Great Deal

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  • Buescher Aristocrat 140 Alto 339934 Great Deal Original Lacquer Plays on Older Pads

    $ 850
  • Buescher Big B Tenor 294701 GREAT Deal Needs Overhaul Refinished

    $ 650
  • Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849

    $ 3,300

    This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.

    This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!

    The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.

    This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.

    Only one available!

  • Buescher True Tone Alto Saxophone 1 Neck 196723 Silver Plate Fair Condition

    $ 375

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is in fair condition. It has the desirable #1 neck. It’s a great serial range for the True Tone. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    $ 500

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

  • Buescher True Tone Alto Saxophone 202609 Original Gold Plate Very Good Condition

    $ 950

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    Only one available!

  • Buescher True Tone Alto Saxophone 204539 Original Gold Plate Good Condition

    $ 800

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    The price is absurdly low, but that’s one of the great things about the saxophone market right now!

    Only one available!

  • Buescher True Tone Alto Saxophone 83005 Original Silver Plate

    $ 275

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is also in reasonably good condition. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone Series IV Tenor Saxophone Original Gold Plate Good Pads 212844

    $ 2,050

    This is a beautiful, original gold plate Buescher True Tone Series IV tenor saxophone with roller G#. It has all of its snaps intact, and the pads have been replaced not too long ago. It plays well on the current job, which was done before I bought the horn. When I say gold plate, most people think I mean lacquer, but this is actual gold plate, like would cost you $4500 to have done to any tenor saxophone today. This horn came from a top quality collection of vintage American saxophones, and I have not seen a better example of a late True Tone tenor. It has had a few small dents removed from the back of the bow, leaving some marks there, and there are a couple of dings inside the bell that are hard to see. The thumb hook is also resoldered, I think, but I can only guess at that because the lacquer over the gold plate is missing in that spot, but the plating is all still present.

    It is pretty uncommon to find an almost 90 year-old saxophone still looking anything nearly this nice. This is a really fantastic example of a True Tone. With the durable, tarnish-resistant gold plate, it’s very hard to beat for the price. Let alone with good pads. It’s fantastic.

    Only one available!

  • Conn 10M Tenor Factory Relacquer Gorgeous Shape Great Deal Orig Pads 334663

    $ 1,700
  • Conn 10M Tenor Saxophone Late Example Great Deal! Needs Repad

    $ 950

    Conn 10M Tenor saxophone for under $1k! The Conn 10M is one of the best vintage tenors ever. This one is from 1967. It’s original lacquer and original pads, and it is just a repad short of being a solid player. The 10M keywork is nice and comfortable, and if you want a cheaper tenor that plays LOUDLY and has a big, dark core tone this is hard to beat. It should be an easy repad, as the horn is in very good condition.

    Only one available!

  • Sold Out

    Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer Good Pads 322571

    $ 2,950

    Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. It was repadded at some point before it came in, and the pads are still in good condition. It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.

    The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.

    Only one available! Get it now.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

  • Conn 6M Naked Lady Alto Saxophone Original Lacquer 1953 356523

    $ 1,100

    1953 Conn 6M alto original lacquer with old pads. The later 6M’s like this are an excellent value, because they are still well made, but the price is almost laughably low for what you get. I always recommend the 1948-55 or so Conns to people who want a great tone but  who are on a tighter budget. The tone is fantastic – big, wide, with plenty of projection. Intonation is very good, and the keywork is comfortable. There is not a lot to tell condition wise. This horn is in great shape. Original lacquer, neck is in great shape. It looks like there was a small dent removed from the back of the bow, and maybe from behind the lower thumb hook. I hope that I’m in as good shape at 65 years old!

  • Conn 6M Transitional Art Deco Alto Saxophone 247105 Great Shape 1931

    $ 1,600

    I love Conn altos in the 230-260k range, and especially the ones near 250k serial. This 247k is a transitional Conn between the New Wonder II (‘Chu Berry’) and the 6M (‘Artist’) models. It is a true transitional in every sense, and is almost half NWII and half 6M. These special alto saxophones have a tone and set of features found nowhere else, and that makes them especially great in several ways. The bore still feels more like a NWII to play, so the tone is wider and wilder than the later 6M’s (which are also great, but are more focused and a bit less wild). The neck is like a 6M, so you get the improved intonation that ‘slots in’ better – NWII’s have good intonation as well, but it is more flexible than the 6M versions. The bell keys have moved around to the left, but the left hand spatula keys retain their NWII shape, but with improved mechanics. No saxophone has an easier or more direct feel on the low B and Bb that this version of Conn. It’s nice and light and fast, though you don’t have anything like modern ergonomics on those keys, of course. The regular main stack keywork is already mostly updated to the fast and comfortable 6M design. That is very good keywork, and is hardly improved upon in modern horns, so this is a very comfortable horn to play.

    It came with special ‘art deco’ engraving on the bell that you only see for a short time around 245-249k serial with Conn altos. This example is original or ‘first’ lacquer, and has not been refinished. It has original pads and even comes with the original warranty and care booklet in the original case.

    Tonally, these late transitional 6M’s are an ideal choice for big band or jazz band lead alto. They have almost unlimited projection or ‘carrying power’ as the old advertizements put it. And the tone stays strong and cohesive no matter how much you push it. It’s just a joy to hear one of these in full song. Marhsall Royale and the Basie band all played Conns like this, as did Charlie Parker for a while (among many other horns). You see them commonly in clubs in NYC and all over Europe these days. Nothing sounds like a Conn. This one is priced low for what it is. Superb original condition. Add a good overhaul, and you will have one of the best built alto saxophones ever, that will be dependable and fantastic to own and play for many many years to come. If you like this version in silver, I also have a silver 249k that I just got completely overhauled that is also for sale.

