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Showing 1–100 of 183 results

  • Alto Beechler Bellite Metal Brilhart Reproduction 3-Band Ligature Echo Master

    $ 165

    This ligature fits thin metal alto saxophone mouthpieces like Beechler Bellite and other very slim body metal alto mouthpieces, like Brilhart levelaire, and some modern pieces like Guardala handmade. That’s ALL that this ligature fits. This is a listing for the ligature only, not a mouthpiece. 

    For Dukoff Miami alto, please buy the ‘soprano’ ligature here, because the soprano ligature fits Miami Dukoff metal alto mouthpieces *perfectly*. The soprano ligature also fits metal Otto Link alto mouthpieces very nicely.

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Berg Larsen 100 0 M HR Tenor Saxophone Mouthpiece F83

    $ 125

    A modern HR Berg is like a middle weight champion, bright but not too thin, good projection but not too loud. A jack of all trades. Straight sidewalls, small bullet chamber, high baffle. Tip opening measures 0.098″. Great project and quite bright, without being thin, like a good Berg.

  • Berg Larsen 110 2 offset M Alto Saxophone Mouthpiece F32

    $ 275

    Rare 50’s Berg Larsen metal alto saxophone mouthpiece! Straight sidewalls, small round chamber, bullet chamber. Tip opening measures 0.103″. Denim finish on table, duck bill beak. Usually mouthpieces that sound great on tenor are only ok on alto in the same tip number, but if you like bergs on tenor you will love this on alto too. The tip opening plays much easier than expected for this number on alto. The tone is loud and lush, just like on tenor. Great projection and power while maintaining a moderately bright tone.

  • Brilhart ‘Designed By’ Tonalin Streamline 4 (Modern 5*) Tenor MPC539DT Original Facing Rare!

    $ 475

    Super rare early Brilhart Tonalin Streamline ‘Designed By’ Brilhart Tenor Saxophone Mouthpiece. Medium-large tall but narrow Brilhart Tonalin chamber, straight sidewalls, very subtle rollover baffle. The worn bite plate indicates that it was well-loved. With a bit harder than my normal reed, this piece produces lovely subtones at full volume. A nice fat tone, good projection. This streamline shape works well with a normal HR alto ligature, or with the Echo Master hard rubber alto ligature on this site.

  • Brilhart Designed by Great Neck NY Hard Rubber Original 3* Alto Saxophone Mouthpiece MPC534 3 digit

    $ 550

    Own a piece of saxophone history that also plays great. This is a rare, very early Hard Rubber ‘Designed By Arnold Brilhart alto mouthpiece with a three digit serial #464! It has curved sidewalls, a medium round chamber, and a slight roll over baffle. Tip opening measures 0.072″, and the facing looks original, with a ‘creamy’ matte table, tip and rails. Beautiful, medium-dark tone. Earliest Brilhart serial that I have seen.

  • Brilhart Hard Rubber 0.105″ EG reface Tenor Saxophone Mouthpiece MPC562

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC560

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC564

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Sold Out

    Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC567

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Tonalin Great Neck 3* Tenor Saxophone Mouthpiece D74

    $ 125

    Sometimes heavy use is a sign of love and admiration. This Brilhart has signature straight sidewalls, medium-large chamber, mild rollover baffle. Tip opening measures 0.093″. Great classic big band tone. Moderate projection and medium resistance. It works well, but watch out for the major crack in the shank. Should be clamped before extensive use.

  • Brilhart Vintage BB Screws AL Metal 3-Band Alto Saxophone Ligature – The Original!

    $ 999

    This is the most desirable vintage ligature ever, and sells for high prices to both collectors and players. I have seen these sell much higher, but I can’t bring myself to ask the kinds of prices I have seen them sell for on eBay. This is the AL stamped BB screws Brilhart 3-band ligature. I have one of these myself, that I have used for many years, and I sell the excellent Echo Master Brilhart reproduction ligatures on this site also, which are true reproductions of the original. But as with famous works of art, the more copies there are, the more epic and desirable become the originals. This is a rare original one, in very good condition, and it plays great, as you would expect. This fits anything from a Selmer Soloist to a Meyer Bros NY ‘Fat Boy’ and is just a nice and well made ligature, as much as it is a collectible.

  • Buescher Aristocrat 140 Alto 339934 Great Deal Original Lacquer Plays on Older Pads

    $ 850
  • Sold Out

    Buescher Big B Alto Original Lacquer Excellent Condition!

  • Buescher Big B Alto Saxophone 298875 Relacquer Low Price

    $ 700
  • Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,600

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a lot more than a Yamaha student model in total- seems like a good buy to me!  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Buescher Big B Model 140 Alto Saxophone 321761 Original Lacquer Very Good Condition

    $ 1,600
  • Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!

    $ 3,500

    This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.

    This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)

    Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.

    Only one available.

  • Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849

    $ 3,300

    This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.

    This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!

    The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.

    This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.

    Only one available!

  • Buescher True Tone Alto Saxophone 1 Neck 196723 Silver Plate Fair Condition

    $ 375

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is in fair condition. It has the desirable #1 neck. It’s a great serial range for the True Tone. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Sold Out

    Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    $ 350

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

  • Buescher True Tone Alto Saxophone 202609 Original Gold Plate Very Good Condition

    $ 950

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    Only one available!

