Showing all 27 results
!Selmer Balanced Action Saxophone Fresh Overhaul Original Silver Plate Great Tone$ 5,150
This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.
Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.
There’s only one available!
Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!$ 3,500
This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.
This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)
Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.
Only one available.
Buescher Top Hat and Cane Tenor Saxophone Fresh Overhaul Factory Relacquer 300849
This highly-desirable Buescher Top Hat and Cane tenor is in excellent condition, AND it just got a complete restoration, which means an overhaul of everything that can be done. That’s like a $1000-1500 value added right there.
This looks like original lacquer, but is actually a factory relacquer job done with basically no buffing or changes to the brass of the horn. Probably just a chemical strip, hand polish, and re-spray. It looks really good, and plays great too!
The Top Hat and Cane is easily the most desirable of the Bueschers, and it is one of the most beautiful vintage saxophones also, with the raised metal Buescher logo, the castle engraving, and all of the little design touches that set it apart. I personally love the silver ‘tone ring’ underneath the bell flare. A lot of work to add; not very visible, but they did it anyway. And there are details like that all over the horn.
This is a great all-purpose tenor. It is warm and full sounding – nice fat upper register, responsive low register. Intonation is very easy. And it works with a wide range of mouthpieces. A lot of those beach band 60’s tenor solos are on Bueschers like this, but you can just as easily play jazz or classical repertoire on them. You’re saving about $1500 off the price because it has a new coat of lacquer. That’s a great deal.
Only one available!
Buescher True Tone Bass Saxophone Getting Overhauled Now Very Good Condition$ 7,500
This bad boy is getting the works – full mechanical overhaul. It has the snaps and spuds by the way, for those of you who want that stuff. It’s going to be one of those vanishingly rare bass saxophones that actually plays effortlessly down low softly. You only get that by seriously spending some time and money on the overhaul, but it’s worth it. New photos coming after the overhaul. It’s in excellent condition to start with though. Very light lacquer wear and no serious past damage. The overhaul price is included in the asking price! I don’t have a case for it currently, but I prefer to double box bass saxophones and ship them in no case anyway. It’s the safest way to do it and it works great.
Conn 6m Transitional Art Deco Alto Saxophone 249081 Overhauled!$ 3,450
The Conn 6M transitional takes many forms, and this particular original silver plated example is from 1932. It features art deco engraving (a style which only appears for a couple of years), left hand bell keys, 6M style keywork everywhere except the left hand pinky table, which is New Wonder II style. This is the last iteration before the transitional becomes nearly identical to the 6M, and to my ears these have a bit wider tone of the New Wonder II than the transitionals just after it- and in fact around this serial range is my favorite of the transitionals, playing-wise.
It has just gotten a complete overhaul, and it looks crazy stupid fine! Physically it is in extremely good condition, with no dents or dings or evidence of past repairs that I can see. The neck is undamaged and shows no signs of past pulldown, and the microtuner is free and functional. The silver plate is thick and unworn, and shined up unbelievably well with a gentle polish! It comes with its original case in good condition and its original warranty card. These are great altos, built by the finest American saxophone craftsmen in their heyday, and a super clean one like this is a great place to start if you are looking for a fantastic vintage horn that will last you a lifetime for less of an overall investment than most any new horn of even middling quality that you can buy today.
Conn New Wonder 1 Alto Original Burnished Gold Plate Portrait 84738$ 2,950
There are a ton of beautiful altos on the site, but this one stands out from the crowd. It is the heaviest gold plate finish that Conn offered – basically sheets of thick (actual) gold rubbed onto the brass to give you a finish that will last for centuries with minimal maintenance required. Both gold and skilled labor were cheap back in 1920’s America and Conn could afford to invest an extra couple of days’ labor in applying all this gold by hand-burnishing, and engraving such an elaborate scene on the saxophone, and still make a profit. These days, it would be literally impossible to reproduce saxophones like this and market them. They would cost far too much. Just a thin layer of modern gold plate costs like $3500 to do.
So this horn is something very special. Not just as a piece of art, or a piece of exceptional craftsmanship, but as a musical instrument as well. William Morris, the influential artist, famously encouraged us to “Have nothing in your house that you do not know to be useful, and believe to be beautiful.” This alto sax just wails as a player, and definitely fits both requirements nearly as well as a saxophone could. The engraving features (probably) Apollo, god of music, with his harp, and an extremely ornate C.G. Conn logo and decoration.
