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  • GS NEW YORK Alto

    * GS NEW YORK Alto Mouthpiece Meyer Bros NY Replica

    $ 199

    Introducing the GS NEW YORK alto mouthpiece! This is an extremely precise copy of my favorite Meyer Bros New York alto piece from my collection of New York Meyer mouthpieces.

    A great New York Meyer just sparkles. The response is clean, warm, and effortlessly free blowing, but centered and with an elusive extra magic to it – even compared to any other version of Meyer.

    What you get: The Best Meyer Ever

    If you’re not a vintage mouthpiece geek, you probably didn’t know that there are three different mouthpieces that are stamped Meyer Bros New York (not incuding the Tru-Flex or the NYUSA). The first is a rather stubby, fat bodied one. Then this one that the GS NEW YORK copies, with NEW YORK on the same side as MeYeR and ‘medium chamber’ in small font on the table side. The last version has a fatter body again, and has MEDIUM on the same side as MeYeR and NEW YORK on the table side. The following photo makes this clear.

    Some folks prefer the third version. I prefer the second, though we may offer the third version as a GS mouthpiece someday as well. The one we copied has just the right balance of warmth and projection to stand out as the one, holy grail, best-ever (in my opinion anyway) do-it-all alto mouthpiece that you need. There are lots of other great alto mouthpieces on the market, but to my knowledge nobody has actually successfully produced an exact copy of a Meyer Bros NY like this before, until now.

    These also all get hand faced by me. That’s the main slow step in getting them to you, but I’m facing them as fast as I can while keeping the facing work perfect. The hand facing is a step that you can’t skip. If you try to make a replica mouthpiece and you don’t replicate a really excellent facing, you might as well not bother. So you get my favorite 4, 5, 6, 7, or 8 facing that I’ve played so far, on whichever tip mouthpiece you request. Tips are as follows: 4= .069″   5= .072″   6= .076″   7= .080″ 8= .085″.

    The baffle on each tip opening is placed just where Meyer would place it relative to the tip rail and chamber, so each one is a really good copy of the appropriate tip of Meyer Bros. One big advantage we have is that we make these entirely in house, so we can keep improving them until they are perfect. By using biocompatible dental resin and 3D printing for the complex, organic chamber and baffle shapes, we can keep improving and iterating the model until each one is perfect. We spend a LOT of time and effort on that, and I hope that it shows in the quality of mouthpiece and the playing experience that you get.

  • Alto Meyer Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Meyer Hard Rubber Brilhart Reproduction 3-Band Ligature Saxophone Selmer Vandoren

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, GS New York, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Alto Beechler Bellite Metal Brilhart Reproduction 3-Band Ligature Echo Master

    $ 165

    This ligature fits thin metal alto saxophone mouthpieces like Beechler Bellite and other very slim body metal alto mouthpieces, like Brilhart levelaire, and some modern pieces like Guardala handmade. That’s ALL that this ligature fits. This is a listing for the ligature only, not a mouthpiece. 

    For Dukoff Miami alto, please buy the ‘soprano’ ligature here, because the soprano ligature fits Miami Dukoff metal alto mouthpieces *perfectly*. The soprano ligature also fits metal Otto Link alto mouthpieces very nicely.

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Armstrong Alto Flute Nice Condition Old Pads 74-11225

    $ 900
  • Bari 64 HR Soprano Saxophone Mouthpiece MPC443

    $ 225
  • Sold Out

    Beechler Bellite 1980’s Table 7 Alto Saxophone Mouthpiece Gerald Albright MPC609

    $ 1,150

    This is one of the most desirable smooth jazz alto mouthpieces ever. A few years ago, these were almost double the asking price, as odd as that may seem. Gerald Albright, Eric Marienthal, and Dave Koz made these desirable. I sell the Echomaster ligature to fit them as well. The best ones are the early ones like this, and they were never made in large quantities in the 80’s and early 90’s. The modern ones are terrible in comparison. If you want to have that crisp, bright, projecting smooth jazz alto sound that really lives in a reverb-heavy natural habitat, this is for you. It has straight sidewalls, small chamber, long gradual rollover baffle, tip opening measures 0.092″.

  • Beechler Bellite Alto Saxophone Mouthpiece 1980s 6 on the Table Metal MPC1066

    $ 1,500
  • Sold Out

    Berg Larsen 105/2 M Metal Tenor Saxophone Mouthpiece New Old Stock Excellent! MPC1056

    $ 600
  • Berg Larsen 110 2 SMS Baritone Saxophone Mouthpiece Metal MPC958

    $ 850
  • Berg Larsen 85 2 Offset M Scoop Bill SS Tenor Saxophone Mouthpiece MPC484

    $ 295
  • Berg Larsen 90 2 offest M Tenor Saxophone Mouthpiece MPC551

    $ 375
  • Berg Larsen 90 2 Offset M Metal Alto Saxophone Mouthpiece New Old Stock! MPC1062

    $ 500
  • Berg Larsen Hard Rubber Tenor Saxophone Mouthpiece MPC499

    $ 275

    The markings seem to be buffed out but looks like a 120 2 or 3 chamber. Tip opening measures 0.119″. Has a huge sound and very free blowing if you have ginormous lungs and want to rip through a big band lead tenor book this might be your mouthpiece. It’s original facing, and has been played a lot, because it’s a phenomenal player.

