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Showing 1–100 of 166 results

  • Alto Beechler Bellite Metal Brilhart Reproduction 3-Band Ligature Echo Master

    $ 165

    This ligature fits thin metal alto saxophone mouthpieces like Beechler Bellite and other very slim body metal alto mouthpieces, like Brilhart levelaire, and some modern pieces like Guardala handmade. That’s ALL that this ligature fits. This is a listing for the ligature only, not a mouthpiece. 

    For Dukoff Miami alto, please buy the ‘soprano’ ligature here, because the soprano ligature fits Miami Dukoff metal alto mouthpieces *perfectly*. The soprano ligature also fits metal Otto Link alto mouthpieces very nicely.

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Brilhart ‘Designed By’ Tonalin Streamline 4 (Modern 5*) Tenor MPC539DT Original Facing Rare!

    $ 475

    Super rare early Brilhart Tonalin Streamline ‘Designed By’ Brilhart Tenor Saxophone Mouthpiece. Medium-large tall but narrow Brilhart Tonalin chamber, straight sidewalls, very subtle rollover baffle. The worn bite plate indicates that it was well-loved. With a bit harder than my normal reed, this piece produces lovely subtones at full volume. A nice fat tone, good projection. This streamline shape works well with a normal HR alto ligature, or with the Echo Master hard rubber alto ligature on this site.

  • Sold Out

    Brilhart BB Screws Tenor Three Band Ligature Rare! Fresh Gold Plate

    $ 950
  • Brilhart Designed by Great Neck NY Hard Rubber Original 3* Alto Saxophone Mouthpiece MPC534 3 digit

    $ 550

    Own a piece of saxophone history that also plays great. This is a rare, very early Hard Rubber ‘Designed By Arnold Brilhart alto mouthpiece with a three digit serial #464! It has curved sidewalls, a medium round chamber, and a slight roll over baffle. Tip opening measures 0.072″, and the facing looks original, with a ‘creamy’ matte table, tip and rails. Beautiful, medium-dark tone. Earliest Brilhart serial that I have seen.

  • Brilhart Hard Rubber 0.105″ EG reface Tenor Saxophone Mouthpiece MPC562

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC560

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC564

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC567

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Vintage BB Screws AL Metal 3-Band Alto Saxophone Ligature – The Original!

    $ 999

    This is the most desirable vintage ligature ever, and sells for high prices to both collectors and players. I have seen these sell much higher, but I can’t bring myself to ask the kinds of prices I have seen them sell for on eBay. This is the AL stamped BB screws Brilhart 3-band ligature. I have one of these myself, that I have used for many years, and I sell the excellent Echo Master Brilhart reproduction ligatures on this site also, which are true reproductions of the original. But as with famous works of art, the more copies there are, the more epic and desirable become the originals. This is a rare original one, in very good condition, and it plays great, as you would expect. This fits anything from a Selmer Soloist to a Meyer Bros NY ‘Fat Boy’ and is just a nice and well made ligature, as much as it is a collectible.

  • Buescher Aristocrat 140 Alto 339934 Great Deal Original Lacquer Plays on Older Pads

    $ 850
  • Buescher Big B Alto Saxophone 298875 Relacquer Low Price

    $ 700
  • Buescher Big B Model 140 Alto Saxophone 321761 Original Lacquer Very Good Condition

    $ 1,600
  • Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!

    $ 3,500

    This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.

    This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)

    Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.

    Only one available.

  • Sold Out

    Buescher Straight Alto Super Rare Excellent Original Condition Recent Overhaul Orig Case

    $ 6,450
  • Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849

    $ 3,300

    This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.

    This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!

    The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.

    This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.

    Only one available!

  • Buescher True Tone Alto Saxophone 1 Neck 196723 Silver Plate Fair Condition

    $ 375

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is in fair condition. It has the desirable #1 neck. It’s a great serial range for the True Tone. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    $ 500

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

  • Buescher True Tone Alto Saxophone 202609 Original Gold Plate Very Good Condition

    $ 950

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    Only one available!

  • Buescher True Tone Alto Saxophone 204539 Original Gold Plate Good Condition

    $ 800

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    The price is absurdly low, but that’s one of the great things about the saxophone market right now!

    Only one available!

  • Buescher True Tone Alto Saxophone 83005 Original Silver Plate

    $ 275

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original silver plate is also in reasonably good condition. This is priced low to sell quickly. At this price, I’m just looking for someone who is willing to adopt it and do it justice with a nice repad. It deserves to make music again!

  • Buescher True Tone C Soprano Rare Original Gold Plate! Old Pads 86473

    $ 2,150
  • Buescher True Tone Series IV Tenor Saxophone Original Gold Plate Good Pads 212844

    $ 2,150
  • Buffet Crarmpon G7* Clarinet Mouthpiece MPC531

    $ 50

    This is a nice old hard rubber clarinet mouthpiece measuring .050″ (1.27 mm). From the stamping of the facing on the table, I’m thinking this was made by Woodwind Company of NY for Buffet, as a jazz-leaning clarinet piece. That’s just a guess. I’m not an expert on clarinet mouthpieces. Let me know if you know more about it. It plays well with a warm, rich tone and plenty of power.

  • Bundy II Alto Saxophone Good Student Saxophone Low Price

    $ 550

    Solid student alto with a mix of pads in good playing condition. About the cheapest that you can get a decent alto. This will require checkups every 6 months or so, as it is not completely repadded, so plan on getting a few pads replaced each semester to keep this in good playing shape.

  • Conn 10M Tenor Factory Relacquer Gorgeous Shape Great Deal Orig Pads 334663

    $ 1,700
  • Conn 10M Tenor Pre-War Original Lacquer Cleaned and Ready for Pads Very Good Condition Great Deal – just add an overhaul

    $ 3,650

    This is a BEAUTIFUL original lacquer Conn 10M that is totally ready to be overhauled by your favorite saxophone repair shop. Or get it overhauled through GetASax if you prefer. Way back in 2009 I was selling 10M’s this nice for more than this price, also with original pads, and they have gone up a LOT over the past 10 years. I am pricing this one low so that it sells quickly. Check out those photos. Go ahead – zoom in, make them full screen. The larger the image, the better this horn looks. It has had a few small dings removed, and the body side of the brace was carefully resoldered where it had popped off. (This happens sometimes on Conns.) You can hardly tell at all. That’s really about it! This is as clean as a 10M gets, even if you wait around for a year for the best one you can find.

    If you have been looking for a definitely great 10M, look no further. If you want to get this AND get it in with a Conn specialist like Matt Stohrer for overhaul, I am open to giving you one of my precious reserved overhaul spots with Matt. His work on Conns is really outstanding. I don’t make any money on that. You just work out your overhaul options with Matt.

    To give you a taste of what this horn can sound like, here’s a classic recording of Dexter Gordon putting his 10M through its paces. That’s a Hollywood Dukoff from the 40’s if you’re curious. The horn can take a ton of air, and just keep giving you more tone. Dex never sounded better than at this period on the 10M. It’s a natural fit. 

  • Sold Out

    Conn 10M Tenor Saxophone 1935 Fresh Overhaul Original Lacquer Great Deal!