  • Buescher True Tone Alto Saxophone 204539 Original Gold Plate Good Condition

    $ 800

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    The price is absurdly low, but that’s one of the great things about the saxophone market right now!

    Only one available!

  • Sold Out

    Buescher True Tone Alto Saxophone 83005 Original Silver Plate

    $ 275

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is also in reasonably good condition. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone C Soprano Rare Original Gold Plate! Old Pads 86473

    $ 2,150
  • Buffet Crarmpon G7* Clarinet Mouthpiece MPC531

    $ 50

    This is a nice old hard rubber clarinet mouthpiece measuring .050″ (1.27 mm). From the stamping of the facing on the table, I’m thinking this was made by Woodwind Company of NY for Buffet, as a jazz-leaning clarinet piece. That’s just a guess. I’m not an expert on clarinet mouthpieces. Let me know if you know more about it. It plays well with a warm, rich tone and plenty of power.

  • Buffet E11 Intermediate Clarinet Great Condition!

    $ 800
  • Buffet Senzo Alto Excellent Condition Solid Copper Fantastic!

    $ 3,650
  • Bundy II Alto Saxophone Good Student Saxophone Low Price

    $ 550

    Solid student alto with a mix of pads in good playing condition. About the cheapest that you can get a decent alto. This will require checkups every 6 months or so, as it is not completely repadded, so plan on getting a few pads replaced each semester to keep this in good playing shape.

  • Conn 10M Tenor Factory Relacquer Gorgeous Shape Great Deal Orig Pads 334663

    $ 1,400

    This is a chance to get a great deal on a Conn 10M tenor. Why is it so cheap?

    1. I try to have some great deals on the site for people to stumble upon who need a top quality tenor like this but who are on a budget.
    2. It needs an overhaul. It has Conn factory pads – probably from the early 50’s
    3. It’s refinished – definitely a factory job, as it looks like original lacquer. The owner was meticulous. I think he just had it refinished after it got a little bit of lacquer wear, so it would look perfect again. There is NO sign of any damage or past repair.

    So there you have it. With an overhaul, this is going to be 100% as good a player as any original lacquer late 40’s Conn 10M. Which means it’s going to be an awesome player. This is 1949, so the year after rolled tone holes went away. It’s the same horn as a ’48 rolled tone holes 10M, but with straight tone holes instead. If you’re not up on the whole thing – the rolled tone holes Conns are more valuable, but they can also be a bit trickier to keep adjusted, if your repair shop isn’t used to working with the rolled ‘lip’ on the tone hole. But all shops know how to work on straight tone holes, so it can be an advantage that way.

    The sound of this horn is already surprisingly big, even on 70 year old pads. The tone is big, dark, full, and projecting. Keywork is fast and comfortable; intonation is very good. The Conn 10M is one of the best sounding tenors ever made. There’s a reason so many players are going back to them.

    And to get such a beautiful, clean, one owner example that just needs pads for this price is an amazing opportunity.

    Only one available!

  • Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads

    $ 2,650
    This Conn 10M tenor saxophone from 1948 comes to you in very good original condition. There are no resolders. The bell flare is undamaged. Neck is not pulled down. Body tube looks clean as well. There were some small dents removed from the back of the bow, but that was done well, so that it is hard to tell at all.  Everything is in good shape and keys move freely. Rolled tone holes are also undamaged and in great shape. You can almost play the horn on the existing reso-pads but it would be 10x better with an overhaul.
    Great, clean, original lacquer Conn 10M that will be a super player. Priced to sell!
  • Conn 10M Tenor Saxophone Late Example Great Deal! Needs Repad

    $ 950

    Conn 10M Tenor saxophone for under $1k! The Conn 10M is one of the best vintage tenors ever. This one is from 1967. It’s original lacquer and original pads, and it is just a repad short of being a solid player. The 10M keywork is nice and comfortable, and if you want a cheaper tenor that plays LOUDLY and has a big, dark core tone this is hard to beat. It should be an easy repad, as the horn is in very good condition.

    Only one available!

  • Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer 322571

    $ 2,450

    Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. I am planning to get this overhauled soon if it doesn’t sell at the lower price with current pads. It was overhauled before I got it, but I don’t like the way the pads feel, and it would be better to just redo it for long term enjoyment.  It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.

    The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.

    Only one available! Get it now.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 10M tenor.

  • Conn 10M Tenor Saxophone Pre-War 1935 Relacquered Fresh Overhaul Plays Easily

    $ 2,850

    This is a fully restored Conn Pre-war 10M Tenor saxophone that looks like a new horn. If aesthetics are important to you, and you also want a saxophone that is already restored, this would be a great purchase! And you save money since it has a new coat of lacquer, compared to if the original lacquer were still there. This beautiful 10M is from the second year that the 10M was made, and it is in very good condition. It was refinished and completely overhauled by Wichita Band, who sold it only a few months ago on eBay for $3850. I’m pricing it lower, because I think $3850 is a bit high for it. So you can get a great deal, on a horn that has an expensive restoration already completed. The pads are reso-pads like Conns originally came with, so it has a vintage soft feel under the fingers. The horn plays really easily, with a big, warm tone like you would expect with a 10M.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

  • Conn 4M Curved Soprano RARE Late Example 244750 Matt Stohrer Overhaul Exceptional!

