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  • Holton L2 C Melody Mouthpiece MPC354

    $ 99

  • Ishimori New Vintage Alto Near Mint v0416

    $ 3,850

  • Ishimori New Vintage Soprano Gold Lacquer Two Necks New

    $ 4,500

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-AF with High F# Antique Finish NEW

    $ 4,300

    One avalable now and it has had the GetASax new horn checkup after shipping here from Ishimori, and is ready to ship right out!!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-AF with high F#. Finish is bare brass with a stable patina applied, and beautiful hand engraving, the among the most elaborate of any modern saxophone. Really beautiful!

    This is an effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Ishimori Wood Stone New Vintage Alto Saxophone WSA-VL with F# Dark Lacquer NEW

    $ 4,300

    One avalable now and it has had the GetASax new horn checkup after shipping here from Ishimori, and is ready to ship right out!!

    This is the highly sought-after Ishimori Wood Stone ‘New Vintage’ alto saxophone available. The model is WSA-VL with high F#. It has dark, cognac colored lacquer and beautiful hand engraving, the among the most elaborate of any modern saxophone. Effortless player. Hard to emphasize how effortless. Completely effortless low register, low Bb pops out like any other note. Altissimo is easy. Tuning is great. The tone is sort of Selmer-ish but punchier like a King Super 20. But it’s not either of those. It’s its own thing – the New Vintage alto.  Easy to play delicately and softly with plenty of saturation and projection. Action is low, fast, and snappy. Great for jazz, concert, ballads– really anything. I’m impressed! Here’s our first demo video:

  • Sold Out

    Ishimori Wood Stone New Vintage Tenor Saxophone WST-AF no F# Antique Finish NEW

    $ 4,700

    One just came in stock Feb 2023(finally) !

    Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This version without the high F# has a special neck to make the horn tune well without that tone hole. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Sold Out

    Ishimori Wood Stone New Vintage Tenor Saxophone WST-AF with F# Antique Finish NEW

    $ 4,700

    Back-ordered. Order now to reserve yours.

    One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Ishimori Wood Stone New Vintage Tenor Saxophone WST-VL with F# Dark Lacquer NEW

    $ 4,700

    One available now! (Feb 2023)

    See below for some sound samples and an unboxing video.

    This is a highly-desirable Ishimori Wood Stone New Vintage tenor saxophone. This one is in beautiful Dark Lacquer (Vintage Lacquer, they call it, or VL for short).

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • Ishimori Woodstone NEW Tenor Saxophone Dark Lacquer no F#

    $ 4,700

    One available now!

    Beautiful brand new Ishimori WoodStone Tenor Saxophone. This thing plays effortlessly, and feels very fast and light under the fingers. Tunes well, keywork close together, so even comfortable for teenagers to play. Beautiful attention to detail both in cosmetics and in setup. These are hard to find, as supplies are very limited. Ishimori is not willing to compromise on setup quality, so they can only put together a limited number in their shop. These horns have good resale value also, as they are always in demand.

  • Sold Out

    Jean Baptiste Paris 3* Tenor Saxophone Mouthpiece MPC502

    $ 125
  • Sold Out

    Jody Jazz DV Baritone Saxophone Mouthpiece 8 Excellent Condition MPC925

    $ 500

  • Jody Jazz DV CHI 7 Metal Tenor Saxophone Mouthpiece MPC463GC

    $ 450

  • Jody Jazz Hard Rubber 6M Alto Saxophone Mouthpiece MPC577

    $ 100

    Lightly scooped sidewalls, rollover baffle, medium chamber. This has a flexible tone, with decent projection. It has a bit higher resistance and less brightness at full volume compared to a vintage Meyer. A great value on a utility mouthpiece. Tip opening measures 0.075″.

  • Kay Siebold 6* Zinner Hand Crafted Tenor Saxophone Mouthpiece F03

    $ 195

    Scooped sidewalls, large round chamber, no baffle. Tip opening measures 0.100″. High resistance but in a good way, dark tone, easy subtones. The relatively large tip opening and no baffle combination is great for someone looking for a great ensemble or classical piece.

  • Keilwerth SX-90 Black Nickel Tenor Near Mint Early Version Good Pads 103682

    $ 4,650

    This is the nicest early Keilwerth tenor I’ve seen, and it also has pads that are almost new, and has no damage or past repairs at all. This is the desirable early version that is what Grover Washington Jr. also played. These tenors are GREAT for smooth jazz, because they have a big, fat upper register that sounds really good with a bright mouthpiece. The whole horn seems like it’s asking to be a solo instrument or cut through a band.

    Pair it with something projecting like a Guardala, Berg, Dukoff, or any of the modern pieces that are made for projection, and you’ll have an instant pro sound. Or play a vintage jazz piece on it and it sounds almost like a Conn but with comfortable, modern ergnomics. The black nickel ones are by far the most popular, and always go fast.

    This one is pretty much unbeatable.

    Only one available!

