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Showing 1–100 of 148 results

  • Alto Beechler Bellite Metal Brilhart Reproduction 3-Band Ligature Echo Master

    $ 165

    This ligature fits thin metal alto saxophone mouthpieces like Beechler Bellite and other very slim body metal alto mouthpieces, like Brilhart levelaire, and some modern pieces like Guardala handmade. That’s ALL that this ligature fits. This is a listing for the ligature only, not a mouthpiece. 

    For Dukoff Miami alto, please buy the ‘soprano’ ligature here, because the soprano ligature fits Miami Dukoff metal alto mouthpieces *perfectly*. The soprano ligature also fits metal Otto Link alto mouthpieces very nicely.

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Alto Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Meyer Selmer Vandoren

    $ 165

    For hard rubber alto saxophone mouthpieces like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java and all Brilharts. This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Alto Hard Rubber Brilhart Reproduction 3-Band Ligature Selmer Meyer Saxophone Mouthpieces

    $ 165

    This ligature fits almost all hard rubber alto saxophone mouthpieces, like Meyer Bros, Selmer Soloist, Vandoren Jumbo Java, all brands of Meyer copies, Ted Klum Acoustimax and New York model, all Brilharts etc. There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature. Thankfully, there is now a high-quality, hand made reproduction available to meet this demand. These are made by a small company in South Korea that cares about getting saxophone equipment right. These ligatures get rave reviews by the people who buy them. I don’t want to make huge claims for a ligature, but I will say that people tend to LOVE them. They’re beautiful, simple, and easy to use, and they sound great.

  • Sold Out

    Berg Larsen 100 0 M HR Tenor Saxophone Mouthpiece F83

    $ 125

    A modern HR Berg is like a middle weight champion, bright but not too thin, good projection but not too loud. A jack of all trades. Straight sidewalls, small bullet chamber, high baffle. Tip opening measures 0.098″. Great project and quite bright, without being thin, like a good Berg.

  • Sold Out

    Berg Larsen 110 2 offset M Alto Saxophone Mouthpiece F32

    $ 275

    Rare 50’s Berg Larsen metal alto saxophone mouthpiece! Straight sidewalls, small round chamber, bullet chamber. Tip opening measures 0.103″. Denim finish on table, duck bill beak. Usually mouthpieces that sound great on tenor are only ok on alto in the same tip number, but if you like bergs on tenor you will love this on alto too. The tip opening plays much easier than expected for this number on alto. The tone is loud and lush, just like on tenor. Great projection and power while maintaining a moderately bright tone.

  • Brilhart ‘Designed By’ Tonalin Streamline 4 (Modern 5*) Tenor MPC539DT Original Facing Rare!

    $ 475

    Super rare early Brilhart Tonalin Streamline ‘Designed By’ Brilhart Tenor Saxophone Mouthpiece. Medium-large tall but narrow Brilhart Tonalin chamber, straight sidewalls, very subtle rollover baffle. The worn bite plate indicates that it was well-loved. With a bit harder than my normal reed, this piece produces lovely subtones at full volume. A nice fat tone, good projection. This streamline shape works well with a normal HR alto ligature, or with the Echo Master hard rubber alto ligature on this site.

  • Sold Out

    Brilhart Designed by Great Neck NY Hard Rubber Original 3* Alto Saxophone Mouthpiece MPC534 3 digit

    Own a piece of saxophone history that also plays great. This is a rare, very early Hard Rubber ‘Designed By Arnold Brilhart alto mouthpiece with a three digit serial #464! It has curved sidewalls, a medium round chamber, and a slight roll over baffle. Tip opening measures 0.072″, and the facing looks original, with a ‘creamy’ matte table, tip and rails. Beautiful, medium-dark tone. Earliest Brilhart serial that I have seen.

  • Brilhart Hard Rubber 0.105″ EG reface Tenor Saxophone Mouthpiece MPC562

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC560

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC564

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Sold Out

    Brilhart Hard Rubber 7* Tenor Saxophone Mouthpiece EG Reface Excellent MPC567

    $ 750

    This Hard Rubber Brilhart is a lovely (and highly-coveted) vintage jazz mouthpiece that has a lot more in common with a Link Slant signature Tone Edge or Dukoff Supersonic than with other Brilharts. One of the best vintage tenor mouthpieces ever, bar none. This particular one comes from a small collection of the best vintage Brilharts amassed by a friend of Arnold Brilhart who has now retired from playing tenor. It has scooped sidewalls and large round chamber, rollover baffle, and the tip has just been opened to 0.105″ by Erik Greiffenhagen. The facing is perfect, and responds effortlessly in all registers, with a balanced, comfortable feel. Erik is widely-recognized as one of the best mouthpiece refacers around today. He uses the best authentic vintage curves for his facings, so this piece is just like it would have been if it were originally opened to a 7*. (All mouthpieces started at 0.0″ tip.) This is truly ‘one of the good ones’ and it’s priced very reasonably for all that.

  • Brilhart Tonalin Great Neck 3* Tenor Saxophone Mouthpiece D74

    $ 125

    Sometimes heavy use is a sign of love and admiration. This Brilhart has signature straight sidewalls, medium-large chamber, mild rollover baffle. Tip opening measures 0.093″. Great classic big band tone. Moderate projection and medium resistance. It works well, but watch out for the major crack in the shank. Should be clamped before extensive use.

  • Sold Out

    Brilhart Vintage BB Screws AL Metal 3-Band Alto Saxophone Ligature – The Original!

    $ 850

    This is the most desirable vintage ligature ever, and sells for high prices to both collectors and players. I have seen these sell much higher, but I can’t bring myself to ask the kinds of prices I have seen them sell for on eBay. This is the AL stamped BB screws Brilhart 3-band ligature. I have one of these myself, that I have used for many years, and I sell the excellent Echo Master Brilhart reproduction ligatures on this site also, which are true reproductions of the original. But as with famous works of art, the more copies there are, the more epic and desirable become the originals. This is a rare original one, in very good condition, and it plays great, as you would expect. This fits anything from a Selmer Soloist to a Meyer Bros NY ‘Fat Boy’ and is just a nice and well made ligature, as much as it is a collectible.

  • Buescher Aristocrat 140 Alto 339934 Great Deal Original Lacquer Plays on Older Pads

    $ 850
  • Buescher Big B Alto Saxophone Original Lacquer Good Condition 324407

    $ 1,650

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which indicates that this horn has led a life mostly in a closet somewhere.  There are no resolders or past dentwork to speak of, and it plays *way* better than it should on some very old pads, but you would want to get this repadded to play like it can, which is very, very good!  

    These horns are undervalued in my opinion.  I mean, you can get this one in such great shape with all of its original Snap-on resonators and overhaul it for not a whole lot more than a Yamaha student model in total- seems like a good buy to me! They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone.  Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Buescher Big B Model 140 Alto Saxophone 321761 Original Lacquer Very Good Condition

    $ 1,600

    This is a 1949 Buescher “Big B” Aristocrat, so named for the ornate engraving of a, well, a Big B on the bell.  This horn is in very good condition, and the typical wear around the fine engraving of the B on the bell is not present, which isn’t surprising since this alto was treasured in an extensive collection for the past forty years or so. There are no resolders or past dentwork to speak of, and it plays quite well on an overhaul that the above-mentioned collector had done at some point before putting it away. This is an excellent value! It has the Norton springs, but not the snaps, which actually makes it easier to maintain, since the pad work is the same as any other saxophone now.