  • Berg Larsen HR 85 3 SMS 0.083 EG reface Alto Saxophone Mouthpiece MPC553

    $ 350

    Straight sidewalls, small bullet chamber, no rollover on the high baffle. Beautiful reface by Erik Greiffenhagen. This is bright and loud, very modern without being too piercing. Tip opening measuring at 0.083”

  • Berg Larsen HR 95 0 M Tenor Mouthpiece C52

    $ 199
  • Berg Larsen HR Tenor 100 0 M BP reface 0.100″ Great! MPC581

    $ 350

    Straight sidewalls, moderate baffle by modern standards, small bullet chamber, masterfully refaced retaining the original 0.100″ tip opening by Brian Powell. This piece is moderately bright and has great projection and low resistance, but in an effortless way that makes it much easier to play than a modern high baffle piece. It’s not a paint peeler but stays warm with plenty of projection. Great piece!

  • Sold Out

    Berg Larsen Metal Alto Saxophone Mouthpiece 6 BP .075 90 0 M MPC1075

    $ 325
  • Brilhart ARB Great Neck Original 3* (.081 modern 5) “Hard Rubber” Tenor Saxophone Mouthpiece MPC591

    $ 275

    Rare hard rubber ARB example. These are usually plastic. This is Brilhart after Arnold Brilhart sold his name as a brand and switched to ARB. Slightly curved sidewalls, medium chamber, not much baffle. High resistance but not in a bad way, moderate tone not too dark and not too bright. This would make a good classic big band mouthpiece. Tip opening measures 0.081″.

  • Brilhart Designed by Arnold Brilhart Great Neck Ebolin 4* Tenor Saxophone Mouthpiece MPC592

    $ 475

    Hard to find, early example of a Brilhart. This would be one of his first pieces, before the Ebolin name, when they just said ‘Designed by’ and had the Great Neck NY stamp on the shank. If you like Brilharts, you may want to add this to your collection. It’s a rarity in great shape. Straight sidewalls, medium tall-narrow chamber, subtle rollover baffle. This piece plays great with medium-low resistance and very flexible tone, reminiscent of a good Otto Link but a little warmer. Tip opening measures 0.086″, but plays a bit bigger.

  • Brilhart designed by metal 6* Tenor Saxophone Mouthpiece F58

    $ 150

    Guardala Studio like mouthpiece for 90+% less. Haha. Straight sidewalls, medium chamber after a high stepped baffle. Tip opening measures 0.096″. Not as bright as a modern high stepped baffle, more similar to Berg Larsen in that it has good projection while maintaining a dark lush tone. The unusual beak shape takes some getting used to, but it is interesting. The thick tip and low angle make the bite plate almost parallel to the reed.

  • Brilhart Early “Designed By” Tonalin and BB ligature and cap – fantastic! Use with alto? MPC612

    $ 1,350

    So of the two parts of this sale, the ligature is actually worth more than the mouthpiece, and if they don’t sell together quickly, I’ll split them up. The ligature that comes with the streamline tenor is the desirable version that fits hard rubber ALTO mouthpieces (The streamline idea is that your tenor mouthpiece is the size of a normal alto mouthpiece.) So you get a ligature and cap that typically sells for the entire asking price not including the tenor mouthpiece that is also rare, collectible, and interesting in its own right. The mouthpiece is a rare, early Brilhart ‘Designed By’ Tonalin tenor mouthpiece with original facing measuring .083, or about a 5* tip. It is in excellent condition and plays well with a harder reed with a warm, complex tone. Lots of great players played mouthpieces like this, including Gene Ammons and Tex Benake. I love the Tonalin and may eventually do a GS Mouthpieces copy of my favorite one.

  • Sold Out

    Brilhart Ebolin 4* Tenor Saxophone Mouthpiece MPC MPC1050

    $ 95
  • Sold Out

    Brilhart Ebolin Great Neck Alto Saxophone Mouthpiece 7 .080″ Tip EG Reface Great! MPC955

    $ 400
  • Sold Out

    Brilhart Ebolin Tenor Saxophone Mouthpiece 4* Good Condition MPC1029

    $ 79
  • Brilhart Great Neck ebolin 3* Alto Saxophone Mouthpiece G06

    $ 295
  • Sold Out

    Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC560

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Sold Out

    Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC564

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Sold Out

    Brilhart Personaline Tenor Saxophone Mouthpiece L6 Near Mint Excellent MPC1040

    $ 475
  • Brilhart Streamline 3 (Modern 5) Tenor Saxophone Mouthpiece MPC596

    $ 275

    This is a beautiful early example of a Brilhart Streamline tenor saxophone mouthpiece. It has straight sidewalls, medium chamber, very slight rollover baffle. moderately bright tone, low resistance. The Streamline profile works well with a normal HR sized alto sax ligature. Tip opening measure 0.083″.

  • Brilhart Streamline 5 Alto Saxophone Mouthpiece MPC400

    $ 350

    This mouthpiece is SOLD, but to find mouthpieces in stock, please go to the following link: https://www.getasax.com/mouthpieces/

     

    Beautiful almost new example of a rare Streamline Brilhart Ebolin alto mouthpiece. Stamped 3*, it measures like a Meyer 5 tip at .074″ on the original facing. This is often the case with Brilharts, where you only know the tip by measuring.