    $ 6,950

    If you want the best, the most beautiful, the rarest, and the highest quality overhaul all in one soprano, then this is the one for you. You can get a ‘normal’ conn curved soprano for a lot less, but it will not be like this. This Conn curved soprano is for the connoisseur, the collector, and the discerning player.

    The general rules for buying these, in my view, is to get the latest curved soprano that you can find. I only know of a few individual instruments with later serial numbers than this. You could probably count the total number that were made after this one in the single digits. This is only the second one that I have seen in person, and it is by far the nicest one I have seen. Like every Conn curved soprano it had a couple of key guard feet resoldered, and that is it for past repairs. They look good, and are not at all glaring. The neck is particularly nice. The bell flare and body tube are undamaged.

    It just got a complete overhaul and gentle hand polish and cleaning done by Matt Stohrer, Conn enthusiast and my personal favorite repairman for Conn overhauls. Matt’s work needs no introduction, but you can find his website here, and his youtube channel here, complete with several Conn-specific repariman’s overview videos. I got the silver plate touched up in a couple of places where it was starting to show some wear, and I got the gold wash in the bell redone also, though there was still some gold in there to start with. The resonators are the nice, reusable, high-end TenorMadness set, flattened for an authentic look. They look great. An overhaul is a big job, and that’s now done, so this horn is back to factory fresh or better playing condition. Better, because Matt’s pad work feels better than the reso-pad job found on these originally. It’s tight, snappy, and positive under the fingers. Pad heights are just right, and all the little details that distinguish a really good overhaul from a mediocre one are present and correct on this horn.

    Playing wise, this soprano is a monster. It’s warm, round, broad, and room-filling, even at low volumes. When pushed, it is almost too loud. It wants to project over a band. The tone is completely different from modern sopranos. Much more warm and medium-dark, almost like a larger saxophone voice squeezed into the small soprano body. The intonation is quite good, and this works well with a wider range of mouthpieces than many sopranos. I used my Bilger Morgan, and it sounds great. But a modern Yanagisawa HR or even a vintage Buescher will all work, so there’s a good range. This is easily one of my favorite vintage sopranos that I have ever played. If you are looking for a new dimension to add to your playing, a curved soprano like this is interesting and stimulating. A whole fresh world to explore. It also looks great on stage, and catches eyes if you’re a full time performer.

    This beautiful instrument comes in its original case, also in good condition.

    Just for fun, here’s a clip Dave Koz playing his silver Conn curved soprano with postmodern jukebox. Also, be sure to check out Keenan McKenzie’s curved Conn soprano playing in a 30’s swing setting. So great, and tons of fun!

  • Conn 6M Metro Alto Near Mint Condition Fresh Overhaul Amazing 275392

    $ 3,575

    If you want the very best, this is the one to get. Nicest 6M Metro (predecessor to the VIII stamp) that I have had for sale and overhauled in a long time. Maybe ever. Pre-war, gorgeous original lacquer, Metro neck. Fresh high-end overhaul that feels great under the fingers. Nothing sounds like a 6M. You get the swivel thumb hook too, that only comes on the earlier Artist altos like this. Maximum projection, power, and warmth, while maintaining just the right amount of focus. This is an exceptional alto, and whoever gets it will be very lucky!

    Only one available!

  • Conn 6M Naked Lady Alto Saxophone Original Lacquer 1953 356523

    $ 1,100

    1953 Conn 6M alto original lacquer with old pads. The later 6M’s like this are an excellent value, because they are still well made, but the price is almost laughably low for what you get. I always recommend the 1948-55 or so Conns to people who want a great tone but  who are on a tighter budget. The tone is fantastic – big, wide, with plenty of projection. Intonation is very good, and the keywork is comfortable. There is not a lot to tell condition wise. This horn is in great shape. Original lacquer, neck is in great shape. It looks like there was a small dent removed from the back of the bow, and maybe from behind the lower thumb hook. I hope that I’m in as good shape at 65 years old!

  • Conn 6M Transitional Alto Gorgeous Original Silver 246729 Original Pads

    $ 2,350
  • Conn 6M Transitional Art Deco Alto Saxophone 247105 Great Shape 1931

    $ 1,600

    I love Conn altos in the 230-260k range, and especially the ones near 250k serial. This 247k is a transitional Conn between the New Wonder II (‘Chu Berry’) and the 6M (‘Artist’) models. It is a true transitional in every sense, and is almost half NWII and half 6M. These special alto saxophones have a tone and set of features found nowhere else, and that makes them especially great in several ways. The bore still feels more like a NWII to play, so the tone is wider and wilder than the later 6M’s (which are also great, but are more focused and a bit less wild). The neck is like a 6M, so you get the improved intonation that ‘slots in’ better – NWII’s have good intonation as well, but it is more flexible than the 6M versions. The bell keys have moved around to the left, but the left hand spatula keys retain their NWII shape, but with improved mechanics. No saxophone has an easier or more direct feel on the low B and Bb that this version of Conn. It’s nice and light and fast, though you don’t have anything like modern ergonomics on those keys, of course. The regular main stack keywork is already mostly updated to the fast and comfortable 6M design. That is very good keywork, and is hardly improved upon in modern horns, so this is a very comfortable horn to play.

    It came with special ‘art deco’ engraving on the bell that you only see for a short time around 245-249k serial with Conn altos. This example is original or ‘first’ lacquer, and has not been refinished. It has original pads and even comes with the original warranty and care booklet in the original case.