    $ 3,850

    This is this kind of Conn 10M tenor saxophone that makes people ditch their Selmers and Yamahas. It’s also a great deal at this price! It is original lacquer, AND it has been recently overhauled before I got it, and is playing very nicely. The keywork is comfortable, intonation is excellent, and the tone is to die for. Wide, dark, but still punchy and with a good amount of focus. Palm key tone is gorgeous and full, not a bit thin. This tenor has been well cared-for over the years, and the only past repairs I see are some small dents removed from the back of the body tube and bow, and evidence of a slight pull down having been ‘pulled back up’ from the neck, which is a very common thing to see on vintage saxophones. This pull down (now fully corrected) was about a 2 on a scale of 1-10 in severity, so not a big deal.

    I have a lot of Conns, but not many of them that are both pre-war and that have a recent overhaul. That makes this one an excellent deal. Only one available. By the way, this is what original lacquer looks like on the early 10M’s from ’34-35. The engraving style is a little different from later 10M’s, on the early ones in the 260-270k range. This is what it looks like (and should look like).

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

  • Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads

    $ 2,750
  • Conn 10M Tenor Saxophone Late Example Great Deal! Needs Repad

    $ 950

    Conn 10M Tenor saxophone for under $1k! The Conn 10M is one of the best vintage tenors ever. This one is from 1967. It’s original lacquer and original pads, and it is just a repad short of being a solid player. The 10M keywork is nice and comfortable, and if you want a cheaper tenor that plays LOUDLY and has a big, dark core tone this is hard to beat. It should be an easy repad, as the horn is in very good condition.

    Only one available!

  • Conn 10M Tenor Saxophone Naked Lady Rolled Tone Holes Original Lacquer Good Pads 322571

    $ 2,950

    Great deal on an original lacquer, rolled tone holes Conn 10M tenor. This horn came from a big collection of great American saxophones that I recently bought. It was repadded at some point before it came in, and the pads are still in good condition. It has a huge, warm, medium dark, powerful tone that fills a room instantly. And the intonation is also great. The keywork is quite fast and comfortable once you get used to it, which only takes a couple of weeks if you are coming from a Selmer.

    The only past repairs are some small dents removed from the back of the body tube. Probably from a mouthpiece rattling around in the case with the horn long ago. One in the upper body tube, one near the strap hook, and one near the thumb hook. Also a small one removed from the top of the neck. It’s in very good shape now. It’s uncommon to see a 10M like this with so few repairs and nothing resoldered or seriously damaged and repaired. This is one of the good ones for sure! Engraving is beautiful and crisp also.

    Only one available! Get it now.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

  • Conn 10M Tenor Saxophone Pre-War 1935 Relacquered Fresh Overhaul Plays Easily

    $ 2,850

    This is a fully restored Conn Pre-war 10M Tenor saxophone that looks like a new horn. If aesthetics are important to you, and you also want a saxophone that is already restored, this would be a great purchase! And you save money since it has a new coat of lacquer, compared to if the original lacquer were still there. This beautiful 10M is from the second year that the 10M was made, and it is in very good condition. It was refinished and completely overhauled by Wichita Band, who sold it only a few months ago on eBay for $3850. I’m pricing it lower, because I think $3850 is a bit high for it. So you can get a great deal, on a horn that has an expensive restoration already completed. The pads are reso-pads like Conns originally came with, so it has a vintage soft feel under the fingers. The horn plays really easily, with a big, warm tone like you would expect with a 10M.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

  • Sold Out

    Conn 30M Connqueror Tenor Saxophone 1936 Relacquered Plays Great! 275847

    The Conn 30M. If you’re reading this, you probably know what this is already. It’s the more deluxe version of the best vintage tenor by Conn, the Conn 10M. The 30M is a 10M plus lots of keywork upgrades including ‘permadjust’ screws throughout, rather than traditional adjustment materials between key linkages; solid silver key touches on spatula and side keys, and a newly designed pinky table and neck octave key. This is the saxophone geek’s dream horn. It is also one of the best sounding tenors ever produced, without any doubt.

    This particular example is refinished, obviously, and then it got a recent overhaul done by the good people at SaxAlley in Colorado. They used a wide, flat pad that looks like a Conn Reso-pad, but is solid throughout, so it feels snappy and positive instead of the soft, squishy feel of a normal reso-pad. This is an improvement. There is some kind of dark leather sealant on the pads that makes them look weird, but hey, they are sealing well, and the horn feels quite good under the fingers, so I’m not going to mess with success here. The response is quick, and the tone is saturated throughout. The low register is particularly nice. Subtone and ballad playing is very easy, and this Conn 30M can play softly while still sounding full and rich. There is really no upper limit to the volume. You’re the only limiting variable here.

    If you’re looking for a great player’s tenor that is much cheaper than a normal 30M even though it is in good playing condition, and that sounds great all-around, then this may be the horn for you. It came to me in a pretty worn old Conn case, so if you want to upgrade the case, I’m happy to cut you a good deal on a new case for it. I like the BAM Classic for Conns, as the foam is great quality, and the cut out in the interior allows the bell keys to fit without a whole lot of squishing necessary.

    Just for fun, here’s Dexter Gordon putting a 10M from the same era through its paces. (The mouthpiece is a Hollywood Dukoff, which I also have for sale, if you are looking.) The sound mixing guy who recorded Dex always had to dial him back a lot. There really is no limit to the volume on  a Conn 30M tenor.

     

  • Conn 4M Curved Soprano RARE Late Example 244750 Matt Stohrer Overhaul Exceptional!

    $ 6,950

    If you want the best, the most beautiful, the rarest, and the highest quality overhaul all in one soprano, then this is the one for you. You can get a ‘normal’ conn curved soprano for a lot less, but it will not be like this. This Conn curved soprano is for the connoisseur, the collector, and the discerning player.

    The general rules for buying these, in my view, is to get the latest curved soprano that you can find. I only know of a few individual instruments with later serial numbers than this. You could probably count the total number that were made after this one in the single digits. This is only the second one that I have seen in person, and it is by far the nicest one I have seen. Like every Conn curved soprano it had a couple of key guard feet resoldered, and that is it for past repairs. They look good, and are not at all glaring. The neck is particularly nice. The bell flare and body tube are undamaged.

    It just got a complete overhaul and gentle hand polish and cleaning done by Matt Stohrer, Conn enthusiast and my personal favorite repairman for Conn overhauls. Matt’s work needs no introduction, but you can find his website here, and his youtube channel here, complete with several Conn-specific repariman’s overview videos. I got the silver plate touched up in a couple of places where it was starting to show some wear, and I got the gold wash in the bell redone also, though there was still some gold in there to start with. The resonators are the nice, reusable, high-end TenorMadness set, flattened for an authentic look. They look great. An overhaul is a big job, and that’s now done, so this horn is back to factory fresh or better playing condition. Better, because Matt’s pad work feels better than the reso-pad job found on these originally. It’s tight, snappy, and positive under the fingers. Pad heights are just right, and all the little details that distinguish a really good overhaul from a mediocre one are present and correct on this horn.

