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Showing 101–180 of 180 results

  • Ponzol M1 Hard Rubber Custom USA Tenor Saxophone Mouthpiece F50

    $ 225

    This is a hard rubber version of the Ponzol M1 tenor saxophone mouthpiece. It has high baffle, metal mouthpiece proportions. If you like the streamlined proportions of metal and easy on the teeth compliance of hard rubber, this this may be your piece. It has straight sidewalls, small chamber, and a high stepped baffle. Tip opening measures 0.115″. The high baffle does not disappoint with projection and brightness, but it is also surprisingly easy to lay back and get a slightly darker tone. It would be a nice all around mouthpiece in the right setting, like a combo with electric guitar for example, where you want a cool tone with the option to cut through when needed. If you’ve been playing a Berg and want something slightly brighter, this would do the trick. 

  • Sold Out

    Selmer Balanced Action Alto 1945 Fresh Overhauled Original Silver Plate Excellent Condition

    Get your Paul Desmond tone going with this beautiful, freshly-overhauled, original silver plate Selmer Balanced Action alto saxophone from 1945. This is the sort of alto Desmond played on Take Five, among many other recordings, and it is the sweetest sounding Selmer alto ever made in my opinion. The ‘Balanced Action’ in the name refers to Selmers revolutionary new keywork design that came on this instrument. It probably doesn’t seem revolutionary to you, since every saxophone made today is made in imitation of Selmer’s ‘balanced action’ design!

    The upshot is that you get an alto with a beautiful, warm, lyrical vintage tone, but with keywork that feels quite modern under the fingers. That’s what makes the Balanced Action model such a sweet spot for vintage Selmers. The earlier Selmers are great, but the keywork feels more antequated to many alto players, who, as a general rule, seem less interested in vintage tone unless the keywork also feels more familiar. Tenor players are in general more dedicated to tone, and will work with vintage keywork if it gets them the sound the want.

    Anyway, it would be hard to find a nicer example of a Selmer Balanced action alto saxophone than this one. It has nearly all of its original silver plate intact, and it has no dents or dings, and no resolders. The bell flare, bow, neck, and body tube are clean and undamaged. The neck is particularly nice. This sax also comes with a recent overhaul done by Jack Finucane, and it feels good under the fingers, with everything nice and snappy and sealing well. You won’t have to put money into this one to get it playing well, and it won’t need more than regular maintenance to play well for a nice long time.

    It even includes the BAM case in the photos, so this is really a great deal at this price. Whoever gets this horn is going to be pretty lucky I think. It’s warm and lyrical, medium spread, but with a nice, solid core tone. You can take the sound in lots of directions, from classical (Selmer’s main design idea at the time) to jazz, smooth jazz, west coast, rock, or really whatever. It’s flexible enough to work with a variety of mouthpieces and still tune well. This is a great alternative to buying some boring new horn for several reasons: better overhaul, better tone, much better resale value, better build quality, more beautiful. But mostly for the tone.

    Only one available.

  • Selmer Balanced Action Alto Saxophone Fresh Overhaul! Original Silver Plate Great Tone

    $ 5,150

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.

    Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Selmer C* Long Shank Soloist Style Tenor Saxophone Mouthpiece MPC548

    $ 275

    Vintage 1970’s Selmer Long Shank Soloist Style tenor saxophone mouthpiece in its original C* facing at .068″ or so. Complete your set with a 70’s Selmer Mark VI tenor, or Mark VII tenor, or get a solid, all-purpose tenor mouthpiece for wind band or ensemble playing. These also work pretty well for classical tenor repertoire. This has a different chamber and sound from the detestable modern S80 C* for tenor, which is my least favorite tenor mouthpiece. This is much better.

  • Selmer Centered-Tone Clarinet Great Condition! No cracks or repairs, big warm tone R5978

    $ 1,150

    Get your Benny Goodman on! Beautiful vintage Selmer Centered Tone Bb clarinet in excellent condition with no cracks or repairs. This instrument has been babied by one owner for several decades and comes to you on consignment. The pads and corks are in good condition, and it plays beautifully with a big, warm, wide, jazz-leaning tone. Nothing is as warm and beautiful as a Centered Tone. You can project over a band and you can bend notes around with ease. I’m not a great clarinet player, but even I sound pretty decent on one of these! Serial is R5978.

    Only one available!

  • Selmer Cigar Cutter Super Sax Tenor Saxophone 17xxx Original Overhauled Modern Keywork!

    $ 7,500

    See the full description below for more info. Here’s a 1933 Selmer Super Sax tenor with a recent overhaul, original finish, and several modifications/modernizations: a larger right hand thumbrest, a later-style geared octave mechanism with Mark VI style righward-tilting thumb key, and Balanced Action style left hand pinky table.  These modifications significantly modernize the feel of this horn, and ergonomically it feels about a generation younger than it actually is.

    The modifications themselves were done quite competently, and fit and blend in well with the horn, not being noticeable upon casual inspection unless you know where to look.  The saxophone itself is in good physical condition, with moderate lacquer wear and no major past damage that I can see.

    These types of modifications are not easy to do, are quite expensive, and are not often done, so it could be a good long while before you see another Super Sax with a modernized left hand pinky table.  If you’ve been interested by the big Selmer tone of the Super Sax models but are used to modern ergonomics, this could be the horn for you.

  • Sold Out

    Selmer Mark VI Alto 1962 Original Lacquer American Engraved Original Pads 102605

    This is a beautiful, original lacquer, American engraved Selmer Mark VI alto saxophone from 1962. It has the matching serial number on the neck, and it has no dents or dings. There are no resolders or other past repairs, save a couple of small dings removed from the back of the bow and a tiny one from the neck. The whole horn is in excellent condition, and it even still plays surprisingly well on the original factory pad job from Elkhart. They really did it right back in the day at the Selmer assembly shop. It feels just perfect under the fingers, and it would be a good feel to copy if you get this overhauled to play seriously.