  • Sold Out

    Keilwerth SX-90R Tenor Gorgeous Condition BIG player Early Serial

    We pay the best prices for great saxophones.

     

  • Keilwerth Tone King Straight Alto Beautiful Condition! 85729

    $ 4,450

    Full overhaul in progress! Included in the price. This is a great deal!

  • Keilwerth ToneKing Soprano (Couf Superba 1) Old Pads Great Value! 91506

    $ 1,450

  • King Alto Saxophone Original Gold Plate Old Pads Beautiful Engraving 105999

    $ 1,200

  • King SilverSonic Alto Original Lacquer Mint Exceptional 448357

    $ 6,500

    This is one of the best playing King altos that you will find! It’s freshly overhauled, and it’s in near mint condition with original lacquer and absolutely gorgeous condition. This is pretty amazing to play. Tyler said it’s a stand out player as well, when he gave it back to me after recording this clip.

  • King SilverSonic Super 20 Cleveland Alto Sax with Gold 415048

    $ 5,000

  • King SilverSonic Tenor Cleveland ‘Series III’ Double Socket Neck Good Pads Plays Great! 376648

    $ 5,950

    This amazingly clean Series III King SilverSonic tenor is a great deal! It is priced a little low because someone lightly polished the silver on the bell to keep it shiny, but did not touch the gold inside the bell, nor any other part of the instrument. So it’s entirely original lacquer on neck, body tube, keys, bow, and inside the bell, but the silver on the bell has been relacquered. If you look at the horn in person, this is very evident. The engraved B and Bb key cups, for example, are definitely original, as is the body tube. The neck has a tiny amount of original lacquer intact near the octave pip.

    The pads are in good shape, and the horn roars on them! They are leather, with medium sized flat metal resonators, which is a great, authentic setup for a King. The tone is FAT, and sort of Dark-Bright, which sounds like an oxymoron but isn’t. The tone is big and fat and thick, but has tons of projection and edge, so it sounds dark and bright depending on how you think of it. That could be the definition of the “King thing” (those who play them, know).

    anyway, past repairs: the double socket has been resoldered on the neck, probably so the neck could be fit in the last overhaul. It’s nice and round in the inner socket, as it should be. There’s minimal evidence of any other repairs. Maybe some small dings removed on the back of the body tube? Maybe not. No other resolders; no signs of other damage. It’s a remarkably clean example of a SilverSonic tenor, which is the horn everybody wants, whether they know it or not.

    The Series III in the title refers to how this horn has the updated keywork. If you like modern ergonomics, then the Series III is the King for you. Warm and fat like the Series II, but easier to get around in and cheaper (and findable) in solid silver neck and bell like this one.
    only one available!

  • King SilverSonic Tenor Cleveland 433140 Very Good Condition

    $ 5,750
  • Sold Out

    King SilverSonic Tenor Series III Gold in the Engraving Double Socket Neck 375203

    **Price includes Matt Stohrer’s overhaul which was JUST finished!

    If you’re reading this, then welcome! I’d like to introduce you to one of my favorite tenor saxophones. There are many versions of King Super 20 tenors and King SilverSonic tenors and it can be confusing for people who don’t regularly geek out about vintage saxophones to know which ones are the best. The short answer in this case would be – this one! The reasons, you ask? So, the next earlier SilverSonic version, the ‘Series II’ with pearl side keys, will cost you many many thousands of dollars more money (because only around 200 exist). This is the next version after that, and it has the best combination of features that you could ask for: solid silver (not plated, but all the way through silver) neck and bell; thick gold plate inside the engraving on the bell, gold wash inside the bell with lacquer over it; double socket neck with underslung octave key. All of those features go away at one time or another on later Super 20’s and SilverSonics. So to have them all in one horn is what you want.

    That’s the first big reason. The second is keywork. People always seem to want keywork that feels modern, even on a vintage horn. This is a barrier to lots of players getting to experience best vintage horns – they can have trouble with the idea that a Conn 10M or a Buescher Top Hat and Cane has different pinky key layout, and are afraid they won’t be able to adjust. If you’ve had the pleasure of spending a week playing a horn with an unfamiliar key layout, you’ll know already, that this fear is overplayed. Your brain makes the changes in your muscle memory and you very soon feel comfortable and at home. Nevertheless… if you’re someone who wants it both ways – vintage horn build quality, beauty and tone, but modern-ish keywork, then this is the horn for you. The Series III Super 20’s and SilverSonics are the first ones that feel pretty much modern under the fingers. No, low Bb does not tilt like your Yamaha, but it’s still in the same location and is the same basic shape. So it’s easier to make the move to this version of SilverSonic.

