Selmer

Showing all 49 results

  • Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,700

    See below for some sound samples and an unboxing video.

    Only one available of these highly-desirable Ishimori Wood Stone New Vintage tenor saxophones. This one is in beautiful Dark Lacquer. You can find the unlacquered ‘Antique Finish’ version here.  They are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Sold Out

    Selmer Balanced Action Saxophone Fresh Overhaul Original Silver Plate Great Tone

    $ 6,500

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.

    Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Sold Out

    Selmer Bundy Buescher Aristocrat Nice Student/Intermediate Alto

    $ 400
  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Selmer Mark VI Alto 1966 Original Lacquer Beautiful Condition 137647

    $ 7,000
  • Sold Out

    Selmer Mark VI Alto 1968 160943 Original Lacquer Excellent Condition!

    $ 6,350

    Great deal on a beautiful, original lacquer Selmer Mark VI alto with a recent repad. You don’t need to overhaul this one! It plays well right out of the case. There are minimal past repairs, and this is a very desirable serial number as well. To me, the 160k’s are just about the best value in a Mark VI alto. They are cheaper than the 5 digit serial VI’s by a lot. But they also tune better than most 5 digit altos! They play with the warm, projecting, rich tone of a 140-149k VI, but again, without the premium price. You’re getting all the best VI features, and original lacquer, for the price of a new Reference 54. Which is great because the VI will continue to increase in value while you own and enjoy it. Plus you don’t need to sink an overhaul into this one on top of the purchase price. A good overhaul can be quite expensive. This alto plays with a medium bright, warm, moderately focused tone. It does everything well, which is, of course, why the Mark VI became so popular in the first place. It’s often imitated, but the quality, tone and satisfaction of playing the original hasn’t been matched.

    This is a really nice one, and someone should grab it immediately!

  • Selmer Mark VI Alto Original Lacquer 90199

    $ 7,500
  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 just got a complete overhaul! It’s an excellent player, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1960 88979 Original Lacquer

    $ 8,750

    Here’s a beautiful original lacquer Selmer Mark VI Alto saxophone from 1960, with 5-digit serial 88979. This Mark VI is from one of the most desirable serial ranges of all for a Selmer. The original lacquer is mostly present, and is a dark nitrocellulose, which you mainly see on the 5 digit serial VI’s. It has some wear from use, as you’d expect on a VI that plays great and that got played a moderate amount. The neck has the matching serial number to the body and is in great shape. There are no resolders at all. This horn was well cared for! The bell flare, bell, bow, and neck show no signs of dent work or past repairs. The body tube had at least one very minor dent removed where one of the post feet of the octave key was slightly pushed in. It’s fixed beautifully leaving very little trace. The pads on this alto are old, obviously. Many are probably the original factory pads. So plan on an overhaul soon, if you want to get the full experience. It ‘makes saxophone noises’ now, and it’s clear enough that this has the dark, focused, powerful, tenor-like voice of a typical late 85k-95k serial VI alto. These are great players and deserve to be well cared for!

    If you’re looking for a stand out VI alto to get overhauled and then play like crazy, then you might want to grab this one while you can. Nice 5-digits are getting hard to find, and this one is definitely going to be a superb player when it’s repadded.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI LOW A Baritone 63959 Original Lacquer and Pads

    $ 10,500

    You’d be hard pressed to find a nicer, cleaner, more all-original 5-digit Selmer Mark VI baritone saxophone than this one! It’s gorgeous original lacquer, and it even still has its original factory pads! That’s insane. Plus it has the rare and desirable low A key that makes it an all-purpose modern instrument. If you want this horn plus a top shelf overhaul, send me a message. I’d love to get this overhauled for someone, but it’s also hard to find one with original pads from 1956, so I haven’t wanted to do it till I see if someone would rather have an untouched one. You can play it on the orig pads, and it plays beautifully with a rich, medium dark tone, kind of ‘woody’ with a nice focused core. But it’s leaky, and really needs an overhaul to play its best! Do that, and you will have a world class bari with the best looking lacquer of any Selmer in my opinion. I’m a sucker for that dark nitrocellulose lacquer look.

    Only one available!

  • Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well

    $ 5,950
  • Selmer Mark VI Tenor 1964 Original Lacquer 118907 Frank Zappa Band

    $ 12,000

    This is a sax with two descriptions! The first is the personal history of the horn, as written by its owner, Robert Martin. Robert is a great guy whose illustrious career as a sax player and multi-instrumentalist is also described a bit.

    Robert’s description of the horn can be found here. 

