Showing all 30 results
Conn 12M Baritone AMAZING Original Silver Plate and Freshly Overhauled 347630$ 6,500
This is a gorgeous example of an original silver plate Conn 12M Baritone Saxophone. It just had a complete overhaul with all new everything, and it is in top playing condition now and ready to go! If you’ve been wanting a vintage baritone, the Conn 12M is the one to get! It’s the most desirable vintage baritone, and it feels almost like a tenor to hold and play. The tone is the reason to get one – warm, round, full, and extremely pleasant to listen to. Gerry Mulligan, Harry Carney etc. played these. This one has virtually no past repairs, and no dents or dings. The original silver is nearly 100%, and the gold wash in the bell is still intact. It sat in storage for most of its life, which is why it is in such clean condition. Then it got a thorough restoration recently and is still fresh and ready to go.
Only one available!
Conn Early 6M Alto Saxophone 250425
This is about the 150th Conn 6M made. (The first is #250243, and they made other voices in between that one and 250425.) If you know this site, you’ll know that I especially like these early 6Ms. They play wider and wilder than the also-great-later 6M’s, but they still have the super slick keywork that makes 6M’s great. So it’s kind of a sweet spot if you want great keywork and a big sound. This one needs an overhaul, and it has a few dings, but it’s going to be a superb alto with a little care put into it. Or talk to me about getting it including a fresh overhaul, which I can have done to my picky standards in a couple of weeks’ time.
GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece$ 199
**Update: Due to strong demand, I’m about a week behind on hand facing these mouthpieces for sale. However, regardless of which shipping option you pick, I’ll upgrade you to express 2 day shipping – or FedEx International Priority shipping if you’re overseas. So even though it’ll take me a week to make your mouthpiece, you’ll still receive it surprisingly quickly, especially internationally.
GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.
This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for only 15% the cost of an original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.
Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. We’ll post hi-fi sound samples of the GS SLANT on a variety of brands of saxophone very soon! See below for the GS SLANT vs Vintage Slant A/B video.
If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.
To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.
Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW$ 4,300
One avalable now and it has had the GetASax new horn checkup after shipping here from Ishimori, and is ready to ship right out!!
This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:
Ishimori Wood Stone New Vintage Tenor Saxophone WST-AF with F# Antique Finish NEW$ 4,700
Back-ordered. Order now to reserve yours.
One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.
These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!
See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.
Keilwerth SX-90 Black Nickel Tenor Near Mint Early Version Good Pads 103682$ 4,850
This is the nicest early Keilwerth tenor I’ve seen, and it also has pads that are almost new, and has no damage or past repairs at all. This is the desirable early version that is what Grover Washington Jr. also played. These tenors are GREAT for smooth jazz, because they have a big, fat upper register that sounds really good with a bright mouthpiece. The whole horn seems like it’s asking to be a solo instrument or cut through a band.
Pair it with something projecting like a Guardala, Berg, Dukoff, or any of the modern pieces that are made for projection, and you’ll have an instant pro sound. Or play a vintage jazz piece on it and it sounds almost like a Conn but with comfortable, modern ergnomics. The black nickel ones are by far the most popular, and always go fast.
This one is pretty much unbeatable.
Only one available!
King Super 20 Tenor 1947 Full Pearls Original Lacquer Good Pads 290165$ 5,850
This is a beautiful original lacquer King Super 20 tenor saxophone from 1947. It has the light ‘coca-cola’ lacquer that these almost always have in the 290k range. The pads are in excellent condition and almost new. These late 40’s Kings are wonderful players. Big, dark, spread, powerful tone with lots of projection. The neck has the matching serial to the body. It’s kind of amazing to me that you can still buy an original King Super 20 tenor with a good overhaul and full pearls, solid silver neck, and full pearls on all the side and palm keys for this kind of a price. Heavily marketed Taiwanese horns are priced in the same range.
Low C Bass Clarinet Entry Level Great Quality for the Money – NEW!$ 2,100
People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.
Noblet Alto Good Original Condition Great Deal 8662 Original$ 599
NOVA Woodwinds Bronze Low A Baritone Saxophone Brand New Great Deal
Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.
If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!
Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.
You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.
Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.
It comes in this version, which is bronze, and then in the brass version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Rico Metallite for funk/rock, a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, or there are lots of other options getting listed in the baritone mouthpieces section of the site.
These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.