    Playing wise, this soprano is a monster. It’s warm, round, broad, and room-filling, even at low volumes. When pushed, it is almost too loud. It wants to project over a band. The tone is completely different from modern sopranos. Much more warm and medium-dark, almost like a larger saxophone voice squeezed into the small soprano body. The intonation is quite good, and this works well with a wider range of mouthpieces than many sopranos. I used my Bilger Morgan, and it sounds great. But a modern Yanagisawa HR or even a vintage Buescher will all work, so there’s a good range. This is easily one of my favorite vintage sopranos that I have ever played. If you are looking for a new dimension to add to your playing, a curved soprano like this is interesting and stimulating. A whole fresh world to explore. It also looks great on stage, and catches eyes if you’re a full time performer.

    This beautiful instrument comes in its original case, also in good condition.

    Just for fun, here’s a clip Dave Koz playing his silver Conn curved soprano with postmodern jukebox. Also, be sure to check out Keenan McKenzie’s curved Conn soprano playing in a 30’s swing setting. So great, and tons of fun!

  • Sold Out

    Conn 6M Alto Saxophone Original Lacquer  Metro Neck Great Condition New Pads 271271

    $ 2,450

    Beautiful original lacquer Conn 6M VIII alto saxophone with the desirable Metro neck. Recent overhaul, plays great. This is the one to get. Priced to move!

  • Conn 6M Naked Lady Alto Saxophone Original Lacquer 1953 356523

    $ 1,100

    1953 Conn 6M alto original lacquer with old pads. The later 6M’s like this are an excellent value, because they are still well made, but the price is almost laughably low for what you get. I always recommend the 1948-55 or so Conns to people who want a great tone but  who are on a tighter budget. The tone is fantastic – big, wide, with plenty of projection. Intonation is very good, and the keywork is comfortable. There is not a lot to tell condition wise. This horn is in great shape. Original lacquer, neck is in great shape. It looks like there was a small dent removed from the back of the bow, and maybe from behind the lower thumb hook. I hope that I’m in as good shape at 65 years old!

  • Conn 6M Transitional Alto Saxophone Good Overhaul Candidate Old Pads 257175

    $ 950
  • Conn 6M Transitional Art Deco Alto Saxophone 247105 Great Shape 1931

    $ 1,600

    I love Conn altos in the 230-260k range, and especially the ones near 250k serial. This 247k is a transitional Conn between the New Wonder II (‘Chu Berry’) and the 6M (‘Artist’) models. It is a true transitional in every sense, and is almost half NWII and half 6M. These special alto saxophones have a tone and set of features found nowhere else, and that makes them especially great in several ways. The bore still feels more like a NWII to play, so the tone is wider and wilder than the later 6M’s (which are also great, but are more focused and a bit less wild). The neck is like a 6M, so you get the improved intonation that ‘slots in’ better – NWII’s have good intonation as well, but it is more flexible than the 6M versions. The bell keys have moved around to the left, but the left hand spatula keys retain their NWII shape, but with improved mechanics. No saxophone has an easier or more direct feel on the low B and Bb that this version of Conn. It’s nice and light and fast, though you don’t have anything like modern ergonomics on those keys, of course. The regular main stack keywork is already mostly updated to the fast and comfortable 6M design. That is very good keywork, and is hardly improved upon in modern horns, so this is a very comfortable horn to play.

    It came with special ‘art deco’ engraving on the bell that you only see for a short time around 245-249k serial with Conn altos. This example is original or ‘first’ lacquer, and has not been refinished. It has original pads and even comes with the original warranty and care booklet in the original case.

    Tonally, these late transitional 6M’s are an ideal choice for big band or jazz band lead alto. They have almost unlimited projection or ‘carrying power’ as the old advertizements put it. And the tone stays strong and cohesive no matter how much you push it. It’s just a joy to hear one of these in full song. Marhsall Royale and the Basie band all played Conns like this, as did Charlie Parker for a while (among many other horns). You see them commonly in clubs in NYC and all over Europe these days. Nothing sounds like a Conn. This one is priced low for what it is. Superb original condition. Add a good overhaul, and you will have one of the best built alto saxophones ever, that will be dependable and fantastic to own and play for many many years to come. If you like this version in silver, I also have a silver 249k that I just got completely overhauled that is also for sale.

    Only one available!

     

  • Conn 6m Transitional Art Deco Alto Saxophone 249081 Overhauled!

    $ 3,250

    Just completely overhauled! Price includes the full restoration. Take how it looks in the photos, and make everything perfect and shiny with all new everything and that’s what you’d be getting.

    The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932.  It features art deco engraving (a style which only appears for a few years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style.  This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit more of the big tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.  

    This horn plays a bit on some very old pads, but it will need a repad.  Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see.  The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and will shine up unbelievably well, if my past experience is any guide (see Matt Stohrer’s guide on polishing silver saxophones to see what I mean).  It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.

  • Conn 6M VIII Alto Saxophone 1937 Pre-War Original Lacquer Excellent Condition 282496

    $ 3,250

    This is a beautiful Conn 6M VIII alto with great original lacquer. It comes with a full high end overhaul. If you are relatively new to vintage saxophones, almost all saxophones older than 1990 or so that have been played with any frequency are in need of a labor-intensive process of restoration called an ‘overhaul.’ This does not touch the finish, but it completely replaces everything that needs to be replaced to put the saxophone back to factory fresh mechanical and playing condition. If you do it right, (which is a big if) then the horn can even be better than new mechanically and playing wise. That’s what this horn is getting right now. It costs about $1000+ to have done right, because it involves at least 25-30 hours of skilled labor.

    This Conn 6M VII is really the one you want. It is in excellent condition, original lacquer, no resolders, no serious past repairs at all (a few small dings removed). As soon as it comes back from overhaul in a week or two, it is going to be AMAZING! Conns are very consistent from horn to horn once you fix everything mechanically. This one will be no exception. Even on original pads when I got it from a collector, it played really big. It is medium-focused, and very free blowing. Intonation is excellent. Keywork is fast. It comes with a BAM Classic alto case or similar, (we can discuss) to keep it safe when you are not playing it (which won’t be that much of the time, based on how these play!)

    Only one available!

  • Conn 6M VIII Alto Saxophone 1942 Original Lacquer Pre-war Excellent Condition!

    $ 2,250

    This Conn 6M is the most desirable version, with the VIII stamp on the neck, and the entire saxophone is in excellent condition. It is all original – including neck, pads, original lacquer, and original case. The pads are completely done and you’ll have to overhaul this to play your first note on it. It would be hard to find a better overhaul candidate. Usually there’s at least one resolder, but the only thing I can see that has ever happened to this alto is a small dent removed from the back of the bow which is now nearly invisible.

    The neck is gorgeous, body tube, bow, and bell are all dent free and beautiful. The engraving really pops on this horn, and the lacquer has a luster that you don’t always see. The reason this Conn 6M alto is in such great condition, is that the original owner bought it in early 1942, (just before Conn stopped producing saxophones to start making alitmeters for the war effort), and then he enlisted and went off to war. When he came back, he bought a Conn 10M tenor saxophone  and played that instead. The 10M is in nearly as good condition, though it’s not original lacquer like this alto is.

