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  • Adolphe Sax Alto Saxophone from 1861 Rare ‘Large Bell’ Plays

    $ 3,850

    Adolphe Sax (Father) Alto saxophone, first generation (large bell).

    Here are the details:
    {23307} [ 1861 ] Alto saxophone in E♭.
    Adolphe Sax, Paris
    Inscribed with monogram trademark “AS PARIS” and “Saxophone alto en mi♭ breveté / Adolphe Sax à Paris / Fteur de la Mson Milre de l’Empereur”.

    This alto got restored in Germany, but is still not in top playing condition. It plays, but it would play better with more work. The restoration included new suitable pads, leveling/silver-soldering of toneholes, rebuilding a tonehole, brass repairs and adjusting the mechanics to good playability.

    It is a very lovely instrument and exceptionally rare. A similar one can be found at the MET MUSEUM, see online, If you’re not aware, the Met has one of the most extensive rare musical instrument collections in the world.

    It also comes with a nice mouthpiece that tunes well with the sax. And it includes the ligature (that came with the sax) with the instrument. I have tested many and this one provided for me very good response and stable intonation at A=440. It is a large chamber design similar to the ADOLPHE SAX mouthpieces, but it carries no inscription and has been opened up to a modern .080 tip.

  • Alto Beechler Bellite Metal Brilhart Reproduction 3-Band Ligature Echo Master

    $ 165

    This ligature fits thin metal alto saxophone mouthpieces like Beechler Bellite and other very slim body metal alto mouthpieces, like Brilhart levelaire, and some modern pieces like Guardala handmade. That’s ALL that this ligature fits. This is a listing for the ligature only, not a mouthpiece. 

    For Dukoff Miami alto, please buy the ‘soprano’ ligature here, because the soprano ligature fits Miami Dukoff metal alto mouthpieces *perfectly*. The soprano ligature also fits metal Otto Link alto mouthpieces very nicely.

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Beechler Bellite Alto Saxophone Mouthpiece 1980s 6 on the Table Metal MPC1066

    $ 1,500
  • Berg Larsen 105/2 M Metal Tenor Saxophone Mouthpiece New Old Stock Excellent! MPC1056

    $ 600
  • Berg Larsen 110 2 SMS Baritone Saxophone Mouthpiece Metal MPC958

    $ 850
  • Berg Larsen 90 2 Offset M Metal Alto Saxophone Mouthpiece New Old Stock! MPC1062

    $ 500
  • Berg Larsen HR Denim Table Tenor 110 0 Offset M MPC962

    $ 750
  • Berg Larsen Metal Alto Saxophone Mouthpiece 6 BP .075 90 0 M MPC1075

    $ 325
  • Brilhart Ebolin 4* Tenor Saxophone Mouthpiece MPC MPC1050

    $ 95
  • Brilhart Ebolin Alto Saxophone Mouthpiece 3* w Serial MPC1085

    $ 200
  • Brilhart Ebolin Great Neck Alto Saxophone Mouthpiece 7 .080″ Tip EG Reface Great! MPC955

    $ 400
  • Brilhart Ebolin Tenor Saxophone Mouthpiece 4* Good Condition MPC1029

    $ 79
  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC560

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC564

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Personaline Tenor Saxophone Mouthpiece L6 Near Mint Excellent MPC1040

    $ 475
  • Brilhart Tonalin 3* .067 Alto Saxophone Mouthpiece w Band MPC1071

    $ 350
  • Brilhart Tonalin Great Neck 3* Tenor Saxophone Mouthpiece D74

    $ 125

    Sometimes heavy use is a sign of love and admiration. This Brilhart has signature straight sidewalls, medium-large chamber, mild rollover baffle. Tip opening measures 0.093″. Great classic big band tone. Moderate projection and medium resistance. It works well, but watch out for the major crack in the shank. Should be clamped before extensive use.

