Fresh Overhaul

Showing all 20 results

  • Conn 6M Transitional Alto Saxophone Original Lacquer Fresh Overhaul! PENDING

  • Conn 6M VIII Alto Original Lacquer Original Pads Fresh Full Overhaul!

    $ 3,450
  • Conn 8M C Melody Unbelievable Condition Fresh Overhaul Original Silver Naked Lady

    $ 6,500
  • Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great

    The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)

    This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.

    I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.

    Only one available!

    We pay the best prices for great saxophones.

     

  • Couf Superba 1 Alto Saxophone Freshly Overhauled

    $ 2,850
  • Sold Out

    Ishimori Wood Stone ‘New Vintage’ Tenor Saxophone Antique Finish Bare Brass Brand New!

    $ 4,750

    One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,700

    See below for some sound samples and an unboxing video.

    Only one available of these highly-desirable Ishimori Wood Stone New Vintage tenor saxophones. This one is in beautiful Dark Lacquer. You can find the unlacquered ‘Antique Finish’ version here.  They are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • King SilverSonic Tenor Overhauled Early Eastlake 430459

    $ 5,850

    Super nice King Super 20 SilverSonic tenor in excellent condition. This horn has a fresh overhaul and plays great, with a huge, punchy, projecting tone that stays fat well up into the upper register. This is a naturally loud, bold sounding King. It sports both solid silver neck and solid silver bell with gold wash inside. These horns are hard to beat, and they are definitely undervalued at the moment! Early Eastlake (or late Cleveland) tenors like this with single socket neck are many people’s favorite version, who are looking for a beautiful vintage King with silver bell and great build quality that doesn’t cost as much as a new car. Only one available. These always sell quickly. It will come in a new BAM case for maximum protection, or if you want to buy a vintage King alligator style black and silver case, I could sell you one from my little case collection for extra.

  • Sold Out

    King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,250

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • Sold Out

    King Super 20 Alto Saxophone Original Lacquer Fresh Overhaul 362420

    $ 4,500

    Great deal on a silver neck, King Super 20 with a fresh overhaul, original lacquer, and the more modern keywork version, but still with the features that are most important. Nothing else sounds like a good Super 20 alto! This one is already all overhauled and setup to perfection. You can just play it and not worry that you’re missing out. The Super 20 is as good as it gets on alto for a great jazz tone. Pair it with a Meyer 5 or 6 and a pretty soft reed for the Cannonball Adderley style tone (and practice a lot).

    Only one available!

  • Martin Comm III The Martin Tenor Fresh Overhaul Nice Shape

    $ 2,450

    This The Martin Tenor just got a full overhaul done by Peter Lamb at Flying Squirrel Music in Raleigh, NC. The pad work feels nice and snappy, and the horn is totally overhauled and ready to go! The price is on the low side for an overhauled Martin because the lacquer is a factory refinish. It looks original, but there’s just a tiny bit of buffing evident around the bow area to show that it’s a redo. This should make virtually no difference on this particular horn to how it plays, because it was obviously done just for some type A person to have a tiny scratch removed or something. Back in the day, that’s how it would work. You’d get the horn refinished at the factory and repadded for a very low price, to get it back looking totally great.

    And it does look great! The engraving is nice and sharp, the lacquer is dark honey colored, nitrocellulose of the vintage type. It’s just like an original Martin, only you save maybe $1250 on the price for the new coat of paint! That’s a great deal.

    The main reason to buy a The Martin Tenor is the tone. These horns are POWERFUL, medium dark, with lots of projection. They’re built for volume, and do great on rock, blues, R&B, smooth jazz, or really anything you like. The tone stays full in the upper register and doesn’t thin out or go nasal at all, like some horns do. The design is also really nice on these, with curves and key work angles all unified to make a classic looking saxophone. Reminds me of a 50’s Chevy or something.

    Only one available!

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Sold Out

    Selmer Mark VI Alto Original Lacquer 1954 One Owner Fresh Overhaul

    $ 9,250

    On Trial June 2021

    First year Mark VI that came in with original pads! I got it overhauled, cleaned up, and ready for its next 67 years of playing time. This was a one owner horn, owned by a good player in NYC who played it seriously for several years in the 50’s and studied with Joe Allard, before putting it in the closet for the next 55 years until now. We gave it the full treatment, and it’s really beautiful, with a focused, lyrical, medium dark, powerful tone. This is a rare chance to get a first year VI with original lacquer that is just great.

    Only one available!

  • Selmer Super Action 80 Series 1 Tenor Recent Overhaul

    $ 3,950

    The Selmer Series 1 tenor has the best build quality of any modern Selmer. It has normal pivot screws and is easy to work on and adjust. It also has better pad geometry and lacks the cost-cutting measures that Selmer put into place starting with the Series II and getting more pronounced up to the present.

    It also has arguably the best tone for a lot of players of any modern Selmer. The tone is dark, powerful, and focused, and very ‘Selmer-y’ of course. Meaning, it’s not dark and fat and punchy like a Keilwerth, and it’s not dark and velvety and spread like a Conn, or dark and loud and raucous like a King Zephyr Special. It’s dark and centered and focused and under control, with good intonation and precise scale and definition between notes. It works fine with a range of mouthpieces, unlike a Series II or III which tend to be more mouthpiece-picky. You can play jazz, rock, and commercial music (even, gasp, smooth jazz) on a Series 1 and sound great. I know a lot of folks who pair them with a high baffle piece and use them for smooth jazz and rock and sound great. Crisp, projecting, but still fat in the upper register.

    This one is in nice shape and plays well on the recent overhaul, done for the owner (it’s on consignment) by Peter Lamb at Flying Squirrel Music in Raleigh NC.

    Only one available!

  • Selmer Super Action 80 Series II Alto Fresh Overhaul! 402197

    $ 3,650
  • Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110

    $ 4,500

    This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.

    The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.

    If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.

    Only one available!

  • Sold Out

    Yamaha YAS-875 Custom Alto Professional – Fresh Overhaul!

    $ 3,150
  • Yamaha YTS-52 Tenor Saxophone 1980’s Fresh Overhaul Excellent Condition 5474

    $ 2,350

    This early 1980’s Yamaha 52 tenor is hard to beat for the price. The 80’s ‘purple logo’ 62 saxophones are prized for their warm, more complex tone, and they are among my favorite modern saxophones. The 52 from the same era is virtually the identical saxophone, with the same bore, neck, body tube and everything. It lacks a few higher end features that the 62 has (the ‘fat starfish’ engraving, ribs under some posts), but these don’t matter to most people, so it remains an excellent value. You get all the tone, comfortable ergonomics, dependability and ease of playing of a 62 for less money. Plus, this tenor just got a complete overhaul and is all freshly repadded and ready to go for a nice long time. It won’t need anything more than minor upkeep for the next several years, and it is super easy and responsive across all registers.

    It can be hard to find a tenor that plays this well for anything like this price. And Yamahas like this are also really easy to get worked on down the road and to keep in good adjustment. Compared to later Yamahas, this one is warmer, more complex, and more like a vintage Selmer (which was Yamaha’s starting point for the early 62 it seems to me), but with better intonation and a more even scale. No wonder these continue to be such popular saxophones.

    Only one available!