Collectible

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  • Conn 10M Tenor Saxophone 1935 Fresh Overhaul Original Lacquer Great Deal!

    $ 3,850

    This is this kind of Conn 10M tenor saxophone that makes people ditch their Selmers and Yamahas. Keywork is comfortable, intonation is excellent, and the tone is to die for. Wide, dark, but still punchy and with a good amount of focus. Palm key tone is gorgeous and full, not a bit thin. Priced to sell quickly. It’s cheaper than a new Taiwanese tenor and is built better and sounds better. By the way, this is what original lacquer looks like on the early 10M’s from ’34-35.

  • Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer Good Pads 322571

    $ 3,150

    Price just lowered 6/19! Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. It was repadded at some point before it came in, and the pads are still in good condition. It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.

    The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.

    Only one available! Get it now.

  • Conn 6M Alto Saxophone Original Lacquer  Metro Neck Great Condition New Pads 271271

    $ 2,450

    Beautiful original lacquer Conn 6M VIII alto saxophone with the desirable Metro neck. Recent overhaul, plays great. This is the one to get. Priced to move!

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Gorgeous Silver Plate 1931

    $ 1,950

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Excellent Condition 282496

    $ 2,100

    Full description coming, but this is a beautiful Conn 6M VIII alto with great original lacquer. This is pre-war, original pads, needs a good overhaul, but besides that, man, this is the one you want.

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,750

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,350

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn New Wonder 1 Tenor Exceptionally Fine Player Tunes Great Fresh Overhaul BAM Case 67890

    $ 3,200

    Do you want the biggest, darkest, most spread and room-filling vintage Conn tone possible? Do you want a gorgeous vintage Conn with original silver plate that looks almost new? Do you want it with a freshly-done high end ($1k+) overhaul, with high-end metal resonators? Do you want a premium $350 BAM tenor case included that fits the horn beautifully and will keep it in top adjustment?

    Well, look no further. That’s what this is. Any you should buy it. Right now. You won’t be sorry. I didn’t call it an exceptionally fine player for nothing.

  • Conn Transitional Tenor 238xxx with MODERN keywork by Palo Tung UNIQUE!

    $ 6,500
  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 5,500

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

  • King Original Gold Plate Soprano Saxophone Beautiful Engraving 56362

    $ 1,500

    This is an original gold plated King soprano from about 1922.  The engraving is exquisite, as it usually is on gold plated King saxophones, and the horn itself is in very good physical condition.  Keyed to high Eb, it currently plays ok on old pads, and the tone is very warm and pleasant. As is typical with sopranos of this age, the intonation is pretty flexible, but given a good ear and voicing it is entirely possible to play in tune- just don’t expect this to do the job for you like a modern Yamaha or Yanagisawa!  The trade-off is, as it usually is in my experience, richness of tone for flexibility of intonation, although a large chamber soprano mouthpiece (like a vintage Buescher) will make the job a lot easier. I was playtesting this on a modern Yanagisawa piece though and enjoyed it quite a bit, without any notable intonational problems for me personally.  This is from a collection and has old pads. But just the gold plate is worth the entire price of the horn. It’s a super deal. You could easily find this priced double somewhere else. Includes the nice Buescher soprano mouthpiece in the photos!

    The original case for this instrument is in good condition and fits it very well. 

  • King SilverSonic Alto Saxophone Super 20 Fresh Overhaul 346xxx Plays Like Crazy

    $ 7,950

    This is the King to get if you want all the bells and whistles AND you want the most modern version of King keywork. It lacks only the side/palm key pearls to be virtually the same as the coveted Series II SilverSonics, and it plays the same as those, but with more comfortable left hand spatula keys.

  • King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul!

    $ 6,450

    Price just lowered 6/4/19! This is one of the most beautiful saxophones ever produced – the King Super 20 with pearl side keys and palm keys, bell and bow key cups engraved, solid silver neck, three ring strap hook – just about as de-luxe as it gets.