  • Sold Out

    Buescher 400 Tenor Saxophone Fair Condition Low Price S-25

    $ 800
  • Buescher Aristocrat / Bundy Alto Saxophone 527378 Needs Overhaul

    $ 450
  • Sold Out

    Buescher Aristocrat 140 Alto 339984 Just Tuned Up

    $ 1,250
  • Buescher Aristocrat Series 1 Alto 285455 Old Pads

    $ 850
  • Sold Out

    Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,650

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone.  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Buescher New Aristocrat Alto Rascher Serial Original Silver Plate Old Pads 265024

    $ 1,400
  • Sold Out

    Buescher Super 400 Alto Saxophone Needs Overhaul Great Deal!

  • Sold Out

    Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

    We pay the best prices for great saxophones.

     

  • Buescher True Tone C Soprano Rare Original Gold Plate! Old Pads 86473

    $ 2,150
  • Buescher True Tone Series IV Tenor Saxophone Original Silver Plate 237689

    $ 1,200
  • Buffet Crampon G7* Clarinet Mouthpiece MPC531

    $ 50

    This is a nice old hard rubber clarinet mouthpiece measuring .050″ (1.27 mm). From the stamping of the facing on the table, I’m thinking this was made by Woodwind Company of NY for Buffet, as a jazz-leaning clarinet piece. That’s just a guess. I’m not an expert on clarinet mouthpieces. Let me know if you know more about it. It plays well with a warm, rich tone and plenty of power.

  • Buffet Crampon Tenor 1V Super Dynaction S1 Original Mouthpiece MPC1045

    $ 50
  • Buffet Keilwerth Expression Tenor Excellent Condition

    $ 1,900

    Great deal on a beautiful original lacquer Keilwerth / Buffet Expression tenor saxophone. This is on consignment and has original pads. I haven’t been authorized to get any work done, but in lieu of that, the price is hard to beat! So plan on a tune up when you get it, but there are no mechanical problems that I see besides some pad leaks. If you want a pro quality Keilwerth for a discount price, this would be hard to beat. You could pay double this for a pro Keilwerth!

    Only one available!

  • Buffet R13 Clarinet Excellent Condition Very Clean

    $ 1,950
  • Buffet R13 Clarinet Overhauled

    $ 1,750
  • Buffet Super Dynaction Alto Saxophone Original Lacquer 17435

    $ 2,350

    Buffet Super Dynaction Alto saxophone in original ‘sparkle’ lacquer. This horn is in on consignment, and has good pads, and plays well, with a big, operatic sort of voice. It’s centered like a Selmer from the 50’s, and medium dark, but wider and very open throated. Intonation is good. Keywork is Selmer-like and comfortable. Sometimes these get called a ‘poor man’s Mark VI’ but I’d prefer to think of them as a high-quality, professional mid-century French saxophone in their own right. But I guess, when you figure a new student Yamaha is over $2k, then this becomes a pretty good deal with good pads at this price for a pro vintage alto that is comparable to a Selmer. It has had some small dents removed in the bell area and back of the bow, but that’s just par for the course with a vintage sax, and the work was done well. It’s otherwise in quite good shape. It comes in the the delightful original Lifton case with blue interior. Someone should make a case like this again.

    Only one available!

  • Conn 10M Tenor Original Lacquer Very Good Condition Orig Pads 282058

    $ 4,500
  • Conn 10M Tenor Pre-War 300326 1941 Original Lacquer Matt Stohrer Overhauled!

    $ 6,500

    This beautiful Conn 10M tenor is one of the nicer original lacquer pre-war examples that you will see! And it just got Matt Stohrer’s excellent overhual done on it. Add that to the fact that Conns like this are among the best playing tenors ever made, and you’ve got a horn that really checks all the boxes. Beautiful condition, original lacquer, best vintage, best overhaul, best model and brand of horn. These Conns are just so fun to play. The tone is so hard to beat (Go listen to Dexter in his Conn period and see what I mean.) The keywork is also quite comfortable (though not modern). Once you get used to it, you can play as fast on a Conn as on anything. The intonation is frankly great! Better than a lot of modern horns.