    The second description is mine as a saxophone dealer who pays attention to the details of condition, and compares saxophones to each other. From that perspective, what we have here is a very nice, one-owner example of a Selmer Mark VI tenor from 1964 with original lacquer, that has been played a lot and well cared-for over the years. It was assembled and engraved in the USA, so it sports what Selmer people call “American engraving”, and it has the dark honey colored nitrocellulose lacquer that is typical of this vintage of Mark VI. The tone is really beautiful on this tenor. I love the early 60’s VI’s, and this is one of the best ones I’ve played. It’s medium dark, medium focused, with lots of power. It’s a lot like a late 5 digit in that way, but has a little bit brighter tone. It’s nothing like a 140k or later VI, where they get quite bright and lose the darker, more focused core of a horn like this. It’s a superb player.

    Cosmetically, it’s obviously been played a fair amount, so it has some honest wear to the lacquer throughout. The neck has seen some minor flexing over the years, but only about a 1-2 on a scale of 1-10 of severity. It is still the correct angle also. The neck has the matching serial number to the body.

    A dent was removed from the upper body tube near high F, and the top post there also got pushed back into alignment. The back of the bow and bottom bow have seen dents removed, and the bottom bow guard is still a little flat. The low Eb, C and chromatic F# keyguards have been resoldered, though done quite well with little evidence left of the repairs. The bell flare also had a minor crease removed at some point. All in all, these are the typical sorts of repairs that you see on a good horn that has been played a lot. Everything is nice and tidy and fixed up now, so I wouldn’t be particularly concerned about the repairs.

    The overhaul on this horn feels great. It was done extremely well somewhere on the west coast, with medium firm leather pads sealed with red paint. Those sorts of pads last forever and keep their feel. I’ve played 25+ year old overhauls on similar pads that are still going strong. Resonators are slightly domed and correct for the vintage of horn. The pad work feels great – dry, snappy, and correctly balanced. You won’t be disappointed!

    If you’re looking for an original lacquer VI tenor with a beautiful tone, a great overhaul, and an interesting history, this would be the one to get.

    Only one available!

  • Selmer Mark VI Tenor 64613 Mint Silver Plate

    $ 15,000

    One of the punchiest, most powerful VI tenors I’ve played.

  • Selmer Metal F Tenor Mouthpiece MPC323

    $ 299

    This is a Selmer Metal F tenor saxophone mouthpiece. Its tip measures at 0.086. This piece is in great shape.

  • Sold Out

    Selmer Mouthpiece for Clarinet HS** D34

    $ 50

    Contact us to reserve this item. This is a Selmer Clarinet HS**. It has a .050 tip opening. There is a bit of wear on the bite plate and the piece needs a new cork.

  • Selmer New Large Bore Alto Saxophone 1930 11816 Old Pads Good Condition

    $ 1,700
  • Sold Out

    Selmer Paris 1966 Series 9 Bass Clarinet U9880

    $ 3,500

    Pending sale.

  • Selmer Paris Bb Clarinet K8641 Good Condition

    $ 850
  • Selmer Paris Depose Clarinet

    $ 750
  • Selmer Radio Improved Alto 19276 Recent Overhaul Very Good Condition

    $ 4,950
  • Selmer Radio Improved Tenor Original Silver Overhauled Excellent

    $ 9,500
  • Selmer Reference 54 Alto Saxophone Ken Beason Full Overhaul 564266

    $ 5,150

    This is a great playing Selmer Reference 54 Alto overhauled not too long ago by Ken Beason. If you’ve read around on this site much, you’ll know that I think almost any modern Selmer needs a full repad, at the least, if it’s going to play up to its potential. This one got a complete overhaul of everything, which is the best case scenario. You can buy a new Ref 54 for way more money, and it won’t play this well either right out of the case, or especially a few months later after the factory pad job starts to fall apart on you in a hundred little ways. Harsh, I know, but that’s why used modern Selmers tend to sell so much lower than new ones. However, once you fix everything on one of these, they are EXCELLENT instruments. They’re built to play GREAT, but just need to be setup to play their best after the fact.

    So that’s what you’re getting. Ken Beason is an experienced saxophone repairman and designer, with a great reputation. He makes his own large slightly domed resonators, which is what you get on this instrument. They’re a lot like vintage Selmer resonators, but they give you a bit more punch and volume out of the horn.

    The Reference 54 is my favorite modern Selmer without any question. It’s the only alto Selmer currently makes that tunes easily with a Meyer or other typical jazz mouthpiece. The Series II’s and III’s can be quite frustrating in the mouthpiece department. The Ref 54 is billed as inspired by the Mark VI. It plays beautifully, with a lyrical French core like a good Mark VI, but with a tone that is its own thing. Warm, rich, and full. Tuning is excellent. Ergonomics are hard to beat on any saxophone. It’s well worth the money at this price. This example has some lacquer wear on the neck from use. If that bothers you, you can swap out the neck for a few hundred dollars, and it will look new again, and then sell the old neck for not much less! But it plays great with this neck and this setup, so I’m not messing with success.

    Only one available!