    And why move? Well, to me, beauty alone is a sufficient reason. It’s easily one of the most beautiful saxophones ever made.That gold over silver on the bell, plus the neck – people are still imitating that look today, to varying degrees of success.  This tenor just got a complete overhaul done by Matt Stohrer, who does King overhauls as well as anyone on the planet, if not better. Now, everything on this horn is clean, straight, tidy, and snappy, just like it should be. It probably plays better now than it did when it was brand new! It’s just fantastic. As Kings go, it’s in the medium category between dark and spread (Zephyr Special/ Super 20 series 1) and bright and focused (series IV and V Super 20). This has the earlier double socket neck design like a Series II, but the sterling silver bell seems to give it some extra zing, and it plays a little brighter than my Series II Super 20 brass bell that I compare everything to, and a lot more focused than my Zephyr Special, but not as bright and laser focused as the last few later SilverSonics that have come through. Lots of power though.

    This version of the SilverSonic deserves to be worth more than it is, and I have this one priced actually lower than the last one I sold 10 years ago, so it’s definitely a great deal. You just don’t see Series III SilverSonics with doube socket neck and gold in the engraving very often. And they have a super-powerful, fat but not too shrill, projecting tone that is really hard to beat. This could easily be your only horn for the rest of your life, and you would never need to upgrade, and probably would never even be tempted to. Now that I’ve written this description, if the horn suddenly disappears from the site, you’ll know I decided to just keep it and play it.

    Only one available! (Here it is playing a ballad, and it sounds quite different playing straight ahead.)

     

  • Sold Out

    King Super 20 Alto 415046 Original Lacquer Very Good Condition

    Nice clean King Super 20 Alto Saxophone ‘Series IV’ from 1965,  meaning it’s a late Cleveland one with the more modern keywork style. That’s good if you want a King Super 20 tone with minimal keywork compromises. This has the solid silver single socket neck. This sax has its original pads, which are 57 years old, so plan on an overhaul. Enough of my customers want a less expensive Super 20 that I’m leaving this one original pads for the moment. Almost every other King on the site is overhauled, so check those out if you want one that is a turnkey purchase.

    Only one available!

  • Sold Out

    King Super 20 Alto Saxophone Full Pearls Series II 1953 333537 Excellent!

    We pay the best prices for great saxophones.

     

  • King Super 20 Alto Saxophone Original Dark Lacquer Very Good Cond 283009

    $ 5,750
  • Sold Out

    King Super 20 Alto Series III Original Lacquer Very Good Condition 376523

    $ 4,950

    On hold Oct 2022. Great King Super 20 alto that is also on the affordable side for one of the best vintages. This is 376523, double socket, solid silver neck, engraved bell keys, underslung octave key, but the more modern style pinky keys and a tone that is more like the ‘full pearls’ Super 20’s. This horn just got a full, top shelf overhaul with Pisoni italian leather pads and nice reusable slightly domed, metal resonators. It feels brand new under the fingers, and it is still in excellent original cosmetic condition. Only one available! $4950 incl the overhaul, which is about what you’d pay for a Yamaha, and this is much better and holds its value better too.

  • King Super 20 Tenor 1947 Full Pearls Original Lacquer Good Pads 290165

    $ 5,850

    This is a beautiful original lacquer King Super 20 tenor saxophone from 1947. It has the light ‘coca-cola’ lacquer that these almost always have in the 290k range. The pads are in excellent condition and almost new. These late 40’s Kings are wonderful players. Big, dark, spread, powerful tone with lots of projection. The neck has the matching serial to the body. It’s kind of amazing to me that you can still buy an original King Super 20 tenor with a good overhaul and full pearls, solid silver neck, and full pearls on all the side and palm keys for this kind of a price. Heavily marketed Taiwanese horns are priced in the same range.

  • King Super 20 Tenor Full Pearls Very Good Condition Good Pads 308996

    $ 6,500

    This is the Super 20 that most people want. This is the version with the more modern LH pinky (spatula) keys, but that still has ‘full pearls’ on all the key touches, double socket, solid-silver neck, and engraved bell keys. It has had a recent repad, and I just got it freshly checked out and setup, so it’s playing quite well. There aren’t many original lacquer Super 20’s from this most desirable serial range in the world. Far fewer than people realize! There are about 10x as many 5-digit Mark VI’s as there are full pearls Super 20’s.

  • Sold Out

    King Super 20 Tenor Series III Mint Silver Neck Unbelievable Overhauled

    Cleanest, most mint condition King Super 20 tenor I have seen. (Which is actually saying a lot, as I collect Kings!) The silver neck has all the gold lacquer intact. This peerless sax just got a high-end overhaul and plays absolutely effortlessly. Can’t beat it. Comes with the beautiful original case and a BAM case for safe shipping. Big, bold, effortless player with tons of soul.

  • King Zephyr Special Alto Near Mint Recent Overhaul 266751

    $ 5,750

    This is about as nice an original lacquer later example of a King Zephyr Special alto as I have seen. This comes from the collection of Theo Wanne, and has a fresh overhaul done for Theo within the last year or two. It has been in his collection, so not played much since the overhaul and is basically fresh and ready to start being played again by someone. My main alto is a Zephyr Special, as is Matt Stohrer’s, and Theo loves and collects them as well. They are among the best sounding altos ever made, and they just do everything pretty well. The tone is warm, powerful, medium spread, and dark and velvety. Not dark like a Conn though – more focus, more projection, and more of a ringing set of overtones, where a Conn is a bit more spread and fat. It’s just an extremely pleasant tone that you get on these. Every single one I’ve ever sold has gone to a buyer who was thrilled with the sound. The keywork is not modern – it’s ‘light flute-like action’ as King described it in its original ads from the 30’s. Not heavy and snappy, but light like a flute, and fairly small amount of key travel to close a tone hole. Intonation is good with a Meyer or really whatever you want to use, though flexible compared to modern horns. You can bend notes around how you want, for better or for worse.

