Fresh Overhaul

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  • Buescher Big B Tenor Saxophone 293523 Original Lacquer Fresh Full Overhaul Excellent!

    $ 3,500

    Price JUST reduced mid May 2020! This is an excellent deal!

    This is an original lacquer Buescher Aristocrat Big B tenor with the desirable small bell. It’s one of the most beautiful vintage Bueschers, with extensive engraving and gorgeously translucent, dark nitrocellulose lacquer. They don’t make them like this anymore.

    This tenor just got a full mechanical overhaul, and I mean the works! When I got it, it had new pads, but the pad work was not that good, so now it has a really great overhaul and plays excellently. The keywork is in great condition – nice and tight. The missing lacquer on the back of the bow doesn’t show when you play, and is from a small dent that was removed a bit to vigorously at some point. That is now fixed, and the rest of the horn is quite nice. Neck is in good condition also. There are no dents or dings. It is hard to find this desirable version of the vintage Buescher tenor in good shape, and this one is better than all but a few. It has the snaps and spuds intact, but has correct style ‘real’ pad work that works around the spuds. (If you watch Matt Stohrer’s video on Buescher overhauls, you’ll see what I mean. This is extra work, but worth it to do right the first time.)

    Playing wise, it’s tons of fun. It has a centered, warm tone with excellent response and intonation. It would be pretty hard to sound bad on this tenor. It has that classic American straight-ahead projection that fills a room whether you are amplified or not. And it’s just pleasant to listent to. So many of the modern options I hear people playing are different flavors of bland and rather hollow-sounding. This tenor is rich and full of color. Bueschers like this tune well with a wide range of mouthpieces, and they can do anything from classical to jazz to R&B.

    Only one available.

  • Conn 10M Tenor Saxophone 1940 Pre War Excellent Condition Orig Overhauled!

    $ 4,650

    Fresh overhaul just finished on this beautiful original lacquer Conn 10M tenor saxophone from 1940. This horn is in excellent condition and just got a high end overhaul to put it into absolutely effortless shape. Nothing sounds like a 10M! This is one of the best sounding horns on the site right now, even including my silver Radio Improved tenor!

  • Conn 10M Transitional Tenor Saxophone 1933 Fresh Overhaul Excellent Player

    $ 3,950

    This is a hard to find example of a very late ‘transitional’ Conn New Wonder II / 10M tenor saxophone. It has features of each model – mostly 10M keywork at this point, except for the bell keys still being split between left and right. Original lacquer!

    Just back from a near-overhaul extremely comprehensive setup. It had new pads when I got it in, but a bad overhaul, so we re-overhauled it but reused the pads, which were fine.  We disassembled, cleaned throughout, oiled, took out all the pads, and reseated them with extra adhesive, and replaced many of the tiny adjustment screws that Conns come with. This tenor also got the neck ‘fit’ to the tenon, which makes a big difference, and it got new rollers too, to match the originals. Now, it plays effortlessly, and feels and looks great. The pads are all sealing super well and should be setup for the long haul – unlikely to need more than minor adjustments for a long time! That’s great, because most people have never, I think, actually experienced a vintage saxophone like this when it was totally ‘right’. When it is, you see why these horns have such lasting value and popularity. They’re really just about the best sounding tenors ever. And it’s LOUD too, but without breaking up. The loudest Selmer is only about half as loud as a good Conn like this. And the body tube vibrates in your hands when you push it. It’s just the best.

    You get it for less than these often go for, simply because it has been played a lot and has some keyguard resolders and general lacquer wear. It’s all fixed up though, and should play great for a long time with just minor regular maintenance.

    Those Connoisseurs and Conngnoscenti (sorry, couldn’t resist) out there who know how great the late transitional tenors are can advise you on this one. It has the wideness and ‘wildness’ of a New Wonder II, but a little more focus, a little more slotted intonation, and the faster keywork of a 10M. If you want more focus, and even more slotted in intonation, then get a later 10M. If you want something a bit darker, and more spread, get an earlier NWII. If you want a little of both, get this! These tenors are only going up in value, so it’s also a solid buy as an instrument that will hold its value well when you go to sell it later.

    Only one available!