  • Selmer S80 C* Tenor Saxophone Mouthpiece MPC544

    $ 110

    Tip opening measures 0.066. No baffle, straight sidewalls, small squared off chamber. OK dark tone with a hard reed.

  • Sold Out

    Selmer SA-80 Series II Alto Excellent Condition Top Playing Condition 662689

    $ 3,600
  • Selmer SBA Super Balanced Action Alto 41532 Relacquered Plays Great

    $ 4,950
  • Sold Out

    Selmer Scroll Shank D Vintage Metal Soprano Saxophone Mouthpiece Soloist

    $ 400

    Made famous by John Coltrane, who played this mouthpiece on his classic soprano recordings like In a Sentimental Mood, and Favorite Things, the vintage Selmer Scroll Shank (Soloist) Soprano saxophone mouthpieces remain popular today. This is a beautiful example of a Scroll Shank D with silver plate and its original facing. It also includes the original ligature and cap. It plays easily and has that reedy, focused, projecting, medium bright tone that you think of with those classic recordings. The chamber is round and not very large, much like the hard rubber version of the Soloist soprano pieces. The metal seems to give you just a bit more brightness. The tip on this one measures a comfortable .051″ making it easy to play with a medium reed strength.

  • Selmer Series 9* Bb Clarinet R9396 Buffet Barrel

    $ 950
  • Selmer Series II Alto 403860 Great Playing Condition Low Price

    $ 2,950
  • Selmer Series II Alto Super Action 80 Excellent Condition 570324

    $ 3,450
  • Selmer Series III Alto Great Playing Condition Great Deal

    $ 3,000
  • Selmer Soloist C Tenor Saxophone Mouthpiece MPC505

    $ 275

    This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.

  • Selmer Soloist Style C* Alto Saxophone Mouthpiece MPC485

    $ 125

    Selmer Soloist Long shank C* alto saxophone mouthpiece from the later 60’s or 70’s. Tip opening measures a correct 0.065″. This is a nice, balanced all-purpose alto mouthpiece. Maybe you’re buying it for saxophone lessons. Maybe for school concert band. Maybe because you just want a reliable step up alto piece for much less than the retail new price. Not really the best for jazz, but it works well for lots of concert settings. Or completes your set with a Selmer Mark VI from roughly 1965 or later.

  • Selmer Soloist Style C* Tenor Mouthpiece MPC 321

    $ 299

    This is a Selmer Soloist Style C* tenor saxophone mouthpiece. Its tip measures at 0.069. There is some light wear from age but nothing that will affect playability.

  • Selmer Soloist Style Long Shank C* Alto D21

    $ 999

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloist but do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloist. This piece has a .070 tip opening, no baffle, straight side walls, and a horse shoe chamber. This piece is in excellent condition.

  • Sold Out

    Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E09

    $ 225

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces are identical to the Soloist mouthpieces except that they do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloists. It has a .068 tip opening, straight side walls, a slight rollover baffle, and a horse shoe chamber. There are some scratches and wear on the bite plate, but other than that it looks untouched.

  • Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E11

    $ 225

    This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloists but they do not have soloist engraved on the table and are therefore called Soloist style. These mouthpieces also have less of a rollover baffle than the soloist. This piece has a .068 tip opening, a slight rollover baffle, a horse shoe chamber, and straight side walls. The piece has a few scratches and is a bit discolored, but no playability issues.

  • Selmer Super / Adolphe Sax Alto Saxophone 769 Getting Overhauled!

    $ 3,750

    Are you the ultimate saxophone hipster. (jk) The sort of snob who likes to have a saxophone nobody else can imitate? Here’s an alto you might want in that case. Or if you just love vintage Selmers and want one that both plays extremely well and has some history. This plays wider and wilder than a modern Selmer or than a VI. It is sort of half Conn in how it feels to play these early Selmers before they changed the bore.

    This is basically a Selmer Super Sax from the 1930’s, but with a bell and a few other parts made by the Adolphe Sax company. Selmer used these parts on a small batch of excellent saxophones in the 30’s after it bought the Adolphe Sax company and all its inventory. These special saxophones play like a Selmer Super Sax or Radio Improved, but the bell says Adolphe Sax on it. The body tubes have the normal Selmer ‘body numbers’ for a Super sax, and the keywork is Super as well. This alto is getting a complete high end restoration now, and it will look gorgeous all polished up and repadded very soon.

    I’m really excited about it. The Selmer Adolphe baritone I had was extremely good, and went to a collector who absolutely loves how it plays. This alto will be even better I suspect. The Super Sax ‘cigar cutter’ altos are among my favorite of all vintage altos, and this is basically one of those in terms of tone and design.

    Only one available!!