    Tonally, these late transitional 6M’s are an ideal choice for big band or jazz band lead alto. They have almost unlimited projection or ‘carrying power’ as the old advertizements put it. And the tone stays strong and cohesive no matter how much you push it. It’s just a joy to hear one of these in full song. Marhsall Royale and the Basie band all played Conns like this, as did Charlie Parker for a while (among many other horns). You see them commonly in clubs in NYC and all over Europe these days. Nothing sounds like a Conn. This one is priced low for what it is. Superb original condition. Add a good overhaul, and you will have one of the best built alto saxophones ever, that will be dependable and fantastic to own and play for many many years to come. If you like this version in silver, I also have a silver 249k that I just got completely overhauled that is also for sale.

    Only one available!

     

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Overhauled!

    $ 3,250

    Just completely overhauled! Price includes the full restoration. Take how it looks in the photos, and make everything perfect and shiny with all new everything and that’s what you’d be getting.

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Conn 6M VIII Alto Saxophone 1937 Pre-War Original Lacquer Excellent Condition 282496

    $ 3,250

    This is a beautiful Conn 6M VIII alto with great original lacquer. It comes with a full high end overhaul. If you are relatively new to vintage saxophones, almost all saxophones older than 1990 or so that have been played with any frequency are in need of a labor-intensive process of restoration called an ‘overhaul.’ This does not touch the finish, but it completely replaces everything that needs to be replaced to put the saxophone back to factory fresh mechanical and playing condition. If you do it right, (which is a big if) then the horn can even be better than new mechanically and playing wise. That’s what this horn is getting right now. It costs about $1000+ to have done right, because it involves at least 25-30 hours of skilled labor.

    This Conn 6M VII is really the one you want. It is in excellent condition, original lacquer, no resolders, no serious past repairs at all (a few small dings removed). As soon as it comes back from overhaul in a week or two, it is going to be AMAZING! Conns are very consistent from horn to horn once you fix everything mechanically. This one will be no exception. Even on original pads when I got it from a collector, it played really big. It is medium-focused, and very free blowing. Intonation is excellent. Keywork is fast. It comes with a BAM Classic alto case or similar, (we can discuss) to keep it safe when you are not playing it (which won’t be that much of the time, based on how these play!)

    Only one available!

  • Conn 6M VIII Alto Saxophone Original Silver Plate Rolled Tone Holes 312091

    $ 2,500

    Super clean original silver plate Conn 6M VIII alto! It would be hard to find a nicer example of a rare silver plate 6M VIII. The VIII stamped Conns are the most desirable, and this one is in collectible condition. With a good overhaul and hand polish, it will look like a brand new saxophone, right off the shelf.

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Great Player! 295729

    $ 2,450
  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Very Good Condition Plays Well 294775

    $ 1,950

    This pre-war (from the American perspective, meaning prior to the government order than restricted the manufacture of musical instruments along with anything else made out of brass) Conn 6M was built in 1941, and is the desirable “VIII” version, with the VIII stamp on both the body and neck.  

    It is in very good physical condition with original lacquer, no dents, and no major or minor past repairs or resolders, with the exception of a repaired dent on the bowguard, which is visible in the photos.  It has what appears to be a recent repad, or perhaps an old repad that wasn’t played much after it was done, and Conn Res-o-pads were used. It plays well with a big voice, and although to my professionally-obligated-to-be-picky tastes it is not quite as astoundingly slick under the fingers at these feel when they have been overhauled as the best repairers can do, it is definitely playable as-is and will beat the pants off of most any challenger, especially modern imports that cost a lot more and give you a lot less than this fine example of vintage American saxophone craftsmanship.  

    Oddly, the lacquer on the neck is more worn than the rest of the horn- although physically the neck is in immaculate condition with no dents or past pulldowns.  In the past when I have seen this the culprit is usually a homemade neck bag that was lacquer-unfriendly, or perhaps the owner had a habit during rests to hold the horn with the neck in his hand.  Given the lack of wear elsewhere on the horn, I’d guess a neck bag was the culprit here, although I can’t be certain. But again, though the lacquer itself is mostly gone from the neck (and the neck alone), the neck tube is flawless and there are no signs of past repairs of any kind.  

    The microtuner is free and functional, and all of the original rollers and present and moving freely.  The engraving is crisp and clear with no lacquer loss, and the pearls seems largely unworn. The keywork is tight and the body is straight.  This is a very clean example of the most desirable vintage of the most desirable variant of the Conn 6M, and it can be yours for less than a new Yamaha YAS-26.  

  • Conn 6M VIII Original Silver Plate Pre-War Rare Version 285404 Excellent Condition

    $ 2,650

    Incredible Pre-war Conn 6M VIII in silver plate. You rarely see silver plated instruments before WWII stopped conn production in mid 1942. This one from 1938-39 is in gorgeous condition with original silver plate nearly 100%. The pads are older. Plan on a repad. The neck is great condition also with no damage. No past repairs. Interestingly, this appears to have been special ordered with a second strap hook, which makes the horn balance like a modern alto. I have never seen this before on a Conn, but I’m certain that this is factory original, as the plating matches and there is no sign of aftermarket soldering at all. Pretty cool!

    Only one availble!

