Selmer

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  • Buescher-Made (Selmer) Bundy Alto 408990 Good Student Alto Older Pads

    $ 350

  • Bundy Alto Clarinet

    $ 450

  • Ishimori Wood Stone New Vintage Tenor Saxophone WST-VL with F# Dark Lacquer NEW

    $ 4,500

    Inventory Update: May 2022 These are BACKORDERED for about a month currently. To reserve, email me or just checkout through the website if you don’t mind waiting. You card does get charged right away.

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short). You can find the unlacquered ‘Antique Finish’ version here.  Ishimori New Vintage Tenors are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Selmer Balanced Action Tenor 24461 Relacquered Freshly Overhauled Great Price

    $ 6,450

  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Selmer Case Only Mark VI Baritone Mint Unbelievable

    $ 850

  • Selmer Centered Tone Bb Clarinet Benny Goodman R3905 Big Tone!

    $ 1,250

  • Selmer Centered-Tone Rosewood Bb Clarinet (Needs Thorough Restoration)

    $ 450

  • Selmer Mark VI Alto 1955 Original Lacquer Recent Overhaul Excellent! 57457

    $ 8,750

  • Selmer Mark VI Alto 1960 94108 Original Lacquer Great Deal!

    $ 6,950

    This is an original lacquer Selmer Mark VI Alto from 1960 that was one owner for almost its entire life until now. It was played by a pro in FL. He had a pickup installed in the neck, which I got removed and replaced with a ‘flush plug’ meaning the brass is smooth and matching inside and out. This sax is in great shape and is ready for its next owner to play it and love it for the next 60 years!

  • Sold Out

    Selmer Mark VI Alto 88079 1960 Silver Plate Very Good Condition Great Deal

    $ 5,450

    This is a well cared-for Selmer Mark VI alto saxophone from 1960 that has the high F# key and silver plate. The silver plate finish is aftermarket, done so that this would match the other instruments in a military band. It doesn’t look like it was relacquered or buffed significantly as part of that process. Probably just chemically stripped and then plated. It currently has older pads that are still sealing fairly well. It has the original neck with matching serial number. It’s american-engraved, in case you were wondering. Plan on a repad before too long. You would be hard pressed to find a nicer Mark VI for this price. The 80k serials are just about the most desirable version, and they are often priced much higher. Plus you get the high F #, which is a big bonus for many players today.

    Only one available!

  • Selmer Mark VI Alto Original Lacquer American Engraved Very Good Condition 234127

    $ 4,950

  • Selmer Mark VI Alto Saxophone Near Mint Original Pads 127335

    $ 9,950

    Super nice Mark VI alto original lacquer. One owner, original pads from 1965. What a gorgeous example! One only sees a VI alto this nice a couple times a year, even at GetASax!

  • Sold Out

    Selmer Mark VI Alto Saxophone Original Lacquer Excellent TenorMadness Overhaul 188739

    $ 6,850

  • Selmer Mark VI Baritone 154k Original Lacquer Excellent Condition No Neck

    $ 6,750

  • Selmer Mark VI Baritone 166k Original Lacquer Low A Fresh Full Overhaul Exceptionally Fine Player

    $ 8,950

  • Selmer Mark VI Baritone Low A Original Lacquer Older Pads 147167

    $ 7,350

    This is a chance to get a worn original VI from 1967/8 with older pads for a bargain price (for a VI). This vintage of Mark VI low A baritone tends to have a TON of projection and power, and very good intonation. The tone is medium between bright and dark –  not super dark, not super bright and thin. Depending on mouthpiece, you can take it in lots of directions. This was owned by the same guy for the past several decades. He played it a lot because it plays well. It’s time for a fresh overhaul on it, in my opinion, so if you like the worn look on a Selmer, and you want it original lacquer, and you want to be able to afford to overhaul it your way, but not be into it for too much money, then that’s what this is. It’s hard to find any low A Mark VI for this price, let alone a 140k and original lacquer. It was well cared-for, and is a Euro assembled VI that has no engraving from the factory.

    Only one available!

  • Selmer Mark VI Baritone Original Lacquer 1962 100463 Recent Overhaul Low Bb Great!