    Conn 6M altos are amazingly consistent from horn to horn. Just get it properly overhauled, and it will be a really lively, projecting, room-filling lead alto that sails over a band with ease. There’s nothing like a Conn in full song. Plus, as you may know, the keywork layout on the 6M is very comfortable and fast under the fingers. In an alternate universe where Conn kept making saxophones during WWII and Selmer stopped making saxophones to fight the Nazis, Conn’s keywork design would have become what you see on all modern saxophones. It’s that good. I prefer Conns to Selmers on alto, generally speaking, and my favorites are these pre-war 6M’s. They’re just so fun to play. The horn comes alive in your hands, the body tube vibrates in response to the sound, and there really is no limit to the amount of sound you can get out when pushed. People come in the shop and play the Conns, and they are regularly blown away.

    I have some other, very similar altos right now that also come with the full overhaul / restoration included in the price. You can see the selection of Conns available here. There are also some in other finishes like silver plate or even gold plate.

    Just for fun, here’s Marshal Royal and the Basie Band (all of whom used Conns) playing a ballad on his 6M. 

  • Conn 6M VIII Alto Saxophone Original Silver Plate Rolled Tone Holes 312091

    $ 2,500

    Super clean original silver plate Conn 6M VIII alto! It would be hard to find a nicer example of a rare silver plate 6M VIII. The VIII stamped Conns are the most desirable, and this one is in collectible condition. With a good overhaul and hand polish, it will look like a brand new saxophone, right off the shelf.

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Great Player! 295729

    $ 2,450
  • Sold Out

    Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Old Pads Excellent Condition 285940

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Very Good Condition Plays Well 294775

    $ 1,950

    This pre-war (from the American perspective, meaning prior to the government order than restricted the manufacture of musical instruments along with anything else made out of brass) Conn 6M was built in 1941, and is the desirable “VIII” version, with the VIII stamp on both the body and neck.  

    It is in very good physical condition with original lacquer, no dents, and no major or minor past repairs or resolders, with the exception of a repaired dent on the bowguard, which is visible in the photos.  It has what appears to be a recent repad, or perhaps an old repad that wasn’t played much after it was done, and Conn Res-o-pads were used. It plays well with a big voice, and although to my professionally-obligated-to-be-picky tastes it is not quite as astoundingly slick under the fingers at these feel when they have been overhauled as the best repairers can do, it is definitely playable as-is and will beat the pants off of most any challenger, especially modern imports that cost a lot more and give you a lot less than this fine example of vintage American saxophone craftsmanship.  

    Oddly, the lacquer on the neck is more worn than the rest of the horn- although physically the neck is in immaculate condition with no dents or past pulldowns.  In the past when I have seen this the culprit is usually a homemade neck bag that was lacquer-unfriendly, or perhaps the owner had a habit during rests to hold the horn with the neck in his hand.  Given the lack of wear elsewhere on the horn, I’d guess a neck bag was the culprit here, although I can’t be certain. But again, though the lacquer itself is mostly gone from the neck (and the neck alone), the neck tube is flawless and there are no signs of past repairs of any kind.  

    The microtuner is free and functional, and all of the original rollers and present and moving freely.  The engraving is crisp and clear with no lacquer loss, and the pearls seems largely unworn. The keywork is tight and the body is straight.  This is a very clean example of the most desirable vintage of the most desirable variant of the Conn 6M, and it can be yours for less than a new Yamaha YAS-26.  

  • Conn Chu Berry New Wonder 1 Tenor Saxophone Burnished Gold Plate Portrait 1924

    $ 3,950

    Conns from the 1920’s like this have an enthusiastic following these days. I’m told that it’s now more common to see a tenor player in NYC playing a Conn than a Selmer, which is hard to believe if true. I have definitely noticed a large and growing amount of interest and enthusiasm for Conns like this over the last 5 years at least.

    The way I think about vintage Conn tenors is this. They are all built quite well, and they are all good players once you get them all fixed up and overhauled. So if you have the choice, and budget allows, you might as well buy the nicest one you can to fix up. This is for a couple of reasons. First, resale value will always be better the more beautiful the horn is, and the rarer the finish. Second, you get to experience the satisfaction, even joy, of owning such a beautiful piece of craftsmanship from the world’s greatest musical instrument factory of the 20’s and 30’s, which is undoubtedly Conn. Conn set the standard for musical instrument manufacturing during that time. Its designs were copied by all the other makers, from France to Germany, Italy, and even eventually Japan. They are still being copied today in fact!

    If your goal is to get the best, most beautiful, rarest Conn that you can, it would be hard to do better than this beautiful burnished gold Conn New Wonder 1 ‘Chu Berry’ tenor saxophone from 1924. The finish is a bit tarnished at present, because I haven’t had time to get it disassembled, cleaned, and polished yet, but there’s a lot of original gold plate there, and not a whole lot of finish wear. The burnished (bright) gold Conns like this are incredibly rare. Much rarer than the satin gold examples, which are themselves very rare. The engraving is striking. Each burnished gold Conn had the option for a custom portrait. I wonder whose sweetheart this is! Some stylish flapper 20’s lady in any case. This would almost definitely have been pro-owned by the tenor player from a big band. I got the horn from Ohio, if there’s anyone who can connect the dots at all. I have never seen any other Conn tenor with engraving like this, so it has some historical value as well, to me at least.

    This tenor comes in pretty good playing condition. It was tuned up before I got it, and I’ll probably spend some more money on pad work before I sell it. It also includes a nice Hiscox case with my favorite, the red interior, which is no longer offered. Much better than the blue for a gold saxophone.

    Just for fun, here’s Lester Young on his New Wonder 1 tenor just like this one, also gold plated. The wide, lush, spread, medium dark tone is just gorgeous.

     

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,750

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,450
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,350

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Gold Plate Chu Berry Alto Saxophone Portrait

    Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738

    $ 2,950

    There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.

    So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.

    This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.

    Only one available!

  • Conn New Wonder 1 Alto Saxophone Silver with Gold Keys

    $ 1,100

    Bargain price for one of the most beautiful vintage Conn New Wonder 1 ‘Chu Berry’ alto saxophones around. This is satin silver body tube with real gold plate on the keys and in the engraving and other details. These horns look AMAZING when polished up and overhauled, and this one is sure to be no exception to that.

    I have it priced very low, so that you can buy it, get it nicely overhauled, and still get a great horn for the money. This should be an easy, uncomplicated overhaul, as Conns are well made and this one is in nice shape. I do also take returns money back with 5 day trial period, so buy with confidence, take to your repair shop, and then make a decision! Marshall Royale and the whole Basie band played these and got that beautiful, wide, warm tone.

    Only one available!

  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 124447

    $ 450
  • Conn New Wonder 1 C Melody Saxophone Original Nickel Plate Good Condition 70276

    $ 300

    This is a nice, clean original nickel plated Conn New Wonder 1 C melody saxophone. It has OLD pads and needs a full repad. I am pricing it so low that you can get it nicely overhauled by your local woodwind shop and still be into it for not too much money. The nickel plate is extremely durable and will shine up to a beautiful finish, and it will also last nearly forever. It doesn’t tarnish like silver, so it will stay bright even if you play it a lot or leave it out or don’t wipe it off very often.