Selmer Balanced Action Alto Saxophone Excellent Condition Original Overhauled 24352$ 7,500
This is a SUPER nice example of one of my favorite saxophones – the Selmer Balanced Action! This has to be one of the nicest Balanced Action altos around at the moment, as there are not many 80 year old saxophones that have original finish and still look remotely this good. If you’ve been looking for a gorgeous vintage Selmer that has a warm tone, you would be hard pressed to do better than this! The Selmer Balanced Action is the saxophone whose keywork became the basis for all modern saxophones. So if you want something that has the most warm and spread tone, but that has modern keywork, then the Balanced Action is probably your best overall option. They are sweet, lyrical players, but with the recognizable Selmer ‘French’ core tone that people look for in a Selmer as well. This is the kind of horn that makes it easy to elicit compliments from listeners on what a pleasant tone you have on sax. It’s not really a screamer or paint peeler. More of a beautiful tone than an earth shattering one. That said, you can play loudly on it as well. This Balanced Action had a recent overhaul done in California, and it feels good under the fingers on nearly new pads that are sealing well and just checked up to make sure they’re perfect. You don’t need to budget for an overhaul or any kind of restoration. Just buy it and play it. Easy! And there’s no other saxophone with more beautiful lacquer and engraving. As I write this, I can feel the urge to just keep it! But I do have to buy AND sell saxophones in order to stay in business. If your business is something else, then you should just buy this one and keep it. It will certainly continue to hold its value and go up in value over time. There are very few nicer examples of this superlative model of vintage Selmer.
Only one available!
Selmer Balanced Action Tenor 24461 Relacquered Freshly Overhauled Great Price$ 6,450
Selmer Mark VI Alto 1969 Original Lacquer Excellent Condition 171207$ 7,000
This is a near time capsule Selmer Mark VI alto with beautiful honey gold lacquer. It’s all original including original pads still sealing surprisingly well. You’d be hard pressed to find a cleaner Selmer Mark VI Alto saxophone than this. It comes in a very sturdy original case as well. Only one available!
Selmer Mark VI Tenor Worn Original Lacquer 1967 140547 Great Deal!$ 6,750
This is a chance to get a worn original VI from 1967 with older pads for a bargain price (for a VI). This vintage of Mark VI tenor tends to have a TON of projection and power. The tone is medium between bright and dark – not super dark, not super bright and thin. Depending on mouthpiece, you can take it in lots of directions. This was owned by the same guy for the past several decades. He played it a lot because it plays well. It still plays well, and just got tuned up. It’s time for a fresh overhaul on it, in my opinion, so if you like the worn look on a Selmer, and you want it original lacquer, and you want to be able to afford to overhaul it your way, but not be into it for too much money, then that’s what this is.
Only one available!
Selmer Radio Improved Alto Relacquer Great Deal 18901$ 2,350
Selmer Reference 36 Tenor Near Mint Amazing Plus Fresh Overhaul! 689809$ 7,250
If you’ve never played a properly overhauled Selmer Reference 36, then you really have probably never played one. They are fantastic instruments, once all the factory pad work is removed and replaced with a good high-end overhaul. We used Pisoni Italian leather pads and reusable slightly domed brass resonators, which is the best combination I know for these. Now this horn is just amazing and effortless to play. If you want a Selmer with some body, instant response, super easy low register, and modern keywork, this is it! Based on the Supreme altos I’ve gotten in, Selmer has done nothing to improve its factory setup, so the new Selmers still need a lot of work when you get them new. This is a chance to get a near mint example of a Ref 36 that has already had everything fixed permanently and that just plays how it should.
Selmer SBA Alto Original Lacquer Recent High End Overhaul Gorgeous 51347$ 7,500
Amazing original lacquer Selmer SBA alto with a recent high-end overhaul. It plays great! This is about as nice an example as you are likely to find. It has a medium dark, smoky tone that fills a room with ease. The core is lyrical and delicate, making this a great do-it-all alto for either classical or jazz. Just switch your mouthpiece out! The scale is nice and even. Intonation is quite good as well. No resolders, no dents, no dings. It’s one of the most beautiful ones around.
It comes with a nearly new BAM Classic alto case that fits it perfectly, and that is protective for shipping.
Only one available!
Selmer Super Sax Cigar Cutter Alto Original Lacquer Fresh Overhaul Exceptional! 16757$ 4,950
Just overhauled. Photos are before the overhaul. It looks a bit nicer now, and plays ridiculously well. It’s like the warmth and lyrical core of a Selmer Balanced Action, but with the wideness and power of a Conn 6M added in. Keywork is the older style, of course, so you can’t be too fussy about that. We just did a GS NY demo video quick preview with this exact alto, so you can hear it in action on an extremely precise copy of my favorite Meyer Bros NY alto piece in this demo clip. You can tell Tyler is a tenor player from the way he really pushes the horn with tons of air, but it doesn’t back down!