    $ 6,600

    Original lacquer Low Bb Selmer Mark VI baritone saxophone with a fresh overhaul done last year, and lightly played since. This is a desirable serial 100463 dating to 1962, and it’s the exact same horn as a late 5-digit serial Mark VI baritone in every way. The tone is medium dark, and powerful, with a good amount of focus. Response is easy. This horn is free blowing and just easy to play. The low Bb means that it’s lighter and feels almost like a tenor to hold. You can see a bit of dent work done on the back of the bottom bow, and some lacquer loss from removing the bow to do the dent work. Besides that, it’s in quite good shape. The bell flare, body tube, and upper bow are all undamaged! That’s remarkable! The original neck with matching serial is also in excellent, undamaged condition. If you want a beautiful early Selmer Mark VI bari that is in great shape, plays well, and is recently overhauled, you’d have a hard time doing better than this one for the price.

    Only one available!

  • Selmer Mark VI Sopranino 5-digit RARE Original Lacquer Excellent! 98569

    $ 8,950

  • Selmer Mark VI Tenor 1956 Relacquer Clean Condition Great Deal 65412

    $ 7,000

    I’ve seen other dealers selling equivalent and worse looking horns for $8000+, so I think this is a great deal for this 5 digit Mark VI tenor from 1956. It’s American-engraved with original neck with matching serial number. There are no dents or dings, and the older pads are still sealing. This isn’t freshly overhauled, so plan on getting it overhauled by the repairman of your choice if you want to get 100% of its potential. However, I thought someone might want to grab it for a lower price rather than have me get it overhauled and sell it higher. If you’d like it plus overhaul, we can definitely discuss that. I’m always getting lots of horns overhauled, and this could be the next one in line with one of my repairmen if that’s what works best for you.

    Or just get it tuned up a bit and play it on the older pads. They’re in that phase where they still seal pretty well, but replacing a few of them and selling this as ‘good playing condition’ would not really be worth doing, as you may or may not gain added value from that. If it were mine to play, I’d get it overhauled all at once, but if you’re on a budget, you could spend $200 or so on it and it would play quite well I think.

    Condition wise, it’s worth mentioning that it was definitely buffed when it was relacquered – the bell engraving is still visible for sure, but it was originally very deeply cut at this serial range, and the palm key tone holes are shorter than they were originally because of buffing. It still tunes fine up top, but I would be remiss not to tell you anything that I can see on the condition.

    If you’re looking for a VI tenor from basically the best serial range, with a big, dark, powerful, focused tone, great ergonomics, good intonation, and that costs a lot less than most VI’s, and is mechanically in quite good shape, then that’s what this is.

    Only one available!

  • Selmer Mark VI Tenor 77158 Original Lacquer Very Good Condition Great Deal! 1958

    $ 11,500

    It would be hard to find a better deal on a Mark VI tenor at the moment. This horn just got tuned up by Aaron Barnard in Cedar Rapids (great repairman), and it plays effortlessly with a big, powerful tone. The tone is medium dark, and focused with lots of power. It brightens up when pushed, but this is the sort of tone that people love in a good 80k Mark VI. It sounds a lot like my 81k. The only reason this isn’t priced about $3k higher is that it had a neck pickup removed, and has had a few minor past repairs. That doesn’t matter when Aaron does the pickup-ectomy, because he puts a ‘flush plug’ in that matches the curve of the brass inside and outside. It’s like the pickup was never there. Besides that, this was a one owner horn, and it was played a lot but well cared for. The only other past repairs I see are a few dings removed from the back of the body tube and bow (bow ones are basically invisible, and the back of the body ones look like a tiny cloudy spot, for example above the serial number). And the bell flare had a crease removed and is in the correct contour now and feels just fine. Neck is in great shape aside from the lacquer loss from when the pickup was installed in the first place. As repairs go, none of these is very serious, and the horn plays just how it should.

    For an original lacquer 1958-59 VI, you’d typically have to pay a lot more than this. I’m pricing this one on the low side for what it is, so that someone can get a relative bargain on it. The market is a bit confusing to folks right now, with people on eBay and some private websites listing horns for 3-5x their actual value. I’m not going to do that. But I’ll tell you this horn would be priced much higher elsewhere, and it is an excellent value if you’re looking for tone, and not cosmetic perfection, but you want a horn in good shape, from a great vintage and serial number, and with original lacquer. That’s what this is. There’s only one available, so get it before it’s gone.