  • Conn Burnished Gold Portrait New Wonder II Tenor Original Condition Old Pads 151681

    $ 4,000
  • Conn Chu Berry New Wonder 1 Tenor Saxophone Burnished Gold Plate Portrait 1924

    $ 3,950

    Conns from the 1920’s like this have an enthusiastic following these days. I’m told that it’s now more common to see a tenor player in NYC playing a Conn than a Selmer, which is hard to believe if true. I have definitely noticed a large and growing amount of interest and enthusiasm for Conns like this over the last 5 years at least.

    The way I think about vintage Conn tenors is this. They are all built quite well, and they are all good players once you get them all fixed up and overhauled. So if you have the choice, and budget allows, you might as well buy the nicest one you can to fix up. This is for a couple of reasons. First, resale value will always be better the more beautiful the horn is, and the rarer the finish. Second, you get to experience the satisfaction, even joy, of owning such a beautiful piece of craftsmanship from the world’s greatest musical instrument factory of the 20’s and 30’s, which is undoubtedly Conn. Conn set the standard for musical instrument manufacturing during that time. Its designs were copied by all the other makers, from France to Germany, Italy, and even eventually Japan. They are still being copied today in fact!

    If your goal is to get the best, most beautiful, rarest Conn that you can, it would be hard to do better than this beautiful burnished gold Conn New Wonder 1 ‘Chu Berry’ tenor saxophone from 1924. The finish is a bit tarnished at present, because I haven’t had time to get it disassembled, cleaned, and polished yet, but there’s a lot of original gold plate there, and not a whole lot of finish wear. The burnished (bright) gold Conns like this are incredibly rare. Much rarer than the satin gold examples, which are themselves very rare. The engraving is striking. Each burnished gold Conn had the option for a custom portrait. I wonder whose sweetheart this is! Some stylish flapper 20’s lady in any case. This would almost definitely have been pro-owned by the tenor player from a big band. I got the horn from Ohio, if there’s anyone who can connect the dots at all. I have never seen any other Conn tenor with engraving like this, so it has some historical value as well, to me at least.

    This tenor comes in pretty good playing condition. It was tuned up before I got it, and I’ll probably spend some more money on pad work before I sell it. It also includes a nice Hiscox case with my favorite, the red interior, which is no longer offered. Much better than the blue for a gold saxophone.

    Just for fun, here’s Lester Young on his New Wonder 1 tenor just like this one, also gold plated. The wide, lush, spread, medium dark tone is just gorgeous.

     

  • Conn Comet 3 Alto Saxophone Mouthpiece F82

    $ 50

    Surprisingly good all around player, a real sleeper. Straight sidewalls, small-medium chamber, rollover baffle. Tip opening measures 0.064″. 

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,750

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,450
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,350

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn New Wonder 1 Alto Saxophone Silver with Gold Keys

    $ 1,100

    Bargain price for one of the most beautiful vintage Conn New Wonder 1 ‘Chu Berry’ alto saxophones around. This is satin silver body tube with real gold plate on the keys and in the engraving and other details. These horns look AMAZING when polished up and overhauled, and this one is sure to be no exception to that.

    I have it priced very low, so that you can buy it, get it nicely overhauled, and still get a great horn for the money. This should be an easy, uncomplicated overhaul, as Conns are well made and this one is in nice shape. I do also take returns money back with 5 day trial period, so buy with confidence, take to your repair shop, and then make a decision! Marshall Royale and the whole Basie band played these and got that beautiful, wide, warm tone.

    Only one available!

  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 124447

    $ 450
  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 70276

    $ 300

    This is a nice, clean original nickel plated Conn New Wonder 1 C melody saxophone. It has OLD pads and needs a full repad. I am pricing it so low that you can get it nicely overhauled by your local woodwind shop and still be into it for not too much money. The nickel plate is extremely durable and will shine up to a beautiful finish, and it will also last nearly forever. It doesn’t tarnish like silver, so it will stay bright even if you play it a lot or leave it out or don’t wipe it off very often.

    If you want a budget C melody made by Conn that sounds big and warm and plays nicely, this will be that horn, after you get it overhauled. Only one available.

  • Conn New Wonder 1 Tenor Chu Berry Exceptionally Fine Player Fresh Overhaul BAM Case

    $ 3,150

    Do you want the biggest, darkest, most spread and room-filling vintage Conn tone possible? Do you want a gorgeous vintage Conn with original silver plate that looks almost new? Do you want it with a freshly-done high end ($1k+) overhaul, with high-end metal resonators? Do you want a premium $350 BAM tenor case included that fits the horn beautifully and will keep it in top adjustment?

    Well, look no further. That’s what this is. Any you should buy it. Right now. You won’t be sorry. I didn’t call it an exceptionally fine player for nothing.

  • Conn New Wonder I ‘Chu Berry’ Soprano Saxophone 1924 Original Nickel Plate 139494

    $ 1,100
  • Conn New Wonder II Chu Berry Alto Saxophone Relacquer 1930 Good Pads Great Deal 236664

    $ 800

    This is a Conn New Wonder II Transitional alto saxophone from 1930. It is probably the best playing alto per dollar spent on the site, because it has good pads but has been refinished. The new coat of paint it got made the price go down, but didn’t hurt the playability. This horn came to me playing well on its current pads. It hasn’t been freshly overhauled, but it does play on the current setup. That makes it a great deal, because you get the beautiful big, warm Conn tone for under $1k, which is crazy. This horn is pre-war, if you’re looking for that, and it has rolled tone holes. By ‘transitional’ in the title, I mean that it was made very late in the New Wonder II (or ‘Chu Berry’) run, and it has some features that anticipate the 6M or ‘artist’ or ‘naked lady’ or ‘lady face’ (I could go on. Conn nomenclature is kind of convoluted.) It’s basically a New Wonder II, but it has the raised high E side key and a few other small changes like palm key shapes and possibly a different neck though I’m not sure about that.

