that is in excellent physical condition AND has a fresh, full overhaul. This horn plays really well, with a lush, wide tone that is medium dark and smooth. The keywork feels great under the fingers – nice and snappy. It has a top quality overhaul, which is very important on a horn like this, and has slightly domed metal resonators, which are similar to the original equipment for an SBA of this vintage.
The neck is in excellent condition, body tube, bell flare, and bow are all undamaged. The engraving on this alto is particularly nice, and the exposed part of the brass is developing a beautiful matte patina that accentuates the engraving. This is a horn that looks even better in person than in the photos. It comes from a lifelong saxophone player whose baritone and tenor were also stand out players. He really had three excellent saxophones and this one is no exception.
From a player’s perspective, you get the warmth and complexity of a Balanced Action here with slightly more comfortable keywork (offset stack keys so your wrists are more relaxed compared to BA). Plenty of volume, nice easy, saturated low register, even at very low volumes. Easy subtone. Easy altissimo. Feels like a new horn under the fingers but is better built and sounds better. The price includes a new BAM Classic alto saxophone case at no extra charge.
Only one available.