    But the tone is the reason to play a Conn like this. This one is just effortless to play. It has a beautifully saturated low Bb even at ppp volume. It just whispers and fills the room at the same time! And if you push it, it really goes noticeably louder than other tenors without backing down. The overhaul is part of the cost of this horn. For what you get, it’s a great deal. Matt is about two years backed up with pros wanting their horns overhauled, so his overhauls can be hard to come by, and his work is worth paying for I think! You also get the BAM Softpack which fits this horn well. The newer Softpacks don’t fit a 10M as well, but this one does.

    Only one available!

  • Conn 20M Student Alto Great First Saxophone! Plays well

    $ 600
  • Conn 26M Connqueror Alto Original Lacquer 289956 Beautiful!

    $ 4,250

    SUPER nice, clean, original lacquer, original pads Conn Connqueror 26M alto with all the bells and whistles. Check out Matt Stohrer’s repairman’s overview for some special details on these, and maybe also watch his 6M video for general info on this type of sax. You don’t see many 26M’s for sale ever. And many of those that are sold as original lacquer really aren’t. The original ones look like this – super sharply cut through engraving, dark honey gold lacquer. You can’t beat it! It’s one of the most beautiful saxophones ever made, and also one of the most fun to play.

    Only one available! Who knows when I’ll have another one this nice!

  • Sold Out

    Conn 28M Connstellation Alto Great Deal

    $ 1,500
  • Conn 6M Alto Original Silver Plate 250314 Recent Repad Big Sound

    $ 3,250

    One of the very earliest 6M’s and my favorite vintage as well. Beautiful original silver plate, recent overhaul, some resoldered posts etc. Email for a full description!

  • Conn 6M Alto Saxophone Gorgeous Original Lacquer 320627

    $ 1,750
  • Sold Out

    Conn 6M VIII Alto Original Lacquer Original Pads Fresh Full Overhaul! 275649

    $ 3,450
  • Conn 6M VIII Alto Saxophone Recent Overhaul Original Lacquer 304940

    $ 3,450
  • Conn 6M VIII Alto Saxophone Silver Freshly Overhauled! 312086

    $ 3,950

    Yes, that’s the original silver plating on this amazingly well-preserved Conn 6M VIII alto from 1945. It’s just been totally overhauled and can blow the walls down. Tunes great too. No past repairs or issues at all. This is like a freshly restored barn find Ford Mustang convertible.

  • Conn 8M C Melody Unbelievable Condition Fresh Overhaul Original Silver Naked Lady 274636

    $ 6,500
  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,350
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Eagle 1920’s C Melody Mouthpiece MPC953

    $ 100
  • Sold Out

    Conn New Wonder 1 C soprano 136795 Excellent Condition Original Silver Plate RARE

    $ 1,350

    Price just reduced! This is an excellent deal on a beautiful Conn C soprano in original silver plate. This C soprano has good pads and plays well on them! You can’t find This is on consignment from a serious Conn collector who has excellent taste in saxophones! It almost looks new, the original silver plate is in such good shape. There are at least a few nice vintage Bb Conn sopranos out there, but a C soprano is at least 5x as rare. You don’t see these available often at all. And this one is about as nice as they come! You couldn’t buy a C soprano and get it overhauled for this price. Let alone with a working mouthpiece, which this one has. (It’s a stubby vintage mouthpiece, but the markings are worn off – not sure of the make.) C sopranos are hard to play in tune (as are Bb sopranos), but who cares? They’re tons of fun! And this sounds way richer and darker than any modern Bb soprano because it’s a Conn.  It currently has no case, but we can work something out if you talk to me about options.

    Only one available! Time to get a cool horn that’s fun to play, and stop transposing.

