Selmer

Showing all 39 results

  • Ishimori Woodstone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,700

    Only one available of these highly-desirable New Vintage tenor saxophones from Ishimori, Japan’s premiere saxophone repair shop. These tenors stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some later Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving both are  meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Sold Out

    Selmer Centered-Tone Clarinet Great Condition! No cracks or repairs, big warm tone R5978

    $ 1,150

    Get your Benny Goodman on! Beautiful vintage Selmer Centered Tone Bb clarinet in excellent condition with no cracks or repairs. This instrument has been babied by one owner for several decades and comes to you on consignment. The pads and corks are in good condition, and it plays beautifully with a big, warm, wide, jazz-leaning tone. Nothing is as warm and beautiful as a Centered Tone. You can project over a band and you can bend notes around with ease. I’m not a great clarinet player, but even I sound pretty decent on one of these! Serial is R5978.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 is getting a complete overhaul right now! It’s going to be an excellent player when it’s done, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1967 150568 Original Lacquer Excellent Condition!

    $ 8,500

  • Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1971 Original Lacquer and Pads Excellent! 192152

    $ 5,500

  • Selmer Mark VI Alto Saxophone 1971 Original Lacquer Old Pads

    $ 4,500

  • Selmer Mark VI Alto Saxophone 1973 Near Mint Original Lacquer Original Pads 216700

    $ 5,500

  • Selmer Mark VI Alto Saxophone 1973 Original Lacquer American Engraved Great Deal 214844

    $ 4,750

    Extremely good price for an original lacquer Selmer Mark VI alto. This horn has older pads, so plan on getting it overhauled. But it won’t be a complex overhaul – just the regular, and Selmer Mark VI’s are easy and fun to restore at your local saxophone expert’s place. The later VI altos have a beautiful, balanced tone. Selmer finally got the alto really nicely in tune by the end. It plays with an even scale and feels great with a lyrical French Selmer core and plenty of warmth and complexity to the tone. It’s medium between bright and dark, possibly medium bright when pushed, but it will really do most anything you want it to, depending on your choice of mouthpiece. So for the price of a new Yamaha, you can get the storied Mark VI and own and enjoy it while it goes up in value. What’s not to like about that?

    Only one available!

  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 6,950

    This Mark VI tenor from 1967 is a real screamer! It is moderately focused, medium bright in tone, and LOUD. It has effortless response, and the low register pops out easily. It just got a fresh overhaul done and plays great throughout! The pads feel nice and ‘dry’ and snappy under the fingers, and you can put as much air through the horn as you want without it breaking up, or sounding shrill. It’s a fantastic VI if you want one that has some of the warmth and complexity of the earlier VI’s (not as brash and in your face as the later ones), but has tons of power.

    Cosmetically, this horn is in very good condition with minimal past repairs and no dents or dings. It’s original lacquer and looks beautiful. When you see it, you think – ‘Man, that Mark VI looks almost new!’ Looking closer, there are a few signs that it was played and loved over the years: The Bb keyguard popped off at some point and got resoldered (happens a lot on vintage horns), and the neck shows a little lacquer wear on the side from flexing, but is the correct angle now, and was never pulled down in anything like a bad way. It’s about a 2 on a scale of 1-10 — just enough to make the lacquer fracture and fall off over time. The only other thing to note is some minor dings removed from the back of the body that are gone now. Normal stuff for a vintage horn, and nothing bad; nothing needs repaired etc. And you save around $2k versus the price if this horn had no repairs, which is significant savings! Not to mention it’s already overhauled and done very tidily and well.

    If you want a nice, powerful, beautiful Mark VI tenor for quite a bit less than a new Ref 54 that plays better, is built better, and is an exceptionally good player, that’s what this is.

    Only one available!

