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Selmer Balanced Action Alto Saxophone Fresh Overhaul! Original Silver Plate Great Tone$ 5,150
This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.
Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.
There’s only one available!
Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548$ 275
Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.
Selmer Cigar Cutter Super Sax Tenor Saxophone 17xxx Original Overhauled Modern Keywork!$ 7,500
See the full description below for more info. Here’s a 1933 Selmer Super Sax tenor with a recent overhaul, original finish, and several modifications/modernizations: a larger right hand thumbrest, a later-style geared octave mechanism with Mark VI style righward-tilting thumb key, and Balanced Action style left hand pinky table. These modifications significantly modernize the feel of this horn, and ergonomically it feels about a generation younger than it actually is.
The modifications themselves were done quite competently, and fit and blend in well with the horn, not being noticeable upon casual inspection unless you know where to look. The saxophone itself is in good physical condition, with moderate lacquer wear and no major past damage that I can see.
These types of modifications are not easy to do, are quite expensive, and are not often done, so it could be a good long while before you see another Super Sax with a modernized left hand pinky table. If you’ve been interested by the big Selmer tone of the Super Sax models but are used to modern ergonomics, this could be the horn for you.
Selmer Mark VI Alto Near Mint Original Lacquer Original Pads 216700$ 5,500
Selmer Mark VI Alto Original Lacquer American Engraved Excellent Condition 233486$ 5,450
This very clean, American-assembled late Mark VI alto is a good example of why I think the late American-assembled VIs are a relative bargain. It is very nearly unplayed, sporting most of its original pads (I had a bit of repair work done on it to bring it up to playable) and it possesses an undeniably huge tone, probably the most strident and powerful of all the VI altos. The American-assembled Mark VI altos in the very late run have a large patch soldered to the inside of the bow at the factory to reduce the overall volume of of the interior of the bow, and they play better with noticeably less burble and resistance down low. It is a low-tech solution, but one that works very well and was therefore done at the factory to every American-assembled Mark VI alto after around serial number 210,000 or so.
This particular saxophone is in very good condition, with its original lacquer. There are a few small scratches here and there and some playing wear on the touchpieces of the side keys and palm keys, but 99% or more of the lacquer remains and it shows no evidence of past repairs or resolders. This is a nice, solid Mark VI alto in excellent condition that will blow the doors down if called upon to do so.
Selmer Mark VI Alto Original Lacquer American Engraved Great Deal 214844$ 4,750
Extremely good price for an original lacquer Selmer Mark VI alto. This horn has older pads, so plan on getting it overhauled. But it won’t be a complex overhaul – just the regular, and Selmer Mark VI’s are easy and fun to restore at your local saxophone expert’s place. The later VI altos have a beautiful, balanced tone. Selmer finally got the alto really nicely in tune by the end. It plays with an even scale and feels great with a lyrical French Selmer core and plenty of warmth and complexity to the tone. It’s medium between bright and dark, possibly medium bright when pushed, but it will really do most anything you want it to, depending on your choice of mouthpiece. So for the price of a new Yamaha, you can get the storied Mark VI and own and enjoy it while it goes up in value. What’s not to like about that?
Only one available!
Selmer Mark VI Alto Saxophone 160941 Beautiful Original Lacquer Matt Stohrer Overhaul!$ 7,650
Just overhauled by Matt Stohrer, this is one exceptionally fine Selmer Mark VI alto. It feels better than new, and it plays so effortlessly, with a warm, complex, medium bright tone that is rich and singing. If you’ve been looking for one alto that does everything well, this is it. It gets my highly-coveted ‘exceptionally fine player’ designation. That means is the best of its kind that you can get in a saxophone in my opinion.
The 160k range is excellent for the VI altos specifically, because you get a rich tone and well balanced intonation. If you want one of those life-long, world-class VI altos that also has the world’s best overhaul (that I have seen at least), then get this one. Matt’s work on a VI looks like it came fresh from the factory, and feels like a million bucks. Effortless to play, and dependable to maintain. It has all the little touches that take a horn from good to great.
Selmer Mark VI Alto Saxophone Original Gold Plate (Vanishingly Rare) Japanese Market Near Mint 156928$ 20,000
Possibly the nearest to new condition original gold plate Selmer Mark VI in the world. This might be a keeper for me, because it is also in the best serial range for altos to play well. My favorite VI altos have all been in the early medium bow range like this. Plus it’s an original Japanese market horn, which is rarely seen. One of a kind.
