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  • New York Model alto Meyer Bros Ted Klum

    ‘Meyer Bros.’ New York Model Alto Mouthpiece by Ted Klum – the Best!

    $ 599

    Exclusive to GetASax.com, this is a “GetASax Special” (GS Special) facing and baffle that Ted Klum and I collaborated to produce. This mouthpiece is the product of taking Ted’s amazing  “New York Model” (based on his favorite NY Meyer Bros ‘fat boy’ alto piece) and making it play just like my favorite NY Meyer Bros alto piece in my collection of Meyer Bros mouthpieces.

  • BAM Cabine Tenor Sax Case

    $ 391

    This is one of the best tenor cases made today. It’s a 10/10 in terms of protection, padding, latches, reliability, and weight. It’s built to minimize size, so you can carry it into an airplane cabin. Highly Recommended. Fits most horns.

  • Sold Out

    Conn 10M Tenor Saxophone 306843 Original Lacquer Pre-War

    Nice original lacquer freshly-overhauled pre-WWII Conn 10M Tenor Saxophone. These are the best of the vintage Conn tenors! The price includes the full, high-end OVERHAUL, which was just completed. An overhaul (people always ask) means that everything that can be changed gets done, and done correctly: all new pads, corks, and felts, professional setup, key fit checked and improved, neck fit checked and improved, full disassembly, cleaning, all new oil, lots of play testing. This horn turned out exceptionally well, and plays really easily and beautifully throughout the range. The tone is medium dark, wide, but with more focus than earlier Conns, and a bigger, wider sonic pallette than any modern saxophone. The palm keys stay full and consistent with the rest of the horn. The low register whispers out at a saturated pianissimo whether subtoning or not. Intonation is excellent, keywork is comfortable. If you’re coming from a modern horn, there’s a couple of weeks’ adjustment period, but then you are back up to full speed playing wise, in most people’s experience. A nice, orignial, overhauled 10M is pretty hard to find, and this one is one of the really good ones. It has only minor past repairs, like a resoldered octave key. Great condition, and plays like a new horn.

  • Conn 6M New Wonder II Transitional Alto Saxophone

    Conn Art Deco Transitional Burnished Gold Plate 6M New Wonder II Alto Saxophone

    $ 3,950

    Price just lowered!!

    This is one of those super-rare Conn alto saxophones from when Conn was at the height of it’s manufacturing expertise. Conn had the most advanced saxophone manufacturing facility in the world, and it set the standard for quality for all other manufacturers. This alto would have been a special, top-of-the-line model. It has the most elaborate thick burnished finish that is also by far the most time consuming to apply. (Ever burnished anything by hand?) This is original (real, actual) gold plate. (People often think this can’t be real gold, but hey, welcome to the 1930’s where both gold and labor were cheap, and American craftspeople were the best in the world! And there’s the most desirable engraving pattern here also, or at least one of them. For just about a year and a half, Conn did this deluxe ‘art-deco’ geometrical engraving style on its nicer instruments. There’s a lot to see here – it’s a masterpiece of hand engraving that is no longer done at this level by any manufacturer today.

    Conns from the early 1930’s are my absolute favorite There was a short burst of gold plate examples mixed in with other horns between 238k-252k, and they are the best of the best in my book.

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • King Full Pearls SilverSonic Alto 303030 Fresh Matt Stohrer Overhaul Original Lacquer Charlie Parker Vintage!

    $ 16,500

    Well, well, well, what have we here? One of my favorite saxophones of all time! This is an extremely rare early King SilverSonic alto with sterling silver bell and ‘full pearls’. I have only seen a few of these altos come up for sale in many years of watching the market fairly closely. There are probably fewer than 100 altos like this in existence, and there are fewer that still have their original lacquer. Charlie Parker famously played King SilverSonic Super 20 alto SN#295173, which sold for an ungodly sum at auction several years ago. This horn’s body serial is 303030, which is the same version as Parker’s, and the neck serial is 295182, which is only 9 serial numbers later than Parker’s, so same small batch of horns. Not sure why the neck serial is different, but maybe because this neck played best. This horn was one owner going way back several decades before I bought it.