    Only one available!

     

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Overhauled!

    $ 3,250

    Just completely overhauled! Price includes the full restoration. Take how it looks in the photos, and make everything perfect and shiny with all new everything and that’s what you’d be getting.

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Conn 6M VIII Alto Saxophone 1937 Pre-War Original Lacquer Excellent Condition 282496

    $ 3,250

    This is a beautiful Conn 6M VIII alto with great original lacquer. It comes with a full high end overhaul. If you are relatively new to vintage saxophones, almost all saxophones older than 1990 or so that have been played with any frequency are in need of a labor-intensive process of restoration called an ‘overhaul.’ This does not touch the finish, but it completely replaces everything that needs to be replaced to put the saxophone back to factory fresh mechanical and playing condition. If you do it right, (which is a big if) then the horn can even be better than new mechanically and playing wise. That’s what this horn is getting right now. It costs about $1000+ to have done right, because it involves at least 25-30 hours of skilled labor.

    This Conn 6M VII is really the one you want. It is in excellent condition, original lacquer, no resolders, no serious past repairs at all (a few small dings removed). As soon as it comes back from overhaul in a week or two, it is going to be AMAZING! Conns are very consistent from horn to horn once you fix everything mechanically. This one will be no exception. Even on original pads when I got it from a collector, it played really big. It is medium-focused, and very free blowing. Intonation is excellent. Keywork is fast. It comes with a BAM Classic alto case or similar, (we can discuss) to keep it safe when you are not playing it (which won’t be that much of the time, based on how these play!)

    Only one available!

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Very Good Condition Plays Well 294775

    $ 1,950

    This pre-war (from the American perspective, meaning prior to the government order than restricted the manufacture of musical instruments along with anything else made out of brass) Conn 6M was built in 1941, and is the desirable “VIII” version, with the VIII stamp on both the body and neck.  

    It is in very good physical condition with original lacquer, no dents, and no major or minor past repairs or resolders, with the exception of a repaired dent on the bowguard, which is visible in the photos.  It has what appears to be a recent repad, or perhaps an old repad that wasn’t played much after it was done, and Conn Res-o-pads were used. It plays well with a big voice, and although to my professionally-obligated-to-be-picky tastes it is not quite as astoundingly slick under the fingers at these feel when they have been overhauled as the best repairers can do, it is definitely playable as-is and will beat the pants off of most any challenger, especially modern imports that cost a lot more and give you a lot less than this fine example of vintage American saxophone craftsmanship.  

    Oddly, the lacquer on the neck is more worn than the rest of the horn- although physically the neck is in immaculate condition with no dents or past pulldowns.  In the past when I have seen this the culprit is usually a homemade neck bag that was lacquer-unfriendly, or perhaps the owner had a habit during rests to hold the horn with the neck in his hand.  Given the lack of wear elsewhere on the horn, I’d guess a neck bag was the culprit here, although I can’t be certain. But again, though the lacquer itself is mostly gone from the neck (and the neck alone), the neck tube is flawless and there are no signs of past repairs of any kind.  

    The microtuner is free and functional, and all of the original rollers and present and moving freely.  The engraving is crisp and clear with no lacquer loss, and the pearls seems largely unworn. The keywork is tight and the body is straight.  This is a very clean example of the most desirable vintage of the most desirable variant of the Conn 6M, and it can be yours for less than a new Yamaha YAS-26.  

  • Sold Out

    Conn 94M DJH Modified Tenor Saxophone Keilwerth Made Excellent Pro Tenor!

    $ 2,750

    Getting a complete high end overhaul right now! This is in the hard-to-beat-for-the-price category for sure. Made by Keilwerth for Conn, this is like a Couf Superba 1 with straight tone holes and Conn 10M engraving. As you may know already, the Superba 1 is one of my favorite tenors. I’m not surprised that when Conn wanted to add a new professional instrument to its line, it went with the Keilwerth. It is the most like a Conn of any modern horn, and it is well made, tunes well, feels great undet the fingers. It really checks all the boxes of what you might want in a tenor.

    This particular example has original lacquer and no resolders. It is getting overhauled right now, which is a big job – 30+ hours of highly-skilled labor goes into a good overhaul, and that means the horn will play its very best with all new everything, for a long time into the future. It’s a joy to play a horn like this with a fresh overhaul. Just the work costs around $1100-1500 to do everything, which means you are getting an excellent value. The horn itself is less than half the price!  Buy it now to reserve it. It should be ready in the next 2-3 weeks (so June 2019).

  • Conn Chu Berry New Wonder 1 Tenor Saxophone Burnished Gold Plate Portrait 1924

    $ 3,950

    Conns from the 1920’s like this have an enthusiastic following these days. I’m told that it’s now more common to see a tenor player in NYC playing a Conn than a Selmer, which is hard to believe if true. I have definitely noticed a large and growing amount of interest and enthusiasm for Conns like this over the last 5 years at least.

    The way I think about vintage Conn tenors is this. They are all built quite well, and they are all good players once you get them all fixed up and overhauled. So if you have the choice, and budget allows, you might as well buy the nicest one you can to fix up. This is for a couple of reasons. First, resale value will always be better the more beautiful the horn is, and the rarer the finish. Second, you get to experience the satisfaction, even joy, of owning such a beautiful piece of craftsmanship from the world’s greatest musical instrument factory of the 20’s and 30’s, which is undoubtedly Conn. Conn set the standard for musical instrument manufacturing during that time. Its designs were copied by all the other makers, from France to Germany, Italy, and even eventually Japan. They are still being copied today in fact!