  • Conn New Wonder II Alto Saxophone Silver Plate 227313

    $ 950
  • Conn New Wonder II Soprano Saxophone Gold Plate 196131

    $ 2,950
  • Conn New Wonder II Transitional Alto Saxophone Original Silver Old Pads 237954

    $ 950

    This late Conn New Wonder II alto sax is in very good original condition, and just needs a quality overhaul to be an excellent player. It’s original silver plate, and it will shine up and look amazing with a cleaning and polishing job put into it. These late New Wonder II’s start to be called transitional when they get their first 6M-anticipating feature: the raised side E key touch. Besides that, this is pretty much a New Wonder II, though Conn also starts to experiment with the neck around this serial, to improve intonation and give slightly more focus to the sound (still very wide and spread). When overhauled nicely, these altos are unmatched for the amount that they feel alive in your hands. They vibrate and respond so amazingly well. I never want to put the horn down!

    Only one available!

  • Conn NWII / 14M Bass Saxophone Original CASE Fully Restored

    $ 1,100

    I spent $500+ getting this rare original Conn bass sax case restored, and it’s in really great condition now! Fresh shell reinforcement and repair, internal padding and fabric, added latch, new handle, fresh coat of paint, and case feet. I am tempted to keep it for when I eventually find a nice later Conn bass. NOTE: This case ONLY fits the ‘plumber neck’ version NWII/14M, NOT the NW1 and earlier Conn bass with a neck that looks like a bari sax.

  • Conn Transitional Alto Silver Art Deco Excellent Condition Orig Pads 247007

    $ 1,950
  • Conn Transitional Art Deco Tenor Original Silver Plate Overhauled 243357

  • Conn Transitional NWII 10M Tenor Fresh Overhaul Great Deal! 256812

    $ 3,150

    This is a great deal on one of those special ‘transitional’ Conn tenor saxophones that have a huge following. They combine the huge sound of a New Wonder II with some of the ergonomic and tuning improvements of a 10M, and they are also pretty hard to find in good shape. This one is NICE. It’s relacquered, but it looks like it was done just to make the horn look great again, and not to deal with underlying mechanical problems. That’s the kind of relacquer you want. Doesn’t do much of anything to the sound in my experience. The basic condition of the horn is more important than the new coat of paint, and this one is beautiful! It also has a fresh overhaul done by Eric Wistreich at Meridian Winds in Michigan, which is a speciality woodwind shop with decades of experience.

    The tone is big, warm, medium dark, and pretty spread. Nothing plays like a Conn – it’s hard to put in words the actual experience of playing one – the vibration of the horn under your fingers as the body tube comes alive – the wideness of the sound – the effortless way that you get a velvety smooth tone that fills a room. That’s why folks keep coming back to these. Once you play one, you’re hooked. I play a 10M with the GS SLANT 7* on tenor, and I sound a lot better than I deserve to. It’s a really excellent combination.

    So here, for a bargain price, you get one of the best Conns ever, plus a fresh overhaul, and the horn is also beautiful because of the carefully done refinish. That’s really pretty good.

    Only one available!

  • Sold Out

    Couf Superba 1 Alto Saxophone Freshly Overhauled 76761

    $ 2,850

    On trial Oct 20 2021

  • Sold Out

    Couf Superba 1 Alto Saxophone Recent High End Overhaul! 81471

    $ 2,850

    On trial Sept 8 2021

  • EchoMaster Baritone Ligature LARGE For Selmer, Vandoren, Yanagisawa, Gale and Similar Mouthpieces

