Great Deal

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  • BAM France Panther Cabine Alto Saxophone Case

    $ 389
  • Borgani Joe Lovano Pearl Silver Tenor Saxophone Excellent Condition 19626 – Sounds like a Conn!

    $ 3,950

    Borgani Joe Lovano model in Pearl Silver with 24k gold plated keywork. This has not been played much since it was bought new last year by the original owner. It plays like a vintage Conn but with modern keywork, which is pretty cool. More like a New Wonder II than like a 10M. The tone is big, dark, wide, and pretty spread. You can find videos of Joe Lovano playing this model, if you search on Youtube. If you love the sound of a Conn, but you don’t want to play a horn with vintage keywork, this is really your only option among modern saxophones.

    This horn has no dents, no dings, no past repairs at all. It has been well cared for and feels quite good under the fingers. It just got the pads checked out, and it is playing very easily. It comes in the beautiful original case which is also in great shape.

    Only one available!

  • Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849

    $ 3,300

    This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.

    This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!

    The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.

    This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.

    Only one available!

  • Buescher True Tone Series IV Tenor Saxophone Original Gold Plate Good Pads 212844

    $ 2,150
  • Conn 10M Tenor Saxophone 1935 Fresh Overhaul Original Lacquer Great Deal!

    $ 3,850

    This is this kind of Conn 10M tenor saxophone that makes people ditch their Selmers and Yamahas. Keywork is comfortable, intonation is excellent, and the tone is to die for. Wide, dark, but still punchy and with a good amount of focus. Palm key tone is gorgeous and full, not a bit thin. Priced to sell quickly. It’s cheaper than a new Taiwanese tenor and is built better and sounds better. By the way, this is what original lacquer looks like on the early 10M’s from ’34-35.

  • Conn 10M Tenor Saxophone Late Example Great Deal! Needs Repad

    $ 950
  • Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer Good Pads 322571

    $ 3,150

    Price just lowered 6/19! Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. It was repadded at some point before it came in, and the pads are still in good condition. It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.

    The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.

    Only one available! Get it now.

  • Conn 6M Alto Saxophone Original Lacquer  Metro Neck Great Condition New Pads 271271

    $ 2,450

    Beautiful original lacquer Conn 6M VIII alto saxophone with the desirable Metro neck. Recent overhaul, plays great. This is the one to get. Priced to move!

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Gorgeous Silver Plate 1931

    $ 1,950

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Conn 6M New Wonder II Transitional Alto Saxophone

    Conn 6M Transitional Art Deco Burnished Gold Plate Alto Saxophone The Best!

    $ 3,950

    Price just lowered!!

    This is one of those super-rare Conn alto saxophones from when Conn was at the height of it’s manufacturing expertise. Conn had the most advanced saxophone manufacturing facility in the world, and it set the standard for quality for all other manufacturers. This alto would have been a special, top-of-the-line model. It has the most elaborate thick burnished finish that is also by far the most time consuming to apply. (Ever burnished anything by hand?) This is original (real, actual) gold plate. (People often think this can’t be real gold, but hey, welcome to the 1930’s where both gold and labor were cheap, and American craftspeople were the best in the world! And there’s the most desirable engraving pattern here also, or at least one of them. For just about a year and a half, Conn did this deluxe ‘art-deco’ geometrical engraving style on its nicer instruments. There’s a lot to see here – it’s a masterpiece of hand engraving that is no longer done at this level by any manufacturer today.

    Conns from the early 1930’s are my absolute favorite There was a short burst of gold plate examples mixed in with other horns between 238k-252k, and they are the best of the best in my book.

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Excellent Condition 282496

    $ 2,100

    Full description coming, but this is a beautiful Conn 6M VIII alto with great original lacquer. This is pre-war, original pads, needs a good overhaul, but besides that, man, this is the one you want.

  • Conn 94M DJH Modified Tenor Saxophone Keilwerth Made Excellent Pro Tenor!