    If your goal is to get the best, most beautiful, rarest Conn that you can, it would be hard to do better than this beautiful burnished gold Conn New Wonder 1 ‘Chu Berry’ tenor saxophone from 1924. The finish is a bit tarnished at present, because I haven’t had time to get it disassembled, cleaned, and polished yet, but there’s a lot of original gold plate there, and not a whole lot of finish wear. The burnished (bright) gold Conns like this are incredibly rare. Much rarer than the satin gold examples, which are themselves very rare. The engraving is striking. Each burnished gold Conn had the option for a custom portrait. I wonder whose sweetheart this is! Some stylish flapper 20’s lady in any case. This would almost definitely have been pro-owned by the tenor player from a big band. I got the horn from Ohio, if there’s anyone who can connect the dots at all. I have never seen any other Conn tenor with engraving like this, so it has some historical value as well, to me at least.

    This tenor comes in pretty good playing condition. It was tuned up before I got it, and I’ll probably spend some more money on pad work before I sell it. It also includes a nice Hiscox case with my favorite, the red interior, which is no longer offered. Much better than the blue for a gold saxophone.

    Just for fun, here’s Lester Young on his New Wonder 1 tenor just like this one, also gold plated. The wide, lush, spread, medium dark tone is just gorgeous.

     

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn New Wonder 1 Alto Saxophone Silver with Gold Keys

    $ 1,100

    Bargain price for one of the most beautiful vintage Conn New Wonder 1 ‘Chu Berry’ alto saxophones around. This is satin silver body tube with real gold plate on the keys and in the engraving and other details. These horns look AMAZING when polished up and overhauled, and this one is sure to be no exception to that.

    I have it priced very low, so that you can buy it, get it nicely overhauled, and still get a great horn for the money. This should be an easy, uncomplicated overhaul, as Conns are well made and this one is in nice shape. I do also take returns money back with 5 day trial period, so buy with confidence, take to your repair shop, and then make a decision! Marshall Royale and the whole Basie band played these and got that beautiful, wide, warm tone.

    Only one available!

  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 124447

    $ 450
  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 70276

    $ 300

    This is a nice, clean original nickel plated Conn New Wonder 1 C melody saxophone. It has OLD pads and needs a full repad. I am pricing it so low that you can get it nicely overhauled by your local woodwind shop and still be into it for not too much money. The nickel plate is extremely durable and will shine up to a beautiful finish, and it will also last nearly forever. It doesn’t tarnish like silver, so it will stay bright even if you play it a lot or leave it out or don’t wipe it off very often.

    If you want a budget C melody made by Conn that sounds big and warm and plays nicely, this will be that horn, after you get it overhauled. Only one available.

  • Conn New Wonder 1 C Melody Saxophone Original Silver Plate Good Condition 106298

    $ 400
  • Conn New Wonder II Chu Berry Alto Saxophone Relacquer 1930 Good Pads Great Deal 236664

    $ 800

    This is a Conn New Wonder II Transitional alto saxophone from 1930. It is probably the best playing alto per dollar spent on the site, because it has good pads but has been refinished. The new coat of paint it got made the price go down, but didn’t hurt the playability. This horn came to me playing well on its current pads. It hasn’t been freshly overhauled, but it does play on the current setup. That makes it a great deal, because you get the beautiful big, warm Conn tone for under $1k, which is crazy. This horn is pre-war, if you’re looking for that, and it has rolled tone holes. By ‘transitional’ in the title, I mean that it was made very late in the New Wonder II (or ‘Chu Berry’) run, and it has some features that anticipate the 6M or ‘artist’ or ‘naked lady’ or ‘lady face’ (I could go on. Conn nomenclature is kind of convoluted.) It’s basically a New Wonder II, but it has the raised high E side key and a few other small changes like palm key shapes and possibly a different neck though I’m not sure about that.

    It includes the case in the photos as well.

    Only one available.

  • Conn NWII Transitional Tenor 238k 1930 with MODERN keywork by Palo Tung UNIQUE!

    $ 5,150

    This is a really unique and cool vintage Conn tenor with modern keywork! Palo Tung of Just Saxes spent a ton of time on this Conn conversion.

    It is essentially three saxophones put together into one. The Conn transitional tenor is the horn, which is just about my favorite vintage of all time for Conn tone, with a bigger, wider tone than the 10M, but with more focus and somewhat easier tuning than the NWII. Take that horn, and then add the main stack keywork from a Keilwerth, and the palm and pinky keys from a Just Saxes ‘Crescent’ modern tenor, and put all that together into one horn and that is what you have here. The keywork feels pretty good under the fingers – not super slick, but it falls easily under the fingers and the palm and pinky keys are particularly comfortable. The key is functionality. If you have always wanted to play a Conn, but you just can’t deal with the NWII style keywork, then this is one of the few options that you have. I’m told Palo has only made two or three of these ever, and the amount of work involved is, of course, enormous. The price on this horn is far lower than you would normally pay, and it should sell quickly. I have seen other Conn conversions selling $11-14k, but this one is being sold second hand, so you can save a ton on the labor compared to paying to have it done yourself. If you want to pair this with a new BAM case, I can find one that fits it well, and give you a good deal. That would be a good idea for shipping and for gigging.

    There is most certainly only one available!!

  • Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great

    The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)

    This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.

    I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.

    Only one available!

  • Ishimori Wood Stone Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Arriving early October 2019! There are two dark lacquer and one antique finish (unlacquered) that will be available.

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • King SilverSonic Tenor Saxophone Exceptionally Fine Player Overhauled 402584

    $ 5,750

    Here is a freshly overhauled King Super 20 SilverSonic (solid sterling neck and bell with gold inlay engraving) in excellent shape with a *monstrous* sound.  The overhaul is extremely clean and well done, and sports high-end reusable Tenor Madness resonators. The action is quick and light and smooth and feels absolutely fantastic under the fingers.  Even the left hand pinky table, which can be challenging for some repairers to get right, is light and snappy as it was designed to be. Seriously, hand this horn to the guy next to you on the bandstand just to let him feel it for a sec if you want to ruin his day.  