There is nothing rarer than original gold plate Mark VI’s like this. This is the first I have seen that was definitely original gold for sale. Rarer than Full Pearls Silversonic King saxophones, rarer than mint Super Balanced Action tenors. Pretty hard to beat.
Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069$ 6,950
This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!
This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).
Comes with the original case, and you can add a great BAM case for a big discount if you contact me.
Selmer Mark VI Soprano from 1971 Excellent Original Lacquer 189112$ 5,250
This is an extremely nice condition, original pads Selmer Mark VI soprano. It appears to have been played very little, and actually plays extremely well on its original pads, which to me is an indication that this horn has led a very sheltered life and harbors no surprises for its future owner. This horn is original lacquer, Euro-assembled with no engraving. The original case, protected by a case cover, is in excellent condition. The horn plays with the warm, centered and focused tone that VI sopranos are known for- with the certain alluring beauty that makes them hard to put down. If you’ve been looking for an original, unmolested Mark VI soprano to make your own, it would be hard to find one in better shape than this one, and the later serial makes it one of the less expensive ways to acquire one.
It includes the case in the photos, and if you want to add a nice BAM Signature soprano case, I can get you a great discount on one. Keeps the horn very safe in shipping and gigging.
Only one available!
Selmer Mark VI Soprano from 1971 Original Silver Plate + BAM Case 189125$ 4,200
Selmer Mark VI Soprano Saxophone 253537$ 4,850
Beautiful original lacquer Selmer Mark VI soprano saxophone in excellent condition. The pads are a mix of older and newer, mostly older. But it plays nicely on them with a warm, resonant tone. This is a great VI soprano and sounds rich, and also tunes quite well. Original case is in good shape too. No dents or dings, no resolders. A bit of stand wear inside the bell flare is about all there is to say about this very nice Mark VI soprano!
Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition$ 7,350
Freshly overhauled with domed nylon resonators (much like what would have been originally installed on this instrument at the factory) this Mark VI tenor is in good condition and plays very well, with a full voice and very even up and down the scale. The spring tension are currently set moderately heavy, and although this instrument is over 50 years old the overhaul combined with the spring tensions make it feel and look almost like a new instrument. The spring tensions can be adjusted before shipping if you have a different preference, but the lacquer is still going to look nearly new!
The original lacquer is in exceptionally good condition, and this horn might be what others would describe as “mint condition” due to the lacquer, but there are a few past repairs to mention that bring it out of that rarified atmosphere and bring the price down without affecting the tone. These repairs were very well done, and each has been addressed with care and competence: a resoldered low Bb key guard foot, a few repaired dents on the body, and a past neck pulldown that has been repaired (and the neck refit). All in all, a nice Mark VI that has a very tidy overhaul on it, ready to play and needs nothing.
Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well$ 5,950
Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!$ 6,350
Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.
This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition. (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.
The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!
Selmer Mark VI Tenor Original Lacquer 103142 Excellent Condition Gorgeous!$ 10,500
Selmer Mark VI Tenor Saxophone 1968 Original Lacquer Very Good Condition 151919$ 7,950
Selmer Mark VI Tenor Saxophone from 1970 American Engraved$ 6,450
This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.
To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.
All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.
Only one available.
Selmer Mark VI Tenor Saxophone Original Lacquer Very Good Condition 164xxx Fresh Overhaul!$ 6,750
Selmer Mark VII Alto Excellent Condition Original Lacquer Original Pads 281771$ 2,750
Selmer Mark VII Alto Saxophone 244831 Excellent Original Lacquer American Engraving Near Perfect$ 3,950
The Selmer Mark VII, the last remaining relative bargain Selmer-wise, is a very well-built vintage Selmer with a slightly odd left hand pinky table, but it more than makes up for it with quality, value, and tone. Speaking of tone, the VII alto features the same big, powerful, and deep tone of a late VI alto, and I find them to be very similar (and I really like late VI altos, especially the American-assembled ones).
This particular instrument has recently been serviced, and plays very well on a mix of older (some original) and newer pads. It has not seen much use in its life based on how little wear it has, and the lacquer is original and in extremely good condition. There is no evidence of past repairs, dentwork, or resoldering, and the original case is still in very good condition as well. The ergonomics, although slightly different from a VI (and the following model, the Super Action 80) in the left hand pinky table and Eb/C spatulas, are easy to get used to, and some players with large hands even find it preferable over a VI. I possess hands of merely average size, but I don’t find it to be different enough that I really notice it at all in playing.