    $ 2,750

    Getting a complete high end overhaul right now! This is in the hard-to-beat-for-the-price category for sure. Made by Keilwerth for Conn, this is like a Couf Superba 1 with straight tone holes and Conn 10M engraving. As you may know already, the Superba 1 is one of my favorite tenors. I’m not surprised that when Conn wanted to add a new professional instrument to its line, it went with the Keilwerth. It is the most like a Conn of any modern horn, and it is well made, tunes well, feels great undet the fingers. It really checks all the boxes of what you might want in a tenor.

    This particular example has original lacquer and no resolders. It is getting overhauled right now, which is a big job – 30+ hours of highly-skilled labor goes into a good overhaul, and that means the horn will play its very best with all new everything, for a long time into the future. It’s a joy to play a horn like this with a fresh overhaul. Just the work costs around $1100-1500 to do everything, which means you are getting an excellent value. The horn itself is less than half the price!  Buy it now to reserve it. It should be ready in the next 2-3 weeks (so June 2019).

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn Pan-American Baritone Saxophone 12M NWII 47372-1

    Conn Pan-American Baritone Saxophone New Wonder II Style Recent Full Overhaul!

    $ 3,000

    Well here’s something of a unicorn.  A well overhauled vintage baritone in good shape without any gremlins hiding around the corner, and although it has the 12M body tube AND is keyed to high F, because it is a Pan-American (Conn’s second line brand) it is cheap, baritonely speaking.  Plus, this horn is just so fun to play. The overhaul was done with black kangaroo skin pads and domed resonators, the key heights are correct (12Ms like fairly open key heights) and even the neck tenon receiver has been replaced with a very well done custom replacement- which is amazing and excellent because those neck receivers are a major pain point, almost always leaking or cracked and not easy to replace well and impossible to replace cheap.  

    Physically, the horn has seen a good bit of use and has the scratches and dings to prove it, but it has no major damage, the neck is in good shape, the keywork is tight, and its ready to play reliably for years out of the box.  The lacquer looks to be original, though I find it harder to tell with Pan-Americans since they sprayed it over the engraving a lot of the time. At least it certainly doesn’t look to have been buffed to my eyes. The toneholes are straight, not rolled, but other than that this is basically a Conn 12M and it plays just like one- that is to say with an enormous, rich tone that makes playing a joy and listening a treat.  

    Curiously, at some point in the past, somebody installed adjustment screws on the bar for the C# and F# in the upper and lower stacks, like a modern Yamaha.  It was well done, and would not have been cheap. Combined with the neck tenon receiver replacement and professional quality overhaul, the person who owned this before I did clearly cared a great deal about it and spent a lot of well-aimed money with a talented repairer making it an exceptional baritone- and they succeeded.  This baritone is worth more than it will sell for, and the next owner is a very lucky person.

  • Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great

    $ 2,350

    The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)

    This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.

    I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.

    Only one available!

  • Couf Superba 1 Tenor Very Good Condition Original Lacquer Getting Overhauled!

    $ 3,850

    Just freshly overhauled. This might be the best playing tenor on the entire site (see also this Conn). This tenor has a HUGE, powerful tone, with effortless, fat low register, and crisp, fat upper register. It is just a joy to play. It got the premium TenorMadness hand-machined, slightly-domed, reusable metal resonators that work so well on these horns, and that look great also. 

    This is a very nice condition Couf (made by Keilwerth for Herb Couf) Superba I tenor, which is a great modern ergonomics horn with a lot of the big, fat tone of an old Conn.  Some people also compare them tonally to a good Selmer SBA, and they do indeed share the big sound you can get on a great Selmer.

    This particular sax sports a high F# key and has lived a relatively cosseted life thus far.  The only evidence of any repairs or damage past or present is a resolder on the low Eb keyguard foot, which is fairly common on these, and has no impact on playability. The original gold colored lacquer (which has a particularly beautiful lustre to it that can often be mistaken for gold plate) is in very good shape.  