This alto has very good pads, and plays extremely easily on the current, high-quality overhaul. It feels nice and snappy under the fingers, and the pad work is very good, flat and ‘dry’ feeling, which is a sign of high-quality work with rolled tone holes. The tone is pure 1920’s jazz power: wide, smooth, warm, and dark, but very projecting. This horn vibrates under your fingers even at moderate volumes, and is super fun and responsive to play. Low register is easy. Intonation is good, though you can easily bend notes around also. The keywork is vintage, so it will feel weird if you’re coming from a Yamaha, at least at first. But the tone and beauty you get in exchange makes it well worth it.
Only one available!
Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great
The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)
This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.
I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.
Only one available!
Couf Superba 1 Alto Saxophone Fresh Overhaul! Great Player! 79506$ 2,450
Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591$ 4,750
Ah, the Grafton “plastic” (actually its acrylic) saxophone. Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.
This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well. It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required. It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.
These are famously known for being delicate, and not many have survived to this day. This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming. There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown. The keyguard is complete and undamaged, and it comes with its original Dallas case.
Ishimori Woodstone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone$ 4,700
Only one available of these highly-desirable New Vintage tenor saxophones from Ishimori, Japan’s premiere saxophone repair shop. These tenors stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some later Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving both are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.
Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!
King SilverSonic Super 20 Tenor Saxophone Original Lacquer Fresh Overhaul! 418944$ 6,000
King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847$ 3,600
Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!
This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.
King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.
Only one available!
King Super 20 Alto Full Pearls 1952 Fresh Overhaul 328xxx Outstanding$ 5,150
King altos are the best altos ever, full stop.
This one has original lacquer and looks good in a played in way, with the only past repair being a resoldered low C key guard. It just got a full, fresh, high-end overhaul, done by the highly-skilled Jan Olsen (Norway). This means it got about 30 hours of painstaking labor done to make the mechanism all factory fresh, and to replace everything that can be replaced so that it is back to new playing condition and pad wise. It now performs great and will be ready to go for many many years to come with only regular maintenance needed.
This King Super 20 alto is from just about the most desirable year, 1952, which is the same version and serial of Super 20 that Cannonball Adderley played on Kind of Blue and Somethin’ Else. It is in great shape, with no serious past repairs at all. This is the ‘Series II’ which has the best combination of beauty, features, and key work of all of the Super 20 altos. You really can get the Cannonball Adderley vibe going on one of these (with lots of practice) better than almost anything else. Cannonball played almost exactly this serial alto on Kind of Blue. This plus a Meyer 5 or Ted Klum NY Model plus a soft reed and lots of guts is what you need for what I consider to be the benchmark for good alto sound.
Why do I say that Super 20’s like this are the best altos ever? The overall combination of tone, beauty, and ergonomics. For me, great tone that you get from these full pearls Super 20’s is pretty hard to beat. It’s warm, full, rich, and projecting, but without any hint of shrillness or thinness. Cannonball’s tone, I always think of as a tenor saxophone reincarnated in the body of an alto, and that’s pretty much what a Super 20 alto like this allows. It feels like the tone is coming from a bigger, deeper instrument, but in the alto register, which is really remarkable. You can of course do a million other things with it. Check Francois Carrier’s music for another take on Super 20 tone (also same serial as this). The Super 20 is going to keep getting more and more desirable, and harder and harder to find. They’re just fantastic, and they are way rarer than Mark VI’s or any other top notch vintage or modern alto.
This horn is priced to MOVE. Once you figure in the overhaul, it’s absurdly cheap. Particularly for the tone you get. Someone should grab it now and not look back. You never need to ‘upgrade’ from this. If you don’t love it, send it back. I take returns.
Just for fun, here’s Cannonball on his Series II Super 20 playing one of his classic ballads, Dancin’ in the Dark.
Martin The Martin Alto Saxophone Committee III 160564 Relacquered Fresh Overhaul!$ 800
Price just reduced 4/1/2020! This sturdy The Martin Alto Committee III is built like a tank, with extra thick brass and very strong keywork. It recently had a full high-end overhaul done in California, and it plays beautifully. It’s priced to sell quickly, at an absurdly low price. Just the overhaul cost was more than the entire asking price, so it’s like the horn is thrown in for free!
The lacquer is obviously mottled and not so pretty, but nothing sounds as good for the money as the Committee III. These horns were built to last, and came with 50 year warranty when new!!! If you want to hear a The Martin Alto in action, check out Art Pepper meets the Rhythm Section, which is one of my favorites.
Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau$ 12,000
For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.
There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.
Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.
Selmer Cigar Cutter Super Sax Tenor Saxophone 17xxx Original Overhauled Modern Keywork!$ 7,500
See the full description below for more info. Here’s a 1933 Selmer Super Sax tenor with a recent overhaul, original finish, and several modifications/modernizations: a larger right hand thumbrest, a later-style geared octave mechanism with Mark VI style righward-tilting thumb key, and Balanced Action style left hand pinky table. These modifications significantly modernize the feel of this horn, and ergonomically it feels about a generation younger than it actually is.