    If you want a budget C melody made by Conn that sounds big and warm and plays nicely, this will be that horn, after you get it overhauled. Only one available.

  • Conn New Wonder 1 C Melody Saxophone Original Silver Plate Good Condition 106298

    $ 400
  • Conn New Wonder 1 C Melody Saxophone Plays Well! 79645

    $ 475

    This is a nice, clean original bare brass Conn New Wonder 1 C melody saxophone. It has actually been repadded at some point, and the current pads are still sealing well. They’re not new, but they do play just fine. This is a fun horn to play, with a big, warm, vintage 1920’s velvety sort of tone. Stand at the piano with your family member, and play along with the music! You don’t have to transpose. That’s actually very nice. I love my personal C melody sax, which is also a Conn.

    Bare brass is nice because you really can’t hurt it. The horn will pretty much always look the same, unless you want to disassemble and polish it up. You could even get it lacquered, and it would look new, if you fall in love with this and want to restore it to a brilliant shine at some point in the future.

    If you want a budget C melody made by Conn that sounds big and warm and plays nicely, and you don’t want to spend a lot of money at all, this would be your horn. It’s pretty hard to beat for the price! Conn made the best C melody saxophones.

    Note: My favorite mouthpiece for C melody is the Morgan hard rubber in a 5 or 6 tip. It sounds full and open like a tenor sax.

  • Conn New Wonder 1 Tenor Chu Berry Exceptionally Fine Player Fresh Overhaul BAM Case

    $ 3,150

    Do you want the biggest, darkest, most spread and room-filling vintage Conn tone possible? Do you want a gorgeous vintage Conn with original silver plate that looks almost new? Do you want it with a freshly-done high end ($1k+) overhaul, with high-end metal resonators? Do you want a premium $350 BAM tenor case included that fits the horn beautifully and will keep it in top adjustment?

    Well, look no further. That’s what this is. Any you should buy it. Right now. You won’t be sorry. I didn’t call it an exceptionally fine player for nothing.

  • Conn New Wonder I ‘Chu Berry’ Soprano Saxophone 1924 Original Nickel Plate 139494

    $ 1,100
  • Conn New Wonder II Chu Berry Alto Saxophone 1925 Original Silver Plate 148868

    $ 850
  • Sold Out

    Conn New Wonder II Chu Berry Alto Saxophone Original Silver Plate 1927 201774

    $ 750
  • Conn New Wonder II Chu Berry Alto Saxophone Relacquer 1930 Good Pads Great Deal 236664

    $ 800

    This is a Conn New Wonder II Transitional alto saxophone from 1930. It is probably the best playing alto per dollar spent on the site, because it has good pads but has been refinished. The new coat of paint it got made the price go down, but didn’t hurt the playability. This horn came to me playing well on its current pads. It hasn’t been freshly overhauled, but it does play on the current setup. That makes it a great deal, because you get the beautiful big, warm Conn tone for under $1k, which is crazy. This horn is pre-war, if you’re looking for that, and it has rolled tone holes. By ‘transitional’ in the title, I mean that it was made very late in the New Wonder II (or ‘Chu Berry’) run, and it has some features that anticipate the 6M or ‘artist’ or ‘naked lady’ or ‘lady face’ (I could go on. Conn nomenclature is kind of convoluted.) It’s basically a New Wonder II, but it has the raised high E side key and a few other small changes like palm key shapes and possibly a different neck though I’m not sure about that.

    It includes the case in the photos as well.

    Only one available.

  • Conn New Wonder II Curved Soprano 220xxx Late Example! Original Silver High F Fresh Overhaul!

    $ 4,250
  • Conn New Wonder II Tenor Original Gold Plate Near Mint Fresh Overhaul Excellent Player 198048

    $ 5,500

    If you watch gold plated Conns, you will know that this one is uncommonly clean and original. It is the most perfect gold Conn that I have seen for sale in the last year or two, actually since another gold one much like this that also sold on GetASax.

    Really beautiful gold plated Conn tenors are very hard to find. Yes, the keywork isn’t like your P Mauriat, but hey, neither is the tone! You adjust for the sake of the sound. Besides, the bell keys are really not so bad, and the stacks are plenty comfortable if you have medium to large hands. You can also mod these a bit to decrease the bis key reach or whatever. That’s easily done.

    This is a truly gorgeous example. The neck is in great shape, as is the body tube, bell and bow. There’s a post resoldered by the G# key, and it was done very well, so it is almost invisible. There are no other past repairs, and no dent work that I know of. This tenor just got a complete overhaul and plays effortlessly. Low Bb is just another note, subtone is easy, response is quick. It has This is the version with the more comfortable palm key shape, not that that is a huge concern. The resonators are from TenorMadness and are the premium, machined, slightly-domed brass reusable type. They look great against the gold.

    If you’re one of those people who really wants your vintage saxophone to look nearly new, this is one of those rare opportunities that only come up every couple of years at best. It would be hard to beat this tenor. The price also includes the new BAM case in the photos. If you want a Conn tone but at a lower price, check out a lacquered NWII or similar. The gold ones are very rare, and just the gold plate would cost more than the asking price of the horn if you did it today!

    Only one available!

  • Sale!

    Conn NWII Transitional Tenor 238k 1930 with MODERN keywork by Palo Tung UNIQUE!

    $ 5,950 $ 5,400

    This is a really unique and cool vintage Conn tenor with modern keywork! Palo Tung of Just Saxes spent a ton of time on this Conn conversion.

    It is essentially three saxophones put together into one. The Conn transitional tenor is the horn, which is just about my favorite vintage of all time for Conn tone, with a bigger, wider tone than the 10M, but with more focus and somewhat easier tuning than the NWII. Take that horn, and then add the main stack keywork from a Keilwerth, and the palm and pinky keys from a Just Saxes ‘Crescent’ modern tenor, and put all that together into one horn and that is what you have here. The keywork feels pretty good under the fingers – not super slick, but it falls easily under the fingers and the palm and pinky keys are particularly comfortable. The key is functionality. If you have always wanted to play a Conn, but you just can’t deal with the NWII style keywork, then this is one of the few options that you have. I’m told Palo has only made two or three of these ever, and the amount of work involved is, of course, enormous. The price on this horn is far lower than you would normally pay, and it should sell quickly. I have seen other Conn conversions selling $11-14k, but this one is being sold second hand, so you can save a ton on the labor compared to paying to have it done yourself. If you want to pair this with a new BAM case, I can find one that fits it well, and give you a good deal. That would be a good idea for shipping and for gigging.

    There is most certainly only one available!!

  • Couf Superba 1 Tenor Near Mint w/ Warranty Papers Overhauled Superb Powerful Player

    $ 3,750

    Just freshly overhauled and in exceptional playing condition. This might be the best playing tenor on the entire site. This tenor has a HUGE, powerful tone, with effortless, fat low register, and crisp, fat upper register. It is just a joy to play. It got the premium TenorMadness hand-machined, slightly-domed, reusable metal resonators that work so well on these horns, and that look great also. 

    This is a very nice condition Couf (made by Keilwerth for Herb Couf) Superba I tenor, which is a great modern ergonomics horn with a lot of the big, fat tone of an old Conn.  Some people also compare them tonally to a good Selmer SBA, and they do indeed share the big, warm sound you can get on a great Selmer.