    Physically, this sax is in great condition as well.   The lacquer is original and has signs of honest wear, but there are no signs of any major or even minor damage or resolders, past or present.  The body is straight and the keys are all tight with no lost motion. Owner’s name lightly engraved on bottom of bell. Could be removed if you wanted to, but it is not noticeable. SilverSonics like this with the gold in the engraving on the silver bell are few and far between, and this one is bona fide Great. 

    It is hard to find a Super 20 SilverSonic tenor in good physical shape, and even harder to get one overhauled this well.  Buy this horn and you’ve got it all right out of the box- no worries, no mystery, no gremlins awaiting you down the line. Just a great American-made sax that is ready to make bandmates jealous, project all the way to the back of the room, and look great doing it.  

  • King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,600

    Getting completely overhauled now. (Photos are before overhaul.) This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • Low C Bass Clarinet Entry Level Great Quality for the Money – NEW!

    $ 2,100

    NOVA Woodwinds Low C Bass Clarinet Outstanding Player Unbeatable Value NEW! 2nd Gen

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Martin Handcraft Typewriter Alto Saxophone Original Silver Excellent Condition 98334

    $ 900

    Beautiful original silver Martin Typewriter alto saxophone. Every single key is a has a round pearl button – it’s a wonderful instrument to see! I love how unified it is from a design perspective. The palm keys and pinky table are my favorite. A necessity for any serious saxophone collection. This is also a beautiful player when overhauled, and has a wide, warm, sweet tone that is hard to beat for a 20’s sound. This Typewriter alto is all original – nearly all the original silver plate is present, as is the gold wash. The neck is also in very good condition. If you wanted to overhaul this, it would be bright, gleaming satin silver and look nearly new. Or just keep it and treasure it, or leave it on display as a showpiece. The typewriter was a beneficiary of the 20’s Saxophone Craze – there was such a strong market for saxophones that all kinds of interesting designs blossomed onto the scene. These are rare and hard to find, and this is a great price for one!

    Only one available!

  • Martin The Martin Alto Original Saxophone 179447

    $ 1,750

    Priced to sell!

    Freshly overhauled The Martin Alto which plays GREAT. Feels effortlessly big and loud and powerful, with a medium dark tone that brightens up nicely with a higher baffle mouthpiece. You can do anything on these altos. This was original lacquer which is mostly worn off and it still looks great. This horn was played a fair amount before being overhauled, so it has had some small dents removed. The thumb hook has been replaced also. (Original thumb hooks frequently fall off of Martins, for whatever reason.) If you’ve been looking for a super-fun alto that looks cool and sounds different from anything else out there today, this would be a great choice. With the fresh, complete overhaul, it won’t need any significant repair work for a long long time.

  • Martin The Martin Alto Saxophone Excellent Condition! Great Deal

    $ 999

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal

    $ 2,200

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, particularly around $2500-3500. That’s where the NOVA baritone shines. For only $2200, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look.  It is very similar to, and made in the same factory as the Kessler Custom Soloist baritone saxophone. This is made in China and based on the Yanagisawa B901 baritone design, though it is not identical to it. Yanagisawa makes the best baritones in the world, and I would be happy to get you a great price on a new Yanagisawa as well, but in this price range, the NOVA Woodwinds baritone is very hard to beat. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, and the Rico Metalite bari for jazz, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • NOVA Woodwinds Lacquered Brass Low A Baritone Saxophone NEW Great Deal!

    $ 2,200

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, particularly around $2500-3500. That’s where the NOVA baritone shines. For only $2200, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look.  It is very similar to, and made in the same factory as the Kessler Custom Soloist baritone saxophone. This is made in China and based on the Yanagisawa B901 baritone design, though it is not identical to it. Yanagisawa makes the best baritones in the world, and I would be happy to get you a great price on a new Yanagisawa as well, but in this price range, the NOVA Woodwinds baritone is very hard to beat. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    It comes in this version, which is brass, and then in the bronze version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, and the Rico Metalite bari for jazz, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • Selmer Balanced Action Alto 1945 Fresh Overhauled Original Silver Plate Excellent Condition

    $ 5,650

    Get your Paul Desmond tone going with this beautiful, freshly-overhauled, original silver plate Selmer Balanced Action alto saxophone from 1945. This is the sort of alto Desmond played on Take Five, among many other recordings, and it is the sweetest sounding Selmer alto ever made in my opinion. The ‘Balanced Action’ in the name refers to Selmers revolutionary new keywork design that came on this instrument. It probably doesn’t seem revolutionary to you, since every saxophone made today is made in imitation of Selmer’s ‘balanced action’ design!

    The upshot is that you get an alto with a beautiful, warm, lyrical vintage tone, but with keywork that feels quite modern under the fingers. That’s what makes the Balanced Action model such a sweet spot for vintage Selmers. The earlier Selmers are great, but the keywork feels more antequated to many alto players, who, as a general rule, seem less interested in vintage tone unless the keywork also feels more familiar. Tenor players are in general more dedicated to tone, and will work with vintage keywork if it gets them the sound the want.

    Anyway, it would be hard to find a nicer example of a Selmer Balanced action alto saxophone than this one. It has nearly all of its original silver plate intact, and it has no dents or dings, and no resolders. The bell flare, bow, neck, and body tube are clean and undamaged. The neck is particularly nice. This sax also comes with a recent overhaul done by Jack Finucane, and it feels good under the fingers, with everything nice and snappy and sealing well. You won’t have to put money into this one to get it playing well, and it won’t need more than regular maintenance to play well for a nice long time.