    But wait, there’s more! For a price lower than a new Keilwerth Shadow, or a new Selmer Reference etc, you get not only one of the best-built, most beautiful, best-sounding tenors ever made. You also get it with a fresh overhaul done by one of the most meticulous saxophone repairmen in the business – Carlo Cennamo of cennamowoodwinds.com . I have been hearing good things about Carlo’s work for a few years, but I finally got to see it earlier this year, and it is just top quality. Full mechanical rebuild including all key fitting to precise better-than-new tolerances; excellent pad work that feels dry and snappy under the fingers and makes the horn resonate its notes on its own as you close the pads; adjustment materials that make sense throughout; a carefully done neck fit for a good seal; nice, even spring tensions. This is a $1500++ overhaul and takes Carlo almost an entire work week to complete. So that’s a big deal.

    The only past repair I see on this horn is a resoldered brace on the bell side that popped off on its own when the horn was disassembled. It was popped right back on and is in good shape now. This horn has obviously been babied since it was new. It has almost all of its original lacquer intact. For you King geeks out there, this is King’s ‘light’ colored lacquer advertised in its sales brochures. The dark lacquer ranges from caramel to chocolate colored and looks completely different. By the way, it now has the correct neck screw and Eb key guard screws. I need to update the photos.

    This horn just sings, with a medium dark core tone that gets brighter and punchier as you push it. The solid silver neck gives you more upper partials and a bit more of a ringing focus to the sound. The whole horn comes alive as you play, and the response is particularly satisfying. If you have never played a saxophone that is actually right, then I hope that you will soon get to experience it. Low Bb is just another easy note to play, and you can play the entire low register easily at any volume, including pianissimo without losing ‘saturation’ in the sound. Basically, the horn just gets out of the way and lets you play what you want. It’s a beautiful thing.

    This comes with a new BAM Classic tenor case, and you can swap that out for a different case if you want to discuss options. There’s only one available of this beautiful Super 20. Get it now!

  • Sold Out

    Martin Committee II Tenor Saxophone Very Good Condition Original Lacquer Orig Pads 139670

    $ 1,800

    One of the best condition Committee II Tenors I have seen. These are very rare, and they play beautifully. Very hard to find like this with ORIGINAL lacquer! It has old pads. Add an overhaul, and it will be fantastic. (Talk to me if you want advice on that.)

    The tuning, ergonomics, and build quality on these is really excellent. Tone is warm, powerful, classy, and medium dark. One of the best horns you can get per dollar spent.

  • Martin The Martin Alto Saxophone Excellent Condition!

    $ 1,150

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • New Old Stock Yamaha Purple Logo Baritone Saxophone YBS-62 Mint Unbelievable!

    $ 9,000

    This is an amazing chance to get a new old stock Purple Logo YBS-62 baritone saxophone. This sax was originally a display model that Yamaha brought to the USA for a trade show almost 40 years ago. Yamaha sold the instruments from the display, and they sat in someone’s closet for that entire time. This sax came in the plastic in the case, and I had to take it out to take photos. There are maybe a few of the lightest possible surface scratches not through the lacquer, but aside from that, it looks as new as it could be and be from the early 80’s. The tone is beautiful and warm, rich, and medium focused. Intonation is great. Works with just about any mouthpiece. This horn can play the full range from classical to funk no problem and be as reliable as a Lexus day after day, year after year. This is BY FAR the nicest example of a purple logo 62 baritone that I have seen, and the nicest one we are likely to see.

    It has the case keys, the polishing cloth, mouthpiece and ligature, warranty booklet, and even a set of removable wheels that attach to the end of the case so that you can roll it if you want. First time I have seen that. If you want a beautiful baritone to play that is really special, this is it. And at this price, it’s about the same as buying a modern 62, so you don’t even pay a premium to get the new old stock. That’s pretty great.