    This particular sax sports a high F# key and has lived a very cosseted life thus far. It still has the original warranty paperwork as well. I got it with original pads from the original owner in New Jersey. It helped him meet his now wife, who admired his sexy saxman persona and thought she would like to see more of this guy:-) Now it’s ready to improve someone else’s live.  There are no past repairs at all! The original gold colored lacquer (which has a particularly beautiful lustre to it that can often be mistaken for gold plate) is in very good shape.  

    The Couf Superba I sports rolled toneholes and a really cool modern engraving pattern and was built in West Germany by Keilwerth to be imported by Herb Couf, a distinguished professional saxophonist who later was a Vice President of the W. T. Armstrong company.  As told to me by those who knew him and also as evidenced by playing the saxophone he chose to put his name on, the man had good taste in saxophones. If you have been looking for an extremely well built modern ergonomics horn with a bigger sound than you find on most modern instruments, look no further- Couf has you covered.  

    Just for fun, here’s Grover Washington Jr with his Couf Superba 1 tenor. You can hear how it has a dark, fat tone, even with the higher baffle, brighter mouthpiece that he’s using. Fantastic sound!

  • Couf Superba 1 Tenor Original Gold Plate Saxophone 68059 Matt Stohrer Overhaul One of the best ever!

    $ 8,000
  • Sold Out

    Goldbeck Chicago IL Metal Tenor Saxophone Mouthpiece Huge Chamber

    $ 150

    Goldbeck Chicago, IL metal tenor saxophone mouthpiece in good condition. It’s an original B tip, which is quite small at .061. The shank diameter is smaller than average, so you might need a thinner cork. The chamber is HUGE. The wider body accommodates the huge chamber with no baffle. If you want to be very dark and quiet, or play with a very hard reed, you could play this as is, or get it refaced and it will be big and dark like an Otto Link MasterLink but cheaper. If you are looking for the largest chamber possible on tenor, this could be a good fit.

  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Holton Soprano Saxophone Original Silver Plate Great Deal 17402

    $ 1,000
  • Ishimori Wood Stone Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Arriving early October 2019! There are two dark lacquer and one antique finish (unlacquered) that will be available.

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • Sold Out

    Ishimori Wood Stone New Vintage Tenor Saxophones BRAND NEW – Eric Alexander Model LAST One!

    $ 4,750

    The highly-coveted Ishimori Wood Stone tenor has very comfortable keywork, low, fast action, and a warm, complex tone more like a vintage sax than other modern alternatives. It gets a complete, painstaking mechanical overhaul by Ishimori’s famous saxophone repair shop in Japan before being sold. This makes it very reliable to own over time. I have sold several used ones of these, and they are always holding up very well after years of heavy playing. These features combine to make it highly desirable, and almost always back-ordered. Ishimori doesn’t cut corners on getting the horns totally right before sending them out the door, and this means they will always have a production bottleneck at the overhaul stage of their business. These horns are delightful to play, with an SBA-inspired neck that gives them much of that warmth and delicate core that we love in many vintage Selmers. They also tune well and are beautifully hand-engraved. The Eric Alexander model (this one) plays, to my ear, basically the same as the other models. I’m sure there are subtle differences, but they are much more similar than different.

    I have to wait months to get in more of these horns. This is the last one available of the shipment that recently came in. Once it’s gone, I’m back to the waiting game.

  • Jimmy Dorsey “Best” Hard Rubber Tenor Saxophone Mouthpiece MPC504

    $ 275

    Slightly curved sidewalls, large chamber, very subtle rollover baffle. Tip opening measures 0.082″. This piece has moderate resistance and a pleasant dark tone, akin to a vintage Meyer of the same tip opening. Keep it as is since someone has already christened it “best”, of course this is best in a vintage big band setting, or as an all-around nice ensemble tenor piece for wind band use.

  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Sold Out

    Keilwerth SX-90R Tenor Gorgeous Condition BIG player Early Serial

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • King C Melody Saxophone Original Silver Plate Good Condition needs Overhaul 63607

    $ 300
  • King Original Gold Plate Soprano Saxophone Beautiful Engraving 56362

    $ 1,500

    This is an original gold plated King soprano from about 1922.  The engraving is exquisite, as it usually is on gold plated King saxophones, and the horn itself is in very good physical condition.  Keyed to high Eb, it currently plays ok on old pads, and the tone is very warm and pleasant. As is typical with sopranos of this age, the intonation is pretty flexible, but given a good ear and voicing it is entirely possible to play in tune- just don’t expect this to do the job for you like a modern Yamaha or Yanagisawa!  The trade-off is, as it usually is in my experience, richness of tone for flexibility of intonation, although a large chamber soprano mouthpiece (like a vintage Buescher) will make the job a lot easier. I was playtesting this on a modern Yanagisawa piece though and enjoyed it quite a bit, without any notable intonational problems for me personally.  This is from a collection and has old pads. But just the gold plate is worth the entire price of the horn. It’s a super deal. You could easily find this priced double somewhere else. Includes the nice Buescher soprano mouthpiece in the photos!

    The original case for this instrument is in good condition and fits it very well. 

  • King SilverSonic Tenor Saxophone Exceptionally Fine Player Overhauled 402584

    $ 5,750

    Here is a freshly overhauled King Super 20 SilverSonic (solid sterling neck and bell with gold inlay engraving) in excellent shape with a *monstrous* sound.  The overhaul is extremely clean and well done, and sports high-end reusable Tenor Madness resonators. The action is quick and light and smooth and feels absolutely fantastic under the fingers.  Even the left hand pinky table, which can be challenging for some repairers to get right, is light and snappy as it was designed to be. Seriously, hand this horn to the guy next to you on the bandstand just to let him feel it for a sec if you want to ruin his day.  

    Physically, this sax is in great condition as well.   The lacquer is original and has signs of honest wear, but there are no signs of any major or even minor damage or resolders, past or present.  The body is straight and the keys are all tight with no lost motion. Owner’s name lightly engraved on bottom of bell. Could be removed if you wanted to, but it is not noticeable. SilverSonics like this with the gold in the engraving on the silver bell are few and far between, and this one is bona fide Great. 

    It is hard to find a Super 20 SilverSonic tenor in good physical shape, and even harder to get one overhauled this well.  Buy this horn and you’ve got it all right out of the box- no worries, no mystery, no gremlins awaiting you down the line. Just a great American-made sax that is ready to make bandmates jealous, project all the way to the back of the room, and look great doing it.  

  • Sold Out

    King Soprano Saxophone Original Gold Plate Excellent Condition Rare! 99847

    $ 1,600
  • King Super 20 Alto Saxophone 1950 Full Pearls 308k Original Lacquer Fresh Matt Stohrer Overhaul!

    $ 6,000

    King altos are the best altos ever. This one has beautiful original lacquer and looks great, with the only past repair being a resoldered key guard foot. It just got a full, fresh, high-end overhaul, done by Matt Stohrer. This means it got about 30 hours of highly-skilled labor done to make the mechanism all factory fresh, and to replace everything that can be replaced so that it is back to new playing condition and pad wise. Matt is something of an authority on vintage King repair You can watch his repairman’s overview of King Super 20 saxophones here. I’m tempted to wax eloquent about what a proper overhaul includes, but think of it like rebuilding an engine or replacing a transmission, and you’ll have the right idea. It now performs great and will be ready to go for many many years to come with only regular maintenance needed.