    This mouthpiece plays great with a beautiful warmth and fullness that also does not lack projection. Brilharts like this are among my favorite vintage alto mouthpieces (along with Meyer and MC Gregory).

    If you happen to want the rare and collectible original Brilhart BB screws streamline alto ligature and cap, I have one in my collection that fits this mouthpiece that I would be open to selling.

  • Brilhart Tonalin 3* (Modern 4) in box Alto Saxophone Mouthpiece MPC614

    $ 375

    Here’s a beautiful example of an original facing Brilhart Tonalin alto saxophone mouthpiece in excellent condition. The tonalin is warm and full sounding, with less buzz than a Meyer and more of a classic big band tone. It features straight sidewalls, narrow-tall chamber, very slight rollover baffle. Tip opening measures 0.068″, so about the same as a Meyer 4 tip. It could easily be opened to a 5+ if you so choose. This piece has nice moderate resistance and is less bright than some other Brilharts.

  • Sold Out

    Brilhart Tonalin 7 Tenor Saxophone Mouthpiece MPC593

    $ 550

    This is the one you want, if you want a player’s Brilhart tenor piece. It’s a rare early example that also has a large tip measuring .106″. Straight sidewalls, tall chamber. Very subtle rollover baffle. This piece is an amazing player. Extremely flexible tone, low resistance with no hint of bright thin buzziness that some modern Brilharts have. Tip opening measures 0.106″.

  • Sold Out

    Brilhart Tonalin Great Neck 3* Tenor Saxophone Mouthpiece D74

    $ 125

    Sometimes heavy use is a sign of love and admiration. This Brilhart has signature straight sidewalls, medium-large chamber, mild rollover baffle. Tip opening measures 0.093″. Great classic big band tone. Moderate projection and medium resistance. It works well, but watch out for the major crack in the shank. Should be clamped before extensive use.

  • Brilhart Vintage Alto Ligature and Cap for Hard Rubber Alto Mouthpieces: Selmer, Meyer etc. MPC 610

    $ 950

    I guess Kenny Garrett has made these popular more than anyone else. These vintage Brilhart 3 band alto saxophone ligatures are by far the most desirable vintage ligatures. This one is in very good condition and also comes with its original Brilhart mouthpiece cap as well. The EchoMaster ligatures offer you the same design brand new for a fraction of the cost, but if you want the vintage original, this is it.

  • Buescher 400 Tenor Original Lacquer Very Good Condition Old Pads

    $ 1,450
  • Buescher Aristocrat / Bundy Alto Saxophone 527378 Needs Overhaul

    $ 450
  • Buescher Aristocrat 140 Alto Original Lacquer Very Good Condition

    $ 1,250
  • Buescher Big B Tenor 156 Gold Paint over Lacquer Needs Overhaul 338589

    $ 900

    Strip the gold paint off and you’ll have a beautiful Buescher Aristocrat tenor that’s ready for overhaul and priced right. These are great, desirable tenors with excellent intonation, a warm, full tone, and a sound unlike anything else. Buescher is less wild than a Conn but richer and fatter than a Selmer, and tunes better than both! This horn is in basically fine shape besides needing an overhaul, so it should be a pretty straightforward job to get it up to speed and playing its best. Only one available!

  • Sold Out

    Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

    We pay the best prices for great saxophones.

     

  • Buescher True Tone Alto Silver 257528 Good Condition

    $ 900
  • Sold Out

    Buescher True Tone Original Gold Plate Bb Soprano Saxophone 131668

    $ 1,600

    This is a beautiful original vintage Buescher True Tone Bb Soprano saxophone. It has almost all of its original gold plate finish intact. (Real gold, not gold lacquer.) Gold is a durable and protective finish, and with a gentle hand polish, this soprano can look virtually brand new again! It’s sold needing an overhaul, and it would be ideal if you want your own repair shop to work on it anyway, or if you’re a repair person who would like a very satisfying overhaul to do. The overhaul adds a lot of value in this case, so you shouldn’t lose money on the prospect either. There are no dents or dings, and I don’t see any evidence of past repairs either, which is remarkable. You’ll probably need to spend a few bucks on new rollers, which can be ordered here. This soprano is NICE!

    The great thing about True Tone sopranos, is that they tune really well, even with many modern mouthpieces, and the tone is round, velvety warm, and complex. Bottom line is that people will actually enjoy listening to the tone of this soprano, where many other sopranos tend to be too bright and reedy (I’m looking at you, Selmer.)

    Only one available!

  • Buescher-Made (Selmer) Bundy Alto 408990 Good Student Alto Older Pads

    $ 350
  • Sold Out

    Buffet Crampon G7* Clarinet Mouthpiece MPC531

    $ 50

    This is a nice old hard rubber clarinet mouthpiece measuring .050″ (1.27 mm). From the stamping of the facing on the table, I’m thinking this was made by Woodwind Company of NY for Buffet, as a jazz-leaning clarinet piece. That’s just a guess. I’m not an expert on clarinet mouthpieces. Let me know if you know more about it. It plays well with a warm, rich tone and plenty of power.

  • Sold Out

    Buffet Crampon Tenor 1V Super Dynaction S1 Original Mouthpiece MPC1045

    $ 50
  • Buffet R13 Bb Clarinet 62605

    $ 1,650
  • Buffet RC Prestige Bb Clarinet Excellent Condition!