    These horns are undervalued in my opinion. They combine excellent intonation, comfortable keywork, top notch build quality, and beautiful lacquer and engraving with a warm, centered tone. Johnny Hodges famously played one of these, and his tone is a very good example of the blend of sweetness and power these horns possess.

  • Sale!

    Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!

    $ 3,500 $ 3,250

    Price JUST reduced mid May 2020! This is an excellent deal!

    This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.

    This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)

    Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.

    Only one available.

  • Sold Out

    Buescher True Tone Alto Saxophone 200008 Original Silver Plate Good Condition

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. I love the rose gold wash inside the bell, and the original silver plate is also in quite good condition. This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial.

    Only one available!

  • Sold Out

    Buescher True Tone Alto Saxophone 202609 Original Gold Plate Very Good Condition

    $ 950

    The Buescher True Tone alto saxophones are excellent instruments for a wide range of playing. They have great intonation, and a beautiful, warm, round tone that works great for classical alto or concert band, or any setting where you want to have a big, beautiful, ‘sweet’ alto saxophone sound. This example comes from a collector who sold it to me together with a few other choice True Tones. It has old pads, so it needs an overhaul. As such, I have it priced really low for what you get. This horn should be amazingly beautiful when polished up and repadded, and it will be a reliably great player for many many more years to come. The original gold plate (yes, real gold, not lacquer finish) is almost all intact, and looks amazing. Just to get an alto sax gold plated in today’s world would cost you around $3k not including the sax! This is a great serial range for a true tone. Many of my favorite playing Bueschers have been around 180-220k serial. This horn is looking for someone to adopt it and get it going on its next life. Saxophones really don’t wear out if they are cared for. This one has spent decades in a collection, and it is now ready to be repadded and loved and enjoyed.

    Only one available!

  • Buescher True Tone C Soprano Rare Original Gold Plate! Old Pads 86473

    $ 2,150
  • Buescher True Tone Soprano Original Gold Plate Overhauled 183067

    $ 3,350

    Beautiful original satin gold plate Buescher True Tone soprano saxophone! This is one of the desirable later versions of the True Tone and plays really nicely in tune with a warm, round tone. You won’t go wrong with this soprano. It has a recent overhaul done by one of the best repairmen in Canada and it is in quite good shape. It had a couple of posts resoldered – one at the top of the upper stack and one under the pinky table. These posts always seem to be resoldered on Buescher sopranos. I think they just pop off and have to be stuck back on, on most of these. The gold plate is in great shape. The tone is unlike anything you can buy today – the True Tone is not thin and nasal like a Selmer Mark VI. It’s much more balanced, pleasant, and dare-I-say ‘modern’ sounding! Only one available!

  • Buffet Crampon G7* Clarinet Mouthpiece MPC531

    $ 50

    This is a nice old hard rubber clarinet mouthpiece measuring .050″ (1.27 mm). From the stamping of the facing on the table, I’m thinking this was made by Woodwind Company of NY for Buffet, as a jazz-leaning clarinet piece. That’s just a guess. I’m not an expert on clarinet mouthpieces. Let me know if you know more about it. It plays well with a warm, rich tone and plenty of power.

  • Buffet E11 Intermediate Clarinet Great Condition!

    $ 800
  • Sold Out

    Buffet R13 Clarinet 46453 Great Deal!

    $ 900
  • Buffet R13 Clarinet 68988 Moennig repaired cracks

    $ 600

    Worked on by Hans Moennig back in the day in Philly. This R13 still plays beautifully, even though it has been played a lot. And hey, it’s priced super low!

  • Sold Out

    Bundy II Alto Saxophone Good Student Saxophone Low Price

    $ 450

    Solid student alto with a mix of pads in good playing condition. About the cheapest that you can get a decent alto. This will require checkups every 6 months or so, as it is not completely repadded, so plan on getting a few pads replaced each semester to keep this in good playing shape.

  • Chateau CTS-50 Series Tenor Saxophone Dark Cognac Lacquer Great Deal Brand New

    $ 1,700
  • Sold Out

    Conn 10M Tenor Saxophone 1948 Original Lacquer Old Pads

    $ 2,350
    This Conn 10M tenor saxophone from 1948 comes to you in very good original condition. There are no resolders. The bell flare is undamaged. Neck is not pulled down. Body tube looks clean as well. There were some small dents removed from the back of the bow, but that was done well, so that it is hard to tell at all.  Everything is in good shape and keys move freely. Rolled tone holes are also undamaged and in great shape. You can almost play the horn on the existing reso-pads but it would be 10x better with an overhaul.
    Great, clean, original lacquer Conn 10M that will be a super player. Priced to sell!
  • Conn 12M Transitional Baritone Saxophone 250510 Relacquer Plays Well!

    $ 4,350
  • Sold Out

    Conn 6M Transitional Alto Gorgeous Original Silver 246729 Original Pads

    Super DUPER clean Conn art deco engraved ORIGINAL silver plated ‘transitional’ 6M alto saxophone from 1931 in near mint condition with original pads. This alto will get overhauled soon, and the price will be +$1100 to cover the cost of the overhaul (I don’t make any money on overhauls, but the horns like this deserve to have them done right. Otherwise, what’s the point of running this business at all?) I am a huge fan of Conn altos from 1930-1934. They’re my favorites of all time. This horn has a set of hybrid features found only on this particular year of 6M. The main ‘stack’ keywork where your fingers normally go are already anticipating the fast and comfortable style of keywork found on the fully 6M altos, AND both bell keys have moved around to the left, but the left hand pinky (spatula) keys are a modified version of the New Wonder II (Chu Berry) style, albeit a more comfortable version. With the bell keys both on the left, you have direct action closing of those keys, which makes them easier on your pinky. It’s a very comfortable layout, although it looks antequated.

    The original finish on this horn is nearly 100% intact. If you want to see what these look like polished up, check out it’s twin brother here that just got overhauled. This engraving style is found only on this particular vintage of Conn, and looks fantastic. The swivel thumb hook also goes away a few years later. If you’re into geeking out on Conns like this, check Matt Stohrer’s article here.

    Tonally, this is the essence of a warm but powerful lead alto sound. It easily sails over an entire big band when pushed. These Conns were built for ‘carrying power’ (as the vintage ads say), and they really do project with ease. But they also stay saturated and warm at very low volumes, and the whole instrument vibrates in your hands when you play. There’s nothing like a Conn for tone, power, and build quality. Repairmen love to work on them because they’re built so well. If you want one of the best, this would be worth your consideration for sure!

     

  • Sold Out

    Conn 6M Transitional Art Deco Alto Saxophone 247105 Great Shape 1931

    $ 1,600

    I love Conn altos in the 230-260k range, and especially the ones near 250k serial. This 247k is a transitional Conn between the New Wonder II (‘Chu Berry’) and the 6M (‘Artist’) models. It is a true transitional in every sense, and is almost half NWII and half 6M. These special alto saxophones have a tone and set of features found nowhere else, and that makes them especially great in several ways. The bore still feels more like a NWII to play, so the tone is wider and wilder than the later 6M’s (which are also great, but are more focused and a bit less wild). The neck is like a 6M, so you get the improved intonation that ‘slots in’ better – NWII’s have good intonation as well, but it is more flexible than the 6M versions. The bell keys have moved around to the left, but the left hand spatula keys retain their NWII shape, but with improved mechanics. No saxophone has an easier or more direct feel on the low B and Bb that this version of Conn. It’s nice and light and fast, though you don’t have anything like modern ergonomics on those keys, of course. The regular main stack keywork is already mostly updated to the fast and comfortable 6M design. That is very good keywork, and is hardly improved upon in modern horns, so this is a very comfortable horn to play.