    The Couf Superba I sports rolled toneholes and a really cool modern engraving pattern and was built in West Germany by Keilwerth to be imported by Herb Couf, a distinguished professional saxophonist who later was a Vice President of the W. T. Armstrong company.  As told to me by those who knew him and also as evidenced by playing the saxophone he chose to put his name on, the man had good taste in saxophones. If you have been looking for an extremely well built modern ergonomics horn with a bigger sound than you find on most modern instruments, look no further- Couf has you covered.  

    This is a very nice condition Couf (made by Keilwerth for Herb Couf) Superba I tenor, which is a great modern ergonomics horn with a lot of the big, fat tone of an old Conn.  Some people also compare them tonally to a good Selmer SBA, and they do indeed share the big sound you can get on a great Selmer.

    This particular sax sports a high F# key and phas lived a relatively cosseted life thus far.  The only evidence of any repairs or damage past or present is a resolder on the low Eb keyguard foot, which is fairly common on these, and has no impact on playability. The original gold colored lacquer (which has a particularly beautiful lustre to it that can often be mistaken for gold plate) is in very good shape.  

    The Couf Superba I sports rolled toneholes and a really cool modern engraving pattern and was built in West Germany by Keilwerth to be imported by Herb Couf, a distinguished professional saxophonist who later was a Vice President of the W. T. Armstrong company.  As told to me by those who knew him and also as evidenced by playing the saxophone he chose to put his name on, the man had good taste in saxophones. If you have been looking for an extremely well built modern ergonomics horn with a bigger sound than you find on most modern instruments, look no further- Couf has you covered.  

  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 5,500

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

  • Ishimori Wood Stone Alto Saxophone Pre-Order Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Accepting Pre-orders for delivery summer 2019.

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • King Soprano Saxophone Original Silver Plate 81960 Great Deal!

    $ 1,100
  • King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul!

    $ 6,450

    Price just lowered 6/4/19! This is one of the most beautiful saxophones ever produced – the King Super 20 with pearl side keys and palm keys, bell and bow key cups engraved, solid silver neck, three ring strap hook – just about as de-luxe as it gets.

    But wait, there’s more! For a price lower than a new Keilwerth Shadow, or a new Selmer Reference etc, you get not only one of the best-built, most beautiful, best-sounding tenors ever made. You also get it with a fresh overhaul done by one of the most meticulous saxophone repairmen in the business – Carlo Cennamo of cennamowoodwinds.com . I have been hearing good things about Carlo’s work for a few years, but I finally got to see it earlier this year, and it is just top quality. Full mechanical rebuild including all key fitting to precise better-than-new tolerances; excellent pad work that feels dry and snappy under the fingers and makes the horn resonate its notes on its own as you close the pads; adjustment materials that make sense throughout; a carefully done neck fit for a good seal; nice, even spring tensions. This is a $1500++ overhaul and takes Carlo almost an entire work week to complete. So that’s a big deal.

    The only past repair I see on this horn is a resoldered brace on the bell side that popped off on its own when the horn was disassembled. It was popped right back on and is in good shape now. This horn has obviously been babied since it was new. It has almost all of its original lacquer intact. For you King geeks out there, this is King’s ‘light’ colored lacquer advertised in its sales brochures. The dark lacquer ranges from caramel to chocolate colored and looks completely different. By the way, it now has the correct neck screw and Eb key guard screws. I need to update the photos.

    This horn just sings, with a medium dark core tone that gets brighter and punchier as you push it. The solid silver neck gives you more upper partials and a bit more of a ringing focus to the sound. The whole horn comes alive as you play, and the response is particularly satisfying. If you have never played a saxophone that is actually right, then I hope that you will soon get to experience it. Low Bb is just another easy note to play, and you can play the entire low register easily at any volume, including pianissimo without losing ‘saturation’ in the sound. Basically, the horn just gets out of the way and lets you play what you want. It’s a beautiful thing.