    $ 3,750
  • Buffet S1 Alto Saxophone Amazing Condition Great Player

    $ 2,450
  • Buffet S1 Super Dynaction SDA Transitional Alto S1 Keywork 22035 Original, Recent Overhaul

    $ 1,950

    So this is basically a Buffet S1 Alto based on the keywork, but it still has Super Dynaction engraved on the side. That’s why it is listed as transitional between the two models. You could also just think of it as an early Buffet S1. It has a fresh overhaul done before it came into the shop, using white kangaroo leather pads and brown plastic resonators. The pads are sealing just fine, and the horn feels good to play. As you can probably see, this horn had a crease removed from the bell flare. The work was done ok, but the flare still looks weird if you stare directly at it. I don’t see any other signs of past dent work or other problems. It’s priced quite attractively I think. The S1 is one of those desirable horns that have a vintage tone with nearly modern keywork. The S1 keywork is quite comfortable once you get used to it, and the way the pinky keys on both hands are designed is very smart. It’s quite fast and easy to get around on. I like the double hinged low Bb that makes it easy to rock from B or C# to low Bb. And the low C/Eb mechanism is brilliant. Someone should bring that back on a horn today.

    Only one available!

  • Buffet Super Dynaction Alto 16883 Original Lacquer Good Condition Old Pads

    $ 1,300
  • Buffet Super Dynaction Tenor 12010 Original ‘Sparkle’ Lacquer Early Example Fair Condition Old Pads

    $ 1,250

    So I’ll do this one as pros and cons. Pros: The Buffet Super Dynaction is a wonderful vintage saxophone. It plays and feels a LOT like a much more expensive vintage Selmer Mark VI, for a small fraction of the price. It has modern-ish keywork, the quirks being no tilting low Bb, slightly more spread key layout, and inline tone holes. It’s comfortable to play and feels fast under the fingers. Third, it is original lacquer, and as an earlier serial SDA, it has the darker lacquer, and this one has a ‘sparkle’ to it, probably from the lacquer having microscopic facets in it, whether accidentally or by design. I’m told Buffet marketed these with ‘sparkle lacquer’ but I haven’t seen any literature along those lines yet myself. Fourth – the price is super low.

    Cons: It needs a complete overhaul. I don’t think you’ll be limping along on old pads on this one. It needs to get repadded right off the bat. There are also several past repairs or issues – some posts pushed in, some posts resoldered, neck slightly pulled down and then corrected, mild bow dent. It’s been played a fair amount and also has a decent amount of play wear.

    So to sum up – great vintage tenor, original lacquer, Selmer-ish tone, Selmer-ish keywork,l beautiful engraving, lots of potential, but it needs a complete overhaul and has been played a good bit as well. Great price though. One of the best horns for the money on the market, particularly if you are used to getting a horn overhauled. Only one available!

  • Bundy Alto Clarinet

    $ 450
  • Conn 10M Tenor Pre-War Original Lacquer Excellent Condition 269167

    $ 3,950

    This is a beautiful original lacquer Conn 10M Tenor from the earliest period of the 10M (10M starts at 263k or so). My personal favorite 10M (best ever) is actually only 2 serial numbers later than this one! 269169, and this is 269167. It’s pretty dirty right now, so I am going to get it completely overhauled soon if it doesn’t sell with original pads in the near future. This is guaranteed to be a monster player with a proper overhaul (I recommend Pisoni Italian leather pads and TM resonators in flat or slightly domed metal). The horn is quite clean, with only a few minor dents from its 85+ years of life so far. It was one owner until now, and it still is playing (surprisingly well) on its original factory setup. Don’t expect it to play well though on 80 year old pads. It’s leaky, but if you push a lot of air through the horn, it is clearly an EXCELLENT 10M, which is no surprise given how clean it is and the serial range. If you want to get it overhauled to my picky standards through GetASax, we can discuss that possibility. I don’t make any money on overhauls. You’d just pay whatever the repairman charges for the work, and it’s guaranteed to be an excellent job.

    Only one available! (Though we also have serial 289289 in similar shape for sale right now!)

  • Conn 10M Tenor Pre-war Original Lacquer Very Good Condition 289289

    $ 3,950
  • Conn 10M Tenor Rolled Tone Holes Original Silver Plate Very Good Condition Fresh Overhaul! 310735

    $ 4,950

    This is a fantastic, freshly overhauled Conn 10M Tenor in original silver plate finish. It has a beautiful gold was bell as well. It has a little bit of ID engraving on it, which accounts for about a $1000 discount in the price that you get it for. The overhaul was done through GetASax with Pisoni italian leather pads and reusable slightly domed brass TenorMadness resonators, which are the best resonators around IMO for a Conn like this. It’s an effortless player and just feels wonderful to play. It’s a steal at this price, and outplays anything else you can buy in this price range, vintage or modern. Whoever gets it is one lucky player. Here’s Tyler playing a few notes on it just for fun.