  • Couf Superba 1 Alto Original Lacquer Fresh High-End Overhaul Plays Great

    The H. Couf Superba 1 is one of my favorite vintage saxophones. They remain one of the best options for a great sounding alto sax with modern keywork and a rich, interesting tone. Darker and fatter sounding than a Yamaha, with rich, wide upper register, and a full, projecting low register, this alto will do it all. If you are looking for a great all-purpose alto, or even for an ideal smooth jazz or commercial sounding alto, the Couf Superba 1 fits the bill. I just sold one of these to a smooth jazz player who loves the fat sound that stays warm when brightened up with a bright mouthpiece. And he loves the comfort of the keywork. These are among the only saxophones that sound this full and rich and also have modern keywork. (Modern saxophones have, as a rule, moved towards a clearer, rounder, more contained sound, and can’t deal with as much air as a Superba 1 can take.)

    This alto came with its original pads still intact, and it is getting a full mechanical overhaul right now, which means it will be back to like new, or better-than-new condition mechanically, and playing wise. If you’re not used to used saxophone lingo, that means that a highly-skilled woodwind repairman is going to be spending about 30 hours of labor on this horn going over every detail, and replacing everything that can be replaced, (all new pads, corks, felts, mechanical work, setup, play testing, neck fit, full disassembly, cleaning, fresh oil etc.) so that it’s totally rebuilt and ready for its next many years of playing. That’s a big added value for you, because you don’t have to worry about the horn needing more than minor occasional maintenance to play its best for many years to come. It also means that it will play effortlessly, and saturatedly at low volumes, in the low register. Low Bb is just another note, even if you want to play it at pp.

    I have no trouble selling a Couf Superba 1 alto as soon as anyone plays one with the fresh overhaul. It’s really hard to beat, regardless of price. And at this price, it is really hard to beat.

    Only one available!

    We pay the best prices for great saxophones.

     

  • Couf Superba 1 Soprano Saxophone 91912 Excellent Overhauled! Grover Washington

    $ 3,450

    Photos are before overhaul. This rare later Couf Superba 1 soprano with Front F key (only the later ones have that) is the same version Grover Washington Jr. played on most of his most famous recordings. Then he switched to an early SX-90 which I also have at the moment!

    These Couf Superba 1 soprano saxophones were made for Herb Couf by Keilwerth, and they are fully professional instruments of very high quality. This one is in great shape, with just some minor lacquer wear from use. It is currently getting a full overhaul. You can almost never buy a properly overhauled Couf/Keilwerth soprano, because people don’t want to sink the money into a top shelf overhaul. Well, in this case, you do! It’s the best of the best in terms of modern soprano saxophones with a warm, full tone.

    Only Keilwerth maintained the big sound of vintage Conn / King / Buescher sopranos. And Keilwerth improved the intonation and added modern, comfortable keywork and ergonomics to the offering. If you want to have a fat soprano sound with modern keywork and great build quality, then this and the SX-90 are basically your only options.

    Get this one and enjoy the soprano as it can be at its best! The overhaul is absolutely great, with all the little details that take a horn from good to great attended to. It will be ready soon, so go ahead and buy it and reserve it for yourself!

    Only one available!

  • Sold Out

    Grafton Alto Saxophone Excellent Original Condition Restored and Playable 10591

    $ 4,750

    Ah, the Grafton “plastic” (actually its acrylic) saxophone.  Famously played by Charlie Parker and David Bowie, crafted by an English company, designed by an Italian, it is, according to sales literature of the time, a “tone poem in ivory and gold”.  

    This particular example has actually been repadded by some enterprising repairer (I say it this way because they are notoriously challenging to work on) and it has been done rather well.  It plays, as you may or may not expect, very much like a saxophone and there is not much in the playing of it to convey that the instrument you are playing is wholly unique, with new methods of manufacture and the completely singular keywork mechanisms that its injection molded acrylic body required.  It is comfortable under the fingers, responsive, weighs about what a normal sax weighs, and plays with a warm, if somewhat uncomplex, tone. It is in fact quite an amazing instrument when taken as a whole, and the experience of playing it leaves me with wonder and respect for the company that made it.  

    These are famously known for being delicate, and not many have survived to this day.  This example is in quite good shape, with the only body repair that I can see being the bell to body brace looks to have been shored up with epoxy where a crack was forming.  There are some small hairline cracks near the tenon receiver, but they are minor and do not appear to be spreading. The finish on the keys is original, and the neck is in very good shape with no evidence of past repair or pulldown.  The keyguard is complete and undamaged, and it comes with its original Dallas case.