    It just got a full overhaul by the best saxophone repairman for Kings that I have experienced, Matt Stohrer. Matt is a friendly and unassuming guy who has a passion for learning and sharing as much as he can about saxophone repair. His attention to all the little, time-consuming details of repair that take a horn from good to great is pretty hard to beat. This horn certainly deserved the best, and it came out great. It feels super great under the fingers – dry and snappy, with light, easy action and great response. The tone is that classic, warm, punchy, projecting, brassy-when-pushed, King alto sound that Parker and Cannonball made, at least for me, the classic jazz alto tone. It sounds like that sound you have in your head that you just can’t quite get on a Selmer or any modern horn:-)

    You get a nice original Silversonic King alto case, as well as a delxe black BAM France Trekking case, both included with the horn. The BAM for safe shipping, and the King just for fun. Hard to beat the Trekking for an all-around alto case, and it fits the King like a glove.

    There’s certainly only one of these available. I’ve had this in my personal collection for years, and just decided to offer it up for sale for the first time. If it doesn’t sell, it goes right back in the collection. If you want an alto that looks gorgeous, has a high likelihood to keep going up in value, plays great, and is not so perfect that you’re afraid to play it, you couldn’t do better than this.

  • Sold Out

    King Saxello Soprano Saxophone – Near Mint!

    This is a beautiful, nearly mint condition King Saxello semi-curved soprano saxophone in original silver plate.

  • King SilverSonic Super 20 Alto Saxophone Original with Gold Leaf 346933

    $ 6,500

    Superb example of a King SilverSonic alto with solid silver bell and neck, and gold plate in the engraving, with original gold lacquer over that! Cannonball Adderley tone all the way.

  • King Super 20 Tenor Saxophone Full Pearls

    King Super 20 Tenor Original Lacquer Full Pearls Fresh Overhaul!

    $ 6,450

    Do you love beauty? Do you love playing the saxophone? Wish that the two things went together more often? Well, you’ve come to the right place:-)

    This, my friend, is one of the most beautiful saxophones ever produced – the King Super 20 with pearl side keys and palm keys, bell and bow key cups engraved, solid silver neck, three ring strap hook – just about as de-luxe as it gets.

    But wait, there’s more! For a price lower than a new Keilwerth Shadow, or a new Selmer Reference etc, you get not only one of the best-built, most beautiful, best-sounding tenors ever made. You also get it with a fresh overhaul done by one of the most meticulous saxophone repairmen in the business – Carlo Cennamo of cennamowoodwinds.com . I have been hearing good things about Carlo’s work for a few years, but I finally got to see it earlier this year, and it is just top quality. Full mechanical rebuild including all key fitting to precise better-than-new tolerances; excellent pad work that feels dry and snappy under the fingers and makes the horn resonate its notes on its own as you close the pads; adjustment materials that make sense throughout; a carefully done neck fit for a good seal; nice, even spring tensions. This is a $1500++ overhaul and takes Carlo almost an entire work week to complete. So that’s a big deal.

    The only past repair I see on this horn is a resoldered brace on the bell side that popped off on its own when the horn was disassembled. It was popped right back on and is in good shape now. This horn has obviously been babied since it was new. It has almost all of its original lacquer intact. For you King geeks out there, this is King’s ‘light’ colored lacquer advertised in its sales brochures. The dark lacquer ranges from caramel to chocolate colored and looks completely different. By the way, it now has the correct neck screw and Eb key guard screws. I need to update the photos.

    This horn just sings, with a medium dark core tone that gets brighter and punchier as you push it. The solid silver neck gives you more upper partials and a bit more of a ringing focus to the sound. The whole horn comes alive as you play, and the response is particularly satisfying. If you have never played a saxophone that is actually right, then I hope that you will soon get to experience it. Low Bb is just another easy note to play, and you can play the entire low register easily at any volume, including pianissimo without losing ‘saturation’ in the sound. Basically, the horn just gets out of the way and lets you play what you want. It’s a beautiful thing.

    This comes with a new BAM Classic tenor case, and you can swap that out for a different case if you want to discuss options. There’s only one available of this beautiful Super 20. Get it now!

  • King Super 20 Tenor Saxophone Original Lacquer Original pads Warranty Card Amazing!

    Well, golly.  Here’s a 1949 King Super 20 tenor in nearly immaculate condition with original pads and original guarantee bond paperwork.  Holy cow.

    It also has its original white mouthpiece, with original ligature and cap, and comes in its original case with the leather bell strap not only intact but supple and in good working condition.  Sheesh.