Yamaha YAS-26 Alto Near Mint Condition Great! U72312$ 1,450
This is a fantastic condition Yamaha YAS-26 alto saxophone, that is the top recommendation of most band directors for a first alto saxophone. At $2166, the new price can be a stretch for many band parents. This one saves you $700+ off the price, and the horn looks basically new and plays better than new, because my repairman just went completely over the horn made sure that it’s playing its absolute best. (It got way more attention than a typical YAS-26 you’d buy at Music and Arts or whatever.) Looks new as well, and I can also jump start your saxophone career with some free accessories, and advise you on a good mouthpiece and reed setup to get you going (this can help a LOT).
Only one available! But if you aren’t the lucky family that gets this one, check the altos category for more YAS-23’s and YAS-26’s. I buy them and fix them up as a service to young saxophonists. I make virtually no money doing it, but every good saxophonist I know started on one of these. They really do put you on the right track as a young player. They’re also excellent altos for pros who double on alto or who want a dependable backup alto.
Yamaha YAS-62III Alto Saxophone Brand New with Warranty!
The YAS-62III Alto saxophone from Yamaha is the go-to, top recommended first professional alto saxophone from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3000. What should we get?” The most common answer is basically always a Yamaha YAS-62III alto. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YAS-62III alto saxophone is meant to get the job done without over-determining the tone. It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Works for classical or jazz.
It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have one available late September, 2022. These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.
Yamaha YDS-150 Digital Saxophone – In stock now!$ 799
November 2022 Inventory Update: Two in stock!
The Yamaha YDS-150 Digital Saxophone is a new kind of digital saxophone. It is more like a real saxophone than any digital saxophone that has come before, because it has regular saxophone keywork. So unlike an EWI 4000S, 5000, or a WX5, you don’t have to switch to a different keywork feel in order to play the digital saxophone anymore.
This is going to be huge for people who want to practice saxophone quietly rather than people who just want a midi or digital interface sax. You can practice with headphones on and not bother your neighbors at all hours. Or play it quietly on one of the 15 volume settings. The Yamaha YDS-150 Digital Saxophone also works fine as a digital input into whatever sound processing software that you want to use. But it feels more like a regular saxophone under the fingers. I’ve been having fun with digital saxophones ever since the Casio DH-100, and I think like the Casio, this Yamaha YDS-150 Digital Saxophone will probably become an instant classic of its genre for the same reason – it feels more like an actual saxophone to play than any similar option.
In brief (more below) are the main features of the Yamaha YDS-150 Digital Saxophone that you might care about:
- The Yamaha Yamaha YDS-150 Digital Saxophone has a speaker in the brass bell, so that the sound you generate vibrates the instrument’s body tube. As you play louder, you feel more resonance.
- The Yamaha YDS-150 Digital Saxophone has a regular saxophone mouthpiece (basically a repurposed Yamaha 4C soprano piece) and even a ‘reed’ so that it feels like a saxophone in your mouth also. The reed doesn’t vibrate though! You can even swap out the Yamaha mouthpiece for your own mouthpiece, as long as it has a similar bore to a 4C, though this won’t do much to the tone if anything. It might make it feel a little more like ‘home’ to you.
- The Yamaha YDS-150 Digital Saxophone has an advanced breath sensor that responds instantly to small changes in breath support by changing the tone that you generate. Again, you see the theme – feels a bit more like a saxophone to play.
- The sound it generates is actual sound samples taken from real Yamaha saxophones. You can switch among Yamaha soprano, alto, tenor, and baritone tones on your Yamaha YDS-150 Digital Saxophone. It’s a pretty good idea, thought it still sounds like a midi sax to me. The bari sax model is actually pretty good though.
- There’s an app that lets you further modify and control the tone you get from the Yamaha YDS-150 Digital Saxophone. The app is actually quite good! And you can also input the sound from your Yamaha YDS-150 Digital Saxophone into Ableton or Garageband or ProTools or whatever you like and modify it there, or even run the output into analog or digital pedals, like in our saxophone looping video here.
- Interestingly it’s keyed from high F# down to low A so you can use it as a baritone model! And the tuning is adjustable within 5 hz so you can play with a flat piano or in different temperatures with acoustic instruments whose tuning changes with changing weather etc. Not a bad idea!
Shortcomings of the YDS-150 are as follows:
- It’s a bit awkward changing notes with the digital switches on the keys versus the analog feel of a real sax.
- Similarly, starting and stopping notes with breath is different from how you articulate them on a real sax. So playing four quarter notes staccato requires you to learn habits that don’t transfer to sax.