  • Sold Out

    Selmer Super Action 80 Series 1 Tenor Full Overhaul! 362257

    $ 3,950
  • Selmer Super Action 80 Series II Alto Excellent Condition

    $ 3,650
  • Selmer Super Action 80 Series II Alto Fresh Overhaul! 402197

    $ 3,650
  • Selmer Super Action 80 Series II Alto Full High End Overhaul!! Excellent

    $ 3,950
  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450
  • Selmer Super Action 80 Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,150

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Sold Out

    Selmer Super Balanced Action Tenor Saxophone 55024 Original Lacquer Fresh Overhaul

    This is a beautiful, original lacquer Selmer Super Balanced Action tenor saxophone in excellent condition. Selmer SBA tenors have gotten really hard to find in the last year or two, and this is among the nicest I have seen in that time. It is priced very reasonably for what you get, based on all the other ones I have seen for sale recently. This is a late SBA with the more comfortable thumb hook that is a transitional feature shared by the early Mark VI tenor that came out around the same time that this horn was made. (Selmers often show a little overlap between models, and frequently have transitional features shared by overlapping models.)

    The ‘late’ Selmer SBA tenors like this have gotten particularly hard to find, because they combine the warmer, more delicate SBA tone with the best bell key tuning. This one tunes great, and is quite free blowing, warm, and moderately focused, with a lyrical core tone. Tone is tricky to describe, and obviously the horn sounds completely different depending upon which mouthpiece you use etc. But it plays just how I would hope a great Super Balanced Action tenor would play. You may notice, this has the ‘euro’ engraving style done on Selmer Super Balanced Action tenors that were lacquered and engraved in France.

    The overhaul is recently done in California by Manny Gavrilov at the Horn Connection. Manny’s work feels quite good, with a dry, snappy pad feel. Spring tension is just right. The horn resonates beautifully, and the pads are sealed (hence the red color) to protect against moisture and to make the overhaul last forever. I’ve played horns with red sealed pads that had 25 year old overhauls that were still going strong. It really does a good job of sealing the horn up like a drum, and it just feels like normal medium firm leather pads. The resonators are domed metal and are correct style for a late SBA like this. They look like Selmer Tone-x resonators, and are probably the original resos reused on the new pads. This horn has been played and loved, so it’s not mint condition, obviously. But the wear is ‘honest’ wear from use, not from a bunch of past repairs. I see nothing resoldered at all, and maybe some minor bow dents were removed a long time ago, leaving only very slight evidence of anything having been done. You’ve got a custom octave key thumb rest cover installed, but it’s easily removable, and the original octave thumb rest is under there and looks fine.

    This comes with its beautiful original tan leather Chesterfield case from Selmer with the latch style opening, which is more durable than the zippered Chesterfield. I like the way the leather binding forms one continuous circuit around the case exterior. Just the case is worth some $$! If you have any questions, feel free to ask. I’m happy to help. If you’ve been looking for a great vintage Selmer with some warmth, power and projection, that is in top playing condition, original lacquer and priced reasonably for an original SBA, then here you go. This one is hard to beat.

    Pair with our new GS SLANT tenor mouthpiece for a classic mainstream jazz tone.

    Only one available!

  • Sold Out

    Selmer Super Session HR Alto .073 (Meyer 5) Saxophone Mouthpiece MPC436

    $ 125

    This mouthpiece has straight sidewalls, a medium to small chamber and no baffle. It plays great, with a flexible tone and good projection, in contrast with a Selmer C*. Great all-around alto sax mouthpiece for a good price. The tip opening is 0.073 so the same as a Meyer 5 = very comfortable for most players.

  • Selmer Tenor Air Flow Short Shank Saxophone Mouthpiece G15

    $ 450

    Selmer Air Flow short shank tenor mouthpiece, precursor to the “Soloist” model and would have been the original mouthpiece supplied with a Selmer Super (Balanced) Action tenor saxophone. This mouthpiece is in good physical condition, featuring a small rollover baffle and medium circular squeeze throat chamber. Teeth marks on the beak have been expertly repaired, probably at the same time it was refaced, which appears to be recently. The facing, which is not original, measure .074. Refaced by Ted Klum, not signed, with a minimal amount of material removed as evidenced by the oval D marking on the table being nearly completely intact.

  • Sold Out

    Selmer Vintage Metal E Tenor – Early “Jazz” model?

    $ 299

    This is a Selmer Short Shank Metal E. It has a .089 tip opening, a small/medium round chamber, fluted sides, and not much baffle. This piece will polish up nicely, and it plays very well. It comes with the ligature and cap. This is the early Selmer metal tenor piece that later became the “Jazz” model. These pieces have a dedicated following and do play quite well – much darker than you might expect, if you automatically think metal=bright.

  • Selmer Vintage S* Alto Saxophone Mouthpiece D46

    $ 350

    This is a Selmer S*. It has a .065 tip opening, no baffle, curved side rails, and a medium sized round chamber. This mouthpiece is in great condition.