    $ 165

    EchoMaster Baritone Saxophone Ligature for larger bodied baritone saxophone mouthpieces. This is what Brilhart might have made if they had ever made their incredibly popular BB screws ligature for baritone saxophone, instead of just for alto and tenor. Thanks to EchoMaster, now you can play one of these on your baritone mouthpieces too! There are two sizes that fit baritone mouthpieces, so check the photos. I tried this on lots of baritone mouthpieces to see what kinds of them it fits, and I took lots of photos showing fit. Check the slim body baritone ligature listing as well, to see if your mouthpiece falls into that category instead, and email me at [email protected] if you are not sure. This ligature is stamped BT on the side, and it fits larger body mouthpieces. However, it does not fit really large vintage baritone mouthpieces from the 1920’s like the old Conn Eagle, or vintage Lelandais, Martin, Buescher etc. If you have a vintage hard rubber Otto Link, here are a few notes on fit. The very oldest Otto Link Slant Tone Edge like this has a huge body almost like a bass sax mouthpiece, and will not fit this ligature. The Slant immediately after, like this, will fit this ligature. And the modern Tone Edge also fits this ligature, unless it is really slim like a Meyer, in which case you need the Slim body baritone ligature instead.

  • EchoMaster Baritone Ligature Slim, Mouthpieces For Berg Larsen, RPC, Meyer and Similar Hard Rubber

    $ 165

    EchoMaster Brilhart style ligatures for BARITONE Saxophone now available! If you’re here, you probably know about these ligatures already, but basically, these are an extremely good reproduction of the most desirable vintage ligature that was made by Brilhart in the 50’s and 60’s. This is a special new product sized for baritone saxophone mouthpieces, which Brilhart never made.

    I’ve been holding off listing these for a while, because I wanted to figure out which ligature fits which types of mouthpieces. Bari mouthpieces have a lot more variation in diameter than alto or tenor mouthpieces do. The LARGE (BT-stamped) ligature, listed separately at this link, fits Selmer (S80 and Soloist), Otto Link Tone Edge, Gale / MC Gregory, Vandoren, Yanagisawa hard rubber, Rousseau classical and similar.

    The SLIM size ligature listed in this listing (T-stamped) fits RPC, Berg Larsen Hard Rubber, Rousseau Jazz, Rico Metallite, Meyer, and other slim baritone saxophone mouthpieces. It also fits most hard rubber tenor saxophone mouthpieces, which could be handy for some people.Soon, I will add a listing for metal Otto Link baritone mouthpieces soon, but this is the ligature that fits metal link bari pieces, and a lot of other similar bari pieces, if you’re curious.

  • Freddie Gregory Super DeLuxe Mark 1 Grenadilla Tenor Saxophone Mouthpiece 8* MPC963

    $ 3,500
  • George M Bundy Alto Clarinet Mouthpiece 3 MPC1030

  • GS SLANT Otto Link Florida Slant Signature Tone Edge Replica Tenor Saxophone Mouthpiece

    $ 199

    **Update: Due to strong demand, I’m about a week behind on hand facing these mouthpieces for sale. However, regardless of which shipping option you pick, I’ll upgrade you to express 2 day shipping – or FedEx International Priority shipping if you’re overseas. So even though it’ll take me a week to make your mouthpiece, you’ll still receive it surprisingly quickly, especially internationally.

    GS SLANT is an extremely precise copy of my BEST vintage Otto Link Slant Tenor mouthpiece. More precisely, it’s a copy of an original facing 7* Florida Slant Signature Otto Link Tone Edge tenor mouthpiece in perfect original condition.

    This is the version of the ‘Slant’ that nearly everybody wants. It’s the most iconic and desirable hard rubber tenor mouthpiece ever made. When I hear people describing their ideal tenor tone online, it’s most frequently a description of what a good vintage Otto Link Slant sounds like: Dark and powerful, with a good amount of focus and projection. Brightens up and projects when pushed, but never thins out. Super even across all registers. Tunes great on almost any saxophone vintage or modern. That’s what the GS SLANT gives you, for only 15% the cost of an original vintage Otto Link Slant Tone Edge tenor saxophone mouthpiece.

    Compared to the GS RESO, the GS SLANT is a little brighter and punchier (but not bright), and more focused (though still warm and full). It has an instantly recognizable 50’s-60’s jazz tenor tone. We’ll post hi-fi sound samples of the GS SLANT on a variety of brands of saxophone very soon! See below for the GS SLANT vs Vintage Slant A/B video.