     

  • Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well

    $ 5,950

  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Sold Out

    Selmer Mark VI Tenor Saxophone 1956 66258 Factory Relacquer Excellent Condition

    $ 7,500

    This is the best-preserved factory relacquer 5-digit Selmer Mark VI tenor I have ever sold. It looks original down to the finest details, but it isn’t! It was probably refinished by Selmer only a few years after it was bought, because the lacquer looks like what they used around ’59 to me, AND it still has the metal resonators that Selmer only used up to about 82500 serial before switching to plastic. It was owned by a pro player in NYC who played it for a few years before going to medical school. It was really well cared-for, and there are NO resolders or past repairs at all! It’s super nice and clean. If not for the new ‘coat of paint’ that Selmer very carefully gave it, it would be priced double what you would pay for it here, so the price is incredibly fair. The pads even still seal from the late 50’s and it has a rich, focused, medium-dark tone with lots of projection. The intonation is great. Response is very good. Keywork is nice and tight – no significant buffing happens in a factory relacquer, as the old lacquer is chemically stripped, then the brass shined up gently (probably by hand) and then new lacquer sprayed carefully on. That’s why the engraving is so sharp and original-looking. The neck has matching serial numbers with the body, and the neck has never been damaged or pulled down. Body tube, bell, and bow are also undamaged.

    If you’re a player looking for the best possible Mark VI for the money, this is probably it right now. You could play it for a while on the current pads, or you could get it overhauled and it would be incredible. It’s a clean, beautiful, problem-free early 5-digit VI from the best serial range that is priced quite a bit less than an inferior Reference 54 or 36. That’s hard to beat!

    Only one available.

  • Selmer Mark VI Tenor Saxophone 1957 69533 Original Lacquer Excellent Condition!

    $ 14,500

    This is about as nice an example of an original lacquer early 5-digit Selmer Mark VI tenor as I have seen! It still has all its original factory pads. The original neck is in perfect condition and has not been pulled down or damaged in any way. It has the matching serial number to the body. The beautiful dark honey gold lacquer is almost all intact! This saxophone was babied and then treasured by someone as a keepsake until now. The only past repair it had was a resoldered strap hook. That was done well, with minimal lacquer loss. Sometimes stuff like that just pops off on old Selmers – key guard feet, strap hooks, and braces – not really from damage so much as just the original solder coming loose. Luckily you can just pop it back on there and it’s good to go for another 60+ years.

    It’s hard to overemphasize how clean this tenor is. When you look at it, you just can’t believe how beautifully preserved it is. The body tube is straight and undamaged. The bottom bow even looks brand new. The bell and engraving look factory fresh and untouched. The original pads are falling out, so while you could try to play it on them, it would be better to get it freshly overhauled if you want to play it seriously. I got this horn in one of those beautiful red leather ‘Chesterfield’ original cases, but the zipper was broken on it, so I put it in a new BAM case for safety. If you want to pair this horn with an original 50’s Chesterfield Selmer case, I can possibly sell you one from my small vintage case collection. And if you want to buy it and then get it overhauled to play, I can hook you up with a top notch saxophone repairman who can do the overhaul right! You’ll be able to reuse the original Selmer metal Tone-x resonators on the new pads, which will give the horn a correct, vintage look.

    Tonally, the mid 60k range is a real sweet spot for the Mark VI tenor. These horns have a darker, more focused core tone than the later VI tenors, with plenty of power. As you push it, it will brighten up a bit, but stay fat and complex sounding. It’s super free blowing, and not stuffy at all. Loud and dark and powerful with a good amount of focus. When people make modern tenor necks that are supposed to mimic the ‘Mark VI tenor sound’ they often copy a neck like this one that is medium-dark, complex, and focused with easy overtones. This is the sort of tenor that gave the Mark VI the reputation that it now has. If you want virtually the same horn, but for half price with a new ‘coat of paint’ from the factory, check out the excellent deal I have on this VI tenor, which is virtually identical, and also super clean physically and mechanically.