    It includes the case in the photos as well.

    Only one available.

  • Conn New Wonder II Curved Soprano 220xxx Late Example! Original Silver High F Fresh Overhaul!

    $ 4,250
  • Conn New Wonder II Transitional Alto Saxophone Original Silver 237954

    $ 1,150
  • Conn Standard Steelay 5 Tenor Saxophone Mouthpiece D69

    $ 95

    Complete your set with a Conn 10M tenor from the 30’s or 40’s. Deep scooped sidewalls, very large chamber, no baffle. Tip opening measures 0.058″. This tip opening is pretty limiting in terms of flexibility and projection. High resistance, very dark tone.

  • Couf Superba 1 Alto Saxophone Fresh Overhaul! Great Player! 79506

    $ 2,450
  • Couf Superba 1 Tenor Original Gold Plate Saxophone 68059 Matt Stohrer Overhaul One of the best ever!

    $ 8,000
  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Holton Soprano Saxophone Original Silver Plate Great Deal 17402

    $ 1,000
  • Ishimori Wood Stone Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Arriving early October 2019! There are two dark lacquer and one antique finish (unlacquered) that will be available.

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,750
  • Ishimori Woodstone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    Only one available of these highly-desirable New Vintage tenor saxophones from Ishimori, Japan’s premiere saxophone repair shop. These tenors stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some later Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving both are  meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

  • Jimmy Dorsey “Best” Hard Rubber Tenor Saxophone Mouthpiece MPC504

    $ 275

    Slightly curved sidewalls, large chamber, very subtle rollover baffle. Tip opening measures 0.082″. This piece has moderate resistance and a pleasant dark tone, akin to a vintage Meyer of the same tip opening. Keep it as is since someone has already christened it “best”, of course this is best in a vintage big band setting, or as an all-around nice ensemble tenor piece for wind band use.

  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Sold Out

    Keilwerth SX-90R Tenor Gorgeous Condition BIG player Early Serial

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King Original Gold Plate Soprano Saxophone Beautiful Engraving 56362

    $ 1,500

    This is an original gold plated King soprano from about 1922.  The engraving is exquisite, as it usually is on gold plated King saxophones, and the horn itself is in very good physical condition.  Keyed to high Eb, it currently plays ok on old pads, and the tone is very warm and pleasant. As is typical with sopranos of this age, the intonation is pretty flexible, but given a good ear and voicing it is entirely possible to play in tune- just don’t expect this to do the job for you like a modern Yamaha or Yanagisawa!  The trade-off is, as it usually is in my experience, richness of tone for flexibility of intonation, although a large chamber soprano mouthpiece (like a vintage Buescher) will make the job a lot easier. I was playtesting this on a modern Yanagisawa piece though and enjoyed it quite a bit, without any notable intonational problems for me personally.  This is from a collection and has old pads. But just the gold plate is worth the entire price of the horn. It’s a super deal. You could easily find this priced double somewhere else. Includes the nice Buescher soprano mouthpiece in the photos!

    The original case for this instrument is in good condition and fits it very well. 

  • King Silversonic Tenor Excellent Condition Original Lacquer Silver Neck + Bell + Treypack 448262

    $ 5,650
  • King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,600

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Series II 1953 333537 Excellent!

  • King Super 20 Tenor 298061 Series 1a Full Pearls Original Lacquer (mostly gone) Recent Overhaul

    $ 5,350

    This is a 1948 King Super 20 tenor saxophone with ‘full pearls’ on the side keys, G#, octave key, and palm keys, as well as on the rest of the key touches. The pearls, solid silver neck, double socket neck tenon, and fancier engraving mark this out as being the deluxe version of the Super 20 that sells for more and that is highly coveted by players for its beauty and unbeatable tone. This tenor is original lacquer, meaning that it hasn’t been refinished, but the original lacquer was chemically removed from the body tube, and still remains on the keys giving the horn a cool two tone look. It came to me from a pro player on consignment, and it plays well, like you might expect for a horn that had been recently restored. It was overhauled by Ivan Lukyanets in Encino, CA, who has a great reputation among pro players in the LA area. It feels nice and snappy under the fingers, and the black kangaroo skin pads are sealing well. They have flat, medium sized metal resonators that work well on a King and are similar to factory spec for this era.

    This tenor is very clean condition mechanically. I don’t see any past dent work or any resolders or other past repairs at all. The original solid sterling silver neck is also in excellent condition, and has not been damaged or pulled down. It has the matching serial number, as you can see.

    The main reason to get a King Super 20 tenor saxophone is the tone. These late 40’s Super 20 tenors are big and bold and projecting while still being medium dark and very saturated and punchy. If you put on a brighter mouthpiece, like the classic Berg Larsen / King Super 20 pairing, then you get a killing sort of dark/fat/bright/projecting sound that you can’t get on any other saxophone. It’s the reason why there is such a thriving community of King Super 20 players even 70 years after horns like this one were manufactured. It’s my favorite tenor as well, out of everything that I have played.