    Just for fun, here’s Phil Woods putting a similar VI through its paces!

    The early 100k serial VI altos are my favorite Mark VI altos for tone. This is the exact same horn as a 95k serial alto, so it is the same as a 5-digit, but for a lower price. The tone is medium-dark, powerful, and punchy when pushed, with a good amount of focus. These are the most tenor-like of the Mark VI altos, with a depth and body to the sound that reminds me of a larger saxophone bursting out of an alto voice. This has the long bow, which means nothing really if you’re playing jazz, but if you’re buying this for classical sax, then with a small tip opening mouthpiece and hard reed you will find low B to be a little flat on your tuner. With a jazz setup, I don’t even notice it, and the tone that you get is just fantastic.

    If you’re in the market for a great Selmer alto, this makes a much smarter purchase than a new Referene 54 at $6700, because the Reference will be worth 70% of that at best, as soon as you buy it, and less as time goes on, where a beautiful vintage Mark VI will still be worth what you paid for it or more when you go to sell it, if you ever need to. You’re tying up the money in a horn, but it’s money you can get back out, meaning you can own the horn nearly for free, or for the cost of upkeep, which is not the case buying most other sorts of big ticket items. Certainly not vehicles! Plus it’s satisfying to own and play, is built extremely well, and sounds better than a new one. Just for fun, here’s Phil Woods putting a similar VI through its paces (using a Meyer Bros NY alto piece).

    Only one available!

  • Selmer Mark VI Alto 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Mark VI Alto Near Mint Original Lacquer Original Pads 216700

    $ 5,500
  • Selmer Mark VI Alto Original Lacquer American Engraved Great Deal 214844

    $ 4,750

    Extremely good price for an original lacquer Selmer Mark VI alto. This horn has older pads, so plan on getting it overhauled. But it won’t be a complex overhaul – just the regular, and Selmer Mark VI’s are easy and fun to restore at your local saxophone expert’s place. The later VI altos have a beautiful, balanced tone. Selmer finally got the alto really nicely in tune by the end. It plays with an even scale and feels great with a lyrical French Selmer core and plenty of warmth and complexity to the tone. It’s medium between bright and dark, possibly medium bright when pushed, but it will really do most anything you want it to, depending on your choice of mouthpiece. So for the price of a new Yamaha, you can get the storied Mark VI and own and enjoy it while it goes up in value. What’s not to like about that?

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 160941 Beautiful Original Lacquer Matt Stohrer Overhaul!

    $ 7,500

    Just overhauled by Matt Stohrer, this is one exceptionally fine Selmer Mark VI alto. It feels better than new, and it plays so effortlessly, with a warm, complex, medium bright tone that is rich and singing. If you’ve been looking for one alto that does everything well, this is it. It gets my highly-coveted ‘exceptionally fine player’ designation. That means is the best of its kind that you can get in a saxophone in my opinion.

    The 160k range is excellent for the VI altos specifically, because you get a rich tone and well balanced intonation. If you want one of those life-long, world-class VI altos that also has the world’s best overhaul (that I have seen at least), then get this one. Matt’s work on a VI looks like it came fresh from the factory, and feels like a million bucks. Effortless to play, and dependable to maintain. It has all the little touches that take a horn from good to great.

  • Selmer Mark VI Alto Saxophone 192163

    $ 5,650
  • Selmer Mark VI Alto Saxophone 1967 146243 Original Lacquer Excellent Condition!

    $ 10,500
  • Selmer Mark VI Alto Saxophone 1967 Low A Fresh Overhaul Amazing! 141421

    $ 8,000
  • Sold Out

    Selmer Mark VI Alto Saxophone 1969 176329 Original Lacquer Original Pads Excellent Condition

    Beautiful example of an original lacquer Selmer Mark VI Alto saxophone. This instrument had only one owner, who took great care of it. It still has almost all of its original pads, and it has never been repaired. There are no dents, no dings, and no resolders. The neck is in excellent condition and has not been pulled down. A few small dings were removed when I got it – one on the bell, and a couple on the back of the bow area. They are quite hard to see now.

    The Mark VI altos made in the late 60’s are probably the best overall buy among pro altos today for people who want the Selmer style keywork. It wasn’t till the mid 60’s that Selmer finally figured everything out on its Mark VI alto. The early VI’s are good too and have a darker, more compact tone, but by the mid 60’s you get a real sweet spot of one alto with the following features: excellent intonation, including low register and including with a classical or concert setup; even scale; a warm, medium bright tone that is neither brash, nor shrill, nor stuffy; great response and projection. Take all that, and add the basic Mark VI ‘French’ lyrical core tone, and the comfortable Selmer keywork, and unbeatable build quality, and you have a really superb alto saxophone.

    It’s a good buy for all of the above reasons, and because it will definitely continue to go up in value over time. Higher-end Taiwanese horns are now selling for $4500+ new, when you can get a beautiful, original lacquer Selmer Mark VI for not much more. It’s kind of wild. And it’s a good time to buy a vintage Selmer for that reason, among many others. Nothing is more all-around satisfying to play and own, and nothing has stood the test of time better than the Mark VI.

    Only one available!