The modifications themselves were done quite competently, and fit and blend in well with the horn, not being noticeable upon casual inspection unless you know where to look. The saxophone itself is in good physical condition, with moderate lacquer wear and no major past damage that I can see.
These types of modifications are not easy to do, are quite expensive, and are not often done, so it could be a good long while before you see another Super Sax with a modernized left hand pinky table. If you’ve been interested by the big Selmer tone of the Super Sax models but are used to modern ergonomics, this could be the horn for you.
Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal$ 5,250
This 5-digit Selmer Mark VI Alto from 1955 is getting a complete overhaul right now! It’s going to be an excellent player when it’s done, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.
Only one available!
Selmer Mark VI Alto Saxophone 1969 Original Overhauled Excellent! 165069$ 6,750
This is one of those altos you don’t want to put down. It’s just gotten a complete overhaul / mechanical restoration, which means that it feels and plays like new or even a bit better. I wanted to get this horn overhauled, because I had a really good feeling about how it played even on the original pads that it had when it got here. If you want a VI that will be problem-free for many many years, and plays better than any modern horn on the market, (and will go up in value) this is what you want!
This was a one-owner horn that was well cared-for for decades before now, and now it is getting a good start on a new life with a top shelf overhaul. This thing has a beautiful voice. Medium between bright and dark, rich, and resonant. The late 60’s Mark VI’s are my favorites for all-around Selmer altos, because they do basically everything well. Intonation is good, scale is even, low notes are saturated even at pianissimo, upper register screams. This has the ‘medium bow’ if you’re wondering about such things, which means the low register tunes the best of the Mark VI’s. You can’t beat a Mark VI alto like this for build quality and all-around satisfying playing experience. You get the beautiful, unbeatable tone of a Mark VI, the comfortable key work, the excellent intonation, and the feel of a new horn under your fingers, and all for less than a (let’s be honest) comparatively poorly made new Selmer alto. Plus this holds its value and appreciates, while your new horn is going to be worth approximately half the new price in about one second after you unbox it (gasp).
Comes with the original case, and you can add a great BAM case for a big discount if you contact me.
Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!$ 6,000
This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.
If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.
This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.
It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.
Only one available!
Selmer Mark VI Tenor from 1973 Saxophone Original Lacquer Overhauled Great!$ 6,350
Just overhauled. This horn plays REALLY well. Super nice under the fingers, great response. Plays, feels, and responds better than most 5 digit tenors out there. If you want the loud, powerful late VI tenor sound, this is hard to beat.
This is a mechanically very clean original lacquer Selmer Mark VI Tenor saxophone with American engraving. This horn has some speckling in the lacquer, as you can see, but if you look at what counts, this Mark VI tenor is in excellent condition. There’s no damage, no resolders, neck is in great condition. It JUST got a complete overhaul / restoration done, and it’s back to factory fresh mechanical and pad condition. (An overhaul takes around 25 hours of skilled work, and represents a big added value to any saxophone.) That means all new pads, corks, felts, setup, mechanical work, neck fit – whatever it needs in order to play like a new horn.
The later VI tenors are excellent players. Better tone and feel for the dollar than almost any other saxophone that you can buy period. And this one is mechanically very nice, which is what you want. If you have been wanting a solid pro tenor that is easy to play and sounds excellent, but is in the mid-range of price for a pro tenor, that’s this. Plus, rather than depreciate like a new horn, this Mark VI tenor will go up in value, and will be easy to re-sell at any point later. Buy it and get playing!
Selmer Mark VI Tenor Saxophone Original Lacquer American Engraved Just Overhauled Plays Effortlessly 195xxx$ 6,350
Full description coming soon! This is an effortless player! A nice, clean original lacquer American-engraved Selmer Mark VI tenor saxophone that also just got a complete overhaul. If you’re looking for a nice tenor to play and keep and just enjoy, this would be hard to beat!
Selmer Mark VI Tenor Saxophone Original Lacquer Very Good Condition 164xxx Fresh Overhaul!$ 6,750
Selmer Radio Improved Alto Original Lacquer Excellent Condition Fresh Overhaul!$ 4,950
Original lacquer Selmer Radio Improved alto saxophone! This is a rare beauty among vintage Selmers, with a sweetness and beauty all its own. The keywork is comfortable as well, which is why Jimmy Dorsey wanted to keep this style of keywork even after Selmer changed to the ‘Balanced Action’ design shortly after. These are just beautiful players – warm, spread, lyrical, and sweet – most of what you want in a top quality vintage alto. Plus this one is in beautiful original lacquer with minimal past repairs and comes with a fresh, full overhaul! Radio Improved Selmers are very popular these days, and getting more popular all the time, as alto players catch on to the unique tone that you can get on one. This is a great purchase that you will enjoy playing for many years with minimal upkeep, and that will go up in value while you own it. There are not many nicer Radio Improved alto saxophones out there!