    This comes with a new BAM Classic tenor case, and you can swap that out for a different case if you want to discuss options. There’s only one available of this beautiful Super 20. Get it now!

  • Low C Bass Clarinet Entry Level Great Quality for the Money – NEW!

    $ 2,100

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Sold Out

    Martin Committee II Tenor Saxophone Very Good Condition Original Lacquer Orig Pads 139670

    $ 1,800

    One of the best condition Committee II Tenors I have seen. These are very rare, and they play beautifully. Very hard to find like this with ORIGINAL lacquer! It has old pads. Add an overhaul, and it will be fantastic. (Talk to me if you want advice on that.)

    The tuning, ergonomics, and build quality on these is really excellent. Tone is warm, powerful, classy, and medium dark. One of the best horns you can get per dollar spent.

  • Martin The Martin Alto Saxophone Excellent Condition!

    $ 1,150

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • Selmer Mark VI Alto Original Lacquer American Engraved Excellent Condition 233486

    $ 5,450

    This very clean, American-assembled late Mark VI alto is a good example of why I think the late American-assembled VIs are a relative bargain.  It is very nearly unplayed, sporting most of its original pads (I had a bit of repair work done on it to bring it up to playable) and it possesses an undeniably huge tone, probably the most strident and powerful of all the VI altos.  The American-assembled Mark VI altos in the very late run have a large patch soldered to the inside of the bow at the factory to reduce the overall volume of of the interior of the bow, and they play better with noticeably less burble and resistance down low.   It is a low-tech solution, but one that works very well and was therefore done at the factory to every American-assembled Mark VI alto after around serial number 210,000 or so.

    This particular saxophone is in very good condition, with its original lacquer.  There are a few small scratches here and there and some playing wear on the touchpieces of the side keys and palm keys, but 99% or more of the lacquer remains and it shows no evidence of past repairs or resolders.  This is a nice, solid Mark VI alto in excellent condition that will blow the doors down if called upon to do so.

  • Selmer Mark VI Alto Saxophone 1961 5-digit Serial 96xxx Fresh Overhaul! Relacquer

    $ 5,950

    This very clean refinished Selmer Mark VI 5-digit serial number alto saxophone is just received a high-end, full mechanical overhaul, and turned out to be an amazing player! It already played well on the old pads, with a dark, powerful, projecting, focused tone that feels almost like a tenor saxophone. Now, it’s one of those horns you just don’t want to put down. Medium dark, free blowing, effortless low register, as softly as you want to play, easy altissimo. The key feel is nice and snappy, and feels like a brand new horn. This horn had never been damaged at all, and is super clean, apart from the new coat of paint it got at some point. You can read around on here to see what a big job a full overhaul is on a vintage horn. The short of it is, this horn is totally restored. The clock is turned back to new mechanically, and it will need only routine checkups to play its best for many years to come.

    I keep meeting so many good players who, it turns out, have never played a sax that was actually right all the way through. This one will is. It’s a joy to play!

    The resonators are the expensive TM Custom ones, that are slightly domed brass reusable resonators like the 50’s Selmers originally came with before they went to plastic. They look good and work just right on these horns.

    Only one available! Whoever grabs this is going to be in a really good place alto wise! If you want to get it with a new BAM case, I’ll sell you one at a great discount as a package deal.

  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,950

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Selmer Mark VI Soprano Saxophone 253537

    $ 4,850

    Beautiful original lacquer Selmer Mark VI soprano saxophone in excellent condition. The pads are a mix of older and newer, mostly older. But it plays nicely on them with a warm, resonant tone. This is a great VI soprano and sounds rich, and also tunes quite well. Original case is in good shape too. No dents or dings, no resolders. A bit of stand wear inside the bell flare is about all there is to say about this very nice Mark VI soprano!