  • Selmer Mark VI Alto Saxophone Original Lacquer and Pads Excellent! 192152

    $ 5,500
  • Selmer Mark VI Alto Saxophone Original Lacquer Near Mint Original Pads 208796

    $ 5,750
  • Selmer Mark VI Alto MK 6 Original Lacquer for sale

    Selmer Mark VI Alto Saxophone Original Overhauled Excellent! 165069

    $ 6,750

    This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!

    This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).

    Comes with the original case, and you can add a great BAM case for a big discount if you contact me.

  • Sold Out

    Selmer Mark VI Low A Baritone Saxophone Very Good Condition Old Pads 210929

  • Selmer Mark VI Tenor 143865 Exceptional Player Original Lacquer Very Good Condition

    $ 7,350

    Freshly overhauled with domed nylon resonators (much like what would have been originally installed on this instrument at the factory) this Mark VI tenor is in good condition and plays very well, with a full voice and very even up and down the scale.  The spring tension are currently set moderately heavy, and although this instrument is over 50 years old the overhaul combined with the spring tensions make it feel and look almost like a new instrument. The spring tensions can be adjusted before shipping if you have a different preference, but the lacquer is still going to look nearly new!

    The original lacquer is in exceptionally good condition, and this horn might be what others would describe as “mint condition” due to the lacquer, but there are a few past repairs to mention that bring it out of that rarified atmosphere and bring the price down without affecting the tone.  These repairs were very well done, and each has been addressed with care and competence: a resoldered low Bb key guard foot, a few repaired dents on the body, and a past neck pulldown that has been repaired (and the neck refit). All in all, a nice Mark VI that has a very tidy overhaul on it, ready to play and needs nothing.  

  • Selmer Mark VI Tenor 195260 Original Lacquer American-Engraved Plays Well

    $ 5,950
  • Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!

    $ 6,350

    Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.

    This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition.  (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.

    The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!

  • Selmer Mark VI Tenor Saxophone 1964 Original Lacquer Plays Great 119141

    $ 7,500
  • Sold Out

    Selmer Mark VI Tenor Saxophone 1968 Original Lacquer Very Good Condition 151919

    $ 7,950
  • Selmer Mark VI Tenor Saxophone from 1970 American Engraved

    $ 6,450

    This is a beautiful example of a Selmer Mark VI Tenor Saxophone from 1970. It is American engraved and assembled. The entire horn is original lacquer. Except for the neck, which has been relacquered, but still completely matches the horn in look and color. The neck evidently had a dent removed under the octave key, and the original owner wanted it to look as good as the horn, so had the dent removed and the neck resprayed. Anyway, it’s not a big deal playing wise, but I’m lowering the price of the horn by around $1500 to give someone a great deal on an original lacquer VI in excellent condition that is also cheaper than buying just a regular new Selmer tenor sax. Compared to a new Series II tenor, or a new Ref 54 or (gasp) Ref 36, you are saving hundreds to several thousands of dollars and getting a horn that is better made, plays better for almost any style but classical (nod to the Series II and III purists here) and will hold its value or go up in value rather than going down like a new Selmer would.

    To keep the price low, I’m selling it with all of its original pads still intact. It actually still plays quite well on the original pads, and seals up with little ‘note like’ pad pops all the way down to Bb. It’s a joy to feel the high quality pad work that Selmer Elkhart did on its original factory setups.

    All in all, this horn is in AMAZING physical condition. You very rarely find original lacquer horns that are 48 years old that look so great. It’s a great opportunity for someone to score a really eye-turning VI tenor for a discounted price.

    Only one available.

     

  • Selmer Mark VI Tenor Saxophone Original Lacquer American Engraved Just Overhauled Plays Effortlessly 195xxx

    $ 6,350

    Full description coming soon! This is an effortless player! A nice, clean original lacquer American-engraved Selmer Mark VI tenor saxophone that also just got a complete overhaul. If you’re looking for a nice tenor to play and keep and just enjoy, this would be hard to beat!

  • Selmer Mark VII Tenor Original Lacquer Good Condition Great Deal 272768

    $ 2,950
  • Selmer New Largebore Alto Saxophone Silver 13405

    $ 1,350

    Here’s a beautiful silver plated Selmer New Largebore alto saxophone. This alto needs a repad, and the silver has been replated. It’s nearly 100% present now. This will be an excellent alto if you want to adopt it and overhaul it. These New Largebore altos play like a half Selmer half Conn, with a wider, darker tone than other Selmers, but still definitely a Selmer, with a delicate, lyrical ‘French’ core to the sound. If you’ve been looking for a deal on a vintage Selmer, this one will be hard to beat for what you get!

  • Selmer ORIGINAL Gold Plate Tenor Sax 16164B Coleman Hawkins Al Cohn Sal Nistico

    This tenor is an exceptionally rare original gold-plated Selmer Super Sax in very good physical condition.  Sporting ornate engraving down to the bottom of the bow in a burnished background, the body of the sax is a matte gold plate finish while the keys and interior of the bell are burnished.  Factory gold-plated Selmers are not common, and this is one the few original gold-plated Selmer tenors from this early Super Sax era ever made, and likely one of the nicest still surviving, if there are indeed others still out there.  The keywork is tight and shows very little wear- although this horn shows signs of being used, it was well cared-for and well loved. These tenors were usually artist-owned. The very few others I have seen belonged to Al Cohn, Sal Nistico, Coleman Hawkins, and a few in some of the best collections in the world. Not many others. 

    This horn has recently been given a thorough check-up and plays well.  I am a big fan of these early Selmer tenors, and this instrument is a good example of why.  It plays with what is arguably the biggest voice of any Selmer, and is one of the few instruments that can give a good Conn of the same period a run for its money in richness.  But the velvety Selmer tone is there along with the fatness, making for a uniquely broad and ballsy-sounding Selmer with a lot more power than most horns. The keywork is quite nice and although of an older style ergonomically, those that play these do not find them difficult or an impediment to technical facility.  