    It came with special ‘art deco’ engraving on the bell that you only see for a short time around 245-249k serial with Conn altos. This example is original or ‘first’ lacquer, and has not been refinished. It has original pads and even comes with the original warranty and care booklet in the original case.

    Tonally, these late transitional 6M’s are an ideal choice for big band or jazz band lead alto. They have almost unlimited projection or ‘carrying power’ as the old advertizements put it. And the tone stays strong and cohesive no matter how much you push it. It’s just a joy to hear one of these in full song. Marhsall Royale and the Basie band all played Conns like this, as did Charlie Parker for a while (among many other horns). You see them commonly in clubs in NYC and all over Europe these days. Nothing sounds like a Conn. This one is priced low for what it is. Superb original condition. Add a good overhaul, and you will have one of the best built alto saxophones ever, that will be dependable and fantastic to own and play for many many years to come. If you like this version in silver, I also have a silver 249k that I just got completely overhauled that is also for sale.

    Only one available!

     

  • Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Great Player! 295729

    $ 2,350

    Pro-owned top notch Conn 6M VIII alto with original lacquer. This 6M stands out as a perfect lead alto. Response is really quick, the keywork is fast and comfortable, the intonation is great, and the tone really carries over a section. It plays really well on the existing pads. It’s not a fresh overhaul, but it’s a good one, and it has a lot of playing time left. For what you get, this is hard to beat for an all-purpose alto that sounds great. It’s much wider, richer, and warmer than any modern alto on the market, and in an alternate universe, its keywork style would have become what all saxophones have. It’s fast and efficient once you get used to it.

    Comes with the ProTec contoured case in the photos.

    Only one available!

  • Sold Out

    Conn 6M VIII Alto Saxophone Pre-War Original Lacquer Very Good Condition Plays Well 294775

    $ 1,950

    This pre-war (from the American perspective, meaning prior to the government order than restricted the manufacture of musical instruments along with anything else made out of brass) Conn 6M was built in 1941, and is the desirable “VIII” version, with the VIII stamp on both the body and neck.  

    It is in very good physical condition with original lacquer, no dents, and no major or minor past repairs or resolders, with the exception of a repaired dent on the bowguard, which is visible in the photos.  It has what appears to be a recent repad, or perhaps an old repad that wasn’t played much after it was done, and Conn Res-o-pads were used. It plays well with a big voice, and although to my professionally-obligated-to-be-picky tastes it is not quite as astoundingly slick under the fingers at these feel when they have been overhauled as the best repairers can do, it is definitely playable as-is and will beat the pants off of most any challenger, especially modern imports that cost a lot more and give you a lot less than this fine example of vintage American saxophone craftsmanship.  

    Oddly, the lacquer on the neck is more worn than the rest of the horn- although physically the neck is in immaculate condition with no dents or past pulldowns.  In the past when I have seen this the culprit is usually a homemade neck bag that was lacquer-unfriendly, or perhaps the owner had a habit during rests to hold the horn with the neck in his hand.  Given the lack of wear elsewhere on the horn, I’d guess a neck bag was the culprit here, although I can’t be certain. But again, though the lacquer itself is mostly gone from the neck (and the neck alone), the neck tube is flawless and there are no signs of past repairs of any kind.  

    The microtuner is free and functional, and all of the original rollers and present and moving freely.  The engraving is crisp and clear with no lacquer loss, and the pearls seems largely unworn. The keywork is tight and the body is straight.  This is a very clean example of the most desirable vintage of the most desirable variant of the Conn 6M, and it can be yours for less than a new Yamaha YAS-26.  

  • Conn Chu Berry New Wonder 1 Tenor Saxophone Burnished Gold Plate Portrait 1924

    $ 4,350

    Just freshly overhauled! New photos posted late June 2020!

    Conns from the 1920’s like this have an enthusiastic following these days. I’m told that it’s now more common to see a tenor player in NYC playing a Conn than a Selmer, which is hard to believe if true. I have definitely noticed a large and growing amount of interest and enthusiasm for Conns like this over the last 5 years at least.

    The way I think about vintage Conn tenors is this. They are all built quite well, and they are all good players once you get them all fixed up and overhauled. So if you have the choice, and budget allows, you might as well buy the nicest one you can to fix up. This is for a couple of reasons. First, resale value will always be better the more beautiful the horn is, and the rarer the finish. Second, you get to experience the satisfaction, even joy, of owning such a beautiful piece of craftsmanship from the world’s greatest musical instrument factory of the 20’s and 30’s, which is undoubtedly Conn. Conn set the standard for musical instrument manufacturing during that time. Its designs were copied by all the other makers, from France to Germany, Italy, and even eventually Japan. They are still being copied today in fact!

    If your goal is to get the best, most beautiful, rarest Conn that you can, it would be hard to do better than this beautiful burnished gold Conn New Wonder 1 ‘Chu Berry’ tenor saxophone from 1924. The finish is a bit tarnished at present, because I haven’t had time to get it disassembled, cleaned, and polished yet, but there’s a lot of original gold plate there, and not a whole lot of finish wear. The burnished (bright) gold Conns like this are incredibly rare. Much rarer than the satin gold examples, which are themselves very rare. The engraving is striking. Each burnished gold Conn had the option for a custom portrait. I wonder whose sweetheart this is! Some stylish flapper 20’s lady in any case. This would almost definitely have been pro-owned by the tenor player from a big band. I got the horn from Ohio, if there’s anyone who can connect the dots at all. I have never seen any other Conn tenor with engraving like this, so it has some historical value as well, to me at least.

    This tenor comes in pretty good playing condition. It was tuned up before I got it, and I’ll probably spend some more money on pad work before I sell it. It also includes a nice Hiscox case with my favorite, the red interior, which is no longer offered. Much better than the blue for a gold saxophone.

    Just for fun, here’s Lester Young on his New Wonder 1 tenor just like this one, also gold plated. The wide, lush, spread, medium dark tone is just gorgeous.

     

  • Sold Out

    Conn Comet 3 Alto Saxophone Mouthpiece F82

    $ 50

    Surprisingly good all around player, a real sleeper. Straight sidewalls, small-medium chamber, rollover baffle. Tip opening measures 0.064″. 

  • Conn Connstellation Alto Saxophone 28M Excellent Condition Original Lacquer 338006

    $ 2,650

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pants guard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pants guard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard is about as good condition as they come, fully present with only a few small cracks radiating from around the screw holes, which is common.  However none of the cracks are large and it is not broken in two or missing any pieces, which is not common! And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.  

    This instrument plays quite well on older pads, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and nearly flawless, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in exceptional condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Conn Connstellation Alto Saxophone 28M Original Lacquer Excellent! 338203

    $ 2,350
  • Conn Connstellation Alto Saxophone 28M Very Good Condition Original Lacquer 335771

    $ 2,250

    You could be forgiven for thinking that because there are two original lacquer, very good condition Conn 28M “Connstellation” saxophones on my website at the moment that these are somewhat common, but I assure you that is not the case!   I will copy and paste the general statements about the 28M from the other description, with the unique description of this particular instrument’s physical and playing condition at the bottom.