All in all, this is an excellent condition alto that plays very well and represents an uncommonly good value for a Selmer.
Selmer Mouthpiece for Clarinet HS** D34$ 50
Contact us to reserve this item. This is a Selmer Clarinet HS**. It has a .050 tip opening. There is a bit of wear on the bite plate and the piece needs a new cork.
Selmer New Largebore Alto Saxophone Silver 13405$ 1,800
Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico$ 13,999
This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition. Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished. Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there. The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.
This horn has recently been given a thorough check-up and plays well. I am a big fan of these Super saxes, and this instrument is a good example of why. It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness. But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.
The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments! So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk.
The last 7 photos are of some of the tenor greats playing similar horns to this.
Selmer Paris Depose Clarinet$ 750
Selmer Paris Series 9* Bb Clarinet 60’s R13 / Series 10 Equivalent$ 850
Selmer S80 C* Tenor Saxophone Mouthpiece MPC544$ 110
Tip opening measures 0.066. No baffle, straight sidewalls, small squared off chamber. OK dark tone with a hard reed.
Selmer S90 Alto Saxophone Mouthpiece D44$ 99
This is a Selmer Alto S90. These mouthpieces are really similar to the S80’s, but they have a slightly larger square chamber. It has a tip opening of .068, straight side walls, and no baffle. There is a bit of dirt and grim on this piece but nothing that won’t be easy to remove.
Selmer SBA Tenor Saxophone 47xxx Original Silver Great Player Super Balanced Action$ 12,000
Getting overhauled now! Here is a gorgeous Selmer Super Balanced Action tenor, built in 1952. It has its original silver plated finish, and it is in very good condition. The Selmer Super Balanced Action tenor is among the most desirable tenor saxophones ever. And for good reason. It’s the horn Coltrane famously played for many years (up until around 1965), and the horn Branford Marsalis and many others play today. It has the classic Selmer tone that, whether you know it or not, is already in your ears from all those classic Blue Note era recordings. Hank Mobley on Soul Station is one for me among many others. Point being, if you’ve heard a saxophone on a famous recording, you’ve likely heard one of these. And that is no accident- these saxophones are sublime.
This beautiful SBA tenor is getting a complete overhaul right now, reusing the original resonators if possible, or using TenorMadness domed brass reusable resonators if necessary. It already plays very well, with the broad and rich Selmer tone that these are so known for. The only damage is a scratch inside the bell flare, probably from a clip on microphone. The bell flare is just a little uneven in that spot when you look at the light reflecting on it. Super minor, but I’d rather you are pleasantly surprised by the horn’s beauty than disappointed at a flaw you didn’t notice.
The keywork is comfortable and intuitive, owing to the underlying design started with the Balanced Action and honed with the Super Balanced Action that was so inspired it remains the basic template for all saxophones made to this day. The intonation is excellent (this is one of the later long bell tenors- the early short bell tenors are known for needing a bit of extra attention to low note intonation) and the response is quick and lively, and as the best Selmers do it lends itself easily to any style of music- which is one of the things that sets Selmers apart from the rest. It is an ability that is in my experience rare among saxophones, and nobody does it better than Selmer.
Selmer Scroll Shank D Vintage Metal Soprano Saxophone Mouthpiece Soloist$ 400
Made famous by John Coltrane, who played this mouthpiece on his classic soprano recordings like In a Sentimental Mood, and Favorite Things, the vintage Selmer Scroll Shank (Soloist) Soprano saxophone mouthpieces remain popular today. This is a beautiful example of a Scroll Shank D with silver plate and its original facing. It also includes the original ligature and cap. It plays easily and has that reedy, focused, projecting, medium bright tone that you think of with those classic recordings. The chamber is round and not very large, much like the hard rubber version of the Soloist soprano pieces. The metal seems to give you just a bit more brightness. The tip on this one measures a comfortable .051″ making it easy to play with a medium reed strength.
Selmer Series III Alto Saxophone SOLID Sterling SILVER Near Mint Getting Overhauled!$ 9,500
Update: This sax is currently receiving a top shelf, full overhaul that will make it as perfect as can be. If you are not used to used saxophones, that means someone with a bunch of years of training in the craft of saxophone repair is going to be spending somewhere around 25-30 hours of skilled labor on this saxophone to make it totally fresh and new (better than new). It costs somewhere around $1000-1500 to have done. It will play so much better than any other Series III you might find for sale that you will be surprised that they are even the same model of saxophone. Not kidding.