- Reed doesn’t vibrate, so it doesn’t really feel like a saxophone to play.
- Saxophone sound samples don’t sound all that much like a saxophone. See our A/B comparison video for comparison of a Yamaha custom alto vs the YDS-150 alto sound model.
- No vibrato or control of tone with embouchure – breath only.
I’ll put more Yamaha YDS-150 Digital Saxophone details and some review videos and sound clips in the long description below, so scroll down for the additional info! And for only $799, it’s not bad even just as a tool to get some late night practice time in.
Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup$ 3,798
The YTS-62III Tenor saxophone from Yamaha is the go-to, top recommended first professional tenor from most teachers and band directors I have talked to over the years. Again and again online, someone asks something like, “We want to get our daughter/son a good saxophone. Our budget is around $3750. What should we get?” The most common answer is basically always a Yamaha 62 tenor. Why? It just works. It’s a professional horn that is extremely reliable and made in Japan, with excellent build quality, great intonation, and a top quality factory setup. You can use virtually any mouthpiece on it, and it will still tune well. That lets you take the (admittedly rather vanilla) tone in myriad directions. Yamaha is a conservative company, and their crowd pleaser YTS-62III tenor saxophone is meant to get the job done without over-determining the tone. It’s clear, medium bright, and round. Not too loud and in your face, not very dark or too bright. Not very smoky or complex. But you can add most of that back in with a well-chosen mouthpiece.
It’s hard to keep these horns in stock, as Yamaha has been backordered on them for a long time. I have some more coming in pretty soon (Maybe June 2022) These come with a new horn checkup before they go to you, meaning my (experienced/skilled/picky) repairman makes sure that the horn plays like it should. Often there are 2 or three little tweaks that take the horn from good to great, and that’s actually a big added value to you to have us do that before you get it. Most of the differerces between new horns of the same model at a store are due to the lack of a good new horn checkup.
Yamaha YTS-875B Black Lacquered Custom Tenor Saxophone Very Good Condition$ 3,750
**This is a fantastic tenor! It is one of the most fun horns to play that is on the site right now, regardless of price. And it has THE most beautiful low register of any tenor on the stie.
This is the original YTS-875 Tenor before the EX, and it’s the darkest, fattest sounding Yamaha tenor ever. These are great. My first pro tenor was one of these as well, and I only sold it to raise the cash to start GetASax! This one was one-owner, pro-owned and very well cared for. It has good pads and plays effortlessly. These work great for any style of music, and also pair with brighter mouthpieces better than other Yamahas. You can also get a beautiful classical tone on one! So it’s kind of a do-it-all instrument. The only past repair I see is a small dent removed from the bell flare, that isn’t very noticeable. I love the way the black lacquer ones look, with the engraving cut through the finish to show the brass underneath. They’re also rare, hold their value well, and look great on stage.
Only one available!
Yanagisawa A991B Alto Black Lacquer Excellent Condition Rare$ 3,750
Beautiful example of an original black-lacquered Yanagisawa ‘Elite’ Professional A991B Alto Saxophone. This premium alto plays great, and is ready to go, with good pads, and no damage or problems. I love how the black lacquer looks with the engraving cut through it into the brass. You might upgrade to a fully engraved, gold plated neck, if you want even more eye-turning bling on this horn. I have one of those available by special request.
Yanagisawa AWO1 Professional Alto Saxophone New + Setup – Fantastic Deal! A901$ 3,150
One available now!
New in the plastic Yanagisawa AWO1 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO1 Alto Saxophone, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!
If you’re wondering, the AWO1 is the brass version of Yanagisawa’s professional alto. This is the new name of what used to be the A901 model. It has a more open and vibrating feel than the heavier-built AWO10 (which is also a fantastic alto, but more expensive). My first good alto was one of these. If you want the best alto for the money, that would be the Yanagisawa AWO1. And when you go to re-sell it, you can get most to all of your money back, which is the opposite of most new saxophones.
Any questions, feel free to ask!
Yanagisawa AWO10 Elite Professional Alto Saxophone Brand New Fantastic Deal! A991$ 3,950
Mint, unplayed, new in the plastic Yanagisawa AWO10 Alto saxophone. This is probably the best deal on this saxophone that you will find anywhere. The AWO10 (formerly called A991) is Yanagisawa’s top of the line saxophone, made of solid brass, like most saxophones (as distinguished from their bronze and silver options that are significantly more expensive.) This AWO10 just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO10, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!