    This King Super 20 alto is from just about the most desirable year, 1950, which is the same version of Super 20 that Cannonball Adderley played on Kind of Blue and Somethin’ Else. It is in great shape, with no serious past repairs at all.  This is the ‘Series II’ which has the best combination of beauty, features, and key work of all of the Super 20 altos. You really can get the Cannonball Adderley vibe going on one of these (with lots of practice) better than almost anything else. Cannonball played almost exactly this serial alto on Kind of Blue. This plus a Meyer 5 or Ted Klum NY Model plus a soft reed and lots of guts is what you need for what I consider to be the benchmark for good alto sound.

    Why do I say that Super 20’s like this are the best altos ever? The overall combination of tone, beauty, and ergonomics. For me, great tone that you get from these full pearls Super 20’s is pretty hard to beat. It’s warm, full, rich, and projecting, but without any hint of shrillness or thinness. Cannonball’s tone, I always think of as a tenor saxophone reincarnated in the body of an alto, and that’s pretty much what a Super 20 alto like this is. It feels like the tone is coming from a bigger, deeper instrument, but in the alto register, which is really remarkable.

    Just for fun, here’s Cannonball on his Series II Super 20 playing one of his classic ballads, Dancin’ in the Dark.

  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Series II 1953 333537 Excellent!

  • King Super 20 Tenor 298061 Series 1a Full Pearls Original Lacquer (mostly gone) Recent Overhaul

    $ 5,450

    This is a 1948 King Super 20 tenor saxophone with ‘full pearls’ on the side keys, G#, octave key, and palm keys, as well as on the rest of the key touches. The pearls, solid silver neck, double socket neck tenon, and fancier engraving mark this out as being the deluxe version of the Super 20 that sells for more and that is highly coveted by players for its beauty and unbeatable tone. This tenor is original lacquer, meaning that it hasn’t been refinished, but the original lacquer was chemically removed from the body tube, and still remains on the keys giving the horn a cool two tone look. It came to me from a pro player on consignment, and it plays well, like you might expect for a horn that had been recently restored. It was overhauled by Ivan Lukyanets in Encino, CA, who has a great reputation among pro players in the LA area. It feels nice and snappy under the fingers, and the black kangaroo skin pads are sealing well. They have flat, medium sized metal resonators that work well on a King and are similar to factory spec for this era.

    This tenor is very clean condition mechanically. I don’t see any past dent work or any resolders or other past repairs at all. The original solid sterling silver neck is also in excellent condition, and has not been damaged or pulled down. It has the matching serial number, as you can see.

    The main reason to get a King Super 20 tenor saxophone is the tone. These late 40’s Super 20 tenors are big and bold and projecting while still being medium dark and very saturated and punchy. If you put on a brighter mouthpiece, like the classic Berg Larsen / King Super 20 pairing, then you get a killing sort of dark/fat/bright/projecting sound that you can’t get on any other saxophone. It’s the reason why there is such a thriving community of King Super 20 players even 70 years after horns like this one were manufactured. It’s my favorite tenor as well, out of everything that I have played.

    If you’re looking for a very good professional tenor to play and enjoy that won’t back down no matter what you throw at it, that will cut through a band with ease, even without amplification, and that has the beauty of the pearls, engraving, and silver neck, then by all means, get this one. I try to keep a good selection of King Super 20 tenors around, so check them out, and email me with any questions. If you want to pair it with a new case, I can get you a great deal on a BAM that will fit it well. Just for fun, here’s a clip of Charlie Ventura playing his ’48 King Super 20 tenor. And I suspect, but cannot prove, that Sonny Rollins played Saxophone Colossus on a Super 20 much like this! 

    Only one available!

     

  • Sold Out

    King Super 20 Tenor Original Lacquer Amazing Condition 297xxx

    This is a 1948 King Super 20 tenor saxophone with ‘full pearls’ on the side keys, G#, octave key, and palm keys, as well as on the rest of the key touches. The pearls, solid silver neck, double socket neck tenon, and fancier engraving mark this out as being the deluxe version of the Super 20 that sells for more and that is highly coveted by players for its beauty and unbeatable tone. This tenor is original lacquer, in uncommonly nice condition. This is one of the best 40’s Super 20’s that I have seen, with beautiful honey gold original lacquer.

    This tenor is very clean condition mechanically. I don’t see any past dent work or any resolders or other past repairs, aside from so very small dents removed from the back of the bow area that are nearly invisible. The original solid sterling silver neck is also in excellent condition, and has not been damaged or pulled down. It has the matching serial number, as you can see, and it even has some of the original gold lacquer remaining on it! This sax was overhauled before I got it, and it plays well on the current overhaul.

    The main reason to get a King Super 20 tenor saxophone is the tone. These late 40’s Super 20 tenors are big and bold and projecting while still being medium dark and very saturated and punchy. If you put on a brighter mouthpiece, like the classic Berg Larsen / King Super 20 pairing, then you get a killing sort of dark/fat/bright/projecting sound that you can’t get on any other saxophone. It’s the reason why there is such a thriving community of King Super 20 players even 70 years after horns like this one were manufactured. It’s my favorite tenor as well, out of everything that I have played.

    If you’re looking for a very good professional tenor to play and enjoy that won’t back down no matter what you throw at it, that will cut through a band with ease, even without amplification, and that has the beauty of the pearls, engraving, and silver neck, then by all means, get this one. I try to keep a good selection of King Super 20 tenors around, so check them out, and email me with any questions. If you want to pair it with a new case, I can get you a great deal on a BAM that will fit it well. Just for fun, here’s a clip of Charlie Ventura playing his ’48 King Super 20 tenor. And I suspect, but cannot prove, that Sonny Rollins played Saxophone Colossus on a Super 20 much like this! 

    Only one available!

     

  • King Zephyr Tenor Saxophone Original Silver Plate Excellent Condition 202108

    $ 1,950
  • Martin Comm II Alto Saxophone 142391

    $ 900

    Martin Committee II Alto Saxophone in good condition with original lacquer. These horns play really beautifully, with a rich, warm, centered tone. Most people have never had the pleasure of playing them, as they were only made for a couple of years in the 40’s before Martin was forced to redesign because of patent disputes on the tone holes, I am told. Anyhow, this is a great price for an original lacquer Committee II. The pads are old, so plan on a repad, or at least on replacing several. I could discuss options for having that done pre-sale if you like, but since this is on consignment, I can’t overhaul it in advance.

  • Martin Committee II Alto Saxophone Original Lacquer Lion and Crown 136238

    $ 900
  • Martin Committee II Tenor Saxophone Excellent Condition Original Lacquer Overhauled 131115

    $ 3,500

    This is the best Martin Committee II tenor saxophone that I have seen. It is in phenomenal shape and just got a complete mechanical overhaul. It plays SO well – effortlessly throughout all registers with a beautiful, warm, balanced tone. Martins are known for their power, and this one has that, but it is also more focused and round than most other Martins, and has a nice dense core tone. The intonation is very good, and the keywork is also quite comfortable under the fingers. The thumb rest from the Comm II should be on more saxophones. It’s extremely well thought out.