    If you’re a pro looking for the best do-it-all jazz tenor mouthpiece for an affordable price, I think you’d be hard pressed to beat the GS SLANT. It really captures the magic of the original mouthpiece, and that is saying a lot. It’s the only Slant copy I’ve seen that exactly copies a vintage Slant. Even upgrading to a vintage Link Slant at 8x the price wouldn’t actually sound better! And if you’re an amateur or younger player looking for your first good mouthpiece, this gives you the chance to jump right to an excellent mouthpiece that is completely hand faced, without messing with a bunch of machine faced intermediate mouthpieces.

    To read all about GetASax.com’s very own mouthpiece project, visit: GS Mouthpieces (main page) The big idea here is to let you experience the magic of the best mouthpieces I have ever played, for a price that makes them widely accessible for the first time.

     

  • Guardala Handmade Traditional Bebop Alto Saxophone Mouthpiece 7 .080 MPC1078

    $ 2,000
  • Guy Hawkins 6 Metal Baritone Saxophone Mouthpiece Like New MPC1047

    $ 495
  • Henton Sil-va-lay 2 Alto Saxophone Mouthpiece Original Facing MPC1039

    $ 79
  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Holton Soprano Saxophone Original Silver Plate Great Deal 17402

    $ 800
  • Ishimori Wood Stone ‘New Vintage’ Tenor Saxophone Antique Finish Bare Brass Brand New!

    $ 4,500

    Inventory: These are back ordered 2-3 months right now. Contact me to reserve one. I will update this when I get more in.

    One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,500

    Only one available!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!

    This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    If you want one, we can order you one.

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,500

    Inventory Update: As of October 14, 2021 I have ONE of these tenors left in stock, and it plays great! It’s been checked out and plays beatifully. Once that’s gone, it’s around 2 months to get more, so contact me to reserve yours asap if you want it by Christmas.

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short). You can find the unlacquered ‘Antique Finish’ version here.  Ishimori New Vintage Tenors are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Jody Jazz DV 8* Tenor Saxophone Mouthpiece Very Good Condition MPC924

    $ 450
  • Jody Jazz DV Baritone Saxophone Mouthpiece 8 Excellent Condition MPC925

    $ 500
  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Sold Out

    Keilwerth Straight Alto Saxophone Original Black Nickel Plate Super Rare 118812

    $ 4,950
  • Sold Out

    Keilwerth SX-90R Tenor Gorgeous Condition BIG player Early Serial

    We pay the best prices for great saxophones.

     

  • Keilwerth SX90R SHADOW Alto Saxophone Excellent Condition 124564

    $ 4,950

    This is a real Keilwerth Shadow alto. If you’re not hip to Keilwerths, you might accidentally buy a black nickel Keilwerth thinking it’s a shadow, when it isn’t. The Shadow is solid nickel silver (not brass) and then has black nickel over that. So the engraving cuts through to the nickel silver and looks silver. It’s unlike any other saxophone. These are the top of the line that Keilwerth makes, and this one is gorgeous. One owner, adult-owned, and well cared-for. It has no problems or issues at all. I also just got it totally tuned up and setup and it’s playing great! Shadow altos are rare and amazing, with extra engraving, that unbeatable look, and a depth of tone from the nickel silver base metal that is a bit darker and more powerful and complex than brass. It’s great!

  • Sold Out

    Keilwerth ToneKing Special Tenor Saxophone Original Silver Plate Rare Early Serial 42198

    $ 4,850

    Just overhauled. Looks nearly new. This thing plays beautifully with more of a Selmer-like tone than later Keilwerths. Sort of half Keilwerth/Conn dark and rich, half Selmer SBA smoky and centered.  Incredible. Earliest serial I’ve seen also! If you love Keilwerths, let me know if you’ve seen a ToneKing Special (Keilwerth’s first real top level horn) earlier than 42198. I haven’t. It’s the beginning of Keilwerth as a Big 4 saxophone maker! This just got a complete overhaul including new stainless steel springs to match the silver. It feels great – nice and snappy and dry under the fingers. Low register response is effortless. Everything is good as new.