    But if you have been looking for a really fantastic, original early 5-digit VI tenor that is almost like going back in time to 1957 and buying a new Selmer, then that’s what you have here. It’s a rare opportunity, and getting rarer every year. Soon, these horns will no longer be seen on the market at ALL often, and people will lament for the days when they were priced so ‘low’! It’s crazy, but true, if you compare to literally any other instrument (guitar, violin, piano, flute, even bassoon) — the best examples of the best instruments of all of those cost 3-10x what you can get a super clean Mark VI like this for currently.

    Only one available!

  • Selmer Mark VI Tenor Saxophone 1964 Original Lacquer Plays Great 119141

    $ 7,500

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer Mark VI Tenor Saxophone Original Lacquer American Engraved Just Overhauled Plays Effortlessly 195xxx

    $ 6,350

    Full description coming soon! This is an effortless player! A nice, clean original lacquer American-engraved Selmer Mark VI tenor saxophone that also just got a complete overhaul. If you’re looking for a nice tenor to play and keep and just enjoy, this would be hard to beat!

  • Selmer Metal F Tenor Mouthpiece MPC323

    $ 299

    This is a Selmer Metal F tenor saxophone mouthpiece. Its tip measures at 0.086. This piece is in great shape.

  • Sold Out

    Selmer Mouthpiece for Clarinet HS** D34

    $ 50

    Contact us to reserve this item. This is a Selmer Clarinet HS**. It has a .050 tip opening. There is a bit of wear on the bite plate and the piece needs a new cork.

  • Selmer Paris Depose Clarinet

    $ 750
  • Sold Out

    Selmer Paris Series 9* Bb Clarinet 60’s R13 / Series 10 Equivalent

    $ 850

  • Selmer Reference 54 Alto Saxophone Excellent Condition Great Deal! 759265

    $ 4,850

    This is one sweet Reference 54 alto! It has been completely cleand and tuned up and plays really well. Pro-owned and well cared for, it looks nearly new aside from a little lacquer wear on a couple of keys. There are no dents, no dings, no past repairs, and the engraving and lacquer look really beautiful. I’m including a new BAM case with this horn to keep it safe. It’s the same kind of BAM that Selmer sells with the Reference 54, so it makes sense to put it in this case.

    If you want a modern Selmer, this is the one to get. The Series II and III are good for classical, but for anything else, they can be mouthpiece picky. The Reference 54 is it’s own thing – it works with Meyers and a wide range of other mouthpieces. It responds with more warmth and complexity than the clear, round Series II and III’s. It is nice and snappy and ‘dry’ under the fingers, and the pads are all sealing well and just thoroughly gone through by my excellent repairman. Plus, by buying a really clean used Ref 54, you get a horn that will hold its value excellently, which is the main consideration NOT to buy a new Reference 54. But a clean, beautiful, great-playing used one is a smart buy. There isn’t a more beautiful or better sounding modern Selmer.

  • Selmer S80 C* Tenor Saxophone Mouthpiece MPC544

    $ 110

    Tip opening measures 0.066. No baffle, straight sidewalls, small squared off chamber. OK dark tone with a hard reed.

  • Selmer S90 Alto Saxophone Mouthpiece D44

    $ 99

    This is a Selmer Alto S90. These mouthpieces are really similar to the S80’s, but they have a slightly larger square chamber. It has a tip opening of .068, straight side walls, and no baffle. There is a bit of dirt and grim on this piece but nothing that won’t be easy to remove.

  • Sold Out

    Selmer Scroll Shank D Vintage Metal Soprano Saxophone Mouthpiece Soloist

    $ 400

    Made famous by John Coltrane, who played this mouthpiece on his classic soprano recordings like In a Sentimental Mood, and Favorite Things, the vintage Selmer Scroll Shank (Soloist) Soprano saxophone mouthpieces remain popular today. This is a beautiful example of a Scroll Shank D with silver plate and its original facing. It also includes the original ligature and cap. It plays easily and has that reedy, focused, projecting, medium bright tone that you think of with those classic recordings. The chamber is round and not very large, much like the hard rubber version of the Soloist soprano pieces. The metal seems to give you just a bit more brightness. The tip on this one measures a comfortable .051″ making it easy to play with a medium reed strength.