  • Selmer Mark VI Tenor Old Varitone Fully Engraved + AfterMarket Silver Plate Job Big Player 141570

    $ 6,000

    This is a really powerful Mark VI tenor that was one-owner, and well played and loved its entire life so far. The original owner had the varitone pickup system removed from the bell, and he then had the horn fully engraved, neck to bell flare by Sherry Huntley, and then silver plated. It has the Selmer factory pickup port still present in the neck, which you could use for recording or to run through effects pedals if you want to, and it would work great. Or just ignore it and it plays like a regular Mark VI. The current pads are medium way through their usable life. This horn was frequently maintained by a local shop here, including just a few weeks ago, and they are still sealing well. If you want a powerful, medium bright Mark VI tenor that also turns heads with its silver plate finish and full engraving, and you want that all for a low price, since the silver is aftermarket, that’s what you’re getting. It’s a great value in a Mark VI, because this horn has always been well cared-for, and it had a ton of money put into it in the engraving (+$750 or more) plus the plating (+$2k at least).

    Only one available!

  • Selmer Mark VI Tenor Worn Original Lacquer 1967 140547 Great Deal!

    $ 6,750

    This is a chance to get a worn original VI from 1967 with older pads for a bargain price (for a VI). This vintage of Mark VI tenor tends to have a TON of projection and power. The tone is medium between bright and dark –  not super dark, not super bright and thin. Depending on mouthpiece, you can take it in lots of directions. This was owned by the same guy for the past several decades. He played it a lot because it plays well. It’s time for a fresh overhaul on it, in my opinion, so if you like the worn look on a Selmer, and you want it original lacquer, and you want to be able to afford to overhaul it your way, but not be into it for too much money, then that’s what this is.

    Only one available!

  • Sold Out

    Selmer Mark VII Alto Original Lacquer Old Pads Great Deal 270817

    $ 2,350

    This is a great deal on a Selmer Paris Mark VII alto saxophone. It has original lacquer, and no dents or dings or resolders. The neck is in good shape. This alto just needs a good overhaul, and it will play as good as new. The ‘green’ is just tarnished brass, and will go away when it gets cleaned, and the horn will look very nice. If you want a Selmer Paris that is almost a Mark VI, and original lacquer, but for way less money, this is a great route. The VII has a similar tone to a late VI, but a little bigger and a little darker. The main difference is the keywork. Mark VII is most comfortable if you have larger hands, like a mens size large glove or larger. The reach to low C and low Bb are farther than average. They’re fine as long as your hands aren’t on the small side, but it’s worth mentioning. Probably not great for a middle school student etc. For that, any other model of Selmer from the 50’s and later besides the VII will have an easier reach on the pinky keys. The VII is a great value though, as it has Mark VI level build quality, a great tone, and holds its value extremely well.

    Only one available!

  • Selmer Mark VII Tenor 272860 Original Lacquer Good Condition

    $ 3,950
  • Sold Out

    Selmer Mark VII Tenor Fresh Overhaul Original Lacquer 244631 Plays Great!

    $ 3,950
  • Sold Out

    Selmer New Large Bore Alto Saxophone 1930 11816 Old Pads Good Condition

  • Selmer New LargeBore Alto Original Lacquer Recent Overhaul 11770

    $ 2,350

  • Selmer Paris ‘Saint Louis’ Professional Bb Clarinet 2004 Limited Edition Super Deluxe!

    $ 6,000

  • Selmer Paris 10G Bb Clarinet Very Good Condition E0864

    $ 1,300

  • Selmer Paris Bb Clarinet K8641 Good Condition

    $ 700

  • Selmer Paris Depose Clarinet

    $ 750

  • Selmer Paris Soprano Clarinet Eb Near Mint Top Quality Rare! C4845

    $ 3,500

  • Selmer Prelude Student Alto Very Good Condition

    $ 600

  • Selmer Radio Improved Alto Original Lacquer, Recent Overhaul 19276

    $ 5,350

    If you read around on here a bit, you’ll see that I love Selmers from the 1930’s and the Radio Improved in particular. This one has most of its original lacquer intact, and is in quite good condition. it is also in great playing condition with a recent overhaul done by Jack Finucane (from a couple of years or so ago before he stopped doing overhauls), and feels nice and snappy under the fingers. The pads look a little funny in photos – that’s because of some powder from Yamaha powder paper that is on the leather. But the pads themselves are in excellent condition and are nearly new. The resonators look like a Reso-Tech set made to match the vintage Selmer Tonex resos, but slightly oversized, and very slightly domed. They are a good match for the horn, and they almost look like vintage Selmer resonators. It didn’t get played much after overhaul, as the owner is in a military band and plays a modern horn most of the time for work. It’s on consignment now, and I think it’ll likely sell quickly.