    The Conn 28M will always have a special place in my heart.  It represents the last time one of the great American saxophone manufacturing companies tried something wholly new, and although the horn never really found a market and not many were made, they are fantastic instruments that besides being unique and historically interesting, play *really* well.  

    These saxophones were redesigned, utilizing many ideas from Allen Loomis (Conn’s resident saxophone visionary) and Hugh Loney, with input from Santy Runyon, with the aim of creating a saxophone that had extremely slick keywork and a very balanced scale.  The keywork, although familiar under the fingers with regard to placement and layout, is mechanically quite different from any other saxophone and has been built from the ground up with the goal of reducing mechanical friction. There are no pivot screws anywhere on this saxophone, instead the long rods have a very long hinge rod with the middle machined down so only the ends touch.   The G# has a very unique torsion mechanism to provide a G# feel that is smooth throughout the range. The side keys are designed so that the angle and distance of travel is the same for each key. There are adjustment screws on the upper and lower stacks as well as the left hand pinky table. The bell keys are on the left side, and the pantsguard/bell keyguard is a large acrylic plate that was designed with the idea in mind of allowing the horn to vent properly regardless of playing position or clothing choice.  The octave mechanism has three pips (octave vents), one on the neck and two on the body, which has the end result of a very clear middle D and no hiss on the A or G#, as well as excellent intonation. The keywork in general is very light, and the pearls are larger than usual for Conn and a little flatter. The overall feeling is of a very light horn, extremely slick, easy to play, excellent intonation, and very even throughout.

    The one downfall of this design is the pantsguard, which is fairly brittle and often broken.  Although nowadays there are excellent replacements available, this one has its original guard in decent condition.  There is one repaired crack (visible in the photos) and the common small cracks radiating from some of the screw holes.  I would anticipate, absent any further damage, that this keyguard will last and should not present any problems- although I will furnish you with contact information for obtaining a well made (and somewhat more durable) replacement should you ever need it.  And believe it or not, I have experience shipping these so you can rest easy knowing I will remove it for shipping, wrap it separately, and it will arrive to you in good condition.

    This instrument plays quite decently on what appears to be an older repad with plastic domed resonators, with a strong, moderately bright, cheerful voice.  The clarity of the tone is notable, and it is a lot of fun to play with a unique look and feel and timbre that would lend itself easily to classical, big band, or small group jazz.  The lacquer is original and in good condition with some playing wear and a few stand scratches near the low C#, with no evidence of past repairs or dents or resolders of any kind. It is also a unique and interesting piece of saxophone history, in very good condition, and whoever owns this instrument next will have a lot of fun being its steward for the next generation.  

  • Sold Out

    Conn New Wonder 1 Alto Saxophone Silver with Gold Keys

    $ 1,100

    Bargain price for one of the most beautiful vintage Conn New Wonder 1 ‘Chu Berry’ alto saxophones around. This is satin silver body tube with real gold plate on the keys and in the engraving and other details. These horns look AMAZING when polished up and overhauled, and this one is sure to be no exception to that.

    I have it priced very low, so that you can buy it, get it nicely overhauled, and still get a great horn for the money. This should be an easy, uncomplicated overhaul, as Conns are well made and this one is in nice shape. I do also take returns money back with 5 day trial period, so buy with confidence, take to your repair shop, and then make a decision! Marshall Royale and the whole Basie band played these and got that beautiful, wide, warm tone.

    Only one available!

  • Sold Out

    Conn New Wonder 1 Tenor 1924 134421 Original Silver Plate Excellent!

    $ 2,000
  • Conn New Wonder I ‘Chu Berry’ Soprano Saxophone 1924 Original Nickel Plate 139494

    $ 1,100
  • Conn New Wonder II Chu Berry Alto Saxophone Relacquer 1930 Good Pads Great Deal 236664

    $ 950

    This is a Conn New Wonder II Transitional alto saxophone from 1930. The new coat of paint it got made the price go down, but didn’t hurt the playability. This horn came to me playing pretty well on its current pads. It hasn’t been freshly overhauled, but it does play on the current setup. That makes it a great deal, because you get the beautiful big, warm Conn tone for under $1k, which is crazy. Again, it’s not as good as a fresh overhaul, but it’s pretty good. This horn is pre-war, if you’re looking for that, and it has rolled tone holes. By ‘transitional’ in the title, I mean that it was made very late in the New Wonder II (or ‘Chu Berry’) run, and it has some features that anticipate the 6M or ‘artist’ or ‘naked lady’ or ‘lady face’ (I could go on. Conn nomenclature is kind of convoluted.) It’s basically a New Wonder II, but it has the raised high E side key and a few other small changes like palm key shapes and possibly a different neck though I’m not sure about that.

    It includes the case in the photos as well.

    Only one available.

  • Conn New Wonder II Transitional Alto Saxophone Original Silver 237954

    $ 1,150
  • Conn Standard Steelay 5 Tenor Saxophone Mouthpiece D69

    $ 95

    Complete your set with a Conn 10M tenor from the 30’s or 40’s. Deep scooped sidewalls, very large chamber, no baffle. Tip opening measures 0.058″. This tip opening is pretty limiting in terms of flexibility and projection. High resistance, very dark tone.

  • Sold Out

    Couf Superba 1 Baritone Saxophone Original Lacquer Excellent Condition

    $ 4,850

    Keilwerth baritone saxophones like this Couf Superba 1 low A are among the most desirable bari saxes ever made. They have a dark, powerful tone that combines well with a brighter mouthpiece to give you that biting, funky tone that makes bari so much fun to play. You can also use a more traditional larger chamber, lower baffle mouthpiece and get a dark, rich, warm tone of course. But it’s the bark and ‘fatness’ to the tone that I think makes people flock to Keilwerth on bari.

    The Couf Superba 1 is basically a special version of the SX90, and was played famously by Grover Cleveland. James Carter also loves these baritones, although he’s endorsing P Mauriat at present, and could make any bari sound pretty good. Anyway, I love Couf Superba 1’s because Herb Couf, who imported and popularized Keilwerth in the 60’s and 70’s, had great taste and an eye for detail on saxophones (and mouthpieces) and helped Keilwerth create a lineup of pro saxophones for the USA that is really hard to beat. The keywork feels modern, but the tone is warm and complex like a vintage horn. I would take a Superba 1 over a Mark VI bari all day long. There really aren’t many baritones that can beat it for combination of tone and keywork. If you want something clear and bright think Yamaha or Yanagisawa. If you want darker and more powerful, it’s Keilwerth.

    This is the nicest Superba 1 I have owned. It has older pads, which are still sealing, but I’m selling it priced on the low side even though it’s so clean and beautiful so that you can play it, enjoy it, and sooner or later get it overhauled. It will be a really fantastic player with an overhaul.

    This bari comes with one of the special, high-end J Winter contoured cases made for Keilwerth baritones. Those are about a $600 value and are really the only great case for a Keilwerth baritone on the market today.

    Only one available!

  • Couf Superba 1 Tenor Original Gold Plate Saxophone 68059 Matt Stohrer Overhaul One of the best ever!