    The overhaul on this horn is beautifully done, as you can see, and included meticulous polishing of all the nickel keys to a stunning mirror finish. The original lacquer is a beautiful dark honey color that is hard to match among modern horns, and of course, the lion and crown engraving is deluxe and distinctive among vintage saxophones. I particularly love the bell key guard design and the overall stylistic impression given by the Martin Committee II tenors.

    If you are looking for a great, already-overhauled, beautifully restored, original lacquer vintage tenor to play and enjoy that really does everything quite well, and that doesn’t sound just like everyone else, then you would be hard pressed to do better than this one. I should mention, the neck and body serials do not match – probably because the collector I got this tenor from wanted to put the best condition neck on this horn.

    Only one available!

  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 75488

    $ 500
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Martin Handcraft Typewriter Alto Saxophone Original Silver Excellent Condition 98334

    $ 900

    Beautiful original silver Martin Typewriter alto saxophone. Every single key is a has a round pearl button – it’s a wonderful instrument to see! I love how unified it is from a design perspective. The palm keys and pinky table are my favorite. A necessity for any serious saxophone collection. This is also a beautiful player when overhauled, and has a wide, warm, sweet tone that is hard to beat for a 20’s sound. This Typewriter alto is all original – nearly all the original silver plate is present, as is the gold wash. The neck is also in very good condition. If you wanted to overhaul this, it would be bright, gleaming satin silver and look nearly new. Or just keep it and treasure it, or leave it on display as a showpiece. The typewriter was a beneficiary of the 20’s Saxophone Craze – there was such a strong market for saxophones that all kinds of interesting designs blossomed onto the scene. These are rare and hard to find, and this is a great price for one!

    Only one available!

  • Martin The Martin Alto 155469 Unbelievably Beautiful Dark Original Lacquer

    $ 2,350

    This is just about the most beautiful Martin Committee III that I have seen. It is incredibly rare to find the dark early original lacquer examples in anything like this kind of condition. If you have always wanted one of these Committee III saxophones, you can’t beat this one. And the price is still a bargain compared to anything of nearly this kind of quality. Original pads, original case, the works. This is the real deal. Only one available. I might keep it for my little collection. It’s even nicer in person.

  • Martin The Martin Alto Original Saxophone 179447

    $ 1,750

    Priced to sell!

    Freshly overhauled The Martin Alto which plays GREAT. Feels effortlessly big and loud and powerful, with a medium dark tone that brightens up nicely with a higher baffle mouthpiece. You can do anything on these altos. This was original lacquer which is mostly worn off and it still looks great. This horn was played a fair amount before being overhauled, so it has had some small dents removed. The thumb hook has been replaced also. (Original thumb hooks frequently fall off of Martins, for whatever reason.) If you’ve been looking for a super-fun alto that looks cool and sounds different from anything else out there today, this would be a great choice. With the fresh, complete overhaul, it won’t need any significant repair work for a long long time.

  • Martin The Martin Alto Saxophone Committee III 160564 Relacquered Fresh Overhaul!

    $ 1,100

    Recent complete overhaul done on this The Martin Alto. The lacquer is obviously mottled and not so pretty, but nothing sounds as good for the money as the Committee III. These horns were built to last, and came with 50 year warranty when new!!!

     

  • Martin The Martin Alto Saxophone Excellent Condition! Great Deal

    $ 999

    Here’s a beautiful The Martin Alto that has no dents, no dings, and no past repairs. It looks like it has some original pads still intact also. The patent stick is still on the body tube, and the horn is ready to get an overhaul and play really well. I’m pricing it low, as if it were a relacquer, because the lacquer is over the engraving. The engraving is very sharp though, so this may be a case of the factory engraving first, then lacquering, as the rest of it looks clean and original. So you save several hundred dollars on it for that reason, but for all intents and purposes, playing wise, it’s in beautiful shape and will be a real gem with a good overhaul.

    Martins have among the thickest brass of any saxophone, and they are built like tanks. The whole horn feels solid and sturdy, and it was built to last! It’s the only saxophone I know of that came with a 50 year warranty from the factory! Pretty crazy! The Deco design unity of this horn’s keywork and braces is delightful. From any angle, it’s a coherent object – thought through from the cork through to the bell flare.

    The Martin Alto’s (Committee III) are among the best saxophones for the money that you can possibly get. Quality per dollar spent is hard to beat. This is one beautiful example, and it’s priced to sell.

    Only one available!

  • MC Gregory Los Angeles 5A 20 Alto Saxophone Mouthpiece MPC540

    $ 325

    This vintage MC Gregory Los Angeles mouthpiece has its original facing and measures at a modern 4 tip or .066″. It has straight sidewalls, small to medium chamber and not much baffle. Mellow dark tone, moderate resistance, low-moderate projection. Beak has quite a bit of tooth wear, so I’m pricing it much lower than a normal vintage MC Gregory. Get your Desmond vibe on for less. Tip opening measures 0.066″

  • Meyer New York USA 8L Soprano Mouthpiece

    $ 700

    This is a vintage Meyer New York USA 8L soprano mouthpiece. It has a .062, a rollover baffle, curved side walls, and a medium chamber. It is in very good condition, and plays great!

  • New Old Stock Yamaha Purple Logo Baritone Saxophone YBS-62 Mint Unbelievable!

    $ 9,000

    This is an amazing chance to get a new old stock Purple Logo YBS-62 baritone saxophone. This sax was originally a display model that Yamaha brought to the USA for a trade show almost 40 years ago. Yamaha sold the instruments from the display, and they sat in someone’s closet for that entire time. This sax came in the plastic in the case, and I had to take it out to take photos. There are maybe a few of the lightest possible surface scratches not through the lacquer, but aside from that, it looks as new as it could be and be from the early 80’s. The tone is beautiful and warm, rich, and medium focused. Intonation is great. Works with just about any mouthpiece. This horn can play the full range from classical to funk no problem and be as reliable as a Lexus day after day, year after year. This is BY FAR the nicest example of a purple logo 62 baritone that I have seen, and the nicest one we are likely to see.

    It has the case keys, the polishing cloth, mouthpiece and ligature, warranty booklet, and even a set of removable wheels that attach to the end of the case so that you can roll it if you want. First time I have seen that. If you want a beautiful baritone to play that is really special, this is it. And at this price, it’s about the same as buying a modern 62, so you don’t even pay a premium to get the new old stock. That’s pretty great.

  • NOVA Woodwinds Low C Bass Clarinet Outstanding Player Unbeatable Value NEW! 2nd Gen

    $ 2,100

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Sold Out

    Otto Link Master Link 4 Tenor Saxophone Mouthpiece MPC512

    $ 450

    Deep scooped sidewalls, LARGE chamber, no baffle. Tip opening measures 0.083″. Dark, but punchy when pushed like Pharaoh Sanders. Easy subtones, high resistance, low to moderate projection. Old School, but more versatile than you might think. If you get it opened up, it will gain more projection and lose the resistance. Incluese a cool original ligature.