If you play classical alto and you want to play the best, and set yourself apart tonally from the crowd, this is your dream alto. There really is nothing like it. I try to avoid overusing superlatives in saxophone descriptions, but this horn deserves them. The tone is dark and centered, and it has a haunting quality that is extra special among saxophones. This is the alto for a serious alto player who wants something that is built for saxophone study and performance. These are especially nice for classical playing. Doug O’Connor’s tone on one of these has left a lasting impression on me. Just gorgeous. I recently got to hear Doug play the Bach Chaconne on this alto, among other pieces, and I have to say, it was a high point for me in experiencing transcendent music on the saxophone.
There’s no damage, no wear, no past repairs. This horn has not been played much since new, and it’s in near mint condition. The neck is great. The whole horn tunes well with a classical setup. You can buy one of these new for $18329 online, or you can get this one OVERHAULED! for right around half price here. It’s a great investment if you are wanting the best.
Original case, fresh setup, and the original S80 mouthpiece is included also.
Selmer Soloist C Tenor Saxophone Mouthpiece MPC505$ 275
This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.
Selmer Soloist Style C* Tenor Mouthpiece MPC 321$ 299
This is a Selmer Soloist Style C* tenor saxophone mouthpiece. Its tip measures at 0.069. There is some light wear from age but nothing that will affect playability.
Selmer Soloist Style Long Shank C* Alto D21$ 999
This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloist but do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloist. This piece has a .070 tip opening, no baffle, straight side walls, and a horse shoe chamber. This piece is in excellent condition.
Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E09$ 225
This is a Selmer Soloist Style Long Shank C*. These mouthpieces are identical to the Soloist mouthpieces except that they do not have soloist stamped onto the table. They also have less of a rollover baffle than the soloists. It has a .068 tip opening, straight side walls, a slight rollover baffle, and a horse shoe chamber. There are some scratches and wear on the bite plate, but other than that it looks untouched.
Selmer Soloist Style Long Shank C* Alto Saxophone Mouthpiece E11$ 225
This is a Selmer Soloist Style Long Shank C*. These mouthpieces look identical to the Soloists but they do not have soloist engraved on the table and are therefore called Soloist style. These mouthpieces also have less of a rollover baffle than the soloist. This piece has a .068 tip opening, a slight rollover baffle, a horse shoe chamber, and straight side walls. The piece has a few scratches and is a bit discolored, but no playability issues.
Selmer Super Balanced Action Alto Saxophone Original Satin Silver Gorgeous 54xxx$ 5,950
Beautiful original satin silver plate Selmer Super Balanced Action Alto Saxophone for sale. This is one sweet alto, sporting my favorite finish for any vintage Selmer. The satin silver was only done by the British distributor, which sold to Australia and New Zealand also. This horn comes from the original owner in Australia. It is currently getting a thorough setup to get it into top playing condition. It had a recent overhaul in 2017 and was put away since then. Should be a very good player when the work is done. No resolders, no dents or dings. It’s in great shape. I have a photo of Jerome Selmer holding the last one of this rare finish that I had in the shop. It was freshly overhauled and glorious! This one is nearly as nice.
Selmer Tenor Air Flow Short Shank Saxophone Mouthpiece G15$ 450
Selmer Air Flow short shank tenor mouthpiece, precursor to the “Soloist” model and would have been the original mouthpiece supplied with a Selmer Super (Balanced) Action tenor saxophone. This mouthpiece is in good physical condition, featuring a small rollover baffle and medium circular squeeze throat chamber. Teeth marks on the beak have been expertly repaired, probably at the same time it was refaced, which appears to be recently. The facing, which is not original, measure .074. Refaced by Ted Klum, not signed, with a minimal amount of material removed as evidenced by the oval D marking on the table being nearly completely intact.
Selmer Vintage Metal E Tenor – Early “Jazz” model?$ 299
This is a Selmer Short Shank Metal E. It has a .089 tip opening, a small/medium round chamber, fluted sides, and not much baffle. This piece will polish up nicely, and it plays very well. It comes with the ligature and cap. This is the early Selmer metal tenor piece that later became the “Jazz” model. These pieces have a dedicated following and do play quite well – much darker than you might expect, if you automatically think metal=bright.
Selmer Vintage S* Alto Saxophone Mouthpiece D46$ 350
This is a Selmer S*. It has a .065 tip opening, no baffle, curved side rails, and a medium sized round chamber. This mouthpiece is in great condition.