    It even includes the BAM case in the photos, so this is really a great deal at this price. Whoever gets this horn is going to be pretty lucky I think. It’s warm and lyrical, medium spread, but with a nice, solid core tone. You can take the sound in lots of directions, from classical (Selmer’s main design idea at the time) to jazz, smooth jazz, west coast, rock, or really whatever. It’s flexible enough to work with a variety of mouthpieces and still tune well. This is a great alternative to buying some boring new horn for several reasons: better overhaul, better tone, much better resale value, better build quality, more beautiful. But mostly for the tone.

    Only one available.

  • Selmer Centered-Tone Clarinet Great Condition! No cracks or repairs, big warm tone R5978

    $ 1,250

    Get your Benny Goodman on! Beautiful vintage Selmer Centered Tone Bb clarinet in excellent condition with no cracks or repairs. This instrument has been babied by one owner for several decades and comes to you on consignment. The pads and corks are in good condition, and it plays beautifully with a big, warm, wide, jazz-leaning tone. Nothing is as warm and beautiful as a Centered Tone. You can project over a band and you can bend notes around with ease. I’m not a great clarinet player, but even I sound pretty decent on one of these! Serial is R5978.

    Only one available!

  • Selmer Mark VI Alto 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 160941 Beautiful Original Lacquer Matt Stohrer Overhaul!

    $ 7,500

    Just overhauled by Matt Stohrer, this is one exceptionally fine Selmer Mark VI alto. It feels better than new, and it plays so effortlessly, with a warm, complex, medium bright tone that is rich and singing. If you’ve been looking for one alto that does everything well, this is it. It gets my highly-coveted ‘exceptionally fine player’ designation. That means is the best of its kind that you can get in a saxophone in my opinion.

    The 160k range is excellent for the VI altos specifically, because you get a rich tone and well balanced intonation. If you want one of those life-long, world-class VI altos that also has the world’s best overhaul (that I have seen at least), then get this one. Matt’s work on a VI looks like it came fresh from the factory, and feels like a million bucks. Effortless to play, and dependable to maintain. It has all the little touches that take a horn from good to great.

  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,950

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Selmer Mark VI Soprano Saxophone 253537

    $ 4,850

    Beautiful original lacquer Selmer Mark VI soprano saxophone in excellent condition. The pads are a mix of older and newer, mostly older. But it plays nicely on them with a warm, resonant tone. This is a great VI soprano and sounds rich, and also tunes quite well. Original case is in good shape too. No dents or dings, no resolders. A bit of stand wear inside the bell flare is about all there is to say about this very nice Mark VI soprano!

  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Sold Out

    Selmer Mark VI Tenor Saxophone 1959 Great Player! Original Lacquer 79919

    This is one of the most desirable versions of the Selmer Mark VI Tenor ever made. Original lacquer, American-engraved from 1959. The original neck has the matching serial number, and the neck is EXTREMELY nice shape. Usually original necks don’t look quite this good. My personal (favorite of all time) VI tenor is 81k serial, and this is 79919, so they were made only a few months apart, and play virtually identically. The tone is dark, centered, and rich, and brightens up and gets a bit of an edge to it when pushed. Not as bright and projecting as an 87xxx for example, and the extra focus and complexity of the tone gives it a special beauty. It’s very free blowing and responsive. This tenor had a dent removed from the back of the body tube that was basically right behind the spatula keys, near the bell/body brace. You can still see some evidence of it having been removed, but it was removed so well (by Aaron Barnard) that it is almost not there anymore. Besides that, you have a few small dents removed here and there – a couple removed from the bow area (front and back), very small one or two on the bell flare, and one under the D palm key. Just normal stuff for a 60 year-old horn that has been played professionally.

    Repair wise, this tenor received a fresh overhaul a few years ago, done by David Saull (Denver, CO) who works on tons of pro horns in that area and has an excellent reputation. It feels great under the fingers with a nice, snappy, ‘dry’ pad feel and very even action. Tunes well, altissimo is easy, low notes are easy. Just what you’d hope for from an excellent VI.

    It comes in a brand new BAM case. It’s in a Softpack in the photos, which is one of my favorites for an all-around BAM tenor case, as it has some storage under the horn, and a separate place for the neck, but it is nice and small and light to pack around. Comes with backpack straps as well. You can swap this out towards another case if you want a different BAM or something else. Happy to make it work for you. 2% discount with a low-fee payment method (bank transfer, transferwise, check, venmo etc.).

    Priced to sell. You don’t normally see a 1959 in the 80k serial range selling for this kind of price. Could be much higher, but it’s on consignment, and the owner wants it to move quickly.

    Only one available!

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer Mark VII Alto Saxophone 244831 Excellent Original Lacquer American Engraving Near Perfect

    $ 3,650

    The Selmer Mark VII, the last remaining relative bargain Selmer-wise, is a very well-built vintage Selmer with a slightly odd left hand pinky table, but it more than makes up for it with quality, value, and tone.  Speaking of tone, the VII alto features the same big, powerful, and deep tone of a late VI alto, and I find them to be very similar (and I really like late VI altos, especially the American-assembled ones).

    This particular instrument has recently been serviced, and plays very well on a mix of older (some original) and newer pads.  It has not seen much use in its life based on how little wear it has, and the lacquer is original and in extremely good condition.  There is no evidence of past repairs, dentwork, or resoldering, and the original case is still in very good condition as well. The ergonomics, although slightly different from a VI (and the following model, the Super Action 80)  in the left hand pinky table and Eb/C spatulas, are easy to get used to, and some players with large hands even find it preferable over a VI. I possess hands of merely average size, but I don’t find it to be different enough that I really notice it at all in playing.  

    All in all, this is an excellent condition alto that plays very well and represents an uncommonly good value for a Selmer.  