    This horn looks to have been played a bit by its original owner, as evidenced by some light scratching in the lacquer here and there and some light wear on the thumbhook.  The solid silver necks on these horns were originally lacquered, but the lacquer typically wears off so quickly and completely most folks are not aware of this fact. The fact that the lacquer on this neck still remains at about 40%, though speckled, shows that the original owner took extremely good care of the instrument and was quite finicky with his handling.  Gosh.

    This Series I King Super 20 is about as fine as they come, and is collectible as-is or put a high end overhaul on it and let it sing.  This horn is ready for its next steward, and at nearly 70 years old still has a couple hundred years of music making left in it, if you care for it as well as its original owner did.  Goodness gracious.

  • Selmer Balanced Action Alto Saxophone Fresh Full Overhaul! Silver Plate

    $ 5,350

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and by the thumb hook on the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. If you want an alto that people are going to want to listen to, this is the one. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is nice and snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Selmer Mark VI Alto Saxophone from 1967 Exceptional Player 144k

    $ 7,450

    Best playing Selmer alto sax on the site right now. It has that extra special something that only the 140-145k altos have. Super projection, crisp but still warm tone, even scale with fuller palm keys than usual. GREAT, world-class alto saxophone. It’s worn original lacquer, and I like the strap hook mod to make the horn balance slightly better. If you want one of the better playing altos in the world, get this. It’s priced very low for what you get.

  • Selmer Mark VI Alto Saxophone Original Gold Plate (Vanishingly Rare) Japanese Market Near Mint 156928

    Possibly the nearest to new condition original gold plate Selmer Mark VI in the world. Email serious inquiries to [email protected] This might be a keeper for me, because it is also in the best serial range for altos to play well. Plus it’s an original Japanese market horn, which is rarely seen. One of a kind.

  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,950

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Selmer Mark VI Soprano from 1971 Excellent Original Lacquer 189112

    $ 5,250
  • Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico

    $ 14,999

    This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition.  Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished.  Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there.  The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved.

    This horn has recently been given a thorough check-up and plays well.  I am a big fan of these Super saxes, and this instrument is a good example of why.  It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness.  But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.  

    The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments!  So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk. 

    The last 7 photos are of some of the tenor greats playing similar horns to this.

  • Sold Out

    Selmer Padless Tenor Original Lacquer Beautiful #29008

    Pending Sale. Here’s a horn that should be part of any serious saxophone collection. It’s a Balanced-Action-Era Selmer Padless tenor saxophone, built in collaboration between Selmer Elkhart and Buescher, in the late 1930’s. This might be the nicest one in the world, with no damage, no past repairs, original lacquer, gorgeous engraving. Priced to sell!

  • Selmer SBA Alto Saxophone Original Lacquer from 1946 Fresh Overhaul! Super Balanced Action

    $ 5,650

    This is a gorgeous original lacquer Selmer SBA Alto Saxophone American engraved and assembled, that is in excellent physical condition AND has a fresh, full overhaul. This horn plays really well, with a lush, wide tone that is medium dark and smooth. The keywork feels great under the fingers – nice and snappy. It has a top quality overhaul, which is very important on a horn like this, and has slightly domed metal resonators, which are similar to the original equipment for an SBA of this vintage.

    The neck is in excellent condition, body tube, bell flare, and bow are all undamaged. The engraving on this alto is particularly nice, and the exposed part of the brass is developing a beautiful matte patina that accentuates the engraving. This is a horn that looks even better in person than in the photos. It comes from a lifelong saxophone player whose baritone and tenor were also stand out players. He really had three excellent saxophones and this one is no exception.

    From a player’s perspective, you get the warmth and complexity of a Balanced Action here with slightly more comfortable keywork (offset stack keys so your wrists are more relaxed compared to BA). Plenty of volume, nice easy, saturated low register, even at very low volumes. Easy subtone. Easy altissimo. Feels like a new horn under the fingers but is better built and sounds better. The price includes a new BAM Classic alto saxophone case at no extra charge.

    Only one available.

  • Selmer Series III Alto Saxophone SOLID Sterling SILVER Near Mint 653925

    $ 8,999
  • Special Order a BAM Case! Lots of options available.

    $ 555

    Let’s find you the perfect case for you! Prices and availability vary.