    If you’re looking for a very good professional tenor to play and enjoy that won’t back down no matter what you throw at it, that will cut through a band with ease, even without amplification, and that has the beauty of the pearls, engraving, and silver neck, then by all means, get this one. I try to keep a good selection of King Super 20 tenors around, so check them out, and email me with any questions. If you want to pair it with a new case, I can get you a great deal on a BAM that will fit it well. Just for fun, here’s a clip of Charlie Ventura playing his ’48 King Super 20 tenor. And I suspect, but cannot prove, that Sonny Rollins played Saxophone Colossus on a Super 20 much like this! 

    Only one available!

     

  • King Super 20 Tenor Saxophone 1957 Near Mint Original Lacquer

    $ 4,850

    Holy cow! This is the nicest example of a ’57 King Super 20 that I have had the pleasure of selling. It’s original pads now, which is super cool. Nobody has messed with it at all. Of course, it will need an overhaul (pads are 63 years old) to play its best. The tone of these horns is just to die for. Powerful, resonant, very loud when pushed (it goes to 11). The solid silver double socket neck gives you extra focus, and a dark core with lots of overtones. The horn overall is bright and projecting, but in a way that stays fat, like only American saxophones can. Ideal for either cutting through a band, or playing the most gorgeous ballads, this is one of my favorite saxophonse of all time.

    This tenor has no damage, no dents or dings, and almost all its original lacquer. The solid silver neck even looks odd to King fanatics like me because it still has its original gold lacquer over the silver, which you hardly ever see. There’s some scratching on the back of the body tube from normal use, and a couple of tiny, nearly invisible dings I got removed from the bow, but you’d never notice anyway. It’s as nice as you will ever find. And priced to sell!

    The best demo of a “Series III” Super 20 that I know of can be found here. It’s one of the only cases that I have found where I heard a demo and what I consider the essence of the tone of the horn itself is front and center on display (as opposed to the mouthpiece, the player, or a bunch of other distracting noise. Listen and enjoy! This is the same horn as in the demo, just made a year or two later. https://www.youtube.com/watch?v=cBoeWeRyy-o 

     

  • King Super 20 Tenor Saxophone 1968 Original Lacquer 439538

    $ 2,650
  • King Zephyr Tenor Saxophone Original Silver Plate Excellent Condition 202108

    $ 1,950
  • Leblanc System Rationell Alto 571 (one step below the crazy one) Mint Condition

    $ 1,850
  • Martin Comm II Alto Saxophone 142391

    $ 900

    Martin Committee II Alto Saxophone in good condition with original lacquer. These horns play really beautifully, with a rich, warm, centered tone. Most people have never had the pleasure of playing them, as they were only made for a couple of years in the 40’s before Martin was forced to redesign because of patent disputes on the tone holes, I am told. Anyhow, this is a great price for an original lacquer Committee II. The pads are old, so plan on a repad, or at least on replacing several. I could discuss options for having that done pre-sale if you like, but since this is on consignment, I can’t overhaul it in advance.

  • Martin Committee II Alto Saxophone Original Lacquer Lion and Crown 136238

    $ 900
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 75488

    $ 500
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Martin Handcraft Typewriter Alto Saxophone Original Silver Excellent Condition 98334

    $ 900

    Beautiful original silver Martin Typewriter alto saxophone. Every single key is a has a round pearl button – it’s a wonderful instrument to see! I love how unified it is from a design perspective. The palm keys and pinky table are my favorite. A necessity for any serious saxophone collection. This is also a beautiful player when overhauled, and has a wide, warm, sweet tone that is hard to beat for a 20’s sound. This Typewriter alto is all original – nearly all the original silver plate is present, as is the gold wash. The neck is also in very good condition. If you wanted to overhaul this, it would be bright, gleaming satin silver and look nearly new. Or just keep it and treasure it, or leave it on display as a showpiece. The typewriter was a beneficiary of the 20’s Saxophone Craze – there was such a strong market for saxophones that all kinds of interesting designs blossomed onto the scene. These are rare and hard to find, and this is a great price for one!

    Only one available!

  • Martin The Martin Alto 155469 Unbelievably Beautiful Dark Original Lacquer

    $ 2,350

    This is just about the most beautiful Martin Committee III that I have seen. It is incredibly rare to find the dark early original lacquer examples in anything like this kind of condition. If you have always wanted one of these Committee III saxophones, you can’t beat this one. And the price is still a bargain compared to anything of nearly this kind of quality. Original pads, original case, the works. This is the real deal. Only one available. I might keep it for my little collection. It’s even nicer in person.

  • Sold Out

    Martin The Martin Alto Original Saxophone 179447

    $ 1,750

    Priced to sell!

    Freshly overhauled The Martin Alto which plays GREAT. Feels effortlessly big and loud and powerful, with a medium dark tone that brightens up nicely with a higher baffle mouthpiece. You can do anything on these altos. This was original lacquer which is mostly worn off and it still looks great. This horn was played a fair amount before being overhauled, so it has had some small dents removed. The thumb hook has been replaced also. (Original thumb hooks frequently fall off of Martins, for whatever reason.) If you’ve been looking for a super-fun alto that looks cool and sounds different from anything else out there today, this would be a great choice. With the fresh, complete overhaul, it won’t need any significant repair work for a long long time.