     

  • Ishimori Wood Stone ‘New Vintage’ Tenor Saxophone Antique Finish Bare Brass Brand New!

    $ 4,750

    One of the most lauded modern horns by people who like vintage horns. This is the Ishimori Wood Stone New Vintage tenor in Antique Finish (patinated bare brass) and the dark lacquer version is here: https://www.getasax.com/product/ishimori-woodstone-new-with-dark-lacquer-tenor-saxophone/ Ishimori has long been Japan’s premiere saxophone repair shop. This tenor is their attempt to bring their repair expertise to bear on saxophone design. This horn has a bore and design aesthetic reminiscent of a Selmer Super (Balanced) Action, even down to the engraving and keywork styling. But as a modern horn, it hasn’t seen decades of playing and repairs. It also comes with a good setup done by Ishimori pre-sale. This is the unlacquered version of the Ishimori Wood Stone New Vintage tenor, with beautiful Selmer SBA style hand engraving. These are popular saxophones, but I’ll try to keep one in stock if possible! Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for many decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. The finish is a stable patina applied to the bare brass. While it will continue to change in appearance somewhat, it will basically look like this. You get the bare brass finish plus a great unique look to the horn that ages well – much nicer than the completely shiny unlacquered finish that Yamaha does. This looks really classy.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. There’s one in stock at the moment! Get it now!

    See below for our videos on the Ishimori New Vintage Tenor featuring some sound samples on a range of mouthpieces, and an unboxing video.

     

     

  • Ishimori Wood Stone New Vintage Tenor VL with F# NEW Dark Lacquer Tenor Saxophone

    $ 4,700

    See below for some sound samples and an unboxing video.

    Only one available of these highly-desirable Ishimori Wood Stone New Vintage tenor saxophones. This one is in beautiful Dark Lacquer. You can find the unlacquered ‘Antique Finish’ version here.  They are usually back ordered, but I will try my best to keep at least one in stock. Ishimori is Japan’s premiere saxophone repair shop, and Mr. Ishimori has been designing, building, and repairing saxophones for decades.

    These tenors not only sound great, but they stand out from the crowd with their excellent new horn setup done in the Ishimori workshop. The Ishimori New Vintage tenors hold up extremely well over time, and every detail of construction and assembly is optimized for ease of play. The tone on this Ishimori tenor is meant to remind you of a vintage Selmer – to my ear, it plays like a late SBA – not as loud and wide open as some Mark VI’s, but more focused than earlier Selmers also. The neck and the engraving are meant to evoke the Selmer Super Balanced Action, so I suspect that the neck is an SBA bore. The tuning is excellent. This body tube is designed to have the high F# tone hole present, so it tunes well with the high F#, and that’s also just a convenient feature. Lacquer is gorgeous, as is the hand engraving.

    Ishimori New Vintage tenors play so effortlessly, they sell themselves. Every time one comes in the shop, it sells almost immediately. I have one in stock coming next week. Get it now!

    See below for some sound samples on a range of mouthpieces, and an unboxing video.

  • King Soprano Saxophone Gold Plate Fresh Overhaul Amazing! 99847

    $ 3,250

    Just freshly overhauled!! This got a full restoration, so it’s back to like new mechanical condition.This is the vintage soprano you should get!

    This amazing gold plated King soprano saxophone will blow the walls down. It is in excellent condition, with nearly all the original gold plate intact. It has just received a full overhaul and restoration, which is not a small job on a 90 year old instrument. It is now back in like-new playing condition and ready to make music for many many years to come.

    King sopranos are rare, and were only made in low pitch (regular concert pitch). They tune nicely, and have a big, warm, medium-focused tone that is less polite sounding than a Buescher, and really fills a room with ease. This example in gold plate and in such amazingly good condition is extremely rare. The great depression in 1929 spelled the end of most of the saxophone market, and marked the end of most makers building sopranos in any kind of quantities. So it’s not surprising that you don’t see a King soprano later than this serial. This is one of the very last ones made, and the latest serial I have seen. The later the better is my motto on vintage sopranos generally speaking, so getting a late one also in gold plate is really exceptional.

    Only one available!