    These are among the most beautiful saxophones ever produced as well. Hand engraving, pearls everywhere you touch, solid silver double socket neck. They’re great. And this one has almost all of its original lacquer intact, which is pretty incredible.

    If you want to join the Zephyr Special club this would be a great way to do it. It’s already overhauled, and still priced very affordably compared to modern altos, with a tone like nothing else!

  • Lamberson FMaj7 Soprano .060 Original MPC1079

  • Lebayle Jazz 6 Soprano Saxophone Mouthpiece “New” D06

    $ 275

    This is a new Lebayle Jazz 6 for soprano. Fred Lebayle is a French mouthpiece maker that currently has his shop set up in Brooklyn, NY. His mouthpieces are played by artists such as Branford Marsalis, Dave Liebman, Wayne Shorter and Ravi Coltrane. This piece has a tip opening of .054, a slight rollover baffle, straight side walls, and a small round chamber with a bullet. It is in excellent condition.

  • Sold Out

    Lelandais Baritone Saxophone Mouthpiece Erik Greiffenhagen .105 Wedge Tunes w Vintage MPC1083

    $ 400

    With a large chamber, this tunes correctly on vintage baris like Conns, but it also projects well. You can’t beat it! Mouthpiece guru Erik Greiffenhagen (a bari player himself) tuned this one perfectly for projecting and intonation, and it is fantastic.

  • Lyon and Healy Bb Soprano Original Silver 200211

    $ 850

    Lyon and Healy branded straight Bb soprano saxophone from 1928 or so. Who actually manufactured this is disputed, as Couturier (the usual name) was both a cornet manufacturer, and also was not actually involved in making this saxophone (having retired in 1923). But the quickest way to find them is to look for Lyon and Healy Couturier saxophones.

  • Sold Out

    M.C Gregory “Master” 5A 20M Baritone Saxophone Mouthpiece New Old Stock Mulligan MPC1052

    $ 2,000

  • M.C. Gregory “Master” Hollywood 5A 20M Alto Saxophone Mouthpiece New Old Stock Amazing! MPC1044

    $ 1,000
  • Sold Out

    M.C. Gregory “Master” Hollywood 6A 20 Tenor Saxophone Mouthpiece New Old Stock Amazing! MPC1042

    $ 675
  • Sold Out

    M.C. Gregory “Master” Hollywood Tenor Saxophone Mouthpiece 5A 20M MPC1027

    $ 400

  • Martin Handcraft Soprano Beautiful Original Silver Overhauled Amazing 83569

    $ 3,950

  • Martin Handcraft Soprano Original Silver Plate Near Mint + Overhauled 67718

    $ 3,850

    Amazing example of a near mint Martin Handcraft soprano saxophone that just got a fresh high-end overhaul through GetASax. You won’t find a nicer sounding vintage soprano! The ergonomics are vintage, but pretty comfortable. I play a 68k Handcraft just like this myself. Warm, balanced, round, medium spread, good intonation, and even not very picky on mouthpiece compatibility.

  • Martin Home Model Unbelievable Condition! C Melody Simplified Collectible!

    $ 1,000

  • Martin Magna Alto Original Lacquer Excellent Condition 206422

    $ 2,650

    Beautiful original lacquer Martin Magna Committee III Alto Saxophone. It has no dents or dings and is in absolutely gorgeous condition. The Magna is the most desirable Martin saxophone, because of the rarity and some cosmetic and mechanical features that set it above the rest. These include the fancy engraving, and nickel keys and cross accents on neck and bell, and keyguards. This Martin Magna Alto has original pads, so it hasn’t been messed with, just lightly played. It’s ready for new pads and its next 60 years of playing. Maybe you can be a part of that! These altos have such a beautiful tone (think Art Pepper), which is warm, dry, full, and powerful. Medium between bright and dark, with plenty of what Martin called ‘carrying power’ and we call ‘projection’ to spare, no matter how much you want to push it. These sound better with really bright mouthpieces than almost any other saxophone, if that’s your thing. But they sound great with something like an MC Gregory Model A like Pepper used. This is as nice an example of a Magna as you are likely to find! I’m getting the thumb hook screw sorted out by the way. Only one available!

  • Martin Music Man Alto Original Lacquer Gorgeous! 208891

    $ 2,150

    Gorgeous original lacquer Martin Music Man alto saxophone. This is one of my favorite The Martin Alto Committee III’s ever, and is being sold from my personal collection. It was in another collection for many decades before I got it, and it has been cared for very well over the years. The pads aren’t bad, but it’s not freshly overhauled either. It plays well on them. I’d play it for a while and save up for an overhaul before too long, if you want to unlock the full potential.