  • Sold OutOscar Adler Curved Soprano Saxophone 992B-14

    Oscar Adler Curved Soprano Saxophone – Crazy Right Hand Bell Keys! 992

    $ 1,600

    Highly Collectible Oscar Adler Markneukirchen-made curved soprano saxophone. This instrument has three ‘petal’ keys that allow you to play low C#, B and Bb with your right hand fingertips, which is pretty useful actually. I have never seen another instrument like this one in person or online. Excellent condition. I had two of the petal key touches expertly (and invisibly) restored where they had been shortened. Comes in a cool possibly-original red case with tons of storage. Pads are older of course, but it will play a bit on them, with a big, wide, dark spread tone.

    Super cool piece of saxophone history here. This instrument may be from around 1909 or so, though I am admittedly not an expert on dating early Oscar Adler saxophones.

  • Sold Out

    Selmer Mark VI Alto From 1967 Original Lacquer Very Good Condition Low A!

    $ 8,000
  • Selmer Mark VI Alto Original Lacquer American Engraved Excellent Condition 233486

    $ 5,450

    This very clean, American-assembled late Mark VI alto is a good example of why I think the late American-assembled VIs are a relative bargain.  It is very nearly unplayed, sporting most of its original pads (I had a bit of repair work done on it to bring it up to playable) and it possesses an undeniably huge tone, probably the most strident and powerful of all the VI altos.  The American-assembled Mark VI altos in the very late run have a large patch soldered to the inside of the bow at the factory to reduce the overall volume of of the interior of the bow, and they play better with noticeably less burble and resistance down low.   It is a low-tech solution, but one that works very well and was therefore done at the factory to every American-assembled Mark VI alto after around serial number 210,000 or so.

    This particular saxophone is in very good condition, with its original lacquer.  There are a few small scratches here and there and some playing wear on the touchpieces of the side keys and palm keys, but 99% or more of the lacquer remains and it shows no evidence of past repairs or resolders.  This is a nice, solid Mark VI alto in excellent condition that will blow the doors down if called upon to do so.

  • Selmer Mark VI Alto Saxophone 1961 5-digit Serial 96xxx Fresh Overhaul! Relacquer

    $ 5,950

    This very clean refinished Selmer Mark VI 5-digit serial number alto saxophone is just received a high-end, full mechanical overhaul, and turned out to be an amazing player! It already played well on the old pads, with a dark, powerful, projecting, focused tone that feels almost like a tenor saxophone. Now, it’s one of those horns you just don’t want to put down. Medium dark, free blowing, effortless low register, as softly as you want to play, easy altissimo. The key feel is nice and snappy, and feels like a brand new horn. This horn had never been damaged at all, and is super clean, apart from the new coat of paint it got at some point. You can read around on here to see what a big job a full overhaul is on a vintage horn. The short of it is, this horn is totally restored. The clock is turned back to new mechanically, and it will need only routine checkups to play its best for many years to come.

    I keep meeting so many good players who, it turns out, have never played a sax that was actually right all the way through. This one will is. It’s a joy to play!

    The resonators are the expensive TM Custom ones, that are slightly domed brass reusable resonators like the 50’s Selmers originally came with before they went to plastic. They look good and work just right on these horns.

    Only one available! Whoever grabs this is going to be in a really good place alto wise! If you want to get it with a new BAM case, I’ll sell you one at a great discount as a package deal.

  • Selmer Mark VI Alto Saxophone Original Gold Plate (Vanishingly Rare) Japanese Market Near Mint 156928

    $ 20,000

    Possibly the nearest to new condition original gold plate Selmer Mark VI in the world. This might be a keeper for me, because it is also in the best serial range for altos to play well. My favorite VI altos have all been in the early medium bow range like this. Plus it’s an original Japanese market horn, which is rarely seen. One of a kind.

    There is nothing rarer than original gold plate Mark VI’s like this. This is the first I have seen that was definitely original gold for sale. Rarer than Full Pearls Silversonic King saxophones, rarer than mint Super Balanced Action tenors. Pretty hard to beat.