  • King Super 20 Alto Saxophone Original Lacquer Fresh Overhaul 362420

    $ 4,950
  • King Super 20 Tenor Saxophone Full Pearls Original Lacquer Overhauled 298321

    $ 7,500

    This is an absolutely BEAUTIFUL example of a King Super 20 Tenor saxophone from 1948. It has all the features that you look for in the best Kings: solid silver, double socket neck; engraving all over; and ‘full’ pearls, meaning pearl key touches on the side keys, G# and the palm keys. I don’t think a better saxophone all-around has ever been produced. That’s why I play Kings myself. Plus this one has a recent top shelf overhaul done in California that feels just great. You want a King to be setup and overhauled by someone who knows Kings, for a player who plays Kings. And that’s what you’re getting here! I actually sold this exact horn a few years ago to a long time customer who is a great tenor player, It was entirely original factory pads when I got it. Untouched and near mint. It is now even better – still amazing cosmetically, but playing its best as well!

    There are no resolders or past repairs on this Super 20, and it has beautiful original lacquer. Tonally, the 1948 Super 20 is a medium bright, powerful, projecting saxophone. It’s relatively darker than the later Super 20’s. They get very bright in the late 50’s and early 60’s. But this one is still quite powerful and focused, while sounding a bit darker and fatter than the later ones. The palm key and altissimo tone stays fat and full on a Super 20, which is one of the best things about it. Selmer tend to thin out in the upper register, but Kings stay quite strong. The low register just pops right out no problem. You can play a saturated ppp low Bb without any trouble.

    You would be hard pressed to find a better example of a King Super 20 for sale anywhere right now! I have a few other serial numbers and versions coming up for sale, but none as nice as this. Whoever grabs it will have a really first rate tenor!

  • Martin Comm III The Martin Tenor Fresh Overhaul Nice Shape

    $ 2,450

    This The Martin Tenor just got a full overhaul done by Peter Lamb at Flying Squirrel Music in Raleigh, NC. The pad work feels nice and snappy, and the horn is totally overhauled and ready to go! The price is on the low side for an overhauled Martin because the lacquer is a factory refinish. It looks original, but there’s just a tiny bit of buffing evident around the bow area to show that it’s a redo. This should make virtually no difference on this particular horn to how it plays, because it was obviously done just for some type A person to have a tiny scratch removed or something. Back in the day, that’s how it would work. You’d get the horn refinished at the factory and repadded for a very low price, to get it back looking totally great.

    And it does look great! The engraving is nice and sharp, the lacquer is dark honey colored, nitrocellulose of the vintage type. It’s just like an original Martin, only you save maybe $1250 on the price for the new coat of paint! That’s a great deal.

    The main reason to buy a The Martin Tenor is the tone. These horns are POWERFUL, medium dark, with lots of projection. They’re built for volume, and do great on rock, blues, R&B, smooth jazz, or really anything you like. The tone stays full in the upper register and doesn’t thin out or go nasal at all, like some horns do. The design is also really nice on these, with curves and key work angles all unified to make a classic looking saxophone. Reminds me of a 50’s Chevy or something.

    Only one available!

  • Powell Silver Eagle SE10 Alto One of 18 Made – all options solid silver +Matt Stohrer Overhau

    $ 12,000

    For your viewing pleasure, this is one of the 18 Powell Silver Eagle saxophones made. Powell conceived of an ambitious project to bring back an American-made saxophone of the highest quality. Inspired by the Super 20 SilverSonic, the Silver Eagle reproduces the bore while adding solid silver soldered tone holes and modern keywork. Powell sadly ended their project after making only 18 saxophones, despite high demand, due to the high cost of production. This horn plays like a good super 20 but a little more evenly, and has been completely overhauled by Matt Stohrer. This is the ultimate collectible among modern saxophones, and it is also a burning player. Asking price is just what these cost new, plus a little extra since it got a $1500 overhaul on top of that! It’s not even inflated for the collectibility value, which is probably not smart of me, but there it is. If you want to discuss all the details of this project, I can put you in touch with the people who built it. These were most definitely a new saxophone bore and neck design, inspired by the best King Super 20 SilverSonic altos, both according to them and according to the folks who bought the tooling and mandrels when the project ended. The keywork is modified from tooling bought from B&S, which accounts for the pinky table that sticks out farther than it would on something like a Yamaha.