  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer SBA Tenor Saxophone Silver Plated 47611-3

    Selmer SBA Tenor Saxophone 47xxx Original Silver Great Player Super Balanced Action

    $ 12,000

    Here is a gorgeous Selmer Super Balanced Action tenor, built in 1952.  It has its original silver plated finish, and it is in very good condition.  The Selmer Super Balanced Action tenor is among the most desirable tenor saxophones ever. And for good reason. It’s the horn Coltrane famously played for many years (up until around 1965), and the horn Branford Marsalis and many others play today. It has the classic Selmer tone that, whether you know it or not, is already in your ears from all those classic Blue Note era recordings. Hank Mobley on Soul Station is one for me among many others.  Point being, if you’ve heard a saxophone on a famous recording, you’ve likely heard one of these. And that is no accident- these saxophones are sublime.

    This saxophone has been overhauled at some point in the past few years and was recently given a tuneup, and it plays very well, with the broad and rich Selmer tone that these are so known for. The only damage is a scratch inside the bell flare, probably from a clip on microphone. The bell flare is just a little uneven in that spot when you look at the light reflecting on it. Super minor, but I’d rather you are pleasantly surprised by the horn’s beauty than disappointed at a flaw you didn’t notice.

    The keywork is comfortable and intuitive, owing to the underlying design started with the Balanced Action and honed with the Super Balanced Action that was so inspired it remains the basic template for all saxophones made to this day.  The intonation is excellent (this is one of the later long bell tenors- the early short bell tenors are known for needing a bit of extra attention to low note intonation) and the response is quick and lively, and as the best Selmers do it lends itself easily to any style of music- which is one of the things that sets Selmers apart from the rest.  It is an ability that is in my experience rare among saxophones, and nobody does it better than Selmer.

  • Selmer Super Balanced Action Alto Saxophone 41881 Euro Very Clean Condition Chesterfield Case

    $ 3,900

    This is a very clean relacquered Selmer Super (Balanced) Action SBA Alto saxophone from 1950 in extremely good physical condition.  The original owner’s family says it has never been refinished, and my repairman says it still has many of its original pads, though I think it must be a factory relacquer to look this good. (Pads could be factory from the refinish). I could be wrong, which would make this an extremely good price. I just watched one of these sell on shopgoodwill.com for $6501 with terrible photos and an error-filled description, so go figure.  With this particular version of Euro-engraved and lacquered Selmer, it can be hard to tell, because they were originally engraved first, then lightly buffed and lacquered, which is what a relacquer looks like at other vintages. Nevertheless, I’m selling it as a relacquer, due to the red rouge (buffing compound) in the little nooks and crannies of the horn, that I do not think is likely to be original. OK enough about lacquer. It’s just a coat of paint after all. The horn is what matters, and this one is super nice and very clean mechanically and cosmetically.

    No past repairs, no resolders, no damage to the neck, body tube, or bell flare. Pads are old, so plan on an overhaul, and it will be a wonderful player with a rich, medium dark tone with a moderately focused, lyrical core.  It comes in its original Chesterfield case with both zippers still smooth and fully functional (what a treat!), and it sports the Euro-style engraving, having been assembled in Paris and imported to Canada where it was originally sold.

    This saxophone, though due for an overhaul, is in uncommonly clean physical condition.  There are no dents or repaired dents, no evidence of any resolders, the pearls are largely unworn, and the neck has no evidence of past repairs or pulldowns.  There are some scratches in the lacquer from the neck strap, and some wear from where it sat against the case, but the lacquer remains at 95% plus. There is some playing wear on the touchpieces for the palm keys and the octave key and thumbrest, but combined with the overall excellence of the physical condition I believe the owner of this saxophone was careful and meticulous, and loved this horn very much.  If you’ve been thinking of springing for the lush, full tone of a Selmer SBA, don’t want to be afraid to play it, would like to get it overhauled to your specs, and would like to get a specimen that should hold its value over time, it would be hard to go wrong with this one. It’s a superb deal as well, on a sax that will play and sound warmer, and more beautiful than any modern pro saxophone, and that will also be more satisfying to own and will hold its value better. Only one available!