  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,950

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Selmer Mark VI Soprano from 1971 Excellent Original Lacquer 189112

    $ 5,250

    This is an extremely nice condition, original pads Selmer Mark VI soprano.  It appears to have been played very little, and actually plays extremely well on its original pads, which to me is an indication that this horn has led a very sheltered life and harbors no surprises for its future owner.  This horn is original lacquer, Euro-assembled with no engraving. The original case, protected by a case cover, is in excellent condition. The horn plays with the warm, centered and focused tone that VI sopranos are known for- with the certain alluring beauty that makes them hard to put down.  If you’ve been looking for an original, unmolested Mark VI soprano to make your own, it would be hard to find one in better shape than this one, and the later serial makes it one of the less expensive ways to acquire one.

    It includes the case in the photos, and if you want to add a nice BAM Signature soprano case, I can get you a great discount on one. Keeps the horn very safe in shipping and gigging.

    Only one available!

  • Selmer Mark VI Soprano Saxophone 253537

    $ 4,850

    Beautiful original lacquer Selmer Mark VI soprano saxophone in excellent condition. The pads are a mix of older and newer, mostly older. But it plays nicely on them with a warm, resonant tone. This is a great VI soprano and sounds rich, and also tunes quite well. Original case is in good shape too. No dents or dings, no resolders. A bit of stand wear inside the bell flare is about all there is to say about this very nice Mark VI soprano!

  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer Mark VI Tenor Saxophone Original Lacquer Very Good Condition 164xxx Fresh Overhaul!

    $ 6,750
  • Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico

    $ 14,999

    This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition.  Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished.  Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there.  The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.

    This horn has recently been given a thorough check-up and plays well.  I am a big fan of these Super saxes, and this instrument is a good example of why.  It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness.  But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.  

    The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments!  So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk. 

    The last 7 photos are of some of the tenor greats playing similar horns to this.

  • Selmer SBA Tenor Saxophone Silver Plated 47611-3

    Selmer SBA Tenor Saxophone 47xxx Original Silver Great Player Super Balanced Action

    $ 12,000

    Here is a gorgeous Selmer Super Balanced Action tenor, built in 1952.  It has its original silver plated finish, and it is in very good condition.  The Selmer Super Balanced Action tenor is among the most desirable tenor saxophones ever. And for good reason. It’s the horn Coltrane famously played for many years (up until around 1965), and the horn Branford Marsalis and many others play today. It has the classic Selmer tone that, whether you know it or not, is already in your ears from all those classic Blue Note era recordings. Hank Mobley on Soul Station is one for me among many others.  Point being, if you’ve heard a saxophone on a famous recording, you’ve likely heard one of these. And that is no accident- these saxophones are sublime.

    This saxophone has been overhauled at some point in the past few years and was recently given a tuneup, and it plays very well, with the broad and rich Selmer tone that these are so known for. The only damage is a scratch inside the bell flare, probably from a clip on microphone. The bell flare is just a little uneven in that spot when you look at the light reflecting on it. Super minor, but I’d rather you are pleasantly surprised by the horn’s beauty than disappointed at a flaw you didn’t notice.

    The keywork is comfortable and intuitive, owing to the underlying design started with the Balanced Action and honed with the Super Balanced Action that was so inspired it remains the basic template for all saxophones made to this day.  The intonation is excellent (this is one of the later long bell tenors- the early short bell tenors are known for needing a bit of extra attention to low note intonation) and the response is quick and lively, and as the best Selmers do it lends itself easily to any style of music- which is one of the things that sets Selmers apart from the rest.  It is an ability that is in my experience rare among saxophones, and nobody does it better than Selmer.