    There is most certainly only one available. This one has all the possible factory options, which only a subset of Powell Silver Eagles had – including the solid silver tone holes and even cryo treatment. Of the 18 saxophones built, I know at least a couple of them were brass bell, and some others lacked other of these features. This is one of the ones with everything, which makes it even more collectible. Includes the original accessories, case, and paperwork.

    Just for fun, here’s Matt Stohrer’s repairman’s overview from when he overhauled it.

  • Sold Out

    Selmer Balanced Action Saxophone Fresh Overhaul Original Silver Plate Great Tone

    $ 6,500

    This is an amazing, fully restored Selmer Balanced Action alto. It just got a wonderful high-end overhaul, complete with some spot plating on some keys and along the back of the body tube where the silver had begun to wear. This is one gorgeous alto, with the rare British market two-tone finish, and gold wash bell. The spring tension is on the lighter side, like with most Balanced Actions. If you want stiffer spring tension, we could discuss replacing the springs, but right now, it has a light flute-like feel like these originally had.

    Tonally, If you want an alto that people are going to want to listen to, this is the one. It plays extremely well, with a warm, powerful voice that is effortlessly lyrical and makes you not want to put it down. It has high-end reusable domed brass resonators and sounds very good on them. Keywork is snappy, and ‘dry’ under the fingers, like it should be. This comes with a new BAM Softpack alto case, or you can swap that for a Cabine for +$100. These British market Balanced’s are my favorite finish on vintage Selmers, and they are few and far between.

    There’s only one available!

  • Selmer Mark VI Alto Saxophone 1955 58119 Price Includes Overhaul! Relacquered Great Deal

    $ 5,250

    This 5-digit Selmer Mark VI Alto from 1955 just got a complete overhaul! It’s an excellent player, and it represents a very good value in an alto. For way less than a Reference 54, you can get an actual ’55 Selmer Mark VI with a complete restoration just finished. These first year Mark VI altos play dark, with a lot of focus and warmth, and they are punchy when pushed. They project well with a higher baffle mouthpiece. Effortless response in the low register. They’re just fantastic, and they are better built than most modern altos including modern Selmer. Plus this comes with a better pad job than any new horn you can currently buy, and it will stay in adjustment well for many years with only the most routine of maintenance. You save thousands of dollars because this horn got a new coat of ‘paint’ at some point along the way. That makes a lot of sense to me. It comes in a nice BAM contoured alto case that is similar to the Selmer Flight Cases that come with the Ref 54. Fits the horn hand in glove.

    Only one available!

  • Sold Out

    Selmer Mark VI Alto Saxophone 1970 184973 Original Lacquer American Engraved Fresh Overhaul!

    $ 6,000

    This is a sweet deal on a freshly-overhauled original lacquer Selmer Mark VI alto saxophone from 1970 serial 184973. This was a one-owner alto before I got it, and the guy was a pro player in the NYC/NJ area. He took great care of it, and now that it’s freshly overhauled, it is all ready for its second life. If you read around on here, you’ll see that I really love the Mark VI altos from the late 60’s and early 70’s like this. They finally got everything right on the Mark VI alto at this serial, after making incremental changes to the bore, bow length, and neck from 1957-1967 or so. By ’67 the alto hits its stride, and the 1970 is basically the same horn. Because the market is not fully rational, you can get some of the best Selmer Mark VI altos for this sort of price, even with a full overhaul, where some of the earlier serial ones will cost much more. That makes this one a great deal.

    If you have the cash, I think you might as well buy the nicest alto you can, and enjoy playing it. Pro altos are easier to play than student and intermediate ones, and the Mark VI is among the easiest vintage saxophones to play and to own. It’s easy to get worked on, well-built, and stays in adjustment well over time. The keywork design set the standard for all modern saxophones and feels great under the fingers. The tone is gorgeous, and the intonation is good. It’s the one horn that does everything the best on average, which is why it is so popular.

    This particular alto has a tone that is medium between bright and dark, and is a nice, balaced player. Not brash and bold like a 220k VI, and not dark and laser-focused like a 60k VI. It’s flexible, dynamic, and easy to take where you want it to go tonally with the right setup. The intonation is good, and the pads feel nice and snappy under the fingers, as they should on a good overhaul. The neck is in good condition and the neck ‘fit’ is all perfectly sealing in the tenon, which is one of those small but important things to have done on a vintage horn to take it from good to great. Cosmetically, you can see this horn has been played, and has some honest wear throughout. After all, it was lovingly pro-owned for many years, but aside from that, it’s very nice. The only past repairs are a resoldered foot of the low C guard that popped loose as it does on so many VI’s, and a few small dents removed from the back of the bow, which is now dent-free. Neck is beautiful, bell flare is in great shape. Tone holes are all great of course.