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • Sold Out

    King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,250

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • Sold Out

    King Super 20 Alto Full Pearls Original Lacquer Gorgeous

    $ 5,750
  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Series II 1953 333537 Excellent!

    We pay the best prices for great saxophones.

     

  • King Super 20 Tenor Full Pearls Very Good Condition Good Pads 308996

    $ 6,500

    This is the Super 20 that most people want. This is the version with the more modern LH pinky (spatula) keys, but that still has ‘full pearls’ on all the key touches, double socket, solid-silver neck, and engraved bell keys. It has had a recent repad, and I just got it freshly checked out and setup, so it’s playing quite well. There aren’t many original lacquer Super 20’s from this most desirable serial range in the world. Far fewer than people realize! There are about 10x as many 5-digit Mark VI’s as there are full pearls Super 20’s.

  • Sold Out

    King Super 20 Tenor Saxophone Full Pearls Original Lacquer Old Pads Great Horn 319719

    $ 6,500
  • King Super 20 Tenor Saxophone Series III Silver Neck Overhauled

    $ 4,750
  • King Super 20 Tenor Saxophone Very Good Condition Incl Overhaul! 299686

    $ 6,750

    This beautiful original lacquer King Super 20 tenor is in the process of getting a complete overhaul right now. That’s all new everything that can be changed, leaving the lacquer, of course. It’s going to feel fresh, snappy and better-than-new mechanically. This serial range is what Charlie Parker and Charlie Ventura played, and it has a deep, powerful tone. Slightly darker than the later 50’s Super 20’s but with the same projection. I think these are a real sweet spot for saxophone tone and this one is in great shape. It’s been played some, because it plays really well. But no major damage. I’ll update the description with details once it’s back from overhaul in a week or two.

  • Sold Out

    King Super 20 Tenor Series III Mint Silver Neck Unbelievable Overhauled

    Cleanest, most mint condition King Super 20 tenor I have seen. (Which is actually saying a lot, as I collect Kings!) The silver neck has all the gold lacquer intact. This peerless sax just got a high-end overhaul and plays absolutely effortlessly. Can’t beat it. Comes with the beautiful original case and a BAM case for safe shipping. Big, bold, effortless player with tons of soul.

  • Lamberson FMaj7 Soprano .060 Original MPC1079

    $ 750
  • Lelandais Baritone Saxophone Mouthpiece Erik Greiffenhagen .105 Wedge Tunes w Vintage MPC1083

    $ 425

    Tunes on vintage baris like a Conn, but projects great. You can’t beat it! Mouthpiece guru Erik Greiffenhagen (a bari player himself) tuned this one perfectly for projecting and intonation, and it is fantastic.

  • Sold Out

    M.C Gregory “Master” 5A 20M Baritone Saxophone Mouthpiece New Old Stock Mulligan MPC1052

    $ 2,000
  • M.C. Gregory “Master” Hollywood 5A 20M Alto Saxophone Mouthpiece New Old Stock Amazing! MPC1044

    $ 1,000
  • M.C. Gregory “Master” Hollywood 6A 20 Tenor Saxophone Mouthpiece New Old Stock Amazing! MPC1042

    $ 675
  • M.C. Gregory “Master” Hollywood Tenor Saxophone Mouthpiece 5A 20M MPC1027

    $ 400
  • Martin Centennial Alto Saxophone Committee II and III Transitional Model Rare! 142319

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Centennial Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The lacquer has aged to a dark honey color and looks great. Having no other Centennial altos around to compare to, I’m not willing to commit to this being original lacquer, but it might be. I don’t see signs of buffing, and if it were a Comm II, then it would look correct to be original. So maybe it is? The Centennial celebrates 100 years since the invention of the saxophone. It appears briefly between the Committee II and the Committee III (The Martin Alto) models, and it has features of both models. You can easily spot some guards and key shapes that remind you of the Comm II, while the main design chiefly anticipates the Commitee III in design and tone. If you want a The Martin Alto, but you want one that is cooler, super-early, darker than average, and rarer and more collectible, this is it!