    The serial number is also interesting: although infrequently seen, the B at the end of the serial (sometimes it would actually say “bis”) is Selmer’s way of denoting that they struck the same serial twice on two different instruments!  So this is Selmer #16164… B. All in all, a uniquely beautiful and rare instrument with the bonus of a historical quirk.

    The last 7 photos are of some of the tenor greats playing similar horns to this.

  • Selmer Paris Series 9* Bb Clarinet 60’s R13 / Series 10 Equivalent

    $ 850
  • Selmer Radio Improved Alto Original Lacquer Excellent Condition Fresh Overhaul!

    $ 4,950

    Original lacquer Selmer Radio Improved alto saxophone! This is a rare beauty among vintage Selmers, with a sweetness and beauty all its own. The keywork is comfortable as well, which is why Jimmy Dorsey wanted to keep this style of keywork even after Selmer changed to the ‘Balanced Action’ design shortly after. These are just beautiful players – warm, spread, lyrical, and sweet – most of what you want in a top quality vintage alto. Plus this one is in beautiful original lacquer with minimal past repairs and comes with a fresh, full overhaul! Radio Improved Selmers are very popular these days, and getting more popular all the time, as alto players catch on to the unique tone that you can get on one. This is a great purchase that you will enjoy playing for many years with minimal upkeep, and that will go up in value while you own it. There are not many nicer Radio Improved alto saxophones out there!

    Only one available!

  • Selmer Reference 54 Alto Saxophone Excellent Condition Great Deal! 759265

    $ 4,450
  • Selmer S80 C* Tenor Saxophone Mouthpiece MPC544

    $ 110

    Tip opening measures 0.066. No baffle, straight sidewalls, small squared off chamber. OK dark tone with a hard reed.

  • Selmer SBA Super Balanced Action Soprano Saxophone 1950 Silver Plate Great Deal! 44228

    $ 4,800

    This is a rare silver plated Selmer SBA soprano from 1950. It has older pads and needs an overhaul. The finish is more satin looking than a typical silver SBA, but it is not a ‘satin’ finish. It is bright silver that has been polished with an abrasive polishing agent. Besides that, the horn is in pretty good condition. It has had a few dents removed from the upper, middle and lower body tube over the years, and there are a few small dents remaining. They are not very easy to see. This horn is on consignment, and I’m not authorized to spend additional money on it getting fixed. However, the price is VERY low, so that you can get it overhauled yourself and get the dents removed etc, and still get an amazing deal. Only one available!

  • Sold Out

    Selmer Scroll Shank D Vintage Metal Soprano Saxophone Mouthpiece Soloist

    $ 400

    Made famous by John Coltrane, who played this mouthpiece on his classic soprano recordings like In a Sentimental Mood, and Favorite Things, the vintage Selmer Scroll Shank (Soloist) Soprano saxophone mouthpieces remain popular today. This is a beautiful example of a Scroll Shank D with silver plate and its original facing. It also includes the original ligature and cap. It plays easily and has that reedy, focused, projecting, medium bright tone that you think of with those classic recordings. The chamber is round and not very large, much like the hard rubber version of the Soloist soprano pieces. The metal seems to give you just a bit more brightness. The tip on this one measures a comfortable .051″ making it easy to play with a medium reed strength.

  • Selmer Series II Alto Saxophone 517537 SA80-II Excellent Condition Great Price!

    $ 3,450

    Save thousands of dollars getting this beautiful condition used Selmer Series II alto. This instrument has very little wear, and comes to you in excellent condition. It just got several new pads and a thorough setup, so it is playing very well and effortlessly throughout. As I’m sure you know, the Series II is the standard, go-to alto saxophone for serious saxophone study. You never need to upgrade it, and you can take it to college for saxophone study and it will be in good company there with a lot of other Series II’s and III’s. The tone is balanced, warm, clear and round, with a lyrical core tone and very good intonation. The Series II likes to have a classical style or concert mouthpiece like a Selmer S80 C* or D, or a Selmer Concept etc. Lots of other mouthpieces work, but if you’re not sure what to get, then get one of those two.

    Saxophones don’t really wear out if you maintain them, so there’s really no reason not to save a few thousand dollars on a nice used example of one of the most popular professional alto saxophones. You can keep this for the rest of your life and play it. It will hold its value as long as you own it. These are only going to go up in price over time.

  • Selmer Series III Alto Near Mint Condition Matte Lacquer Gorgeous!

    $ 3,950
  • Sold Out

    Selmer Series III Alto Saxophone SOLID Sterling SILVER Near Mint w/ Full Overhaul

    Just freshly overhauled!! This alto has the distinction of being the best playing classical alto saxophone that I have played. Ever.

    If you are not used to used saxophones, that means someone with a bunch of years of training in the craft of saxophone repair is going to be spending somewhere around 25-30 hours of skilled labor on this saxophone to make it totally fresh and new (better than new). It costs somewhere around $1000-1500 to have done. It will play so much better than any other Series III you might find for sale that you will be surprised that they are even the same model of saxophone. Not kidding.

    If you play classical alto and you want to play the best, and set yourself apart tonally from the crowd, this is your dream alto. There really is nothing like it. I try to avoid overusing superlatives in saxophone descriptions, but this horn deserves them. The tone is dark and centered, and it has a haunting quality that is extra special among saxophones. This is the alto for a serious alto player who wants something that is built for saxophone study and performance. These are especially nice for classical playing. Doug O’Connor’s tone on one of these has left a lasting impression on me. Just gorgeous. I recently got to hear Doug play the Bach Chaconne on this alto, among other pieces, and I have to say, it was a high point for me in experiencing transcendent music on the saxophone.