    The Official Music Man model was made to commemorate the runaway hit musical ‘The Music Man’ about a traveling band instrument salesman. (I’m sure you know it.) These are a lot like a regular Comm III, “The Martin Alto” but have some extra engraving and the adjustable neck octave key stoppers like a Magna. They will always be more desirable and collectible than a regular The Martin Alto, but they have the same power, projection, and dark, complex tone. These horns are built to last, and came with 50 year warranties when new. Some of them are just leaving their warranty coverage now, which is hilarious. Only one available!

  • Sold Out

    MC Gregory Model A 3A 16 Alto Saxophone Mouthpiece Gorgeous MPC1078

    $ 800

  • MC Gregory Model A Alto Saxophone Mouthpiece 4A (5A) 16 Brian Powell MPC1076

    $ 950

  • Meyer 5M Alto Saxophone Mouthpiece F92 logo rubbed off on top

    $ 165

  • Meyer 7M USA Alto Saxophone Mouthpiece MPC568

    $ 185

    Straight sidewalls, medium chamber, very mild rollover baffle, tip opening measures 0.074″. This tip opening is about the same as a 5M, and it plays less open and bright than other 7Ms I’ve played. Maybe it’s the tip, maybe it’s the dings in the side rail.

  • Meyer Bros New York 4M Medium Tenor Saxophone Mouthpiece MPC1082

    $ 500
  • Sold Out

    Meyer Bros New York 6M Medium Chamber Alto Saxophone Mouthpiece .078 MPC1068

    $ 1,600

    Beautiful Meyer Bros New York Alto saxophone mouthpiece. This is the desirable version like Cannonball played. I got this cleaned up and facing checked by Brian Powell probably 10 years ago and have been holding onto it all this time. It has a great facing and measures a .078, so a 6 tip. Easy reponse, great projection and warmth. Not as bright as a NYUSA, and a little warmer than the GS New York, but still plenty of projection and body. Great mouthpiece!

  • Sold Out

    Meyer Bros NY 4M Medium Chamber Alto Awesome! MPC1058

    $ 2,250

    This is a super clean, original box example of one of my favorite mouthpieces ever – a New York Meyer Bros Alto Medium chamber. I love the 4 tip in a Meyer Bros. It has a beautiful balance between warm and bright, with the baffle done just perfectly. You would be hard pressed to find a nicer example. It measures an original .069″ and feels really nice to play.

  • Sold Out

    Meyer New York USA 4M Soprano Saxophone Mouthpiece Original Facing MPC950

    $ 900

  • Meyer New York USA Tenor Saxophone Mouthpiece 5 Excellent Condition MPC1057

    $ 450

  • Meyer USA 5M Small Chamber Alto Saxophone Mouthpiece MPC582

    $ 200

    Gently curved sidewalls, rollover baffle. “Small Chamber” stamp is more like slightly smaller than medium but still pretty medium. Maybe a bit brighter than a standard medium chamber, and the beak is unusually thin. Overall sounds like a Meyer should. Tip opening measures 0.069″.

  • Sold Out

    Meyer USA 7M Medium Chamber Alto Saxophone Mouthpiece MPC584

    $ 275

    Gently curved sidewalls, rollover baffle, medium chamber. Flexible tone, great dynamic range. Tip opening measures 0.079″.

  • Morgan Jazz 8L Alto Saxophone Mouthpiece E28

    $ 275

    This mouthpiece is SOLD, but to find mouthpieces in stock, please go to the following link: https://www.getasax.com/mouthpieces/

     

    This is a Morgan Jazz 8L. These mouthpieces are hand finished and this one has a serial number of 27797. It is rare to find an alto in this tip opening. These are great mouthpieces that are quite hard to find. It has an .085 tip opening, a medium chamber, a rollover baffle, and curved side walls. This mouthpiece looks brand new.

  • Saxophone Reverb Pedal MXR M300

    MXR M300 Digital Reverb Pedal for Saxophone

    $ 199

    If you’re a causual player, you may never have experienced the joy of hearing your sound through a reverb pedal. It can be extremely encouraging to hear how great you sound when you add this essential effect to your tone. This is a great reverb pedal for saxophone. Rave reviews online everywhere for guitar, but for saxophone specifically, it’s hard to beat. Believe it or not, it sounds much better than lots of more expensive pedals we tried. The more the pedal does to process the tone, the more it tends to be optimized for a guitar signal, rather than a saxophone signal. This is an inexpensive pedal, but it sounds fantastic, partly because it doesn’t “expect” the incoming signal to be a guitar.

    We will be listing a selection of pedals that are carefully tested to make sure that a saxophone sound signal sounds great through them.  Please see our detailed video on how to use it with a saxophone and get a great tone in a few easy steps. This works whether you’re playing at home or out on a gig, and you don’t need to manage a lot of software for it to work. Just plug and play.