    $ 7,950

    This is my personal Couf Superba 1 tenor in original gold plate, overhauled by Matt Stohrer. It’s pretty much unbeatable for the Keilwerth enthusiast. To me the Superba 1 plays more like a Selmer SBA than the later Keilwerths do. I absolutely love this horn. It’s so powerful and loud, that it tells you what to play! You can of course play effortlessly quietly on it with a fully saturated tone. That’s the beauty of Matt’s precision pad work. It is just tops. Gold plate Keilwerths are exceedingly rare. The Superba 1 is one of the only ones that got the expensive real gold finish. I’m sure you know, but just gold plating a sax now costs around $4000+ to have done aftermarket, and it’s better to have it be factory original. There’s no lacquer on top to dull the sound, and gold is a very durable finish that doesn’t tarnish at all quickly either, and is of course beautiful as well. It’s a very special horn, and one I have had for a decade. I’m sorry to see it go!

  • Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Sold Out

    Guardala Handmade Studio Baritone Saxophone Mouthpiece #18 Super Early Original .112

    $ 2,250

    Super early Guardala handmade Studio Baritone Sax mouthpiece. Serial number 018! Original facing, measures a very playable .112″. Original gold plate; rare, early ‘all the way across’ bite plate; and beautiful (original) flat file work in the chamber. Nice, thin tip and rails. This piece is incredible. It’s an instant pro sound that projects while staying warm. This mouthpiece is on consignment with GetASax. I have seen these sell for much more than the asking price, (like, a LOT more) and these often don’t last long at all. Only one available! Only the 18th one that Guardala made! Shipping price includes tracking and insurance. I’m experienced shipping the best saxophone equipment worldwide.

  • Holton Alto Saxophone Original Gold Plate Beautiful Great Deal 16374

    $ 750
  • Holton Soprano Saxophone Original Silver Plate Great Deal 17402

    $ 1,000
  • Ishimori Wood Stone Alto Saxophone Brand New WSA-VL with F# Dark Lacquer

    $ 4,500

    Last one!

    This is the highly sought-after Ishimori Wood Stone alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier. Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed. $4500 brand new.

  • Ishimori Wood Stone New Vintage Alto Saxophone Brand New High F# Antique Finish

    $ 4,500
  • Ishimori Woodstone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,700

    Only one available of these highly-desirable New Vintage tenor saxophones from Ishimori, Japan’s premiere saxophone repair shop. These tenors stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some later Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving both are  meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

  • Jimmy Dorsey “Best” Hard Rubber Tenor Saxophone Mouthpiece MPC504

    $ 275

    Slightly curved sidewalls, large chamber, very subtle rollover baffle. Tip opening measures 0.082″. This piece has moderate resistance and a pleasant dark tone, akin to a vintage Meyer of the same tip opening. Keep it as is since someone has already christened it “best”, of course this is best in a vintage big band setting, or as an all-around nice ensemble tenor piece for wind band use.

  • Keilwerth ST-90 Alto Saxophone 854729

    $ 600
  • Keilwerth Straight Alto Saxophone Original Black Nickel Plate Super Rare

    $ 4,950
  • Sold Out

    Keilwerth SX-90R Tenor Gorgeous Condition BIG player Early Serial

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200
  • Sold Out

    King Original Gold Plate Soprano Saxophone Beautiful Engraving 56362

    This is an original gold plated King soprano from about 1922.  The engraving is exquisite, as it usually is on gold plated King saxophones, and the horn itself is in very good physical condition.  Keyed to high Eb, it currently plays ok on old pads, and the tone is very warm and pleasant. As is typical with sopranos of this age, the intonation is pretty flexible, but given a good ear and voicing it is entirely possible to play in tune- just don’t expect this to do the job for you like a modern Yamaha or Yanagisawa!  The trade-off is, as it usually is in my experience, richness of tone for flexibility of intonation, although a large chamber soprano mouthpiece (like a vintage Buescher) will make the job a lot easier. I was playtesting this on a modern Yanagisawa piece though and enjoyed it quite a bit, without any notable intonational problems for me personally.  This is from a collection and has old pads. But just the gold plate is worth the entire price of the horn. It’s a super deal. You could easily find this priced double somewhere else. Includes the nice Buescher soprano mouthpiece in the photos!

    The original case for this instrument is in good condition and fits it very well. 

  • King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,600

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • King Super 20 Alto Full Pearls 1952 Fresh Overhaul 328xxx Outstanding

    $ 5,150

    King altos are the best altos ever, full stop.

    This one has original lacquer and looks good in a played in way, with the only past repair being a resoldered low C key guard. It just got a full, fresh, high-end overhaul, done by the highly-skilled Jan Olsen (Norway). This means it got about 30 hours of painstaking labor done to make the mechanism all factory fresh, and to replace everything that can be replaced so that it is back to new playing condition and pad wise. It now performs great and will be ready to go for many many years to come with only regular maintenance needed.

    This King Super 20 alto is from just about the most desirable year, 1952, which is the same version and serial of Super 20 that Cannonball Adderley played on Kind of Blue and Somethin’ Else. It is in great shape, with no serious past repairs at all.  This is the ‘Series II’ which has the best combination of beauty, features, and key work of all of the Super 20 altos. You really can get the Cannonball Adderley vibe going on one of these (with lots of practice) better than almost anything else. Cannonball played almost exactly this serial alto on Kind of Blue. This plus a Meyer 5 or Ted Klum NY Model plus a soft reed and lots of guts is what you need for what I consider to be the benchmark for good alto sound.

    Why do I say that Super 20’s like this are the best altos ever? The overall combination of tone, beauty, and ergonomics. For me, great tone that you get from these full pearls Super 20’s is pretty hard to beat. It’s warm, full, rich, and projecting, but without any hint of shrillness or thinness. Cannonball’s tone, I always think of as a tenor saxophone reincarnated in the body of an alto, and that’s pretty much what a Super 20 alto like this allows. It feels like the tone is coming from a bigger, deeper instrument, but in the alto register, which is really remarkable. You can of course do a million other things with it. Check Francois Carrier’s music for another take on Super 20 tone (also same serial as this). The Super 20 is going to keep getting more and more desirable, and harder and harder to find. They’re just fantastic, and they are way rarer than Mark VI’s or any other top notch vintage or modern alto.

    This horn is priced to MOVE. Once you figure in the overhaul, it’s absurdly cheap. Particularly for the tone you get. Someone should grab it now and not look back. You never need to ‘upgrade’ from this. If you don’t love it, send it back. I take returns.

    Just for fun, here’s Cannonball on his Series II Super 20 playing one of his classic ballads, Dancin’ in the Dark.

  • Sold Out

    King Super 20 Alto Saxophone 1953 Full Pearls Original Lacquer

    $ 6,350

    Cannonball Adderley vintage of King Super 20 alto that now comes with a complete, high-end overhaul done right! This is exactly the same as my personal alto. It’s cosmetically a little nicer than mine in fact! Really clean original lacquer, great condition. Full pearls, solid silver double socket neck, the more comfortable left hand pinky keys – this is the Super 20 you want. The ‘full pearls’ means that it has all the bells and whistles that people look for in a King alto. Extra pearls on G#, palm keys and side keys/F#. The bell keys are engraved; the double socket neck seals beautifully. The solid silver is in great shape. The serial numbers on horn and neck match. Cannonball Adderley played an alto just like this on Kind of Blue and Somethin’ Else. To me, you can’t really beat this among alto saxophones for jazz or all purpose playing. The best mouthpiece to pair with it is the Ted Klum New York model or the GS Special version of that mouthpiece. It’s a 10/10 combination. Kings like this are at least 10x rarer than 5-digit Selmer Mark VI’s, and they have strong potential to go up in value over time. That makes this a smart purchase as well as an extremely fun alto to play.

  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Series II 1953 333537 Excellent!