    There’s no damage, no wear, no past repairs. This horn has not been played much since new, and it’s in near mint condition. The neck is great. The whole horn tunes well with a classical setup. You can buy one of these new for $18329 online, or you can get this one OVERHAULED!  for right around half price here. It’s a great investment if you are wanting the best.

    Original case, fresh overhaul, and the original S80 mouthpiece is included also.

  • Selmer Soloist C Tenor Saxophone Mouthpiece MPC505

    $ 275

    This is a quintessential vintage Selmer Soloist with a classical-leaning tone. It has straight sidewalls, horseshoe chamber, subtle rollover baffle, and the tip opening measures 0.073″. It has a dark Selmer tone, with no edge at all despite mild rollover baffle. Round and warm and dark like a cello. If you want your Selmer to lean classical or wind band or small ensemble, this would be ideal. It also completes your set with a Selmer Mark VI tenor from the 1960’s.

  • Sold Out

    Selmer Super Action 80 Series 1 Tenor Saxophone Very Good Condition 368664

  • Selmer Super Action 80 Series II Alto Plays Great Just serviced

    $ 3,450
  • Sold Out

    Selmer Super Sax Baritone Unique Original Permagold Finish 18xxx

    $ 7,500

    This is a beautiful Selmer Super Sax Baritone saxophone. It is one-of-a-kind according to Selmer’s factory record book. It is the only perma-gold plated Super baritone like this that exists. Permagold is a unique finish that is gold-colored dichromate and that does not tarnish.

    If you love Selmer baritones, and you want something cool and vintage to play around on, this would be the thing. I have a very similar Radio Improved baritone myself that I play as my main bari, and I just don’t think you can beat it for tone or response. This horn has medium-aged pads,  not freshly overhauled. But someone took really good care of it, because the overhaul feels very good, and the pads are sealing well, so you can play it easily. This horn plays amazingly when I use the neck from my Radio Improved baritone (1100 serial numbers later, so pretty close.) So I just got a neck custom made for this horn that matches my beloved Radio Improved neck but tunes on this horn. This baritone now a phenomenal player. The tone is centered and warm, rich and medium dark

    It comes with a ProTec Contoured bari case, but if you want the high-end BAM baritone case, I will include one for an extra $600. Given the coolness of this horn, and the extreme rarity factor, the price is quite good I think. I certainly had to pay a lot for this myself, and I’m not making much.

    Only one available!

  • SML Rev D Alto Saxophone Silver 11584-3

    SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584

    $ 2,750

    Getting Overhauled Now!

    SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones.  They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.  

    The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks.  In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.

    This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is.  The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing.  However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.

    These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship.  Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.  

  • SML Rev D (=Gold Medal 1) Tenor Saxophone Permagold Overhauled

    $ 3,750

    This is the SML you want. Overhauled recently, and just tuned up to full power. This horn rocks! The permagold plating is a bit worn from normal use, but it looks great! Like gold but doesn’t tarnish. This horn is dark and powerful and plays superbly.

  • Sold Out

    Soprano Planet Open Sky 2 Soprano Saxophone Mouthpiece MPC598

    $ 210

    Well made mouthpiece for any occasion. The tip opening measures 0.059″. It has straight sidewalls, small round chamber, very short rollover baffle. This piece plays great, with a clean moderate tone and low resistance. Includes a nice ligature.

  • Sold Out

    Soprano Planet The Missing Link Soprano Saxophone Mouthpiece MPC601

    $ 210

    A well made homage to slant sig and early babbitt. Tip opening measures 0.058″. straight sidewalls, medium round chamber, very short rollover baffle. This piece has a moderately dark tone and medium resistance.

  • Steel Ebonite WWCo NY G7 Tenor Saxophone Mouthpiece C54

    $ 50

    High quality hard rubber and an early Selmer or Brilhart chamber shape for a great value. Straight sidewalls, small chamber, little or no baffle. Tip opening measures 0.072″. There is a hairline crack in the shank, but plays well if you like a classical high resistance piece, similar to a vintage Selmer Soloist for a fraction of the price.

  • Super Brilliante Penzel Mueller New York clarinet barrel

    $ 50

    Who doesn’t want to be super brilliante?

  • Ted Klum Tonamax Tenor Mouthpiece Like Florida Otto Link Tone Edge Slant

    $ 600

    Ted Klum’s Tonamax is as close as you can get to a vintage Florida Otto Link “Slant” Tone Edge. It plays big, full, medium-dark with a punchy edge, just like a good Link slant. I think it’s a bit more like the earlier ‘No USA’ slant than like the later brighter USA version. Ted’s new ‘Florida Model’ is more like the later Florida Tone Edge or ‘Early Babbitt’ tenor pieces. This Tonamax is like the earlier Slant. I can get you one in any tip opening, in black ebonite, or sometimes in beautiful marbled ebonite.

  • Tenor Hard Rubber BB Screws Brilhart Reproduction 3-Band Ligature Saxophone Mouthpieces Otto Link Slant Selmer Soloist

    $ 165

    For hard rubber tenor saxophone mouthpieces like Otto Link Tone Edge, Otto Link Reso Chamber. All Link Slant tenor copies and reproductions, and almost all modern hard rubber tenor mouthpieces will fit great with this ligature. It has long screws to fit a slim hard modern Vandoren or Selmer Soloist, all the way up to large body vintage tenor piece like a Conn Steelay, or the larger NY Meyers, Woodwind Co NY, or Hard Rubber Brilharts. The all-metal design is more labor intensive to build, with a lot of careful silver soldering going into the production. The brass is high quality and supple. The BB screws tighten easily.