    It’s a very good deal on a solid Selmer Mark VI alto. This would be, to me, much preferable to spending $6700 on a new Reference 54 alto, which, unfortunately, will probably need an overhaul on top of the purcahse price in order to play its best. This will go up in value, hold up better to prolonged use, and get you your money back should you ever want to sell it. It comes in the new BAM case in the photos.

    Only one available!

  • Selmer Super / Adolphe Sax Alto Saxophone 769 Getting Overhauled!

    $ 3,750

    Are you the ultimate saxophone hipster. (jk) The sort of snob who likes to have a saxophone nobody else can imitate? Here’s an alto you might want in that case. Or if you just love vintage Selmers and want one that both plays extremely well and has some history. This plays wider and wilder than a modern Selmer or than a VI. It is sort of half Conn in how it feels to play these early Selmers before they changed the bore.

    This is basically a Selmer Super Sax from the 1930’s, but with a bell and a few other parts made by the Adolphe Sax company. Selmer used these parts on a small batch of excellent saxophones in the 30’s after it bought the Adolphe Sax company and all its inventory. These special saxophones play like a Selmer Super Sax or Radio Improved, but the bell says Adolphe Sax on it. The body tubes have the normal Selmer ‘body numbers’ for a Super sax, and the keywork is Super as well. This alto is getting a complete high end restoration now, and it will look gorgeous all polished up and repadded very soon.

    I’m really excited about it. The Selmer Adolphe baritone I had was extremely good, and went to a collector who absolutely loves how it plays. This alto will be even better I suspect. The Super Sax ‘cigar cutter’ altos are among my favorite of all vintage altos, and this is basically one of those in terms of tone and design.

    Only one available!!

  • Sold Out

    Selmer Super Action 80 Series 1 Tenor Full Overhaul! 362257

    $ 3,950
  • Selmer Super Action 80 Series II Alto Fresh Overhaul! 402197

    $ 3,650
  • Selmer Super Balanced Action Tenor Saxophone 55024 Original Lacquer Fresh Overhaul

    $ 15,950

    This is a beautiful, original lacquer Selmer Super Balanced Action tenor saxophone in excellent condition. Selmer SBA tenors have gotten really hard to find in the last year or two, and this is among the nicest I have seen in that time. It is priced very reasonably for what you get, based on all the other ones I have seen for sale recently. This is a late SBA with the more comfortable thumb hook that is a transitional feature shared by the early Mark VI tenor that came out around the same time that this horn was made. (Selmers often show a little overlap between models, and frequently have transitional features shared by overlapping models.)

    The ‘late’ Selmer SBA tenors like this have gotten particularly hard to find, because they combine the warmer, more delicate SBA tone with the best bell key tuning. This one tunes great, and is quite free blowing, warm, and moderately focused, with a lyrical core tone. Tone is tricky to describe, and obviously the horn sounds completely different depending upon which mouthpiece you use etc. But it plays just how I would hope a great Super Balanced Action tenor would play. You may notice, this has the ‘euro’ engraving style done on Selmer Super Balanced Action tenors that were lacquered and engraved in France.

    The overhaul is recently done in California by Manny Gavrilov at the Horn Connection. Manny’s work feels quite good, with a dry, snappy pad feel. Spring tension is just right. The horn resonates beautifully, and the pads are sealed (hence the red color) to protect against moisture and to make the overhaul last forever. I’ve played horns with red sealed pads that had 25 year old overhauls that were still going strong. It really does a good job of sealing the horn up like a drum, and it just feels like normal medium firm leather pads. The resonators are domed metal and are correct style for a late SBA like this. They look like Selmer Tone-x resonators, and are probably the original resos reused on the new pads. This horn has been played and loved, so it’s not mint condition, obviously. But the wear is ‘honest’ wear from use, not from a bunch of past repairs. I see nothing resoldered at all, and maybe some minor bow dents were removed a long time ago, leaving only very slight evidence of anything having been done. You’ve got a custom octave key thumb rest cover installed, but it’s easily removable, and the original octave thumb rest is under there and looks fine.