     

  • Conn 10M Transitional Tenor 268908 Ugly Needs Restoration Aubra Graves

    $ 1,650
  • Conn 12M Transitional Baritone Fresh Overhaul Good Condition 244986

    $ 4,750
  • Conn 26M VIII Connqueror Alto Original Lacquer Excellent! 292445

    $ 3,550

    This is a beautiful example of a rare Conn Connqueror 26M Alto saxophone with original lacquer and VIII stamp. The Connqueror is the most mechanically sophisticated saxophone that Conn ever made. It is a pre-war 6M body tube and neck, with all new keywork design, extra engraving, and solid silver on all the key touches that are not pearl. The ‘permadjust’ system is the big development on the Connqueror altos. You can read about that on Matt Stohrer’s website, or watch his repairman’s overview of the 26M on Youtube. This one has its bits and bobs intact, and is in very good condition. It just got overhauled before I bought it, so the pads are all new!  Cosmetically, this horn is just great, with only some minor lacquer wear. It has to be one of the nicest 26M Connqueror altos out there. Definitely the nicest one for sale currently, and priced very reasonably. I really like this one.

    Only one available!

  • Conn 6M Alto Original Silver Plate 250314 Big Sound

    $ 2,850

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul done by another dealer, who shall remain nameless, but needs a thorough re-setup. The overzealous repairman decided to ‘refresh’ the solder on many of the posts. So there are many posts resoldered. It looks fine, since the horn is silver anyway. Doesn’t seem to be due to damage, just probably one post popped off during the overhaul from the solder being old, and the repairman decided to resolder lots of them as a preventative. I’m reducing the price by $800 to give you room to spend as much as you want on a setup, or even to get it overhauled again.

  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750

    This Conn 6M Alto is in excellent original condition with original lacquer and original pads. It is almost as clean as it could possibly be. It will need a repad as soon as you get it, because it only makes saxophone noises now, but has pads from 1947 or so, which are ready to be replaced. No wear anywhere. No real damage, and no problems that I can see. If you want a great looking, super clean Conn 6M, that’s what this is. Original case also in good condition.

    Only one available!

  • Conn 6M VIII Alto Saxophone PreWar 300088 Original Lacquer Excellent Condition

    $ 2,850

    BEAUTIFUL example of an original lacquer ‘Pre-war’ Conn 6M VIII Alto saxophone in extremely fine original condition with old pads. This horn had one dent removed from the body tube (nearly invisible now), and other than that, it’s about as clean an example as you are ever likely to find. These altos remain an absolute bargain. They’re among the best playing alto saxophones ever made, with a bigger, wider, more powerful tone than almost anything out there. And yet the keywork is very fast and comfortable, and the intonation is excellent. It’s the perfect lead alto horn. It’s also made in USA at the height of US manufacturing, and has a build quality that has hardly been matched since. This is the desirable version with the VIII stamped neck, which tends to sell for more than the later versions without the stamp. They’re all great, so if you’re on a budget, check out the beautiful 320k post war example that is also for sale.

    Only one available!

  • Conn 8M C Melody Unbelievable Condition Fresh Overhaul Original Silver Naked Lady 274636

    $ 6,000

    This is a wonderful and extremely rare example of a very late serial Conn 8M C Melody saxophone with the ‘Artist’ / ‘Naked Lady’ engraving pattern on the bell. It’s gorgeous original silver plate finish with gold wash in the bell. It just got a full top-shelf overhaul with Italian leather Pisoni pads and nice sent of screw in reusable flat metal (brass) resonators. If you want a really good C melody for less money, look for a late New Wonder II Conn – around 200k serial if you can find one. This particular late serial version is ultra-rare — I’ve only seen 7 of them ever. This is the latest one I’ve ever sold. The cool thing about the later Conn C melody saxophones is that the tone opens up and gets really big and projecting like a tenor. If you use a GS RESO C Melody mouthpiece on this horn, you can get a tone that you just can’t get on any other type of saxophone. It’s in C but it’s fat and full and open like a tenor, but it concert pitch. Nothing else sounds like this. I had Tyler do a demo with one of my Conn C melodys and the GS RESO, so that you can get a basic idea of what it can sound like. Tyler had never played a C melody before, so I think he did pretty well for his first time!

  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,050

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Sold Out

    Conn Eagle 1920’s C Melody Mouthpiece MPC953

    $ 100
  • Conn New Wonder 1 Alto Burnished Gold Stunning Portrait Engraved Old Pads 139214

    $ 1,650
  • Conn New Wonder II Alto Original Gold Plate Excellent Condition 202933

    $ 1,750
  • Conn New Wonder II Alto Saxophone Silver Plate 227313

    $ 950
  • Conn New Wonder II Sopranino Original Silver, Overhauled 153973

    $ 4,950
  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 950

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Conn New Wonder II Transitional Tenor 251370 Ugly Needs Restoration Aubra Graves

    $ 1,450
  • Conn NWII Soprano Burnished Gold w/ Train Portrait Plays Great! 184812

    $ 4,000

    You never see burnished Conn sopranos with portrait. This one has a train, which I find extremely delightful. This was also recently overhauled and plays well on the current, newish pads. No significant damage. Original gold plate. Conn case is from the right vintage but not original, I think, because the gold ones always had green velvet instead of purple. I’ve only seen one other portrait soprano like this, and it had an owl on it and sold in 1 day.