    **Out of the box, the ligature is adjusted to fit a larger body mouthpiece like an Otto Link Tone Edge. For a slimmer mouthpiece, simply put the ligature on your mouthpiece, tighten the screws, and then press hard to bend the reed plate a little closer to the table.

    This ligature is a true reproduction of the Brilhart 3-Band Ligature: from the alloy of brass to the feel of the screws, it is exactly the same as the vintage Brilhart ligature. Same dimensions, same weight, same feel, same playing response. It’s like going back in time to buy one when they were first made! So for those of you who have always wanted this time-tested style of ligature, but have found them prohibitively expensive, now perhaps getting one is within reach.

  • Tenor Hard Rubber Brilhart 3-Band Reproduction Ligature Echo Brass

    $ 165

    There’s a reason why the vintage Brilhart 3-Band ligatures have been singled out by the market (players) as by far the most desirable vintage ligatures. They are great ligatures. But there will never be enough vintage Brilhart ligatures to meet the high demand for this style of ligature.

  • Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110

    $ 4,500

    This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.

    The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.

    If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.

    Only one available!

  • the Buescher Elkhart Ind. Tenor Saxophone Mouthpiece F74

    $ 75

    I have a soft spot for “the” branded things. Buescher at some point thought that this mouthpiece was the one that epitomized their brand. Scooped sidewalls, large round chamber, no baffle. Tip opening measures 0.068″. Classic swing era dark tone. high resistance, low to moderate projection. This would look great on your Aristocrat.

  • Theo Wanne Ambika 6* (7) Tip Tenor Saxophone Mouthpiece MPC524

    $ 425

    This 6* measures 0.102″ tip opening, so more like a 7 tip. It is effortless to play, with a rich dark tone from a “true large chamber”. It has particularly beautiful subtones with no effort required to get them out. Nice mouthpiece to pair with any vintage or modern horn.

  • Vandoren A45 Blue Java Alto Saxophone Mouthpiece EG reface MPC557

    $ 350

    Mildly scooped sidewalls, a long 2 stage rollover baffle, medium chamber, and a tip opening of 0.085″. A fresh reface by Erik Greiffenhagen makes this better than new. Bright tone and great projection, but not as edgy as a sharp edge high baffle piece. If you love the blue Vandoren A45 Java and Jumbo Java alto mouthpieces, but you want one for less money, or if you just want a really good bright alto piece for a commercial or smooth jazz alto sound, this is it.

  • Woodwind Co NY Dick Stabile Special Tenor Saxophone Mouthpiece F73

    $ 75

    Dick Stabile was a great big band era alto player, so this may be considered a tenor piece for the swing era alto player. With straight sidewalls, medium tall-narrow chamber, no baffle. Tip opening measures 0.065″. This requires a very hard reed due to the small tip opening. High resistance, dark tone, not much projection. It would work well as is for classical chamber work, and is also good vintage hard rubber stock for those interested in refacing for more brightness and projection.

  • Woodwind Co NY Meliphone Special Steel Ebonite B5A Alto Saxophone Mouthpiece MPC541

    $ 125

    Straight sidewalls, narrow but tall chamber, no baffle, 0.055″ tip opening. A very mellow warm tone with high resistance. Good for a classical tone with a very hard reed. These are also wonderful all-purpose alto mouthpieces if you open them up to a larger tip. Check out Dick Stabile’s mad altissimo skills on one of these, on youtube.

  • Sold Out

    Yamaha SILVER YSS-82ZRS Soprano Saxophone Near Mint Condition Stohrer Setup Excellent 3231

    $ 4,450

    Best modern soprano available: Lightest, most resonant, most in tune, most comfortable to play, best long term investment. It’s a modern classic. Yamaha YSS-82ZRS one piece, bent neck soprano in mint condition. This INCLUDES (for free) a whole-day (normally $350), crazy new horn setup by Matt Stohrer, who is one of the best saxophone repairmen around. Plus it’s priced $400 below the new price. That’s a superb deal. This is basically a reissue of the YSS-62RS soprano, and it sounds the same or better (being nearly brand new) once it’s all setup with the right key heights and spring tensions like this one is. This will be collectible someday, as they always have a 6 month wait to buy one on special order and are sold in small numbers.

    You can read about Matt’s full new horn setup on his website here (scroll to the bottom) http://www.stohrermusic.com/repair-services/

  • Yamaha YAS-200AD Good Student Alto Just Serviced

    $ 750

    Are you shopping for a saxophone for a student for school band? This is the one you should get. it’s that simple. Just get it. Done. Look no further.

    The Yamaha YAS-200AD (and its sibling the YAS-23) are the best student alto saxophones ever made. A Yamaha like this is what almost everybody my age started out on, if they stuck with saxophone. It almost makes me think that some of the folks who started on junky horns probably gave up music because their horns were so disappointing to play. So if you want yourself or your child to stick with saxophone, it’s worth buying one that will actually play well and hold up well over time.

    The other consideration in buying a student sax is resale value. Among student saxophones, it’s common to hear of folks paying $1200-1600 for a beginner sax that is then practically worthless when they go to re-sell it. I get offered these sorts of horns to buy almost every day, and I have to be the one to break the difficult news that the sax they rented for three years for $48 a month from the local music store is basically a worthless on the used market. The used Yamaha is among a very few student horns that has good resale value. If the pads are good, you can easily resell it and get back 80% of your purchase price, which is so much better than 10% or whatever on new other brand student horns as not to be even comparable.