  • Ted Klum Acoustimax Alto Mouthpiece – (much) Better than a Meyer

    $ 265

    This is a mouthpiece that for the price is very hard to beat. It plays like a vintage Meyer Bros with a lot of punch, and is great for jazz, lead alto, or other sorts of playing where you want a warm, full tone that has a reasonable amount of projection. The quality control on these is very good – worlds better than your modern Meyer made by Babbitt. You can just buy one of these and it will play great, as opposed to buying ten modern Meyers and maybe finding one good one.

  • Ted Klum NY Model No Band

    $ 500

    The first 10 Ted Klum “New York Model Alto Mouthpieces” are now available for sale! These hand finished beauties are the newest addition to our line of alto pieces and are created from CAD design that was based on Ted’s personal vintage “Fat Boy” Meyer Bros. from the 1950’s. Ted’s design is not simply a copy but another proprietary design that stands shoulder to shoulder to with the best vintage designs. Suffice it to say the first few prototypes have greatly exceeded our expectations and have been described as tonally rich, balanced and flexible with plenty of power and projection.

  • Ted Klum Tonamax Tenor Mouthpiece Like FL Otto Link Tone Edge

    $ 600

    Ted Klum’s Tonamax is as close as you can get to a vintage Florida Otto Link “Slant” Tone Edge. It plays big, full, medium-dark with a punchy edge, just like a good Link slant. I think it’s a bit more like the earlier ‘No USA’ slant than like the later brighter USA version. Ted’s new ‘Florida Model’ is more like the later Florida Tone Edge or ‘Early Babbitt’ tenor pieces. This Tonamax is like the earlier Slant. I can get you one in any tip opening, in black ebonite, or sometimes in beautiful marbled ebonite.

  • echobrass echomaster tenor metal mouthpiece ligature

    Tenor Metal Otto Link Brilhart Reproduction 3 Band Ligature Berg Larsen Dukoff!

    $ 165

    Best ligature around for a metal Otto Link (and similar) tenor mouthpiece! Way better than the stock Otto Link metal top screw ligature, this gives you a much firmer hold on the reed, which greatly improves response and reduces movement or reed swelling on the mouthpiece table. The plastic reed plate fits the reed beautifully and opens up plenty of vibration. No deadening fabrics or strings here. Plus, this is made to the highest standards in South Korea by people who care about quality saxophone equipment. It’s a true reproduction down to the materials used, of the most desirable saxophone ligature ever made. This also fits larger body Berg Larsen and vintage Hollywood Dukoff tenor mouthpieces, and all Otto Link Metal-sized tenor mouthpieces, like Ted Klum Focustone Tonamax, Theo Wanne larger body metal, and many others. See the photos. For thin body metal mouthpieces, get the Guardala sized tenor ligature instead.

    If you want the best ligature for a Berg Larsen metal tenor mouthpiece, this is it. If you want the best ligature for a Dukoff Hollywood or Dukoff Stubby tenor piece, again, this is it.

    This ligature fits all metal Otto Link tenor mouthpieces also – past and present. It fits Masterlink, 4****, ToneMaster, Super ToneMaster NY, FL, Early Babbitt, and regular Babbitt-made pieces. The modern variants like the ‘New Vintage’ NY, Millennium edition etc also all fit.

    Buy with confidence. I take returns, and I stand behind this product. It’s the real deal.

  • Yamaha YSS-82ZRS Soprano Saxophone One Piece Bent Neck Silver Plate!

    $ 4,751

    The Yamaha YSS-62R and 62RS are the most desirable vintage sopranos pretty much. Yamaha made an upgraded reissue of this soprano, with improved keywork but the same bore. It’s simply the best.

  • Yamaha YTS-82Z Tenor Saxophone Fresh Full Overhaul V1 Neck Effortless Player Excellent Condition 83913

    $ 3,750

    This is an excellent physical condition Yamaha Custom 82Z tenor with a fresh overhaul.  The overhaul is very clean and well done, and the pads have domed metal resonators that impart a bit more zing to the tone than the plastic resonators that Yamaha’s typically come with from the factory.  So it’s all here: Yamaha quality, intonation, and craftsmanship plus a bit more than usual in the tone department with completely fresh pads, all for $1000 less than a new Yamaha tenor. Hard to go wrong with this horn.

Now a YAMAHA dealer! Great pre-sale setup by Matt Stohrer no extra charge! Email us for detailed info on a particular model at [email protected] Dismiss