  • King Super 20 Tenor Saxophone 1957 Near Mint Original Lacquer Overhauled!

    $ 5,950

    Holy cow! This is one of the nicest examples of a King Super 20 that I have had the pleasure of selling. It just got a complete overhaul! It was original pads 63 years old, when I got it, and now it’s totally fresh, clean, and completely restored. It’s awesome!

    The tone of these horns is just to die for. Powerful, resonant, very loud when pushed (it goes to 11). The solid silver double socket neck gives you extra focus, and a dark core with lots of overtones. The horn overall is bright and projecting, but in a way that stays fat, like only American saxophones can. Ideal for either cutting through a band, or playing the most gorgeous ballads, this is one of my favorite saxophonse of all time.

    This tenor has no damage, no dents or dings, and almost all its original lacquer. The solid silver neck even looks odd to King fanatics like me because it still has its original gold lacquer over the silver, which you hardly ever see. There’s some scratching on the back of the body tube from normal use, and a couple of tiny, nearly invisible dings I got removed from the bow, but you’d never notice anyway. It’s as nice as you will ever find. And priced to sell!

    The best demo of a “Series III” Super 20 that I know of can be found here. It’s one of the only cases that I have found where I heard a demo and what I consider the essence of the tone of the horn itself is front and center on display (as opposed to the mouthpiece, the player, or a bunch of other distracting noise. Listen and enjoy! This is the same horn as in the demo, just made a year or two later. https://www.youtube.com/watch?v=cBoeWeRyy-o 

     

  • Sold Out

    King Super 20 Tenor Series III Mint Silver Neck Unbelievable Overhauled

    Cleanest, most mint condition King Super 20 tenor I have seen. (Which is actually saying a lot, as I collect Kings!) The silver neck has all the gold lacquer intact. This peerless sax just got a high-end overhaul and plays absolutely effortlessly. Can’t beat it. Comes with the beautiful original case and a BAM case for safe shipping. Big, bold, effortless player with tons of soul.

  • King Zephyr Tenor Saxophone Original Silver Plate Excellent Condition 202108

    $ 1,950
  • Leblanc System Rationell Alto 571 (one step below the crazy one) Mint Condition

    $ 1,650

    No other saxophone plays like a LeBlanc System alto, and this is the nicest example I have seen. It is in basically factory fresh condition with almost all its original lacquer intact. The factory pads are still present and have not been used much. You might be able to get away with just sealing these pads and playing on them for a while before getting them changed.

    The essence of the LeBlanc system is the keywork. This alto has a completely different keywork design from Selmer or Yamaha etc, though it also feels like you are playing ole of those— the fingerings are the same. BUT- what’s going on under the hood is very different and very cool. Every note is vented on a System sax. There are no stuffy notes. The scale is incredibly even as a result. Secondly, the “stack” keys are designed so that when you play any note, pressing any lower key at all on the stacks will lower that note a half step. Play a middle B for example: adding G, F#, E or D to that B will give you a Bb. Isn’t that cool? Same thing for A or G or whatever. There are lots of other innovations in the keywork, but this is not the place to go through them all. Check out some articles.
    From a player’s standpoint, this horn is exceptionally in tune and exceptionally loud. Something about the design gives you tons of power and projection. Lots of focus, but the tone isn’t bright. It’s medium and pretty warm and round. I love these horns. If you have a full System, let me know. I’ll buy it.

  • Sold Out

    Martin Comm II Alto Saxophone 142391

    $ 900

    Martin Committee II Alto Saxophone in good condition with original lacquer. These horns play really beautifully, with a rich, warm, centered tone. Most people have never had the pleasure of playing them, as they were only made for a couple of years in the 40’s before Martin was forced to redesign because of patent disputes on the tone holes, I am told. Anyhow, this is a great price for an original lacquer Committee II. The pads are old, so plan on a repad, or at least on replacing several. I could discuss options for having that done pre-sale if you like, but since this is on consignment, I can’t overhaul it in advance.

  • Sold Out

    Martin Committee II Alto Saxophone Original Lacquer Lion and Crown 136238

    $ 900
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 75488

    $ 500
  • Martin Handcraft Alto Saxophone Original Silver Plate Very Good Condition 80194

    $ 500
  • Martin Handcraft Typewriter Alto Saxophone Original Silver Excellent Condition 98334

    $ 900

    Beautiful original silver Martin Typewriter alto saxophone. Every single key is a has a round pearl button – it’s a wonderful instrument to see! I love how unified it is from a design perspective. The palm keys and pinky table are my favorite. A necessity for any serious saxophone collection. This is also a beautiful player when overhauled, and has a wide, warm, sweet tone that is hard to beat for a 20’s sound. This Typewriter alto is all original – nearly all the original silver plate is present, as is the gold wash. The neck is also in very good condition. If you wanted to overhaul this, it would be bright, gleaming satin silver and look nearly new. Or just keep it and treasure it, or leave it on display as a showpiece. The typewriter was a beneficiary of the 20’s Saxophone Craze – there was such a strong market for saxophones that all kinds of interesting designs blossomed onto the scene. These are rare and hard to find, and this is a great price for one!

    Only one available!

  • Sold Out

    Martin The Martin Alto 155469 Unbelievably Beautiful Dark Original Lacquer

    $ 2,350

    This is just about the most beautiful Martin Committee III that I have seen. It is incredibly rare to find the dark early original lacquer examples in anything like this kind of condition. If you have always wanted one of these Committee III saxophones, you can’t beat this one. And the price is still a bargain compared to anything of nearly this kind of quality. Original pads, original case, the works. This is the real deal. Only one available. I might keep it for my little collection. It’s even nicer in person.

  • Martin The Martin Tenor Committee III Original Lacquer Old Pads 167261

    $ 1,750

    Great deal on an original lacquer The Martin Tenor Committee III. This horn has older pads, and actually does play on them, but plan on getting it overhauled.

    Previous repairs – the thumb hook is a replacement. The original thumb hook often gets lost on these, because it had an odd design where it only attached by a small post with a leveraged arm coming out that let you torque it easily.
    Besides that, you can see some lines on the back of the bow area where it looks like some small dents were probably removed at some point. Same thing on the bow guard. The two resolders you can probably easily see as they are clearly photographed – lower post of the C/Eb key and the key guard foot right beside that on one side of low Eb. The neck tenon is also resoldered. You have to take it off to do a ’neck fit’ because of the way the neck tightens, so I’m thinking that’s what was done there. The pads are old, but it actually plays on them, so you can easily tell that it is a very strong player. These horns are built like tanks, so this one is in plenty good condition to play its best for many more years to come if you get the pads replaced. Or you could play it for a while on the old pads before doing that.
  • Sold Out

    MC Gregory Los Angeles 5A 20 Alto Saxophone Mouthpiece MPC540

    This vintage MC Gregory Los Angeles mouthpiece has its original facing and measures at a modern 4 tip or .066″. It has straight sidewalls, small to medium chamber and not much baffle. Mellow dark tone, moderate resistance, low-moderate projection. Beak has quite a bit of tooth wear, so I’m pricing it much lower than a normal vintage MC Gregory. Get your Desmond vibe on for less. Tip opening measures 0.066″

  • N4 “France” clarinet

    $ 40

    Nice condition, looks like vintage hard rubber, no brand visible

  • New Old Stock Yamaha Purple Logo Baritone Saxophone YBS-62 Mint Unbelievable! Overhauled!