     

  • SML Rev D Alto Saxophone Silver 11584-3

    SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584

    $ 1,750

    SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones.  They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.  

    The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks.  In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.

    This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is.  The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing.  However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.

    These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship.  Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.  

  • SML Rev D (Gold Medal 1) Tenor Saxophone Original Lacquer 11774 1954 Needs Overhaul

    $ 1,950

    This original lacquer SML Rev D tenor saxophone is the same as an SML Gold Medal 1 Tenor. (The Rev D is what won the ‘Gold Medal’ so that they named it ‘Gold Medal’). This horn needs an overhaul, but it is original lacquer and it is in good condition with no dents. The neck receiver and one foot of the Eb key guard have been resoldered, and some dent work is evident on the back of the body tube (by the serial number, thumb hook, strap hook, and under the D palm key foot). There are no dents now, and the horn is ready to be overhauled. When these horns are all ready to go, they just sound fantastic, with a Selmer-Conn sort of tone – lyrical core like a French saxophone, but big, wide, and lush like a Conn. Palm keys stay nice and fat and full sounding, and don’t thin out, and the tone is nice and medium dark. It brightens up beautifully with a bright mouthpiece, giving you the sort of sound that many players are going for on Conns, but with the SML keywork and other special features that set these horns apart. This has rolled tone holes and is currently original pads. It was one owner until now. Once it’s all overhauled, you will have a top notch pro tenor that feels good under the fingers, tunes well, looks great, and sounds extremely good. I have an SML much like this in my collection, and it’s one of my favorite horns. They usually sell for much more than this price, even with old pads. I have seen a few go for more than twice this price on eBay not too long ago.

    Only one available!

  • Yamaha YAS-62 II Alto Saxophone Excellent Condition Professional Great Deal!

    $ 2,150
  • Yamaha YAS-875 Alto Saxophone Beautiful Balanced Player New V1 Neck! 4356

    $ 2,800

    The original Yamaha 675 will always have a special place in my heart, because an alto just like this one was my first fully professional saxophone that I saved up and bought many years ago. The Yamaha Custom line is built to be the best of the best. It does everything pretty well, and it is just effortless to play and to keep in good adjustment over time.

    This horn is in very good playing condition and feels great under the fingers. Yamahas come with fairly stiff action, and they need the spring tensions adjusted lighter if you intend to play them for very long at a time. This one had that done, and got the pads all tuned up also. It also comes with a brand new upgraded V1 neck. The V1 is easily the most popular Yamaha neck on the market today, and it represents a nice upgrade. It has a focused, projecting, medium tone between bright and dark. It’s what comes with both the new 82Z and the new 875EX-II, so it does both jazz and classical well, and people love it for both.

    All in all, you’re getting a great, fully professional Yamaha Custom alto built to outlast anyone who may be reading this description. It tunes great, it feels great, and it just plays so easily. The horn gets out of the way so that you can make the music that you want. And the tone itself is beautiful, round, warm, and medium dark. Works great for jazz with a Meyer style piece, or for classical with just about anything you want to use. Getting a used pro alto like this is a smart move. It holds its value and is satisfying to own. Way better decision than buying a new student instrument or a Taiwanese sax that will instantly lose half its value as soon as you buy it! This plays better and holds up much better over time. Top quality.

    Only one available.

  • Yamaha YSS-475 Soprano Saxophone Near Mint Condition Made with YSS-62 Tooling

    $ 1,650

    The YSS-475 is made with the tooling from the YSS-62 and plays just like a coveted Yamaha 62 purple logo soprano, but costs less. This makes it by far the best entry-priced soprano saxophone. It’s really a professional soprano for an intermediate price. Tunes great, sounds warm and pleasant, keywork is comfortable, and the price is low. What’s not to love?