  • Conn Transitional Art Deco Tenor Original Silver Plate Overhauled 243357

  • Conn Transitional C Melody Unlacquered Rare Late Example 239975

    $ 1,750
  • Sold Out

    Couf Superba 1 Soprano Saxophone Excellent Condition 81332

    $ 2,750

    This is a gorgeous, Grover Washington Jr era Couf Superba 1 soprano saxophone in excellent condition. You won’t find a nicer example. The original lacquer is almost entirely present, and there is no current or past damage at all. No dents or dings or resolders. Bell flare looks great. Everything is supe clean on it. The Superba 1 is the soprano to get if you want modern(ish) keywork but a fat, dark tone that sounds different from everything else. It also has good intonation and very comfy ergonomics. The pads on this one are original, so plan on a repad pretty soon. It has high F#, and the original case and mouthpiece are also included. My assistant picked out one of these to be his personal soprano too, out of all the horns that have come through the shop. They’re hard to beat, and sound great with a bright mouthpiece, as the dark, fat core tone of the horn doesn’t thin out with a brighter, more projecting mouthpiece. This makes it ideal for jazz, commercial, R&B, etc.

    Only one available!

  • Couf Superba 1 Tenor Original Silver Plate Excellent 79388

    $ 3,850
  • Sold Out

    Couf Superba 1 Tenor Rare Original Silver Plate Early Serial Big Player! 65988

    $ 4,750

    Pending Sale Aug 14.

    New photos coming soon when the overhaul is done Aug 19, 2022.

    This is one of the first Couf Superba 1 tenors made, and it was picked out by a guy who worked with Herb Couf to make the Superba 1 a reality. It was used on a Philip Glass recording along the way, and then played a bunch of jazz. It has original lacquer over the original silver plate (very rare finish for a Keilwerth), and where the lacquer is flaking off, the silver is tarnishing. This thing is/was a big player on old pads, but I am now getting it completely overhauled, which is now included in the price.  You’d be hard pressed to find a bigger sounding tenor for the money. The tone of the Superba 1 is dark like an SBA, but wider like a Conn, and it stays fat in the palm keys unlike a Selmer. Plus it has modern keywork. This tenor was on consignment, but I bought it so I could overhaul it. These horns are so good that Tyler, who does the GetASax YouTube channel, picked his Superba 1 out of all the horns that came through the shop over a period of years, as being the best one. You can hear Tyler’s Couf Superba 1 on the GetASax YouTube channel in several of the videos. The Superba 1 is one of those sleeper tenors that you don’t hear as much about for how good it is. Definitely recommended! Vintage tone + modern keywork + top build quality = what everybody wants.

  • Dukoff D7 Transitional Brass Tenor Saxophone Mouthpiece MPC576

    $ 450

    Straight thin sidewalls, high stepped baffle, small chamber. The peeling plating does not seem to influence the sound. Edgy attack, minimal resistance, and superior projection. Tip opening measures 0.095″.

  • Sold Out

    Dukoff Hollywood Metal Tenor Saxophone Mouthpiece 7* Refaced from 5* Great! MPC610

    $ 1,450

    This is a beautiful vintage Dukoff Hollywood from my personal collection. It’s fat and powerful, but on the darker side, with a mild rollover baffle and medium-large chamber. This is the one piece version with higher floor but less rollover baffle. It plays great, with more projection than average since it was opened up. This was originally a 5* and was opened to a 7*, measuring .105″. I’m not sure who did the work, as it is unsigned, but from how clean and tidy it is, I’m guessing either Theo or maybe Jon Van Wie, both of whom didn’t always sign their pieces back in the day. That tip and baffle work is top-notch. This is a world-class tenor piece that should make someone very happy.

  • Dukoff Miami D8 Tenor Mojo Reface .109 Projects Effortlessly MPC1084

    $ 495

    This mouthpiece is SOLD, but to find mouthpieces in stock, please go to the following link: https://www.getasax.com/mouthpieces/

  • Dukoff Miami Metal Super Power Chamber D7 Alto Saxophone Mouthpiece MPC574

    $ 450

    Small chamber, straight sidewalls, high stepped baffle. Super bright and powerful, just like the name says.

  • Dukoff Miami Orig. Large Chamber LD6 .098″ metal Tenor Saxophone Mouthpiece MPC588

    $ 575

    Slightly curved sidewalls, medium-large chamber, long rollover baffle. If you love the attack and projection of a Super Power Chamber but want a little beefier tone this might be the piece for you. I think Dukoff designed this to be like a Hollywood on steroids. It is still bright, but not glass shattering. Very free blowing. Tip opening measures 0.098″.

  • Dukoff Miami Plastic Super Power Chamber D7* Alto Saxophone Mouthpiece MPC573

    $ 450

    Small chamber, straight sidewalls, high stepped baffle, just like a metal Super Power Chamber, but with slightly thicker siderails. Tip opening measures 0.077″. This is still a very modern bright piece with great projection, but it feels a little warmer than the metal versions to me.

  • Dukoff Miami SPC D5 (modern 6) Silverite Alto Saxophone Mouthpiece MPC606

    $ 350

    This Miami Dukoff D5 alto saxophone mouthpiece measures .076, so like a Meyer 6 tip. The rails have some dings in them, but it still plays fine. I could clean it up pre-sale. Up to you. If you want a bright, cutting, smooth jazz/commercial alto sound, this will do the trick. I’m trying to make it through the description without mentioning a certain player. Looks like I succeeded. Straight sidewalls, small-medium chamber, and high stepped baffle, tip opening measures 0.076″. The super power chamber is truth in advertising. Awesome projection, low resistance, bright tone.