    This alto just got a bunch of new pads and is now playing quite well, with an easy low register, and a nicely in tune scale. It includes all the stuff in the photos, and I can throw in a Yamaha 4C or help you pick a good beginner mouthpiece to go with it. (Mouthpiece is important.)

    Only one available!

  • Sold Out

    Yamaha YAS-23 Alto Best Student Saxophone C12788

    $ 850
  • Yamaha YAS-26 Alto Saxophone Brand NEW with Warranty and Setup

    $ 2,166
  • Yamaha YAS-480 Intermediate Alto Saxophone Brand NEW with Warranty

    $ 2,489
  • Sold Out

    Yamaha YAS-52 Intermediate Alto Good Condition Older Pads Some wear Great Deal

    $ 750
  • Sold Out

    Yamaha YAS-575AD Alto Saxophone Great Intermediate Alto C38275

    $ 1,300
  • Yamaha YAS-62 Alto Good Condition Original Lacquer Great Deal C39253

    $ 1,800
  • Sold Out

    Yamaha YAS-62 Alto Purple Logo 1980’s Near Mint Overhauled! 11173

    $ 3,250

    The ‘purple logo’ Yamaha YAS-62 alto saxophone from the 1980’s is one of my favorite all-around alto saxophones made. It has a surprisingly ‘fat’ sound – meaning it doesn’t thin out or get nasal even if you push it to the limit, as Dave Koz has been doing with his 62 (same vintage as this but in silver plate) for around 35 years. Not that you have to go for that aggressive sort of tone, but you can hear how, even with a metal, high baffle mouthpiece that is as bright as you can get on alto, the tone still has warmth and depth to it.

    This particular 62 alto sax is nearly as nice an example as I have seen. It just received a full, high-end overhaul, and it plays like CRAZY! It’s super responsive, warm, flexible, and tunes great. By ‘overhaul’, I mean that a skilled saxophone repairman spent about 30 hours working on this, cleaning, adjusting, refitting all keys, and changing everything that can be changed or refreshed to make it as close to new as possible again. It needs to be done every couple of decades to most saxophones, even if they are in as near to new condition as this one is.  Condition wise, it’s near mint/ excellent with a little spot of tarnish near the low Eb key, and a tiny scratch on the back of the body tube near the strap hook, and that’s really about it versus being a new horn!

    You would be hard pressed to find a better alto saxophone with modern keywork in this price range. This alto plays at 100% of its potential, has all-new everything, and will not need signficant work for many years. I love these purple logo 62’s, so I will try to keep them in stock.

    This is the best one I have had for quite some time.

  • Yamaha YAS-62 II Alto Saxophone Excellent Condition Professional Great Deal!

    $ 2,450

    If you want a Yamaha 62 that has all new pads and feels like a million bucks, this is it. It really plays great, with super-flat, snappy pad seats. This horn got a full repad, which means all new pads, but it didn’t need a mechanical overhaul (keywork didn’t need restored), and it didn’t need all new corks and felts, though it has many new corks and felts. That’s simply to keep the cost down and get you a horn that is totally ready to go and will not need significant work for many years, besides just occasional check ups. The Yamaha YAS-62 is a great value, because it’s a professional alto, but sells for less money, and is easily good enough to last you all the way through college or for as long as you want to play it. You never need to upgrade. And you save a lot of money versus buying new, and the saxophone also retains all or most of its resale value. Especially with the kind of pad work this one has. Just play it, and it sells itself.

    Only one available!

  • Yamaha YAS-62 Purple Logo Alto 1980’s Warm, Beautiful Tone Incl Full Overhaul

    $ 2,750
  • Yamaha YAS-82ZII Custom Z Alto Brand NEW with Warranty and Pro Setup

    $ 4,205
  • Yamaha YAS-82ZUL Alto Saxophone Excellent Condition

    $ 3,150
  • Yamaha YAS-875EXII Custom EX-II Alto Brand NEW with Warranty and Pro Setup Exceptional!

    $ 4,205
  • Sold Out

    Yamaha YAS-875S Alto Saxophone Original Silver Plate M1 + G1 Necks Overhauled! Excellent

    $ 3,450

    This beautiful Yamaha Custom alto saxophone just got a complete high-end overhaul. It looks beautiful, and it feels and plays better than new. These 875’s are wonderful players. My first pro tenor was the 875S like this, and I quickly bought the matching alto and played them for years. This one is professionally setup better than you get on a new one, with faster action, and everything mechanically tight and ready to go for the next many years. The silver is nearly 100% present, so it looks close to new. The only past repair is a resoldered octave key touch on the body, where it must have popped off at some point. Interestingly, this alto comes with both the original silver M1 neck, AND a special silver plated G1 neck! You could complete the set and order a new silver V1 neck from me if you want to.

    This is a great modern alto with a dark, complex tone and lots of interest to it. It works great for jazz and commercial music with a high baffle mouthpiece, because the darker tone stays fatter with the bright mouthpiece, and no other Yamaha has a darker more round classical tone than the original YAS-875. The EX is a wonderful saxophone, but it is brighter and clearer than the 875, so many folks who have come through the shop have preferred the fullness of the original Custom 875.

    Only one available!

  • Yamaha YTS-23 Tenor Vito Very Good Condition Older Pads

    $ 750
  • Yamaha YTS-475 Intermediate Tenor Saxophone Good Playing Condition Great Value! 298213

    $ 1,850

    Just tuned up completely, and playing its best!