    This one has been played only a tiny bit since new, and it looks almost like a new instrument. It includes everything in the photos – nice original case, mouthpiece, and some other accessories. It comes with a fresh checkup to make sure the low-miles pads are sealing their best.

    These always sell quickly. Get yours before it is gone.

  • Yamaha YTS-475 Intermediate Tenor Saxophone Good Playing Condition Great Value! 298213

    $ 1,600

    Great deal on one of the best intermediate tenor saxophones on the market. The Yamaha 475 is made in Japan and plays a lot like a YTS-62, but costs less. This tenor has been played a fair amount. The pads are sealing pretty well right now, but it is a mix of older and newer pads. The neck had a dent removed, and it was done well, so it looks good now. If you want a very well-built tenor, that feels good, tunes well, and is easy on the budget, this is it. Don’t waste your money on a new no-name sax. Those will be worth peanuts as soon as they are used. Yamaha horns are quality and hold their value really well. You can basically play it and enjoy it and sell it later for right around what you paid. Hard to beat.

  • Yamaha YTS-62 II Tenor Saxophone Excellent Condition Great Deal

    $ 2,350
  • Yamaha YTS-875 Tenor Saxophone Very Good Condition

    $ 2,950

    Nice condition Yamaha Custom 875 Tenor Saxophone in very good shape. This horn is nice and clean and comes with the original case also in good condition. Great deal for a fully professional Yamaha tenor saxophone that will serve well for any level of playing from a serious beginner player through a full professional career. This horn has a medium dark, rich tone compared to other Yamaha saxophones. It tunes well, and it feels great under the fingers. Good purchase!

    Only one available!

  • Yanagisawa A901 Alto Saxophone Good Condition Pro Alto All New Pads!

    $ 2,350

    This beautiful Yanagisawa A901 Alto Saxophone is in excellent conditionl. It is also in very good playing condition, having just gotten all new pads by Matt Stohrer, who does excellent pad work. The 901 alto is among my favorite modern saxophones, regardless of price. It tunes well, feels great under the fingers, and resonates with a very lively body tube. Yanagisawa altos like this are among the best built modern altos also, and that makes them reliable and easy to keep in good adjustment. Plus it sounds great with a projecting, medium-bright tone that works equally well for concert band or for jazz or whatever, depending on your choice of mouthpiece. It’s great that you can get a nice, pro alto like this in the price range of many student and intermediate saxophones. Get it now, and you won’t ever have to upgrade.

    Only one available!

  • Yanagisawa TWO-010 Tenor Saxophone Near Mint 348515-1

    Yanagisawa TWO-010 Tenor Saxophone Near Mint Condition Great Deal!

    $ 3,950

    This is a nearly-new Yanagisawa WO-10, which is Yanagisawa’s current model that replaces the 991 series, taking the same “elite professional” spot in their lineup (the “basic professional” spot being held by the 901 previously and the W0-1 currently) and other than being priced like a used horn, it is basically new.  It appears to have been played very little and comes with its original case showing it was bought as Kessler Music, where they sell new for $4900.

    This one appears to be nearly flawless, with just a couple of light scuff marks here and there if I look closely, and it is missing its original mouthpiece that would have come with it.  It plays very well, feeling to have a slightly bigger tone than the 991, and definitely feels lighter and a little more svelte under the fingers than the 991, although it still seems plenty robust.  I’ve seen a few of these since the WO series came out, and besides the confusing branding of of mixing Os and 0s, I really like these horns. Since they are still fairly new, chances to grab one used are few and far between, so I’d be surprised if this one stuck around for too long.  Grab it while you can and enjoy Yanagisawa’s newest professional tenor saxophone at a discount.