  • N4 “France” clarinet

    $ 40

    Nice condition, looks like vintage hard rubber, no brand visible

  • Noblet (?) Alto clarinet mouthpiece MPC1025

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    Noblet N2 Alto Clarinet Mouthpiece Excellent Condition MPC1041

    $ 100

  • Noblet N2 Bass Clarinet Mouthpiece Excellent Condition MPC1049

    $ 400

  • Noblet N2 Bass Clarinet Mouthpiece Made in France MPC 1033

    $ 300
  • Sold Out

    NOVA Woodwinds Low C Bass Clarinet Outstanding Player Unbeatable Value NEW! 2nd Gen

    $ 2,100

    People have been asking me to find a good quality entry-level Bass Clarinet for school band programs, doublers, and basically anyone who wants to play bass clarinet but not spend $12k+ for a Buffet or Selmer. That’s what this is. These are sold under a few other names online, and they get great reviews. My band director friends who use these in their programs say they’re unbeatable for the price. This should be the best price available.

  • Sold Out

    Otto Link Double Ring Alto Saxophone Mouthpiece 5 .075 MPC1077

    $ 600

  • Otto Link FL Super Tone Master NO USA 4* Alto K57 Serial Exc Cond MPC628

    $ 450

    This is a beautiful example of an original facing Otto Link Florida Super Tone Master alto 4* saxophone mouthpiece. It is in excellent condition – as nice an example as I have seen. You don’t see the early ones with serial by the table very often. Measures in at 0.060″ tip opening.

  • Otto Link Florida Super Tone Master USA 7* Tenor Saxophone Mouthpiece MPC371

    $ 950
  • Sold Out

    Otto Link Florida Tone Edge Straight Signature 5* Original Facing Original Box MPC625

    $ 850

    This is a beautiful original facing Florida Tone Edge that is identical to the late Florida Slant Tone Edge except that it has a straight Otto Link signature stamp. It has the FL baffle and facing marks, as well as the original Pompano Beach box; ligature and cap. A real find!! And it’s a great deal if you want an FL Slant but want to save some money on it only because the signature isn’t slanted. Scooped sidewalls, large round chamber, rollover baffle. Tip opening measures 0.089″. Great tone edge brightness and edge. The smaller tip opening limits max volume and projection without being stuffy and allows for subtle work.

  • Sold Out

    Otto Link Florida USA Slant Body Straight Signature Tone Edge 8* Tenor Saxophone Mouthpiece Original Facing MPC951

    $ 1,500
  • Sold Out

    Otto Link Florida USA Super Tone Master 6* Tenor Saxophone Mouthpiece New Old Stock Amazing! MPC1055

  • Otto Link Forida USA Super Tone Master 5* Alto Saxophone Mouthpiece New Old Stock MPC1054

    $ 550
  • Sold Out

    Otto Link Master Link 4**** 4* (Actually a 6*) Tenor Mouthpiece MPC626

    $ 600

    This is a very vintage Otto Link ‘4****’ model Master Link that is also a 4* tip stamped on the table but was opened to a 6* at .095″. Cavernous chamber, scooped sidewalls, slight rollover baffle. Pharoah Sanders played one of these for a long time before switching to a GS Slant of all things. Tip opening measures 0.095″, and must have received a good reface at some point. This piece plays with an airy Ben Webster-Esque subtone all the time for me. Very good at what it does.

  • Sold Out

    Otto Link Master Link 7* Tenor Saxophone Mouthpiece MPC555

    $ 600
  • Sold Out

    Otto Link Reso Chamber Tenor Saxophone Mouthpiece EG 7* Excellent! mpc1313

    For those of you who are fans of the Otto Link Reso Chamber, here’s an excellent one that was owned by Keenan McKenzie (my former assistant, who did a GS Reso review video for GetASax). It was opened to a 7* by Erik Greiffenhagen and plays beautifully. If you like the GS RESO, it plays very similarly to that, but it’s not a copy, haha. Warm, velvety, round, beautiful for ballads, a bit punchy when pushed, but not super bright. Ben Wendell and Seamus Blake both play/ed a Reso like this and get a lot of projection on it by moving a lot of air, so if you like that dark-but-fat sound Link+Selmer, you can also do that on this.

  • Sold Out

    Otto Link Slant NY Eburnated Bar 4* Alto Saxophone Mouthpiece MPC382

    $ 350

    This very old and a little worn but the bite plate and rails are very nice. It has a rollover baffle, curved sidewalls and large chamber. The tip opening measures 0.076″. This was opened up to a 6 tip by someone good. The table is flat and the tip and rails are beautiful. If you want something basically dark and warm, easy to play, and that takes air well, has easy response etc., then this is the piece for you. It’s hard to find something at all similar among new mouthpieces made today. Has a couple of tiny dings in the tip rail that do not affect anything.