  • Selmer New Largebore Alto Saxophone Silver 13405

    $ 1,350

    Here’s a beautiful silver plated Selmer New Largebore alto saxophone. This alto needs a repad, and the silver has been replated. It’s nearly 100% present now. This will be an excellent alto if you want to adopt it and overhaul it. These New Largebore altos play like a half Selmer half Conn, with a wider, darker tone than other Selmers, but still definitely a Selmer, with a delicate, lyrical ‘French’ core to the sound. If you’ve been looking for a deal on a vintage Selmer, this one will be hard to beat for what you get!

  • Sold Out

    Selmer Omega 162 Alto Saxophone Plays Well Great Deal! 829421

    Selmer Model 162, usually called Selmer Omega Alto Saxophone. This is one of those sleeper horns that plays well but costs very little. It was designed and built by Selmer USA to look and feel a lot like a Mark VI under the fingers. This one was just cleaned and tuned up by a local shop, and is sold in good playing condition. It’s a very respectable alto saxophone for the price! Better than anything you can buy new in this price range.

  • Selmer Reference 54 Alto Saxophone Excellent Condition Great Deal! 759265

    $ 4,450
  • Selmer SBA Super Balanced Action Soprano Saxophone 1950 Silver Plate Great Deal! 44228

    $ 4,700
  • Selmer Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,450

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Super Sax Baritone Unique Original Permagold Finish 18xxx

    $ 6,500

    This is a beautiful Selmer Super Sax Baritone saxophone. It is one-of-a-kind according to Selmer’s factory record book. It is the only perma-gold plated Super baritone like this that exists. Permagold is a unique finish that is gold-colored dichromate and that does not tarnish.

    If you love Selmer baritones, and you want something cool and vintage to play around on, this would be the thing. I have a very similar Radio Improved baritone myself that I play as my main bari, and I just don’t think you can beat it for tone or response. This horn has medium-old pads, but they are sealing well, so you can play it just fine as is. I’m currently working on getting a second neck for this, as I think the neck it came with might not be the right vintage. This horn plays better when I use the neck from my Radio Improved baritone (1100 serial numbers later, so pretty close) than it does with the neck it came with. Since there are so few 30’s Selmer baritones, it is hard to know exactly, but I think if i use my RI neck as a template, this horn can go from being a unique-in-the-world collectible, to being also a world-class player. It comes with a ProTec Contoured bari case, but if you want the high-end BAM baritone case, I will include one for an extra $500. Given the coolness of this horn, and the extreme rarity factor, the price is quite good I think. I certainly had to pay a lot for this myself, and I’m not making much.

    Only one available!

  • SML Rev D Alto Saxophone Silver 11584-3

    SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584

    $ 2,750

    Getting Overhauled Now!

    SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones.  They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.  

    The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks.  In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.

    This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is.  The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing.  However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.

    These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship.  Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.  

  • Soprano Planet Open Sky 2 Soprano Saxophone Mouthpiece MPC598

    $ 210

    Well made mouthpiece for any occasion. The tip opening measures 0.059″. It has straight sidewalls, small round chamber, very short rollover baffle. This piece plays great, with a clean moderate tone and low resistance. Includes a nice ligature.

  • Steel Ebonite WWCo NY G7 Tenor Saxophone Mouthpiece C54

    $ 50

    High quality hard rubber and an early Selmer or Brilhart chamber shape for a great value. Straight sidewalls, small chamber, little or no baffle. Tip opening measures 0.072″. There is a hairline crack in the shank, but plays well if you like a classical high resistance piece, similar to a vintage Selmer Soloist for a fraction of the price.

  • Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110

    $ 4,500

    This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.

    The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.

    If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.

    Only one available!

  • Yamaha SILVER YSS-82ZRS Soprano Saxophone Near Mint Condition Stohrer Setup Excellent 3231

    $ 4,450

    Best modern soprano available: Lightest, most resonant, most in tune, most comfortable to play, best long term investment. It’s a modern classic. Yamaha YSS-82ZRS one piece, bent neck soprano in mint condition. This INCLUDES (for free) a whole-day (normally $350), crazy new horn setup by Matt Stohrer, who is one of the best saxophone repairmen around. Plus it’s priced $400 below the new price. That’s a superb deal. This is basically a reissue of the YSS-62RS soprano, and it sounds the same or better (being nearly brand new) once it’s all setup with the right key heights and spring tensions like this one is. This will be collectible someday, as they always have a 6 month wait to buy one on special order and are sold in small numbers.

    You can read about Matt’s full new horn setup on his website here (scroll to the bottom) http://www.stohrermusic.com/repair-services/

  • Sold Out

    Yamaha YAS-23 Vito Alto Beautiful Plays Great! (What the pros started on.)

    Are you shopping for a saxophone for a student for school band? This is the one you should get. it’s that simple. Just get it. Done. Look no further.

    The Yamaha YAS-23 is the best student alto saxophone ever made ever. It is what almost everybody my age started out on, if they stuck with saxophone. It almost makes me think that some of the folks who started on junky horns probably gave up music because their horns were so disappointing to play. So if you want yourself or your child to stick with saxophone, it’s worth buying one that will actually play well and hold up well over time.

    The other consideration in buying a student sax is resale value. Among student saxophones, it’s common to hear of folks paying $1200-1600 for a beginner sax that is then practically worthless when they go to re-sell it. I get offered these sorts of horns to buy almost every day, and I have to be the one to break the difficult news that the sax they rented for three years for $48 a month from the local music store is basically a worthless on the used market. The used Yamaha is among a very few student horns that has good resale value. If the pads are good, you can easily resell it and get back 80% of your purchase price, which is so much better than 10% or whatever on new other brand student horns as not to be even comparable.