Only one available!
SML Rev D (=Gold Medal 1) Alto Saxophone Original Silver Plate Old Pads Beautiful 11584$ 3,500
Just back from overhaul 3/31/2020 New photos are coming soon. It looks great and plays better.
SML, short for Strasser-Marigaux-LeMaire, is probably the best known small French maker of saxophones. They produced high quality instruments with a unique blend of features that ended up in what I like to think of as a perfect blend of Selmer and Conn- a very French tone, but big like a Conn.
The SML “Revision D”, which was not an official name but rather one given by collectors to the model run with this particular set of features, is a professional handcrafted French saxophone whose features include rolled toneholes, a switchable automatic G#/C#, double sprung octave mechanism (which is an excellent feature preventing slow octave changes and should be standard on all saxophones), a 4 slot neck tenon receiver (again, an excellent feature that should be made standard, this time one that applies pressure more evenly around the neck tenon for a more secure fit less likely to develop leaks), and adjustment screws on the upper and lower stacks. In fact, the Revision D is very much like the model that came after called the Gold Medal, and shares the same bore. The only features that the Gold Medal has that this horn doesn’t are the rocking octave thumbrest (which isn’t actually so great and is often times disabled at the request of the player) and the adjustable felt bumpers for the low notes, which while nice is not a game changer in any way.
This particular horn is in very good aesthetic shape, and currently wears old pads and will need an overhaul although it does play a little bit as-is. The original silver plating is in very good condition and seems to be almost unworn, and the neck shows no sign of past damage or repair work. There is some evidence of past dentwork around the lower stack F# and G# toneholes, which were both unfortunately filed a bit for levelness at the time the dentwork was done, I am guessing. However the filing does not go through the roll, and should not impact playability or repairability, and the dentwork is not noticeable until you get close. If it weren’t for that, this would be a nearly pristine SML, and this flaw serves mostly to bring down the price without having much of a real-world effect on ownership.
These SMLs have a fantastic sound, unique in their blend of refined yet powerful, and possess excellent craftsmanship. Not very many were made- about 15,000 total of all sizes of the horns considered to be their best- and they hold up very well over time.
Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110$ 4,500
This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.
The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.
If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.
Only one available!
Yamaha YAS-62 II Alto Saxophone Excellent Condition Professional Great Deal!$ 2,450
If you want a Yamaha 62 that has all new pads and feels like a million bucks, this is it. It really plays great, with super-flat, snappy pad seats. This horn got a full repad, which means all new pads, but it didn’t need a mechanical overhaul (keywork didn’t need restored), and it didn’t need all new corks and felts, though it has many new corks and felts. That’s simply to keep the cost down and get you a horn that is totally ready to go and will not need significant work for many years, besides just occasional check ups. The Yamaha YAS-62 is a great value, because it’s a professional alto, but sells for less money, and is easily good enough to last you all the way through college or for as long as you want to play it. You never need to upgrade. And you save a lot of money versus buying new, and the saxophone also retains all or most of its resale value. Especially with the kind of pad work this one has. Just play it, and it sells itself.
Only one available!
Yamaha YTS-52 Tenor Saxophone 1980’s Fresh Overhaul Excellent Condition 5474$ 2,350
This early 1980’s Yamaha 52 tenor is hard to beat for the price. The 80’s ‘purple logo’ 62 saxophones are prized for their warm, more complex tone, and they are among my favorite modern saxophones. The 52 from the same era is virtually the identical saxophone, with the same bore, neck, body tube and everything. It lacks a few higher end features that the 62 has (the ‘fat starfish’ engraving, ribs under some posts), but these don’t matter to most people, so it remains an excellent value. You get all the tone, comfortable ergonomics, dependability and ease of playing of a 62 for less money. Plus, this tenor just got a complete overhaul and is all freshly repadded and ready to go for a nice long time. It won’t need anything more than minor upkeep for the next several years, and it is super easy and responsive across all registers.
It can be hard to find a tenor that plays this well for anything like this price. And Yamahas like this are also really easy to get worked on down the road and to keep in good adjustment. Compared to later Yamahas, this one is warmer, more complex, and more like a vintage Selmer (which was Yamaha’s starting point for the early 62 it seems to me), but with better intonation and a more even scale. No wonder these continue to be such popular saxophones.
Only one available!