  • Dukoff Miami Super Power Chamber D5* plastic Alto Saxophone Mouthpiece MPC575

    $ 350

    Small chamber, straight sidewalls, stepped baffle. This piece is easier to play sweetly at low volume than the typical metal body and larger tip openings found in this chamber and baffle configuration, but can still scream at higher volumes. A nice flexible piece for R&B or smooth playing. Tip opening measures 0.067″.

  • Dukoff Miami Super Power Chamber M7 metal Tenor Saxophone Mouthpiece MPC589

    $ 500

    Straight sidewalls, medium chamber, and a unique baffle that is similar to a high stepped baffle but with a large rollover-like radius where the step would be. Tonally this retains the projection and attack of a high baffle but is maybe slightly darker than a super-bright SPC “D” chamber. Tip opening measures 0.105″.

  • Dukoff Miami Super Power Chamber M7 Tenor Saxophone Mouthpiece MPC594

    $ 400

    Straight sidewalls, medium chamber, and a high baffle with a large radius rollover at the entrance to the chamber. You don’t see the Miami M chamber that often. Those ligature scratches could be buffed off if you want. This is a very free-blowing piece with great projection. It is bright, but not paint peeling bright like the more common D7 chamber. I would consider this if you like your Link STM but want something that cuts through an amplified mix a little easier. Tip opening measures a comfortable 0.103″.

  • Sold Out

    Dukoff Super Power Chamber D8 Alto Saxophone Mouthpiece MPC467

    $ 90
  • Dukoff Super Power Chamber Miami D7 Tenor Saxophone Mouthpiece MPC569

    $ 375

    Tip measures 0.097″, but plays like a larger opening. Great projection and pretty bright but still meaty as expected from a SPC.

  • EchoMaster Baritone Ligature LARGE For Selmer, Vandoren, Yanagisawa, Gale and Similar Mouthpieces

    $ 165

    EchoMaster Baritone Saxophone Ligature for larger bodied baritone saxophone mouthpieces. This is what Brilhart might have made if they had ever made their incredibly popular BB screws ligature for baritone saxophone, instead of just for alto and tenor. Thanks to EchoMaster, now you can play one of these on your baritone mouthpieces too! There are two sizes that fit baritone mouthpieces, so check the photos. I tried this on lots of baritone mouthpieces to see what kinds of them it fits, and I took lots of photos showing fit. Check the slim body baritone ligature listing as well, to see if your mouthpiece falls into that category instead, and email me at [email protected] if you are not sure. This ligature is stamped BT on the side, and it fits larger body mouthpieces. However, it does not fit really large vintage baritone mouthpieces from the 1920’s like the old Conn Eagle, or vintage Lelandais, Martin, Buescher etc. If you have a vintage hard rubber Otto Link, here are a few notes on fit. The very oldest Otto Link Slant Tone Edge like this has a huge body almost like a bass sax mouthpiece, and will not fit this ligature. The Slant immediately after, like this, will fit this ligature. And the modern Tone Edge also fits this ligature, unless it is really slim like a Meyer, in which case you need the Slim body baritone ligature instead.

  • EchoMaster Baritone Ligature Slim, Mouthpieces For Berg Larsen, RPC, Meyer and Similar Hard Rubber

    $ 165

    EchoMaster Brilhart style ligatures for BARITONE Saxophone now available! If you’re here, you probably know about these ligatures already, but basically, these are an extremely good reproduction of the most desirable vintage ligature that was made by Brilhart in the 50’s and 60’s. This is a special new product sized for baritone saxophone mouthpieces, which Brilhart never made.

    I’ve been holding off listing these for a while, because I wanted to figure out which ligature fits which types of mouthpieces. Bari mouthpieces have a lot more variation in diameter than alto or tenor mouthpieces do. The LARGE (BT-stamped) ligature, listed separately at this link, fits Selmer (S80 and Soloist), Otto Link Tone Edge, Gale / MC Gregory, Vandoren, Yanagisawa hard rubber, Rousseau classical and similar.

    The SLIM size ligature listed in this listing (T-stamped) fits RPC, Berg Larsen Hard Rubber, Rousseau Jazz, Rico Metallite, Meyer, and other slim baritone saxophone mouthpieces. It also fits most hard rubber tenor saxophone mouthpieces, which could be handy for some people.Soon, I will add a listing for metal Otto Link baritone mouthpieces soon, but this is the ligature that fits metal link bari pieces, and a lot of other similar bari pieces, if you’re curious.

  • George M Bundy Alto Clarinet Mouthpiece 3 MPC1030

  • GS Mark II Tenor Saxophone Mouthpiece

    GS Mark II Tenor Saxophone Mouthpiece Freddie Gregory Super Deluxe Mark II Copy

    $ 199

    The GS Mark II tenor saxophone mouthpiece is an extremely precise copy of my favorite Freddie Gregory Super Deluxe Mark II tenor mouthpiece.

    What is this?