    The tone of a Radio Improved alto is the reason to buy it. It’s like a Selmer blended with a Conn almost- delicate lyrical core that reminds me of an SBA, but with a wider, warmer, more spread feel like a Conn. The keywork is not modern. This is before the ‘Balanced Action’ keywork improvements, so you will have to get used to the left hand pinky keys if you haven’t played a vintage horn before. If you have, then it’s no problem. I barely notice keywork differences anymore after playing all the different styles out there. This one is more comfortable than most, and I like the direct action bell key mechanism.

    The original lacquer is in beautiful shape and looks great – deep honey gold. The only spot that isn’t original lacquer (and you’d have to really look closely to tell this) is at the neck receiver, where it looks like Jack had to resolder the neck receiver and then mix up some matching lacquer to over spray there. The only way to tell is that there’s just a little sign of overspray of the new lacquer on top of the original lacquer just below the receiver. That resolder often needs to be done on a 30’s Selmer to make the neck receiver strong again after 80+ years of use. (It was done on my personal RI, so I specially look for it). These horns are very uncommon, and this one is nicer than the great majority of RI’s out there. Only 1140 RI altos were made, and this is probably in the top 10% of those.

    Only one available!

  • Selmer Radio Improved Alto Relacquer Great Deal 18901

    $ 2,350

  • Selmer Radio Improved Alto Relacquer Great Deal 18901

    $ 2,350

  • Selmer Reference 54 Alto Kookaburra Exc Cond Fresh Full Overhaul!

    $ 5,950

  • Selmer S80 C* Tenor Saxophone Mouthpiece MPC544

    $ 110

    Tip opening measures 0.066. No baffle, straight sidewalls, small squared off chamber. OK dark tone with a hard reed.

  • Sold Out

    Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347

    $ 7,500

    Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. A little lacquer loss from a too-long neck cork that was installed in the past, is about the only cosmetic defect.

    It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.

    Only one available!

  • Selmer Series II Tenor Original Lacquer Beautiful Condition 451502

    $ 3,900

    This is a nice clean Selmer Series II Tenor in beautiful original condition. It plays well, and saves you a bundle compared to buying a new one. No past repairs, no issues. Pads are mostly original. This is the pre-jubilee Series II that plays better and is better built.

  • Selmer Series III Alto Great Playing Condition Great Deal 618021

    $ 3,000

  • Selmer Soloist C Tenor Saxophone Mouthpiece MPC505

    $ 275

    This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.

  • Sold Out

    Selmer Soloist Style C* Alto Saxophone Mouthpiece MPC485

    $ 125

    Selmer Soloist Long shank C* alto saxophone mouthpiece from the later 60’s or 70’s. Tip opening measures a correct 0.065″. This is a nice, balanced all-purpose alto mouthpiece. Maybe you’re buying it for saxophone lessons. Maybe for school concert band. Maybe because you just want a reliable step up alto piece for much less than the retail new price. Not really the best for jazz, but it works well for lots of concert settings. Or completes your set with a Selmer Mark VI from roughly 1965 or later.

  • Sold Out

    Selmer Soloist Style C* Tenor Mouthpiece MPC 321

    This is a Selmer Soloist Style C* tenor saxophone mouthpiece. Its tip measures at 0.069. There is some light wear from age but nothing that will affect playability.

  • Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E11

    $ 225

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloists but they do not have soloist engraved on the table and are therefore called Soloist style. These mouthpieces also have less of a rollover baffle than the soloist. This piece has a .068 tip opening, a slight rollover baffle, a horse shoe chamber, and straight side walls. The piece has a few scratches and is a bit discolored, but no playability issues.