  • Selmer Super Balanced Action Alto Saxophone 41881 Euro Very Clean Condition Chesterfield Case

    $ 3,900

    This is a very clean relacquered Selmer Super (Balanced) Action SBA Alto saxophone from 1950 in extremely good physical condition.  The original owner’s family says it has never been refinished, and my repairman says it still has many of its original pads, though I think it must be a factory relacquer to look this good. (Pads could be factory from the refinish). I could be wrong, which would make this an extremely good price. I just watched one of these sell on shopgoodwill.com for $6501 with terrible photos and an error-filled description, so go figure.  With this particular version of Euro-engraved and lacquered Selmer, it can be hard to tell, because they were originally engraved first, then lightly buffed and lacquered, which is what a relacquer looks like at other vintages. Nevertheless, I’m selling it as a relacquer, due to the red rouge (buffing compound) in the little nooks and crannies of the horn, that I do not think is likely to be original. OK enough about lacquer. It’s just a coat of paint after all. The horn is what matters, and this one is super nice and very clean mechanically and cosmetically.

    No past repairs, no resolders, no damage to the neck, body tube, or bell flare. Pads are old, so plan on an overhaul, and it will be a wonderful player with a rich, medium dark tone with a moderately focused, lyrical core.  It comes in its original Chesterfield case with both zippers still smooth and fully functional (what a treat!), and it sports the Euro-style engraving, having been assembled in Paris and imported to Canada where it was originally sold.

    This saxophone, though due for an overhaul, is in uncommonly clean physical condition.  There are no dents or repaired dents, no evidence of any resolders, the pearls are largely unworn, and the neck has no evidence of past repairs or pulldowns.  There are some scratches in the lacquer from the neck strap, and some wear from where it sat against the case, but the lacquer remains at 95% plus. There is some playing wear on the touchpieces for the palm keys and the octave key and thumbrest, but combined with the overall excellence of the physical condition I believe the owner of this saxophone was careful and meticulous, and loved this horn very much.  If you’ve been thinking of springing for the lush, full tone of a Selmer SBA, don’t want to be afraid to play it, would like to get it overhauled to your specs, and would like to get a specimen that should hold its value over time, it would be hard to go wrong with this one. It’s a superb deal as well, on a sax that will play and sound warmer, and more beautiful than any modern pro saxophone, and that will also be more satisfying to own and will hold its value better. Only one available!

     

  • SML Rev D Alto Saxophone Silver 11584-3

    SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584

    $ 1,750

    SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones.  They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.  

    The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks.  In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.

    This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is.  The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing.  However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.

    These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship.  Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.  

  • SML Rev D (Gold Medal 1) Tenor Saxophone Original Lacquer 11774 1954 Needs Overhaul

    $ 1,950

    This original lacquer SML Rev D tenor saxophone is the same as an SML Gold Medal 1 Tenor. (The Rev D is what won the ‘Gold Medal’ so that they named it ‘Gold Medal’). This horn needs an overhaul, but it is original lacquer and it is in good condition with no dents. The neck receiver and one foot of the Eb key guard have been resoldered, and some dent work is evident on the back of the body tube (by the serial number, thumb hook, strap hook, and under the D palm key foot). There are no dents now, and the horn is ready to be overhauled. When these horns are all ready to go, they just sound fantastic, with a Selmer-Conn sort of tone – lyrical core like a French saxophone, but big, wide, and lush like a Conn. Palm keys stay nice and fat and full sounding, and don’t thin out, and the tone is nice and medium dark. It brightens up beautifully with a bright mouthpiece, giving you the sort of sound that many players are going for on Conns, but with the SML keywork and other special features that set these horns apart. This has rolled tone holes and is currently original pads. It was one owner until now. Once it’s all overhauled, you will have a top notch pro tenor that feels good under the fingers, tunes well, looks great, and sounds extremely good. I have an SML much like this in my collection, and it’s one of my favorite horns. They usually sell for much more than this price, even with old pads. I have seen a few go for more than twice this price on eBay not too long ago.

    Only one available!