  • Selmer Soloist C Tenor Saxophone Mouthpiece MPC505

    $ 275

    This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.

  • Selmer Soloist Style C* Alto Saxophone Mouthpiece MPC485

    $ 125

    Selmer Soloist Long shank C* alto saxophone mouthpiece from the later 60’s or 70’s. Tip opening measures a correct 0.065″. This is a nice, balanced all-purpose alto mouthpiece. Maybe you’re buying it for saxophone lessons. Maybe for school concert band. Maybe because you just want a reliable step up alto piece for much less than the retail new price. Not really the best for jazz, but it works well for lots of concert settings. Or completes your set with a Selmer Mark VI from roughly 1965 or later.

  • Selmer Soloist Style C* Tenor Mouthpiece MPC 321

    $ 299

    This is a Selmer Soloist Style C* tenor saxophone mouthpiece. Its tip measures at 0.069. There is some light wear from age but nothing that will affect playability.

  • Selmer Soloist Style Long Shank C* Alto D21

    $ 999

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloist but do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloist. This piece has a .070 tip opening, no baffle, straight side walls, and a horse shoe chamber. This piece is in excellent condition.

  • Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E09

    $ 225

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces are identical to the Soloist mouthpieces except that they do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloists. It has a .068 tip opening, straight side walls, a slight rollover baffle, and a horse shoe chamber. There are some scratches and wear on the bite plate, but other than that it looks untouched.

  • Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E11

    $ 225

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloists but they do not have soloist engraved on the table and are therefore called Soloist style. These mouthpieces also have less of a rollover baffle than the soloist. This piece has a .068 tip opening, a slight rollover baffle, a horse shoe chamber, and straight side walls. The piece has a few scratches and is a bit discolored, but no playability issues.

  • Selmer Super Action 80 Series II Alto Excellent Condition

    $ 3,650

  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450

  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Session HR Alto .073 (Meyer 5) Saxophone Mouthpiece MPC436

    $ 125

    This mouthpiece has straight sidewalls, a medium to small chamber and no baffle. It plays great, with a flexible tone and good projection, in contrast with a Selmer C*. Great all-around alto sax mouthpiece for a good price. The tip opening is 0.073 so the same as a Meyer 5 = very comfortable for most players.

  • Selmer Tenor Air Flow Short Shank Saxophone Mouthpiece G15

    $ 450

    Selmer Air Flow short shank tenor mouthpiece, precursor to the “Soloist” model and would have been the original mouthpiece supplied with a Selmer Super (Balanced) Action tenor saxophone. This mouthpiece is in good physical condition, featuring a small rollover baffle and medium circular squeeze throat chamber. Teeth marks on the beak have been expertly repaired, probably at the same time it was refaced, which appears to be recently. The facing, which is not original, measure .074. Refaced by Ted Klum, not signed, with a minimal amount of material removed as evidenced by the oval D marking on the table being nearly completely intact.

  • Sold Out

    Selmer Vintage Metal E Tenor – Early “Jazz” model?

    $ 299

    This is a Selmer Short Shank Metal E. It has a .089 tip opening, a small/medium round chamber, fluted sides, and not much baffle. This piece will polish up nicely, and it plays very well. It comes with the ligature and cap. This is the early Selmer metal tenor piece that later became the “Jazz” model. These pieces have a dedicated following and do play quite well – much darker than you might expect, if you automatically think metal=bright.

  • Selmer Vintage S* Alto Saxophone Mouthpiece D46

    $ 350

    This is a Selmer S*. It has a .065 tip opening, no baffle, curved side rails, and a medium sized round chamber. This mouthpiece is in great condition.