    Great deal on one of the best intermediate tenor saxophones on the market. The Yamaha 475 is made in Japan and plays a lot like a YTS-62, but costs less.  If you want a very well-built tenor, that feels good, tunes well, and is easy on the budget, this is it. Don’t waste your money on a new no-name sax. Those will be worth peanuts as soon as they are used. Yamaha horns are quality and hold their value really well. You can basically play it and enjoy it and sell it later for right around what you paid. Hard to beat.

  • Sold Out

    Yamaha YTS-52 32 Tenor Saxophone Near Mint Overhauled! Excellent Value

    Hard to beat a vintage 80’s ‘purple logo’ Yamaha tenor for combination of beautiful tone and excellent build quality. You could spend a LOT more and not get a better tenor saxophone.

    This horn just got a full, top-quality overhaul, which means all new everything –  disassembly, full cleaning inside and out, all new pads, corks, felt, and a thorough pro setup. That’s about $1k worth of stuff, and it means the horn is like new mechanically and won’t need expensive maintenance for a long time.

    This is the YTS-32/52 model, which is a half step below the YTS-62 purple logo that is one of my favorite modern tenors out of everything. The 52 is the same as the 62 in neck, bore, and keywork design. It sounds just the same. Only difference is the 62 has more engraving and has some reinforcing ribs under some of the key posts. Not a big difference.

    So if you want a really great tenor for a low price, that is well made, sounds great, has easy intonation and ergonomics, and that will hold up well over time, then look no further. This one checks all the boxes.

    Only one available!

  • Yamaha YTS-62III Professional Tenor Saxophone Brand NEW with Warranty and Pro Setup

    $ 3,444
  • Sold Out

    Yamaha YTS-82Z Tenor Fully Engraved Amazing! Full Repad by Matt Stohrer

    $ 5,950

    WOW! This is one special Yamaha tenor. As soon as I saw it for sale, I had to have it. I have been a fan of Jaice Dumars’ engraving work for years, but I have never been able to cajole him into engraving anything for me (he has another full-time job). When I saw this rare chance to buy a horn he had worked on, it was a no-brainer. Dumars’ engraving combines what he has learned from vintage King, Conn and other engraving, and combines that with his own style and creative flair. The way that the rather uninspiring Yamaha ‘fat starfish’ (sorry, now you can’t un-see that) engraving is incorporated into a coherent larger work is particularly impressive. Also note on the neck, how it’s the unengraved space that makes the pattern!

    OK so take a great horn – the 82z Custom by Yamaha, and add to that Dumars engraving, but then add to that a full repad by Matt Stohrer, and that’s what you’re getting here. If you don’t know Matt Stohrer, he does some of the best pad work anywhere, in my opinion. He is always booked up for repairs, sometimes for as much as a couple of years’ time. His pad work is super clean, thorough, and precise. The horn feels great under the fingers and responds right away with a warm, free blowing tone. The intonation is of course great (this is a Yamaha, after all.). It’s the kind of tenor that you just don’t want to put down. And all for less than the price of one of the custom atelier Yamahas new, which is kind of nuts.

    Only one available!

  • Sold Out

    Yanagisawa A880 Alto Saxophone Fresh Overhaul! Great Deal 113836

    $ 2,500

    The Yanagisawa A880 is one of my favorite modern altos. It combines Yanagisawa’s superior build quality, ergonomics and intonation, with a tone that is warmer, more complex and wide than later Yanagisawas. It plays beautifully and feels great, with fully modern keywork. It’s an excellent choice for a top quality modern professional alto in good playing condition that is priced quite reasonably.

    This horn has a fresh full overhaul done very nicely, and it feels like a new saxophone under the fingers. It has all new pads, corks, and felts, and it is mechanically tight and really great overall. That’s about a $1k job to overhaul a modern alto like this and do it right, so that’s a big added value for you. It means the horn will not need any significant work besides occasional checkups for many years! The only real past repair on this is the bow guard that was unsoldered to remove a dent at some point. It was done well, and it looks very good. Neck is in great shape, bell flare and body tube are undamaged. And under the fingers, it feels dry and snappy and fast.

    The 880 is such a great horn. I have one of these myself in my little collection of my favorite altos of all time. The reason it stands out is that it has some of the warmth and complexity of a vintage saxophone, while handling like a Lexus and tuning super easily.

    I’m also including the nice contoured case with this one. It has backpack straps and is nice and light for carrying.

    Only one available!

  • Sold Out

    Yanagisawa A991 Alto Near Mint Condition Beautiful

  • Yanagisawa SC-9930 Curved Soprano Saxophone with High G! Rare

    $ 4,150

    For those of you who love to have the best and rarest at the same time, here is my favorite vintage of curved soprano ever made, the Yanagisawa SC-991, but this is in the solid silver neck and body tube version, which is SC-9930, AND it is one of the rare ones that came with the high G key included. This is the first one like this that I have seen, and it’s cool in a nerdy kind of way to have such a rare and fabulous example. You can order a new SC-9930 for $6730, but your extra $$$ won’t get you the high G! Nor will it be the warmer, fuller-sounding version from the 90’s like this with the bell keys on the left. My personal soprano is one just like this but brass, and I think it sounds better than the right hand bell keys version at least by a little bit. I also like the more direct action that you get with the pinky keys on the left hand bell key configuration. We’re splitting hairs here, but hey, if you’re in the rarified territory of exceptional curved sopranos, then maybe that’s your thing too.

    Condition wise, this SC-9930 is in very good shape, with no significant past repairs or current problems at all. I have not spent any money on pad work yet, as I’m trying to keep the price as low as possible, and the horn plays fine on current pads. I would like to sell it a little higher and spend maybe $250 on a thorough setup, so you can have that as an optional extra if you want.

    Original case and mouthpiece are in good shape as well. There is most certainly only one of these available!