  • Otto Link Slant Tone Edge Bass Clarinet Mouthpiece New Old Stock! MPC1060

    $ 550

  • Otto Link STM USA 6* Alto Saxophone Mouthpiece MPC416

    $ 450
  • Sold Out

    Otto Link Super Tone Master Baritone 8* Mouthpiece MPC1081

    $ 150
  • Sold Out

    Otto Link Super Tone Master Double Ring 6 Tenor Mouthpiece MPC288

    $ 1,200
  • Sold Out

    Otto Link Super Tone Master FL No USA 5* Alto Saxophone Mouthpiece MPC620

    $ 550

    This is an excellent condition example of an original facing Otto Link Florida Super Tone Master alto with original box and ligature. It would be hard to find a nicer one. These play dark and fat, not bright like people usually expect. It’s the baffle and chamber that shapes the sound, and this has a large, round chamber and moderate rollover baffle, so not too bright at all.

  • Sold Out

    Otto Link Super Tone Master USA 6 Tenor Saxophone Mouthpiece MPC586

    $ 225

    Gently curved sidewalls, medium-large chamber, and an abrupt rollover baffle give this piece a strong attack and bright tone. The ligature with this piece is a bit mis-shapen. As a result it is difficult to use at the back of the mouthpiece. Tip opening measures 0.088″.

  • Otto Link Super Tone Master USA NY 7 Tenor Saxophone Mouthpiece MPC585

    $ 225

    Deep carved sidewalls, large chamber, and an abrupt rollover baffle give this piece a strong attack and moderately bright tone with excellent projection. Tip opening measures 0.097″.

  • Otto Link Tone Edge Slant Baritone Saxophone Mouthpiece 5* New Old Stock! MPC1061

    $ 1,500
  • Sold Out

    Otto Link Tone Edge Slant Signature Soprano Mouthpiece New Old Stock 4*

    $ 850

    Here’s a rare opportunity to get a new old stock Otto Link Slant soprano saxophone mouthpiece in excellent to near mint condition. Otto Link Slant soprano and baritone mouthpieces were faced by hand at the factory because they were sold in small enough quantities not to require jigs to be made for the facing machine to do them mechanically. That means someone at Link personally hand-faced this to perfection, which I think is cool. It’s a smaller tip at .042″, which feels about like a 5 tip on alto to me when you translate that to soprano tip openings. It’s a high-quality piece for someone who wants it to feel easy to play soprano, and who doesn’t want to have to push a lot of air in order to get a good sound. With a large, round chamber, this piece is ideal for tuning on a Conn or Rampone, etc without having to pull way out. I was really excited to get this one several years ago, and I’ve been holding it in my personal collection since that time. Only one available!

  • Sold Out

    Otto Link Tone Edge Small USA Large Font 7 EB? Soprano Saxophone Mouthpiece MPC525

    $ 600

    This is a beautiful example of an Otto Link Tone Edge soprano mouthpiece. It has its original 7 facing measuring .062″ or so. The 7 stamp is the larger font, and the USA stamp is small font like a FL Tone Edge. The Otto Link logo and chains are not the modern version, and neither is the shank design, and the machine marks on the table are a fine vertical denim pattern. The chamber is large and round. It plays beautifully with a warm, rich tone. I guess this would be an Early Babbitt at least early 80’s. I have to admit, I’m not an expert on the differences between soprano stamping in the 70’s to early 80’s on these. But it looks better than smaller tip ones I see selling online for $800, so hopefully this is a good deal for somebody. It also includes the Vandoren Optimum ligature in the photos.

  • Otto Link Tone Edge Straight Sig 5* Refaced Tenor Saxophone Mouthpiece MPC373

    $ 300

    This Otto Link measures .090″ which would be about a 6 tip. So it was probably just barely opened up. It plays more like a 6* or 7 and is more free blowing than a typical tone edge of this era. Great piece for someone who wants a smaller tip that still takes enough air. This is probably early 80’s vintage.

  • Sold Out

    Otto Link Tone Master 7* (Erik Greiffenhagen) Tenor Saxophone Mouthpiece MPC600

    $ 850

    This is a beautiful Coltrane-era metal ToneMaster (not Super Tone Master). I got it refaced to a playable tip, as the original 3 facing just wasn’t going to work for anyone. The ToneMaster has curved sidewalls, large chamber, and a moderate rollover baffle. The tip was opened to 0.105″ by Eric Greiffenhagen. The refacing transforms this into a modern jazz mouthpiece, but with a bit of darkness and subtone lushness remaining from the large chamber and original character of the mouthpiece. Low resistance and good projection like a good modern mouthpiece of this tip opening. Coltrane played a larger tip ToneMaster like this on some of his most influential recordings. It has that combination of fat tone and projection that a lot of people are chasing. Highly recommended.