    $ 9,000

    Now comes with a full overhaul!! All new pads and the full deal. That’s a huge added value. It plays EFFORTLESSLY and beautifully, with a warm, complex tone. Take it in a funk direction with an aggressive mouthpiece, and it will bark and cut without thinning out. Take it in a classical direction, and it will do a gorgeous cello-like tone better than any other baritone that I know of. Highly recommended!

    This is an amazing chance to get a new old stock Purple Logo YBS-62 baritone saxophone. This sax was originally a display model that Yamaha brought to the USA for a trade show almost 40 years ago. Yamaha sold the instruments from the display, and they sat in someone’s closet for that entire time. This sax came in the plastic in the case, and I had to take it out to take photos. There are maybe a few of the lightest possible surface scratches not through the lacquer, but aside from that, it looks as new as it could be and be from the early 80’s. The tone is beautiful and warm, rich, and medium focused. Intonation is great. Works with just about any mouthpiece. This horn can play the full range from classical to funk no problem and be as reliable as a Lexus day after day, year after year. This is BY FAR the nicest example of a purple logo 62 baritone that I have seen, and the nicest one we are likely to see.

    It has the case keys, the polishing cloth, mouthpiece and ligature, warranty booklet, and even a set of removable wheels that attach to the end of the case so that you can roll it if you want. First time I have seen that. If you want a beautiful baritone to play that is really special, this is it. And at this price, it’s about the same as buying a modern 62, so you don’t even pay a premium to get the new old stock. That’s pretty great.

  • NOVA Woodwinds Lacquered Brass Low A Baritone Saxophone NEW Great Deal!

    $ 2,300

    Introducing the new NOVA Woodwinds line of instruments. The NOVA Woodwinds line meets a need in the marketplace for a lower-priced Low A Baritone saxophone that is still good quality. People have been asking me for years if I can recommend anything in the sub-$3500 price range for a low A baritone. I have had to scrounge for deals on used Yamaha or Yanagisawa baritones, but if the used baritones need a repad or other repairs, then you’re immediately back in the $4k price range, so it really is hard to get anything decent, let alone new under $2500. That’s where the NOVA baritone shines. For only $2450, you get a NOVA baritone (NOVA means ‘new’ in Latin) that is brand new and plays quite well, and that holds up well over time by all accounts.

    If you are shopping for a baritone saxophone, whether for a school band program, for doubling and taking extra gigs on bari, or just for playing some sick funk lines with your Tower of Power cover band, this horn is worth a look. I have friends who have used this bari in their band programs for years, and it holds up to punishment by middle and high school students quite well. That’s saying a lot!

    Much of the reason it holds up well is that I am spending $400-500 per horn on an extensive amount of setup work. It’s almost an overhaul, because it’s fully disassembled, cleaned, oiled, gets all new corks, which is time-consuming, gets rods straightened, many pads reseated or replaced, the LH pinky table rebuilt, the neck tenon ‘fit’ to the receiver, regulation between keys fixed, and actually several other small things improved. At that point, its a completely different instrument from how it arrives. And it actually plays down to low A well and should continue to do so for a long time with only occasional upkeep needed. As such, it’s a solid school bari, doubler’s bari, or just a fun horn to play around on.

    You could set it up and sell it doing MUCH less work – $50 to get pads sealing and send it out the door, but that would not be the way to build a good reputation for your brand, or to take good care of your customers, over even the short term. I want the NOVA line to stand out as the most reliable baritone saxophone you can get new under $2500. Unfortunately, after I buy the horn, pay for international shipping and spend $450 per horn on repair, there’s very little profit to be made on these. Thankfully, this is not a large part of the overall business here at GetASax.

    Once it’s properly ‘mini-overhauled’, the tone is big, loud, and medium between bright and dark. It tunes well with a variety of mouthpieces. The keywork is pretty comfortable, and works fine for anyone from middle school up through adult. The stacks are actually in line, not offset, meaning the tone holes are all in one long row. That changes the feel of the right hand, as you rotate around farther than you otherwise would on a modern horn. This is NOT a Yanagisawa copy. From neck to bell to keywork, it’s really not similar to a B901. The case is usable, with a hard foam contoured interior, sturdy zipper, decent amount of storage, and wheels that are usable on a smooth surface. The mouthpiece it comes with isn’t great, so see below about cheap but good mouthpieces.

    It comes in this version, which is brass, and then in the bronze version also. The bronze is a slightly darker tone, and gives you the two tone look, where the all brass like this just looks like a typical new saxophone. You won’t go wrong with either one. Both of them include the pictured hard case which has wheels, as well as the other accessories in the photos. I would recommend a Yamaha 5C or Rousseau for an inexpensive beginner baritone mouthpiece for concert band, and the Rico Metalite bari for jazz, or there are lots of other options getting listed in the baritone mouthpieces section of the site. 

    These low A baritone saxophones tend to sell quickly, so please let me know if you are wanting to order more than one, so that I can be sure to order them far enough in advance to fill your order quickly.

  • NOVA Woodwinds Low C Bass Clarinet Outstanding Player Unbeatable Value NEW! 2nd Gen

    $ 2,100

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. See also here. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Otto Link Tone Edge Small USA Large Font 7 EB? Soprano Saxophone Mouthpiece MPC525

    $ 600

    This is a beautiful example of an Otto Link Tone Edge soprano mouthpiece. It has its original 7 facing measuring .062″ or so. The 7 stamp is the larger font, and the USA stamp is small font like a FL Tone Edge. The Otto Link logo and chains are not the modern version, and neither is the shank design, and the machine marks on the table are a fine vertical denim pattern. The chamber is large and round. It plays beautifully with a warm, rich tone. I guess this would be an Early Babbitt at least early 80’s. I have to admit, I’m not an expert on the differences between soprano stamping in the 70’s to early 80’s on these. But it looks better than smaller tip ones I see selling online for $800, so hopefully this is a good deal for somebody. It also includes the Vandoren Optimum ligature in the photos.

  • Ponzol M1 Hard Rubber Custom USA Tenor Saxophone Mouthpiece F50

    $ 225

    This is a hard rubber version of the Ponzol M1 tenor saxophone mouthpiece. It has high baffle, metal mouthpiece proportions. If you like the streamlined proportions of metal and easy on the teeth compliance of hard rubber, this this may be your piece. It has straight sidewalls, small chamber, and a high stepped baffle. Tip opening measures 0.115″. The high baffle does not disappoint with projection and brightness, but it is also surprisingly easy to lay back and get a slightly darker tone. It would be a nice all around mouthpiece in the right setting, like a combo with electric guitar for example, where you want a cool tone with the option to cut through when needed. If you’ve been playing a Berg and want something slightly brighter, this would do the trick. 

  • Sold Out

    Rampone and Cazzani GOLD Plated R1 Jazz Curved Soprano Saxophone Excellent Condition

    $ 3,850
  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Sold Out

    Selmer Centered-Tone Clarinet Great Condition! No cracks or repairs, big warm tone R5978

    $ 1,150

    Get your Benny Goodman on! Beautiful vintage Selmer Centered Tone Bb clarinet in excellent condition with no cracks or repairs. This instrument has been babied by one owner for several decades and comes to you on consignment. The pads and corks are in good condition, and it plays beautifully with a big, warm, wide, jazz-leaning tone. Nothing is as warm and beautiful as a Centered Tone. You can project over a band and you can bend notes around with ease. I’m not a great clarinet player, but even I sound pretty decent on one of these! Serial is R5978.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 just got a complete overhaul! It’s an excellent player, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1967 150568 Original Lacquer Excellent Condition!