If you’re wondering, the AWO10 is the brass version of Yanagisawa’s top line professional alto. This is the new name of what used to be the A991 model. It has sturdier ‘ribbed construction’ and double arms on the bell keys, to distinguish it from its extremely similar but less expensive sibling, the AWO1 (A901). The Yanagisawa AWO10 also has the underslung neck octave key mechanism and fancy hand engraving. I love how the neck octave key looks and works. My first good alto was a Yanagisawa, and I never would have needed to upgrade from it. The tone is medium bright, clear, and round, with a crisp projection to it. With a classical mouthpiece, it darkens up beautifully while still shimmering. For jazz, it’s a natural lead alto with a brighter mouthpiece, like the GS New York or many others. The intonation is excellent. Keywork is super comfortable. The build quality that Yanagisawa offers is the best of any saxophone, and yet the price is lower than many of its competitors. That’s why Yanagisawa is SO popular among pro sax players, and why its saxophones are often back ordered with long waits. Here’s your chance to grab one at a SUPER price that is all setup and ready to go for many years making beautiful music dependably. It’s the Lexus of modern saxophones, and it just makes playing effortless.
Any questions, feel free to ask!
Yanagisawa AWO2 Solid Bronze Alto Saxophone Brand New + Setup! A902$ 3,750
ONE available Nov 2022, and it plays REALLY well.
Brand new, unplayed, in the plastic Yanagisawa AWO2 Alto saxophone. This is probably the best deal overall in a modern alto period. This horn just got checked out post shipping and is ready to play its very best right out of the case when you get it. It’s completely mint, with factory box and paperwork etc. You won’t find a better playing Yanagisawa AWO2, nor will you find a better price. I have an extremely limited number of these that I can offer you at this sale price. Good luck to the few people who are able to jump on this amazing deal!
If you’re wondering, the WO2 is the bronze version of Yanagisawa’s professional alto. This is the new name of what used to be the A902 model. It has a more open and vibrating feel than the heavier-built AWO20 (which is also a fantastic alto, but more expensive). My first good alto was one of these. And the solid bronze adds more depth and complexity to the tone – kind of a thick heart to the core of the tone. It’s quite easy to hear once you get used to it and play the different Yanagisawa saxophones. The AWO2 (A902) and AWO20 (A992) are my favorites, closely followed by AWO1 (A901) and AWO10 (A991) (same horns but in brass instead of bronze).
Any questions, feel free to ask!
Yanagisawa SN-981 Sopranino Saxophone Brand New Excellent Player! Great Deal!$ 3,450
Yanagisawa SWO2 Solid Bronze Professional Soprano Saxophone New! + Setup$ 3,950
One just in!!
This is a new Yanagisawa SWO2 Soprano saxophone in solid bronze. The one piece solid bronze Yanagisawa SWO-2 soprano is one of my favorite modern soprano saxophones of all. It has a noticeably darker, more complex tone than the SWO1, so to me, it’s worth the extra money to spring for the bronze on soprano. The one piece design means no neck socket to leak, and the horn resonates beautifully under your fingers when you play. It tunes beautifully as well. The keywork feels great under the fingers – dry and snappy. Yanagisawa has the best build quality of any modern saxophone, and it shows. Plus I get all new Yanagisawa saxophones checked out pre-sale by one of my excellent repairmen, so that any tiny improvements that will take it from good to great are done before you get it. This is a surprisingly big deal, and something you want to have done, regardless of where you happen to buy a new saxophone. A couple of tiny, smart fixes often take an already good horn into the exceptional category.
If you’ve been thinking of getting a soprano, then Yanagisawa is really a great choice. These are precision instruments that are built to last and that sound beautiful. They work with a wide range of mouthpieces (Selmer sopranos are more ‘mouthpiece picky’), which is nice because you can shape the tone with mouthpiece choice a LOT.
I have an extremely limited availability of these Yanagisawa saxophones, but ONE SWO2 is currently available as of November 2022. Whoever gets it will be one lucky saxophonist!
Yanagisawa TWO1 Professional Tenor Sax New + Setup – Great Price!$ 3,650
Yanagisawa TWO1 Tenor Saxophone brand new (formerly T901) is a professional saxophone for an absolutely bargain price. It’s also the best built modern saxophone. It just happens to also be affordable. This horn got a new horn checkup after arriving at the GetASax shop. Having a world class repairman take a look at a new saxophone fresh from the factory can often take it from good to great. There are typically 2 or 3 small tweaks that need done, and presto – you get the full experience of what the horn can do. Besides the excellent price, that’s a real selling point, I think. I wish my first new saxophone had been checked out. I suffered with too stiff spring tensions for years in college, without even realizing that I could easily have had that fixed. I know better now!