  • Penzel Mueller Artist Model Vintage Baritone Saxophone Mouthpiece MPC1031

    $ 250
  • Sold Out

    Ponzol M1 Hard Rubber Custom USA Tenor Saxophone Mouthpiece F50

    $ 225

    This is a hard rubber version of the Ponzol M1 tenor saxophone mouthpiece. It has high baffle, metal mouthpiece proportions. If you like the streamlined proportions of metal and easy on the teeth compliance of hard rubber, this this may be your piece. It has straight sidewalls, small chamber, and a high stepped baffle. Tip opening measures 0.115″. The high baffle does not disappoint with projection and brightness, but it is also surprisingly easy to lay back and get a slightly darker tone. It would be a nice all around mouthpiece in the right setting, like a combo with electric guitar for example, where you want a cool tone with the option to cut through when needed. If you’ve been playing a Berg and want something slightly brighter, this would do the trick. 

  • Sold Out

    Rafael Navarro Maestra Custom 5 Alto Mint MPC1072

    $ 400

  • Reloplex by Rico Hollywood d9 Alto Saxophone Mouthpiece (8 Tip) MPC580

    $ 150

    Straight sidewalls, tall-narrow chamber (like a Brilhart), rollover baffle. Moderate resistance and good projection, medium tone. Tip opening of 0.085″, and plays like a Meyer 7 or 8. This is a plastic mouthpiece closely related to MC Gregory. Interesting mouthpiece. It’s like a dry martini but buzzier since the tip is open and you’ll use a softer reed than Desmond etc.

  • RPC Red Label Vintage Baritone Saxophone Mouthpiece .135″ 9* Blasts! MPC923

    $ 750

  • Selmer Balanced Action Alto Saxophone Excellent Condition Original Overhauled 24352

    $ 7,500

    This is a SUPER nice example of one of my favorite saxophones – the Selmer Balanced Action! This has to be one of the nicest Balanced Action altos around at the moment, as there are not many 80 year old saxophones that have original finish and still look remotely this good. If you’ve been looking for a gorgeous vintage Selmer that has a warm tone, you would be hard pressed to do better than this! The Selmer Balanced Action is the saxophone whose keywork became the basis for all modern saxophones. So if you want something that has the most warm and spread tone, but that has modern keywork, then the Balanced Action is probably your best overall option. They are sweet, lyrical players, but with the recognizable Selmer ‘French’ core tone that people look for in a Selmer as well. This is the kind of horn that makes it easy to elicit compliments from listeners on what a pleasant tone you have on sax. It’s not really a screamer or paint peeler. More of a beautiful tone than an earth shattering one. That said, you can play loudly on it as well. This Balanced Action had a recent overhaul done in California, and it feels good under the fingers on nearly new pads that are sealing well and just checked up to make sure they’re perfect. You don’t need to budget for an overhaul or any kind of restoration. Just buy it and play it. Easy! And there’s no other saxophone with more beautiful lacquer and engraving. As I write this, I can feel the urge to just keep it! But I do have to buy AND sell saxophones in order to stay in business. If your business is something else, then you should just buy this one and keep it. It will certainly continue to hold its value and go up in value over time. There are very few nicer examples of this superlative model of vintage Selmer.

    Only one available!

  • Selmer Balanced Action Tenor 24461 Relacquered Freshly Overhauled Great Price

    $ 6,450

  • Selmer Balanced Action Tenor Refinished Good Condition Fresh Overhaul Excellent 29292

    $ 8,450

    This is my favorite vintage of Selmer Balanced Action tenor. It just received an extremely high-end overhaul that has gotten it back to as tight and fresh feeling and playing as it can be after its first 84 years of life. That’s included in the price. It was done with Pisoni pro italian leather pads and reusable slightly domed brass resonators, that are my favorite for these. My personal 29k BA tenor has the same setup. This was a one-owner horn, unbelievably, a pro player in Florida, who took great care of it the whole time until his death. These horns will outlive all of us, if we take proper care of them.

    That’s what’s just happened to this one, and it plays absolutely effortlessly, with a rich, warm, medium spread tone. The subtone is effortless, even at low volumes in the low register. It just wants to make music. The lacquer is not original, as you can tell, and there’s a patch by the thumb hook to protect the metal there from wear. Original neck is in good condition, and the horn just PLAYS! You’d pay easily double this for an original one with old pads, so relacquered with a high-end overhaul, this is a very fair price. Only one available!

  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Selmer C* S80 Alto Saxophone Mouthpiece MPC488 Good Player

    $ 125
  • Sold Out

    Selmer C** Alto Saxophone Mouthpiece Vintage Scroll Metal Silver MPC956

    $ 300

    This is a vintage Selmer scroll shank silver plated alto mouthpiece in quite good condition. The chamber is medium and round, to tune well on Selmer saxophones, and the mouthpiece sounds something like the Larry Teal hard rubber Selmer scroll shank, but with a little extra focus and projection from being a metal mouthpiece. It’s not super bright, but more warm, round, focused, and a little louder than its hard rubber counterpart. Tip is a C**, so fairly closed – about .070

  • Selmer Case Only Mark VI Baritone Mint Unbelievable

    $ 650

  • Selmer Centered Tone Bb Clarinet Benny Goodman R3905 Big Tone!

    $ 1,250