    This alto just got a bunch of new pads and is now playing quite well, with an easy low register, and a nicely in tune scale. It includes all the stuff in the photos, and I can throw in a Yamaha 4C or help you pick a good beginner mouthpiece to go with it. (Mouthpiece is important.)

    Only one available!

  • Yamaha YAS-52 Intermediate Alto Good Condition Older Pads Some wear Great Deal

    $ 750
  • Yamaha YAS-62 Alto Good Condition Original Lacquer Great Deal C39253

    $ 1,800
  • Sold Out

    Yamaha YAS-62 Alto Saxophone Good Condition Great Deal!

    $ 1,550

    The Yamaha 62 is one of the best modern altos made. It’s probably the #1 choice for a pro alto for most people buying a first good saxophone over the past 20 years or so, because it gets you pro quality for a price that is lower than anything else on the market that is similarly good (with the exception of the Yanagisawa A901, which is also fantastic and in this price range, but less widely known.)

    This particular example has been played quite a bit. It shows cosmetic wear from regular use, and the pads are also old. I will eventually get the pads replaced, but in the meantime, it is listed for a super price, and you can simply buy it, take it in, and get the pads replaced yourself and save some money. This is the 62-1, and is probably from around the early 1990’s. Just give it a repad, and you will have yourself an excellent alto that does everything well. These have great tone; great intonation; easy, ergonomic keywork; and they are very reliable to own and play.

    Only one available!

  • Yamaha YAS-62 II Alto Saxophone Excellent Condition Professional Great Deal!

    $ 2,450

    If you want a Yamaha 62 that has all new pads and feels like a million bucks, this is it. It really plays great, with super-flat, snappy pad seats. This horn got a full repad, which means all new pads, but it didn’t need a mechanical overhaul (keywork didn’t need restored), and it didn’t need all new corks and felts, though it has many new corks and felts. That’s simply to keep the cost down and get you a horn that is totally ready to go and will not need significant work for many years, besides just occasional check ups. The Yamaha YAS-62 is a great value, because it’s a professional alto, but sells for less money, and is easily good enough to last you all the way through college or for as long as you want to play it. You never need to upgrade. And you save a lot of money versus buying new, and the saxophone also retains all or most of its resale value. Especially with the kind of pad work this one has. Just play it, and it sells itself.

    Only one available!

  • Sold Out

    Yamaha YAS-82ZB Rare Black Lacquer Excellent Condition

    If you want a modern alto that is tried and true and that will do it all, the Yamaha 82z is the horn for you. This one is nice and clean, original BLACK lacquer of course, and it has been very well cared-for since new. Black lacquer is an expensive, special order item from Yamaha, making it way rarer than the standard lacquered brass finish. I love the look of the engraving cutting through the black lacquer down to the brass. It is probably the most beautiful finish option that Yamaha offers, and it really turns heads. It also makes the horn more valuable, and makes it easier to sell down the road, should you ever want to. With a used pro horn like this, you can always get almost all your purchase price back out when selling, because pro saxophones don’t wear out if maintained, and new ones keep getting more expensive all the time.

    This YAS-82ZB alto sax just got a bunch of new pads, so most of the pads are new, and all of the rest of them are in great shape, so this horn is ready to go for a long time with only minor regular maintenance to keep it playing its best (much like a new Yamaha). If you want a brand new 82Z, I can also sell you one of those that also has the GetASax new horn setup already done on it!

    As for this one, it’s a smart purchase. When you buy a used modern horn, as I have often said, you are buying not just the cosmetic condition, but also the pad condition. This one is playing great, all nicely setup, and ready to go for a long time. You won’t need to drop $500 on getting the pads replaced like you would on many other used Yamaha YAS-82Z altos out there. It’s a turn key purchase, and you get a horn that is reliable, dependable, and that sounds and responds extremely well.

    For comfort of keywork, easy intonation, tone, playability, versatility, and build quality, it is really hard to beat the Yamaha custom saxophones. This should be a great pro alto for someone, or a great step up alto that you never need to upgrade for a serious student. There’s really no reason to ever buy a student alto if you can afford a used pro alto like this. The pro horn is easier to play and holds its value extremely well over time. Buy it now and get playing!

    Only one available!

  • Yamaha YTS-475 Intermediate Tenor Saxophone Good Playing Condition Great Value! 298213

    $ 1,600

    Great deal on one of the best intermediate tenor saxophones on the market. The Yamaha 475 is made in Japan and plays a lot like a YTS-62, but costs less. This tenor has been played a fair amount. The pads are sealing pretty well right now, but it is a mix of older and newer pads. The neck had a dent removed, and it was done well, so it looks good now. If you want a very well-built tenor, that feels good, tunes well, and is easy on the budget, this is it. Don’t waste your money on a new no-name sax. Those will be worth peanuts as soon as they are used. Yamaha horns are quality and hold their value really well. You can basically play it and enjoy it and sell it later for right around what you paid. Hard to beat.

  • Yamaha YTS-52 32 Tenor Saxophone Near Mint Orig Pads Excellent Value

    $ 2,350

    Hard to beat a vintage 80’s ‘purple logo’ Yamaha tenor for combination of beautiful tone and excellent build quality. You could spend a LOT more and not get a better tenor saxophone.

    This one is only $1650 if you want it with original pads, or you can get it with a fresh overhaul also, discounted, so you only pay $2350 overhauled as another option.

    This is the YTS-32/52 model, which is a half step below the YTS-62 purple logo that is one of my favorite modern tenors out of everything. The 52 is the same as the 62 in neck, bore, and keywork design. It sounds just the same. Only difference is the 62 has more engraving and has some reinforcing ribs under some of the key posts. Not a big difference.

    So if you want a really great tenor for a low price, that is well made, sounds great, has easy intonation and ergonomics, and that will hold up well over time, then look no further. This one checks all the boxes.