    This comes with its beautiful original tan leather Chesterfield case from Selmer with the latch style opening, which is more durable than the zippered Chesterfield. I like the way the leather binding forms one continuous circuit around the case exterior. Just the case is worth some $$! If you have any questions, feel free to ask. I’m happy to help. If you’ve been looking for a great vintage Selmer with some warmth, power and projection, that is in top playing condition, original lacquer and priced reasonably for an original SBA, then here you go. This one is hard to beat.

    Pair with our new GS SLANT tenor mouthpiece for a classic mainstream jazz tone.

    Only one available!

  • Tenor Madness Custom 500SL Tenor Saxophone Cognac Lacquer High F# Effortless Player Newest Model L01110

    $ 4,500

    This is the best TM Custom tenor that I have played so far. It is brand new, plus it got a new horn setup on top of that. This is the new light body tube version of the 500SL model, and it is a truly effortless player. The intonation is excellent throughout. This bore is designed to have the F# tone hole present, so the tuning is excellent and altissimo is easy including the handy high F# key. The low notes are nice and saturated even at pp, and the horn will shake in your hands if you push it to ff. The palm key tone stays more full and rich than on most Taiwanese tenors that I have played (like P Mauriat etc.). The neck on this tenor is modeled on an early Mark VI tenor neck, and you do in fact get a Selmer-ish tone on it. I am impressed that you can get a horn this good for this price that has been thoroughly setup in the USA by TenorMadness pre-sale.

    The hand engraving is inspired by 50’s Selmer engraving, and it is of course gorgeous. The lacquer color is as well. This is one of the best looking tenors on the market today for sure. It comes in a contoured case that should be good for shipping and gigging.

    If you’re looking for an easy, turn-key purchase for a high-quality modern horn that is darker and more complex than some other new horns on the market, and that is really dependably easy to play, this would be a great choice. Really no matter what style of music you play, this horn gets the job done.

    Only one available!

  • Sold Out

    Yamaha YAS-875 Custom Alto Professional – Fresh Overhaul!

    $ 3,150
  • Yamaha YSS-62 Soprano Very Good Condition Getting Overhaul Now

    $ 3,500

    The most iconic and desirable modern soprano model, plus a fresh top shelf overhaul to make it play its best. All of these 62 purple logo Yamaha sopranos are around 35-40 years old at this point, which means it’s time they had new pads and a good overhaul. That’s what this one is getting right now!

    If you want a soprano saxophone that plays effortlessly with a warm, medium bright tone with some complexity to it, that’s what the Yamaha 62 does so well. Plus it tunes easily, and it sounds great with a wide range of mouthpieces. You can waste a lot of time and money trying to find a cheap soprano that is playable. I have dealt with many people who have tried. The Yamaha 475 is the best of the bunch in the cheap-but-good soprano category. But, rather unsurprisingly, it is actually built with the 62 soprano tooling, meaning it’s basically a modern remake of the 62 without a few more expensive options. And the Yamaha 82 soprano line is ALSO a remake of the 62, with slightly modified keywork (tilting low Bb). So you see how influential the original design has been. It’s hard to beat.

    Only one available!

  • Yamaha YTS-52 Tenor Saxophone 1980’s Fresh Overhaul Excellent Condition 5474

    $ 2,350

    This early 1980’s Yamaha 52 tenor is hard to beat for the price. The 80’s ‘purple logo’ 62 saxophones are prized for their warm, more complex tone, and they are among my favorite modern saxophones. The 52 from the same era is virtually the identical saxophone, with the same bore, neck, body tube and everything. It lacks a few higher end features that the 62 has (the ‘fat starfish’ engraving, ribs under some posts), but these don’t matter to most people, so it remains an excellent value. You get all the tone, comfortable ergonomics, dependability and ease of playing of a 62 for less money. Plus, this tenor just got a complete overhaul and is all freshly repadded and ready to go for a nice long time. It won’t need anything more than minor upkeep for the next several years, and it is super easy and responsive across all registers.

    It can be hard to find a tenor that plays this well for anything like this price. And Yamahas like this are also really easy to get worked on down the road and to keep in good adjustment. Compared to later Yamahas, this one is warmer, more complex, and more like a vintage Selmer (which was Yamaha’s starting point for the early 62 it seems to me), but with better intonation and a more even scale. No wonder these continue to be such popular saxophones.

    Only one available!