    The tone is warm, powerful, round, and full. The ‘carrying power’ (as Martin calls it in old ads) is a main plus of this model. It sings out with absolutely no resistance to blasting over a section or a band. You can do the west coast dry jazz tone like Art Pepper, or you can blast like the SNL sax players if you want to. The intonation is remarkably good. The ergonomics are also surprisingly good.  It’s hard to beat this horn for the money. It even plays well on the existing mix of pads, and doesn’t need an overhaul right out of the case like most of these.

    Only one available!

  • Martin Comm III The Martin Tenor Fresh Overhaul Nice Shape 167963

    $ 2,450

    This The Martin Tenor just got a full overhaul done by Peter Lamb at Flying Squirrel Music in Raleigh, NC. The pad work feels nice and snappy, and the horn is totally overhauled and ready to go! The price is on the low side for an overhauled Martin because the lacquer is a factory refinish. It looks original, but there’s just a tiny bit of buffing evident around the bow area to show that it’s a redo. This should make virtually no difference on this particular horn to how it plays, because it was obviously done just for some type A person to have a tiny scratch removed or something. Back in the day, that’s how it would work. You’d get the horn refinished at the factory and repadded for a very low price, to get it back looking totally great.

    And it does look great! The engraving is nice and sharp, the lacquer is dark honey colored, nitrocellulose of the vintage type. It’s just like an original Martin, only you save maybe $1250 on the price for the new coat of paint! That’s a great deal.

    The main reason to buy a The Martin Tenor is the tone. These horns are POWERFUL, medium dark, with lots of projection. They’re built for volume, and do great on rock, blues, R&B, smooth jazz, or really anything you like. The tone stays full in the upper register and doesn’t thin out or go nasal at all, like some horns do. The design is also really nice on these, with curves and key work angles all unified to make a classic looking saxophone. Reminds me of a 50’s Chevy or something.

    Only one available!

  • Martin Committee II Alto Saxophone Original Lacquer Plays Well Great Deal! 131k

    $ 1,550

    Insanely low price (not my decision) on this gorgeous Martin Committee II Alto saxophone. (This is on consignment and the owner wants me to move it quickly!) The original lacquer has aged to a dark molassas color and just looks so great. You get the deco vertical MARTIN logo and the lion and crown engraving, and the gorgeous nickel keywork and two tone guards on the bell keys. These horns are SUPER under-rated, and have great upside appreciation potential as more people around the world discover what fine saxophones Martin made in its heyday. The Committee II was only made for a few years before some patent disputes forced Martin to switch to a different design, but the few thousand of these that were made are a real sweet spot for vintage saxophone tone. Note: the neck is from a few months later than the body 133k versus 131k, but it’s the correct neck etc. You see that sometimes on these, and I’m not sure why! Maybe just people swapping necks around.

    The tone is warm, powerful, round, and full. It has more of a delicate lyrical center to it than the more ‘in your face’ Committee III. You could play anything from classical sax through concert band, and all the way into jazz and rock on this, depending on your mouthpiece and your styistic choices. The intonation is remarkably good. The ergonomics are also surprisingly good. I love the octave thumb rest and stack key feel on the Committee II. The left hand pinky keys are vintage style, of course, so you’d have to get used to those. But for the price, and for the tone you get, it’s well worth it!

    Only one available!

  • Sold Out

    Martin Committee II Tenor Saxophone Great Deal Old Pads Relacquer 137670

    $ 1,500
  • Martin Committee II Tenor Saxophone Original Lacquer Overhauled Excellent 131105

    $ 2,550