    Only one available!

  • Yamaha YTS-82Z Tenor Fully Engraved Amazing! Full Repad by Matt Stohrer

    $ 5,950

    WOW! This is one special Yamaha tenor. As soon as I saw it for sale, I had to have it. I have been a fan of Jaice Dumars’ engraving work for years, but I have never been able to cajole him into engraving anything for me (he has another full-time job). When I saw this rare chance to buy a horn he had worked on, it was a no-brainer. Dumars’ engraving combines what he has learned from vintage King, Conn and other engraving, and combines that with his own style and creative flair. The way that the rather uninspiring Yamaha ‘fat starfish’ (sorry, now you can’t un-see that) engraving is incorporated into a coherent larger work is particularly impressive. Also note on the neck, how it’s the unengraved space that makes the pattern!

    OK so take a great horn – the 82z Custom by Yamaha, and add to that Dumars engraving, but then add to that a full repad by Matt Stohrer, and that’s what you’re getting here. If you don’t know Matt Stohrer, he does some of the best pad work anywhere, in my opinion. He is always booked up for repairs, sometimes for as much as a couple of years’ time. His pad work is super clean, thorough, and precise. The horn feels great under the fingers and responds right away with a warm, free blowing tone. The intonation is of course great (this is a Yamaha, after all.). It’s the kind of tenor that you just don’t want to put down. And all for less than the price of one of the custom atelier Yamahas new, which is kind of nuts.

    Only one available!

  • Yanagisawa A880 Alto Saxophone Fresh Overhaul! Great Deal 113836

    $ 2,500

    The Yanagisawa A880 is one of my favorite modern altos. It combines Yanagisawa’s superior build quality, ergonomics and intonation, with a tone that is warmer, more complex and wide than later Yanagisawas. It plays beautifully and feels great, with fully modern keywork. It’s an excellent choice for a top quality modern professional alto in good playing condition that is priced quite reasonably.

    This horn has a fresh full overhaul done very nicely, and it feels like a new saxophone under the fingers. It has all new pads, corks, and felts, and it is mechanically tight and really great overall. That’s about a $1k job to overhaul a modern alto like this and do it right, so that’s a big added value for you. It means the horn will not need any significant work besides occasional checkups for many years! The only real past repair on this is the bow guard that was unsoldered to remove a dent at some point. It was done well, and it looks very good. Neck is in great shape, bell flare and body tube are undamaged. And under the fingers, it feels dry and snappy and fast.

    The 880 is such a great horn. I have one of these myself in my little collection of my favorite altos of all time. The reason it stands out is that it has some of the warmth and complexity of a vintage saxophone, while handling like a Lexus and tuning super easily.

    I’m also including the nice contoured case with this one. It has backpack straps and is nice and light for carrying.

    Only one available!

  • Sold Out

    Yanagisawa S901 Soprano Excellent Condition Great Player

    $ 2,650

    One of the best sopranos on the market, fully professional quality. This beautiful Yanagisawa S901 soprano is in excellent condition, barely used, and comes to you in top playing condition, for a discount price. What’s not to love? You can’t beat Yanagisawa for build quality, intonation, and feel. And coming in at this kind of price, it beats even intermediate sopranos of other brands. As you probably know the S901 is the professional soprano that is one piece, where the S991 is the more expensive two neck version. The one piece version like this feels a bit lighter and has a nice resonant vibration to it when you play louder volumes. I love the tone of these as well, and they tune with most mouthpieces.

    Only one available!

  • Yanagisawa S991 Soprano Two Necks Excellent Condition Plays Great!

    $ 3,150

    The Yanagisawa S991 is the Acura of soprano saxophones. It is built to extremely high standards, lasts forever, plays in tune, is easy to use. Basically, it does everything well. This horn is in excellent condition with only minor cosmetic wear from regular use. There is no past damage, and it comes in excellent playing condition. It just got a thorough tune up and is playing its best. The Yanagisawa S991 soprano has a rich, warm tone that is pleasant to listen to whether you are playing jazz, classical, or commercial music. I was just playing the Bach ‘Little’ Fugue in G minor on this soprano, and it really is almost the ideal instrument for the job. The intonation is just right on throughout, and the keywork is super comfortable and fast.

    Original case is in nice shape. I’ll post photos of the case and curved neck soon (oops), but they look much like the horn and straight neck. They are included. If you have been looking for a great soprano for a great price that is easy to play and reliable, this is it!

  • Yanagisawa SC-9930 Curved Soprano Saxophone with High G! Rare

    $ 4,150

    For those of you who love to have the best and rarest at the same time, here is my favorite vintage of curved soprano ever made, the Yanagisawa SC-991, but this is in the solid silver neck and body tube version, which is SC-9930, AND it is one of the rare ones that came with the high G key included. This is the first one like this that I have seen, and it’s cool in a nerdy kind of way to have such a rare and fabulous example. You can order a new SC-9930 for $6730, but your extra $$$ won’t get you the high G! Nor will it be the warmer, fuller-sounding version from the 90’s like this with the bell keys on the left. My personal soprano is one just like this but brass, and I think it sounds better than the right hand bell keys version at least by a little bit. I also like the more direct action that you get with the pinky keys on the left hand bell key configuration. We’re splitting hairs here, but hey, if you’re in the rarified territory of exceptional curved sopranos, then maybe that’s your thing too.

    Condition wise, this SC-9930 is in very good shape, with no significant past repairs or current problems at all. I have not spent any money on pad work yet, as I’m trying to keep the price as low as possible, and the horn plays fine on current pads. I would like to sell it a little higher and spend maybe $250 on a thorough setup, so you can have that as an optional extra if you want.

    Original case and mouthpiece are in good shape as well. There is most certainly only one of these available!