    $ 8,500
  • Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI Alto Saxophone 1971 192163

    $ 5,650
  • Selmer Mark VI Alto Saxophone 1971 Original Lacquer and Pads Excellent! 192152

    $ 5,500
  • Selmer Mark VI Alto Saxophone 1971 Original Lacquer Old Pads

    $ 4,500
  • Selmer Mark VI Alto Saxophone 1973 Near Mint Original Lacquer Original Pads 216700

    $ 5,200
  • Selmer Mark VI Alto Saxophone 1973 Original Lacquer American Engraved Great Deal 214844

    $ 4,100

    Price reduced June 2020! Extremely good price for an original lacquer Selmer Mark VI alto. This horn has older pads, so plan on getting it overhauled. But it won’t be a complex overhaul – just the regular, and Selmer Mark VI’s are easy and fun to restore at your local saxophone expert’s place. The later VI altos have a beautiful, balanced tone. Medium bright, punchy, and projecting, with a jazz mouthpiece. But still easy to rein in and play beautifully with a classical setup.  Selmer finally got the alto really nicely in tune by the end. It plays with an even scale and feels great with a lyrical French Selmer core and plenty of warmth and complexity to the tone. It’s medium between bright and dark, possibly medium bright when pushed, but it will really do most anything you want it to, depending on your choice of mouthpiece. So for less(!) than the price of a new Yamaha, you can get the storied Mark VI and own and enjoy it while it goes up in value. What’s not to like about that?

    Only one available!

  • Selmer Mark VI Alto Saxophone 1973 Original Lacquer Near Mint Fresh Overhaul! 208796

    $ 6,350

    Price now includes a fresh full overhaul! Great deal on a big sounding late VI alto that came with original pads and is now completely overhauled and in really clean shape. The late VI’s like this are among the best of the VI altos, because they tune great, they have an even scale, and they have lots of projection. If you want a VI that projects, has body to the sound, is mid-priced, and has a high end overhaul, this is it! It will be cheap and easy to maintain, because everything is dialed in perfectly and everything that can be fixed or replaced has been, so it’s totally fresh, clean, and feels like it’s new from the factory. This alto is in simply beautiful condition with no dents, no dings, and no past repairs at all.

    Only one available!

  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 6,950

    This Mark VI tenor from 1967 is a real screamer! It is moderately focused, medium bright in tone, and LOUD. It has effortless response, and the low register pops out easily. It just got a fresh overhaul done and plays great throughout! The pads feel nice and ‘dry’ and snappy under the fingers, and you can put as much air through the horn as you want without it breaking up, or sounding shrill. It’s a fantastic VI if you want one that has some of the warmth and complexity of the earlier VI’s (not as brash and in your face as the later ones), but has tons of power.

    Cosmetically, this horn is in very good condition with minimal past repairs and no dents or dings. It’s original lacquer and looks beautiful. When you see it, you think – ‘Man, that Mark VI looks almost new!’ Looking closer, there are a few signs that it was played and loved over the years: The Bb keyguard popped off at some point and got resoldered (happens a lot on vintage horns), and the neck shows a little lacquer wear on the side from flexing, but is the correct angle now, and was never pulled down in anything like a bad way. It’s about a 2 on a scale of 1-10 — just enough to make the lacquer fracture and fall off over time. The only other thing to note is some minor dings removed from the back of the body that are gone now. Normal stuff for a vintage horn, and nothing bad; nothing needs repaired etc. And you save around $2k versus the price if this horn had no repairs, which is significant savings! Not to mention it’s already overhauled and done very tidily and well.

    If you want a nice, powerful, beautiful Mark VI tenor for quite a bit less than a new Ref 54 that plays better, is built better, and is an exceptionally good player, that’s what this is.

    Only one available!

     

  • Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well

    $ 5,950
  • Sold Out

    Selmer Mark VI Tenor 85566 Factory Relacquer Old Pads

  • Sold Out

    Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Selmer Mark VI Tenor Saxophone 1957 69533 Original Lacquer Excellent Condition!

    $ 14,500

    This is about as nice an example of an original lacquer early 5-digit Selmer Mark VI tenor as I have seen! It still has all its original factory pads. The original neck is in perfect condition and has not been pulled down or damaged in any way. It has the matching serial number to the body. The beautiful dark honey gold lacquer is almost all intact! This saxophone was babied and then treasured by someone as a keepsake until now. The only past repair it had was a resoldered strap hook. That was done well, with minimal lacquer loss. Sometimes stuff like that just pops off on old Selmers – key guard feet, strap hooks, and braces – not really from damage so much as just the original solder coming loose. Luckily you can just pop it back on there and it’s good to go for another 60+ years.

    It’s hard to overemphasize how clean this tenor is. When you look at it, you just can’t believe how beautifully preserved it is. The body tube is straight and undamaged. The bottom bow even looks brand new. The bell and engraving look factory fresh and untouched. The original pads are falling out, so while you could try to play it on them, it would be better to get it freshly overhauled if you want to play it seriously. I got this horn in one of those beautiful red leather ‘Chesterfield’ original cases, but the zipper was broken on it, so I put it in a new BAM case for safety. If you want to pair this horn with an original 50’s Chesterfield Selmer case, I can possibly sell you one from my small vintage case collection. And if you want to buy it and then get it overhauled to play, I can hook you up with a top notch saxophone repairman who can do the overhaul right! You’ll be able to reuse the original Selmer metal Tone-x resonators on the new pads, which will give the horn a correct, vintage look.

    Tonally, the mid 60k range is a real sweet spot for the Mark VI tenor. These horns have a darker, more focused core tone than the later VI tenors, with plenty of power. As you push it, it will brighten up a bit, but stay fat and complex sounding. It’s super free blowing, and not stuffy at all. Loud and dark and powerful with a good amount of focus. When people make modern tenor necks that are supposed to mimic the ‘Mark VI tenor sound’ they often copy a neck like this one that is medium-dark, complex, and focused with easy overtones. This is the sort of tenor that gave the Mark VI the reputation that it now has. If you want virtually the same horn, but for half price with a new ‘coat of paint’ from the factory, check out the excellent deal I have on this VI tenor, which is virtually identical, and also super clean physically and mechanically.

    But if you have been looking for a really fantastic, original early 5-digit VI tenor that is almost like going back in time to 1957 and buying a new Selmer, then that’s what you have here. It’s a rare opportunity, and getting rarer every year. Soon, these horns will no longer be seen on the market at ALL often, and people will lament for the days when they were priced so ‘low’! It’s crazy, but true, if you compare to literally any other instrument (guitar, violin, piano, flute, even bassoon) — the best examples of the best instruments of all of those cost 3-10x what you can get a super clean Mark VI like this for currently.

    Only one available!

  • Selmer Mark VI Tenor Saxophone 1964 Original Lacquer Plays Great 119141

    $ 6,500

    Nice original lacquer Selmer Mark VI from a great vintage! This horn has an older overhaul and still plays on it, though the pads aren’t new. It’s on consignment, so it’s sold as is. The horn fell over at some point a long time ago, and has some dent work on the back of the body where it was repaired. The neck receiver also is resoldered. If you want a great deal on a player’s VI that is original lacquer, this would be a good one to consider. The tone is medium dark with quite a bit of power, and is actually kind of spread like a BA/SBA. The original neck has the matching serial, as you can see.

  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.