    Many players may not know much about Freddie Gregory’s Super Deluxe mouthpieces. That’s not a big surprise, as Freddie did not make that many of them, and the ones he did make are mostly still in the hands of their original owners. The few that have come up for sale over the last 5 years that I’ve seen have been priced way out of the reach of most players– typically $2400-$4000– for a mouthpiece! Which is nuts, but those who know these mouthpieces REALLY seem to be willing to pay to get one. And sadly, since Freddie died eight years ago, no more of these are available. (Till now.)

    Freddie is known both for refacing and for making his own mouthpieces. The original Super Deluxe Mark II is not a refaced mouthpiece made by someone else , the way my favorite Reso Chamber tenor mouthpiece is. The Super Deluxe model was entirely designed and made by Freddie.

    It was sold in four variations on the same design: Mark I, Mark II, Mark III, and Mark IV. They all have a good amount of projection, but the Mark I is darkest and the Mark IV is brightest. We may copy my favorite Mark IV someday as well, but I wanted to start with the Mark II because it’s bright and projecting but not too bright, and it seems to be one of the most popular ones of these. Bob Mintzer played one of these for a long time, and may still from time to time. I know he has a lot of Freddie’s pieces. Jeff Coffin plays a Mark IV, which sounds a whole lot like the Mark II that we copied for this project (Jeff was kind enough to make several audio comparison samples of the GS Mark II and his Freddie Mark IV, and they are definitely more similar than different.) Steve Neff has some original Mark II sound clips on his website here. We will do some videos as soon as Tyler is finished with the GS New York alto videos he’s working on.

    OK so that should be fairly clear now: The GS Mark II is an extremely precise copy of my favorite Freddie Gregory Super Deluxe Mark II, which is a different design from anything that Otto Link or Berg Larsen or Dukoff made etc. Along with the Mark IV, it’s his most popular design for sure.

    How does it play?

    Describing the tone is hard, because people probably haven’t played one of these. They’re also not that similar to other common mouthpieces like Meyer, Dukoff, or Berg Larsen. It’s different from any model of Otto Link, and is not a redesigned Link chamber at all. The baffle curves from nearly flat at the tip rail, into the chamber in a smooth curve, and the throat opens out into a medium-large chamber. Chamber volume is similar to a metal Otto Link, so it tunes great on basically any saxophone. The shank is long enough that you can pull out on a Conn 10M or something that wants a large mouthpiece volume, and it works well. The side walls start out nearly straight and are more scooped as it moves into the chamber. The magic in these pieces is in the baffle, and we spent a long time getting that just right.

    Tonally, my best attempt at a verbal description would be to say that this has a more projecting tone than a GS Slant or a vintage Otto Link, but it kind of opens out and gets wider and more robust as you push it. Some mouthpieces get more shrill the more air you put into them. The GS Mark II gets more lush and almost ‘operatic’ as you push it. It’s really fun to play. If you want something different from a Link style tenor mouthpiece, and you want a piece that is brighter but not too bright, and that has plenty of power and projection when pushed without getting thin and shrill, that’s what the GS Mark II really does well.

    Facing Information:

    Freddie’s facing curves are usually about .001″ more open than the equivalent Otto Link, so we are reproducing his curves on the GS Mark II. The original that we copied was a 7 measuring .101″ and I also have a 7* and 8 that we used for the .106″ 7* and the .111″ 8 tip. As an interesting side note, most Freddie 8’s are actually stamped 7**, but I think that’s probably because he had them stamped 7* and then would just add another star for an 8. I’ve seen that enough times now to think it’s definitely intentional. They always seem to measure .111-.112″ for me, and we settled on .111″ as it’s closer to what people are used to in an 8.

    A word on price: People are *constantly* telling me that I should raise the prices of the GS Mouthpieces. However, they are intended to be a service to the saxophone community, so that as many players as possible can get a great mouthpiece that is entirely faced by hand and that plays as well as a much more expensive original. The GS Mark II tenor mouthpiece would probably sell almost as well at double the price, but we will be keeping the price $199 as long as possible, because that’s the whole point of the project.

  • GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece

    $ 199

    **Update: Due to strong demand, I’m about a week behind on hand facing these mouthpieces for sale. However, regardless of which shipping option you pick, I’ll upgrade you to express 2 day shipping – or FedEx International Priority shipping if you’re overseas. So even though it’ll take me a week to make your mouthpiece, you’ll still receive it surprisingly quickly, especially internationally.

    GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.

    This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for only 15% the cost of an original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.

    Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. We’ll post hi-fi sound samples of the GS SLANT on a variety of brands of saxophone very soon! See below for the GS SLANT vs Vintage Slant A/B video.

    If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.

    To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.

     

  • Guardala Handmade Traditional Bebop Alto Saxophone Mouthpiece 7 .080 MPC1078

    $ 1,600
  • Sold Out

    Guardala Metal 7 Soprano Saxophone Mouthpiece MPC411

  • Guy Hawkins 6 Metal Baritone Saxophone Mouthpiece Like New MPC1047

    $ 495
  • Sold Out

    Haynes Commercial Closed Hole Solid Silver Flute ‘The Doubler’s Delight’ 24619

  • Haynes Commercial Sterling Silver Flute 26xxx Needs Overhaul

    $ 950
  • Haynes Solid Silver Piccolo Rare! Old Pads 10436

    $ 950
  • Sold Out

    Henton Sil-va-lay 2 Alto Saxophone Mouthpiece Original Facing MPC1039

    $ 79