  • Selmer Super Action 80 Series II Alto Black Lacquer Overhauled Better than New 533234

    $ 4,750

  • Selmer Super Action 80 Series II Alto Excellent Condition 446339

    $ 3,650
  • Sold Out

    Selmer Super Action 80 Series II Alto Excellent Condition 570324

    Gorgeous example of a Selmer Series II alto that plays really well on a fresh setup. The pads were and are in excellent condition, so they’re mostly original. It pops nicely, and plays easily throughout the full range. This would be an excellent classical alto, and the price is about half what you play for a new one. Plus this is better made than the current production anyway.

  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Action 80 Series II Tenor Like New Overhauled 2 Necks! 435k

    $ 5,750

    This is a mint, like new Selmer Series II tenor that just got a full high end overhaul through GetASax. It has the extra neck octave pip/’harmonic key’ for easier altissimo, and it WORKS! It also comes with a second, silver plated Series II neck if you want to compare and contrast. This horn came new in the plastic, but it’s a 435k serial, so that’s why I went ahead and completely overhauled it. The dry, thin original Selmer pads were going to give you a lackluster playing experience, and I felt like it really deserved the full treatment. If you’ve been wanting a Series II tenor with all the bells and whistles, that responds better than new, and that will hold up better than a new one, this is it! Plus the harmonic key really is a useful feature. I’m impressed!
    Only one available!

  • Selmer Super Action 80 Series II Tenor Mint Condition 382524

    $ 4,500

  • Selmer Super Sax Alto Saxophone Original Silver Plate American Engraved Amazing 17875

    $ 4,950

  • Selmer Super Sax Cigar Cutter Alto Original Gold Plate 15579

    $ 6,000

  • Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757

    $ 4,950

    Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!

  • Selmer Super Sax Cigar Cutter Alto Saxophone Original Gold Plate Fresh Overhaul! 17618

    $ 7,500

    Original gold plated vintage Selmers are hard to find. Gold plated Super Sax Selmers are even harder! If you want a Selmer that has some of the the wideness and darker tone of a Conn, this is the horn for you! This beautiful example still has the ‘cigar cutting’ octave mechanism that goes away shortly after this serial number. The original gold is in great shape, with some wear from use. This horn just got a top quality overhaul done by J&H Winds in Cedar Falls, Iowa. Jimmy Jensen and Simon Harding’s shop there is doing a fantastic job on vintage saxophone restorations, and gets my full endorsement! This thing feels better than new under the fingers. It has Italian Pisoni pads that were specially ordered thicknesses to fit the deeper pad cups. And the resonators are Aaron Barnard’s reusable slightly domed brass ones that are my favorite on lots of types of vintage saxophone. This sax got the full treatment, and now it is SO fun to play. It is super alive – vibrates like crazy under the fingers. The intonation is quite good with my GS New York alto mouthpiece, so you are fine with either a large or a medium chamber on this alto. The tone is so velvety and rich – dark, smooth, complex, and WIDE. If you want to fill a room, this is the horn for you. The gold is also gorgeous. The only drawback is the ergonomics. It’s not modern. I actually like the direct action that closes the left hand bell keys– it’s nice and snappy and easy. The downside is just if you need to get around a lot of low notes really quickly, and you don’t have good pinky finger dexterity. To me the tone makes it totally worth it. And how many blazing passages in the extreme low register do you realistically play? Probably not that many. So this is the total package of rarity, beauty, top shelf overhaul, and tone.

    Only one available!

  • Sold Out

    Selmer Tenor Air Flow Short Shank Saxophone Mouthpiece G15

    Selmer Air Flow short shank tenor mouthpiece, precursor to the “Soloist” model and would have been the original mouthpiece supplied with a Selmer Super (Balanced) Action tenor saxophone. This mouthpiece is in good physical condition, featuring a small rollover baffle and medium circular squeeze throat chamber. Teeth marks on the beak have been expertly repaired, probably at the same time it was refaced, which appears to be recently. The facing, which is not original, measure .074. Refaced by Ted Klum, not signed, with a minimal amount of material removed as evidenced by the oval D marking on the table being nearly completely intact.

  • Selmer Vintage S* Alto Saxophone Mouthpiece D46

    $ 350

    This is a Selmer S*. It has a .065 tip opening, no baffle, curved side rails, and a medium sized round chamber. This mouthpiece is in great condition.