  • Martin The Martin Alto Saxophone Committee III 160564 Relacquered Fresh Overhaul!

    $ 1,100

    Recent complete overhaul done on this The Martin Alto. The lacquer is obviously mottled and not so pretty, but nothing sounds as good for the money as the Committee III. These horns were built to last, and came with 50 year warranty when new!!!

     

  • Sold Out

    Martin The Martin Alto Saxophone Excellent Condition! Great Deal

    $ 999

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • MC Gregory Los Angeles 5A 20 Alto Saxophone Mouthpiece MPC540

    $ 325

    This vintage MC Gregory Los Angeles mouthpiece has its original facing and measures at a modern 4 tip or .066″. It has straight sidewalls, small to medium chamber and not much baffle. Mellow dark tone, moderate resistance, low-moderate projection. Beak has quite a bit of tooth wear, so I’m pricing it much lower than a normal vintage MC Gregory. Get your Desmond vibe on for less. Tip opening measures 0.066″

  • Meyer New York USA 8L Soprano Mouthpiece

    $ 700

    This is a vintage Meyer New York USA 8L soprano mouthpiece. It has a .062, a rollover baffle, curved side walls, and a medium chamber. It is in very good condition, and plays great!

  • N4 “France” clarinet

    $ 40

    Nice condition, looks like vintage hard rubber, no brand visible

  • New Old Stock Yamaha Purple Logo Baritone Saxophone YBS-62 Mint Unbelievable! Overhauled!

    $ 9,000

    Now comes with a full overhaul!! All new pads and the full deal. That’s a huge added value. It plays EFFORTLESSLY and beautifully, with a warm, complex tone. Take it in a funk direction with an aggressive mouthpiece, and it will bark and cut without thinning out. Take it in a classical direction, and it will do a gorgeous cello-like tone better than any other baritone that I know of. Highly recommended!

    This is an amazing chance to get a new old stock Purple Logo YBS-62 baritone saxophone. This sax was originally a display model that Yamaha brought to the USA for a trade show almost 40 years ago. Yamaha sold the instruments from the display, and they sat in someone’s closet for that entire time. This sax came in the plastic in the case, and I had to take it out to take photos. There are maybe a few of the lightest possible surface scratches not through the lacquer, but aside from that, it looks as new as it could be and be from the early 80’s. The tone is beautiful and warm, rich, and medium focused. Intonation is great. Works with just about any mouthpiece. This horn can play the full range from classical to funk no problem and be as reliable as a Lexus day after day, year after year. This is BY FAR the nicest example of a purple logo 62 baritone that I have seen, and the nicest one we are likely to see.

    It has the case keys, the polishing cloth, mouthpiece and ligature, warranty booklet, and even a set of removable wheels that attach to the end of the case so that you can roll it if you want. First time I have seen that. If you want a beautiful baritone to play that is really special, this is it. And at this price, it’s about the same as buying a modern 62, so you don’t even pay a premium to get the new old stock. That’s pretty great.

  • NOVA Woodwinds Lacquered Brass Low A Baritone Saxophone NEW Great Deal!

    $ 2,200

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, particularly around $2500-3500. That’s where the NOVA baritone shines. For only $2200, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look.  It is very similar to, and made in the same factory as the Kessler Custom Soloist baritone saxophone. This is made in China and based on the Yanagisawa B901 baritone design, though it is not identical to it. Yanagisawa makes the best baritones in the world, and I would be happy to get you a great price on a new Yanagisawa as well, but in this price range, the NOVA Woodwinds baritone is very hard to beat. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    It comes in this version, which is brass, and then in the bronze version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, and the Rico Metalite bari for jazz, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • NOVA Woodwinds Low C Bass Clarinet Outstanding Player Unbeatable Value NEW! 2nd Gen

    $ 2,100

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Otto Link Tone Edge Small USA Large Font 7 EB? Soprano Saxophone Mouthpiece MPC525

    $ 600

    This is a beautiful example of an Otto Link Tone Edge soprano mouthpiece. It has its original 7 facing measuring .062″ or so. The 7 stamp is the larger font, and the USA stamp is small font like a FL Tone Edge. The Otto Link logo and chains are not the modern version, and neither is the shank design, and the machine marks on the table are a fine vertical denim pattern. The chamber is large and round. It plays beautifully with a warm, rich tone. I guess this would be an Early Babbitt at least early 80’s. I have to admit, I’m not an expert on the differences between soprano stamping in the 70’s to early 80’s on these. But it looks better than smaller tip ones I see selling online for $800, so hopefully this is a good deal for somebody. It also includes the Vandoren Optimum ligature in the photos.

  • Ponzol M1 Hard Rubber Custom USA Tenor Saxophone Mouthpiece F50

    $ 225

    This is a hard rubber version of the Ponzol M1 tenor saxophone mouthpiece. It has high baffle, metal mouthpiece proportions. If you like the streamlined proportions of metal and easy on the teeth compliance of hard rubber, this this may be your piece. It has straight sidewalls, small chamber, and a high stepped baffle. Tip opening measures 0.115″. The high baffle does not disappoint with projection and brightness, but it is also surprisingly easy to lay back and get a slightly darker tone. It would be a nice all around mouthpiece in the right setting, like a combo with electric guitar for example, where you want a cool tone with the option to cut through when needed. If you’ve been playing a Berg and want something slightly brighter, this would do the trick.